New Releases by Henry Miller

Auch in diesem inzwischen weltberühmten und verfilmten Buch zeigt sich der unsterbliche Henry Miller als Prophet und Moralist. Jahrelang musste er auf die Veröffentlichung warten. Denn «Stille Tage in Clichy» ist nicht, wie der Titel vermuten lassen könnte, eine Idylle im Werk des "obszönsten Schriftstellers der Weltliteratur" (Sir Herbert Read). Doch sei es, dass sich sein Erzähler Joey dem Mädchen Nys nähert, das er im Café trifft, sei es Mara-Marignan, die sich auf dem Champs-Élysées nach ihm umdreht: Joeys Abenteuer sind von erstaunlicher Heiterkeit. Ganz gleich, ob eine Mutter unter dem Gekreisch ihrer Kinder entblößt wird oder ob Joey mit zwei Dirnen in der Badewanne Brot und Wein zu sich nimmt, fast immer sind seine Handlungen von Gelächter begleitet, gehen unter in wilder Ausgelassenheit. Zugleich beschwört Henry Miller das Paris der dreißiger Jahre und seiner Atmosphäre überschäumender Lebenslust.

America's Most Unusual Writer... In this fascinating volume, devoted to the work of one of the most dynamic, controversial and unusual living American writers, you will find many eloquent and moving tales by Henry Miller, the author of Tropic of Cancer, Tropic of Capricorn, and many other books. Miller's frank and original expression of the most intimate thoughts and feelings of men and women, his unique style of writing and his acute observations on modern civilization have brought him international fame. Among the many eminent writers and critics who praise his work are T. S. Eliot, George Orwell, John Dos Passos, Aldous Huxley, Edmund Wilson, and H. L. Mencken. All who enjoy and appreciate good writing will find this brilliant collection of Miller's stories a new and unforgettable reading experience. "His is one of the most beautiful styles today."—H. L. Mencken "...a literary live wire."—St. Louis Post Dispatch "Mr. Miller's love goes out to the little people, men whom the world has never noticed."—Nashville Tennessean

A collection of works spanning the entire career of great 20th-century American writer Henry Miller, edited and introduced by Lawrence Durrell. In 1958, when Henry Miller was elected to membership in the American Institute of Arts and Letters, the citation described him as: "The veteran author of many books whose originality and richness of technique are matched by the variety and daring of his subject matter. His boldness of approach and intense curiosity concerning man and nature are unequalled in the prose literature of our times." It is most fitting that this anthology of "the best" of Henry Miller should have been assembled by one of the first among Miller’s contemporaries to recognize his genius, the eminent British writer Lawrence Durrell. Drawing material from a dozen different books Durrell has traced the main line and principal themes of the "single, endless autobiography" which is Henry Miller’s life work. "I suspect," writes Durrell in his Introduction, "that Miller’s final place will be among those towering anomalies of authorship like Whitman or Blake who have left us, not simply works of art, but a corpus of ideas which motivate and influence a whole cultural pattern." Earlier, H. L. Mencken had said, "his is one of the most beautiful prose styles today," and the late Sir Herbert Read had written that "what makes Miller distinctive among modern writers is his ability to combine, without confusion, the aesthetic and prophetic functions." Included are stories, "portraits" of persons and places, philosophical essays, and aphorisms. For each selection Miller himself prepared a brief commentary which fits the piece into its place in his life story. This framework is supplemented by a chronology from Miller’s birth in 1891 up to the spring of 1959, a bibliography, and, as an appendix, an open letter to the Supreme Court of Norway written in protest of the ban on Sexus, a part of which appears in this volume.

“A brilliant selection . . . it is in short a voyage of discovery, an adventure and this the log of that voyage in the life of a probing and powerful writer.” —Robert R. Kirsch, Los Angeles Times Some of the most rewarding pages in Henry Miller's books concern his self-education as a writer. He tells, as few great writers ever have, how he set his goals, how he discovered the excitement of using words, how the books he read influenced him, and how he learned to draw on his own experience.

This collection, first published by New Directions in 1939, contains a number of Henry Miller's most important shorter prose writings. They are taken from the Paris books Black Spring (1936) and Max and the White Phagocytes (1938) and were for the most part, written at about the satire time as Tropic of Capricorn—the period of Miller’s and Durrell’s life in the famous Villa Seurat in Paris. As is usual with Miller, these pieces cannot be tagged with the label of any given literary category. The unforgettable portrait of Max, the Paris drifter, and the probably-autobiographical Tailor Shop, are basically short stories, but even here the irrepressible vitality of Miller’s personality keeps breaking into the narrative. And in the critical and philosophical essays, the prose poems and surrealist fantasies, the travel sketches and scenarios, Miller’s passion for fiction, for telling the endless story of his extraordinary life, cannot be held down. Life, as no other modern author has lived it or can write it, bursts from these pages—the life of the mind and the body; of people, places and things; of ideas and the imagination.

Published for the first time in English, Paris 1928 (Nexus II) continues in true Henry Miller fashion the narrative begun in Nexus, the third volume of the Rosy Crucifixion trilogy. A rough draft that Miller ultimately abandoned, the story describes Miller's first wondrous glimpse of Paris and underscores several of the recurrent themes of his work. These previously unpublished memoirs capture Miller’s troubled relationship with his second wife, June; reflections on what he left behind in New York’s sweltering summer of 1927; and the anticipation of all that awaits him in Europe. Paris 1928 presents Miller’s views on Europe on the brink of great changes, counterpointed by his own personal sexual revelry and freedom of choice. Illustrations in this edition are by Australian artist and filmmaker Garry Shead.

In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller’s characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience.

In 1930, Henry Miller moved from New York to Paris, leaving behind — at least temporarily — his tempestuous marriage to June Smith and a novel that had sprung from his anguish over her love affair with a mysterious woman named Jean Kronski. Begun in 1927, Crazy Cock is the story of Tony Bring, a struggling writer whose bourgeois inclinations collide with the disordered bohemianism of his much-beloved wife, Hildred, particularly when her lover, Vanya, comes to live with them in their already cramped Greenwich Village apartment. In a world swirling with violence, sex, and passion, the three struggle with their desires, inching ever nearer to insanity, each unable to break away from this dangerous and consuming love triangle.

Few topics have inspired as much international furor and misinformation as the development and distribution of genetically altered foods. For thousands of years, farmers have bred crops for their resistance to disease, productivity, and nutritional value; and over the past century, scientists have used increasingly more sophisticated methods for modifying them at the genetic level. But only since the 1970s have advances in biotechnology (or gene-splicing to be more precise) upped the ante, with the promise of dramatically improved agricultural products—and public resistance far out of synch with the potential risks. In this provocative and meticulously researched book, Henry Miller and Gregory Conko trace the origins of gene-splicing, its applications, and the backlash from consumer groups and government agencies against so-called Frankenfoods—from America to Zimbabwe. They explain how a happy conspiracy of anti-technology activism, bureaucratic over-reach, and business lobbying has resulted in a regulatory framework in which there is an inverse relationship between the degree of product risk and degree of regulatory scrutiny. The net result, they argue, is a combination of public confusion, political manipulation, ill-conceived regulation (from such agencies as the USDA, EPA, and FDA), and ultimately, the obstruction of one of the safest and most promising technologies ever developed—with profoundly negative consequences for the environment and starving people around the world. The authors go on to suggest a way to emerge from this morass, proposing a variety of business and policy reforms that can unlock the potential of this cutting-edge science, while ensuring appropriate safeguards and moving environmentally friendly products into the hands of farmers and consumers. This book is guaranteed to fuel the ongoing debate over the future of biotech and its cultural, economic, and political implications.

Henry Miller's Rosy Crucifixion, his second major trilogy, took more than 10 years for the author to complete. Beginning in 1949 with Sexus, a work so controversial all of Paris was abuzz with L'Affaire Miller, (and publisher Maurice Girodias saw himself threatened with jail), following in 1952 with Plexus, and finally concluding with 1959's Nexus, the three works are a dazzling array of scenes, sexual encounters and ideas, covering Miller's final days in NY, his relationship with June Miller and her lover, his take on the arts, his favorite writers, his thoughts, his insights, his days and his nights, finally ending with a glorious farewell to the life he'd known and an anticipation of the life he would lead.

"In this, his first extant novel, Henry Miller made his earliest full-fledged attempt at autobiographical fiction, a literary form he was later to perfect in Paris." "Uncovered along with Crazy Cock in 1988 by Miller biographer Mary V. Dearborn, Moloch is based on Miller's years at Western Union and his first marriage. Set in the rapidly changing New York City of the early 1920s, the novel has as its hero the rough-and-tumble Dion Moloch, a man filled with anger and despair. Stuck in a demeaning job and an acrimonious homelife, Moloch escapes to the streets, only to be assaulted by a land that he despises - the transforming Brooklyn and its ever-increasing ethnic sights, sounds, and smells. Moloch strikes out at everything that he hates, battling against a world that threatens to overwhelm and then destroy him." "Brutal and shocking, sometimes awkward and rambling, Moloch displays Miller's first steps toward the motif that he was to make his hallmark: the scathingly direct hero striving for an unflinchingly honest view of himself in a world created out of the writer's life."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Nothing But The Marvelous (Expanded) Wisdoms of Henry Miller Henry Miller and Blair Fielding (editor) A gathering of Henry Miller's insights-memorable and revealing, profound and profane, angry and joyous, poetic and philosophical-covering a multitude of subjects, from "Aging" to "Universal Law." Drawn from the full scope of Miller's writings-the early, notorious "Tropic of Cancer, to "Book of Friends and "The Hamlet Letters.

The intimacy between Nin and Miller, first disclosed in Henry and June, is documented further in this impassioned exchange of letters between the two controversial writers.

Trapped in a bizarre menage a trois with his volatile actress wife, Mona, and her eccentric lover, Stasia, Miller's life descends into violent and passionate anarchy. This is the story of Miller's bizarre second marriage and its development into an extraordinary and legendary menage a trois.

Presents the best of Miller's contributions to Stroker magazine, which included prose, letters, and drawings ranging in subject matter from his daily activities to Isaac Bashevis Singer's Nobel Prize acceptance speech

The distinguishing feature of experimental psychology is not so much the nature of its theories as the methods used to test their validity. The first edition of Experimental Design and Statistics provided a clear and lucid introduction to these methods and the statistical techniques which support them. For this new edition the text has been revised, the coverage of two-sample tests has been extended, and new sections have been added introducing one-sample tests, linear regression and the product-moment correlation coefficient. Problems associated with the applications of experimental design and how to use observations of behaviour in research are key questions for all introductory students of psychology.

Norman Mailer, without a doubt the most important literary figure of his generation, here celebrates the genius of "the greatest living American writer" from an earlier generation in an extended essay of unequalled brilliance as well as in a generous selection from Miller's work to point the way to "the center of the power of his writing." --from front flap.

Book is largely a commentary by Henry Miller on Bob Nash's work.