New Releases by Henry Miller

America’s Most Unusual Writer... In this fascinating volume, devoted to the work of one of the most dynamic, controversial and unusual living American writers, you will find many eloquent and moving tales by Henry Miller, the author of Tropic of Cancer, Tropic of Capricorn, and many other books. Miller’s frank and original expression of the most intimate thoughts and feelings of men and women, his unique style of writing and his acute observations on modern civilization have brought him international fame. Among the many eminent writers and critics who praise his work are T. S. Eliot, George Orwell, John Dos Passos, Aldous Huxley, Edmund Wilson, and H. L. Mencken. All who enjoy and appreciate good writing will find this brilliant collection of Miller’s stories a new and unforgettable reading experience. “His is one of the most beautiful styles today.”—H. L. Mencken “...a literary live wire.”—St. Louis Post Dispatch “Mr. Miller’s love goes out to the little people, men whom the world has never noticed.”—Nashville Tennessean

An essential collection of writings, bursting with Henry Miller’s exhilarating candor and wisdom In this selection of stories and essays, Henry Miller elucidates, revels, and soars, showing his command over a wide range of moods, styles, and subject matters. Writing “from the heart,” always with a refreshing lack of reticence, Miller involves the reader directly in his thoughts and feelings. “His real aim,” Karl Shapiro has written, “is to find the living core of our world whenever it survives and in whatever manifestation, in art, in literature, in human behavior itself. It is then that he sings, praises, and shouts at the top of his lungs with the uncontainable hilarity he is famous for.” Here are some of Henry Miller’s best-known writings: an essay on the photographer Brassai; “Reflections on Writing,” in which Miller examines his own position as a writer; “Seraphita” and “Balzac and His Double,” on the works of other writers; and “The Alcoholic Veteran,” “Creative Death,” “The Enormous Womb,” and “The Philosopher Who Philosophizes.”

The Lemon Drop Didnt Melt A Tricia Gleason Novel Mark Henry Miller Tricia Gleason, about to start a new ministry in Snoqualmie, Washington, knows that good ministry includes preaching that doesnt cure insomnia, a caring presence with members especially when they hurt, and helping people grow in their beliefs. She takes a good first step toward each of these goals. She comforts a woman abused in marriage, she consoles an engineer whose boss demeans her, and her first sermon was the topic at the Snoqualmie Coffee Shop. What she didnt know made a difference and it was not for the good. She didnt know that every confidential conversation was not private. She didnt know the unseen listener wrote notes of the confidences and shared them in the church and with the neighbors. Trust was replaced by betrayal. Affirmation became rejection. A church member at worship one Sunday shouted at Tricia for being untrustworthy. Two days later the irate member was shot dead. The revolver was found in Tricias closet. Tricia is charged with murder, and the future is bleak. Her shadowed menace is delighted how he has orchestrated the charges and triggered doubt and mistrust everywhere. Homicide charges push her to the end of her rope. She tries to hang onbut may not make it.

Miller’s groundbreaking first novel, banned in Britain for almost thirty years.

Written during the same period as Tropic of Cancer and Tropic of Capricorn, and banned in the English-speaking world upon its publication in Paris in 1936, Black Spring is one of Miller''s finest achievements, and arguably his most distinguished book from a stylistic point of view. It consists of a number of linked episodes describing some of the crucial years in his personal saga, from recollections of his childhood in Brooklyn to his time in Paris.

Henry Miller’s landmark travel book, now reissued in a new edition, is ready to be stuffed into any vagabond’s backpack. Like the ancient colossus that stood over the harbor of Rhodes, Henry Miller’s The Colossus of Maroussi stands as a seminal classic in travel literature. It has preceded the footsteps of prominent travel writers such as Pico Iyer and Rolf Potts. The book Miller would later cite as his favorite began with a young woman’s seductive description of Greece. Miller headed out with his friend Lawrence Durrell to explore the Grecian countryside: a flock of sheep nearly tramples the two as they lie naked on a beach; the Greek poet Katsmbalis, the “colossus” of Miller’s book, stirs every rooster within earshot of the Acropolis with his own loud crowing; cold hard-boiled eggs are warmed in a village’s single stove, and they stay in hotels that “have seen better days, but which have an aroma of the past.”

In 1941, Henry Miller, the author of Tropic of Cancer, was commissioned by a Los Angeles bookseller to write an erotic novel for a dollar a page. Under the Roofs of Paris (originally published as Opus Pistorum) is that book. Here one finds Miller’s characteristic candor, wit, self-mockery, and celebration of the good life. From Marcelle to Tania, to Alexandra, to Anna, and from the Left Bank to Pigalle, Miller sweeps us up in his odyssey in search of the perfect job, the perfect woman, and the perfect experience.

Uncovered along with Crazy Cock in 1988 by Miller biographer Mary V. Dearborn, Moloch emerged from the misery of Miller''s years at Western Union and from the squalor of his first marriage. Set in the rapidly changing New York City of the early twenties, its hero is the rough-and-tumble Dion Moloch, a man filled with anger and despair. Trapped in a demeaning job, oppressed by an acrimonious home life, Moloch escapes to the streets only to be assaulted by a world he despises even more — a Brooklyn transformed into a shrill medley of ethnic sights, sounds, and smells. The antagonized Moloch strikes out blindly at everything he hates, battling against a world whose hostility threatens to overwhelm and destroy him.

Exposing the underbelly of Paris and its world of sex, prostitutes and destitution. This groundbreaking narrative, has outlived its contemporary accusations of obscenity, demonstrating that stylistically and socially Henry Miller was ahead of his time.

Few topics have inspired as much international furor and misinformation as the development and distribution of genetically altered foods. For thousands of years, farmers have bred crops for their resistance to disease, productivity, and nutritional value; and over the past century, scientists have used increasingly more sophisticated methods for modifying them at the genetic level. But only since the 1970s have advances in biotechnology (or gene-splicing to be more precise) upped the ante, with the promise of dramatically improved agricultural products—and public resistance far out of synch with the potential risks. In this provocative and meticulously researched book, Henry Miller and Gregory Conko trace the origins of gene-splicing, its applications, and the backlash from consumer groups and government agencies against so-called Frankenfoods—from America to Zimbabwe. They explain how a happy conspiracy of anti-technology activism, bureaucratic over-reach, and business lobbying has resulted in a regulatory framework in which there is an inverse relationship between the degree of product risk and degree of regulatory scrutiny. The net result, they argue, is a combination of public confusion, political manipulation, ill-conceived regulation (from such agencies as the USDA, EPA, and FDA), and ultimately, the obstruction of one of the safest and most promising technologies ever developed—with profoundly negative consequences for the environment and starving people around the world. The authors go on to suggest a way to emerge from this morass, proposing a variety of business and policy reforms that can unlock the potential of this cutting-edge science, while ensuring appropriate safeguards and moving environmentally friendly products into the hands of farmers and consumers. This book is guaranteed to fuel the ongoing debate over the future of biotech and its cultural, economic, and political implications.

Tropic of Capricorn : Riotous, rude and explosive, this book chronicles Henry Miller''s early life in New York. The young Miller is angry, passionate, lewd, a fiery prophet of sexual and intellectual freedom, and an incorrigible prankster dedicated to the subversion of America''s stale moral code. Read it, and experience for yourself Miller''s raw, unbridled love of life in all its filthy, vital glory.

A handsome, slip-cased, two-volume edition is printed in commemoration of thereigning achievements of this singular American writer.

Here is the inimitable Henry Miller speaking candidly about himself and his robust fiction - Tropic of Cancer, Tropic of Capricorn, The Air-Conditioned Nightmare. In this enticing collection he argues convincingly for the things that have mattered in his full and exhilarating life. He and his interviewers cover the range of his engrossing works that stirred obscenity charges, as well as his life as an expatriate, his loves and conquests, his goals, his beliefs, and his probing insights into the culture that produced him and repulsed him. These conversations serve as a retrospective visit with one of America''s most distinctively opinionated, most singularly identifiable, and most invigorating authors - arguably the grand guru of sex in American literature.

Aller Retour New York is truly vintage Henry Miller, written during his most creative period, between Tropic of Cancer (1934) and Tropic of Capricorn (1939). Aller Retour New York is truly vintage Henry Miller, written during his most creative period, between Tropic of Cancer (1934) and Tropic of Capricorn (1939). Miller always said that his best writing was in his letters, and this unbuttoned missive to his friend Alfred Perles is not only his longest (nearly 80 pages!) but his best—an exuberant, rambling, episodic, humorous account of his visit to New York in 1935 and return to Europe aboard a Dutch ship. Despite its high repute among Miller devotees, Aller Retour New York has never been easy to find. It was first brought out in Paris in 1935 in a limited edition, and a second edition, “Printed for Private Circulation Only,” was issued in the United States ten years later. It is now available in paperback as a Revived Modern Classic, with an introduction by George Wickes that illuminates the people and personal circumstances which inform Aller Retour New York.

Aller Retour New York is truly vintage Henry Miller, written during his most creative period, between Tropic of Cancer (1934) and Tropic of Capricorn (1939). Miller always said that his best writing was in his letters, and this unbuttoned missive to his friend Alfred Perlès is not only his longest (nearly 80 pages!) but his best--an exuberant, rambling, episodic, humorous account of his visit to New York in 1935 and return to Europe aboard a Dutch ship. Despite its high repute among Miller devotees, Aller Retour New York has never been easy to find. It was first brought out in Paris in 1935 in a limited edition, and a second edition, "Printed for Private Circulation Only," was issued in the United States ten years later. It is now available in paperback as a Revived Modern Classic, with an introduction by George Wickes that illuminates the people and personal circumstances which inform Aller Retour New York.

For use in schools and libraries only. Forty years have passed since Grove Press first published Henry Miller''s landmark masterpiece -- an act that would forever change the face of American literature. Initially banned in America as obscene, Tropic of Cancer was first published in Paris in 19

"A perfect expression of Miller''s moral perspective as well as one of his outstanding demonstrations of narrative skill. It provides a wonderful cinematic view of two indomitable egotists in deadly conflict." --The Nation

In celebration of the centennial of his birth, Into the Heart of Life: Henry Miller at One Hundred gathers a captivating selection of writings from ten of his books. The delights of his prose are many, not the least of which is Miller''s comic irony, which as The London Times noted, can be "as stringent and urgent as Swift''s." Frederick Turner has organized the whole to highlight the autobiographical chronology of Miller''s life, and along the way places the author squarely where he belongs––in the great tradition of American radical individualism, as a child of Emerson, Thoreau, and Whitman. Miller, who joyously declared "I am interested––like God––only in the individual," would have been pleased. The keynotes here are self-liberation and the pleasures of Miller''s "knotty, cross-grained" genius, as Turner describes it––"defying classification, ultimately unamenable to any vision, any program not [his] own." Or, as Henry Miller himself put it: "I am the hero and the book is myself."

In 1930 Henry Miller moved from New York to Paris, leaving behind - at least temporarily - his tempestuous marriage to June Smith and a novel that had sprung from his anguish over her love affair with a mysterious woman named Jean Kronski. Begun in 1927, Crazy Cock is the story of Tony Bring, a struggling writer whose bourgeois inclinations collide with the disordered bohemianism of his much-beloved wife, Hildred, particularly when her lover, Vanya, comes to live with them in their already cramped Greenwich Village apartment. In a world swirling with violence, sex, and passion, the three struggle with their desires, inching ever nearer to insanity, each unable to break away from this dangerous and consuming love triangle.

Nothing But The Marvelous (Expanded) Wisdoms of Henry Miller Henry Miller and Blair Fielding (editor) A gathering of Henry Miller''s insights-memorable and revealing, profound and profane, angry and joyous, poetic and philosophical-covering a multitude of subjects, from "Aging" to "Universal Law." Drawn from the full scope of Miller''s writings-the early, notorious "Tropic of Cancer, to "Book of Friends and "The Hamlet Letters.

The first novel of Miller''s frank, autobiographical trilogy uses dream, fantasy, and burlesque to portray the life of a struggling writer in preWorld War I New York.

Presents the best of Miller''s contributions to Stroker magazine, which included prose, letters, and drawings ranging in subject matter from his daily activities to Isaac Bashevis Singer''s Nobel Prize acceptance speech.