New Releases by Henry Purcell

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ Trinity College Library Watkinson Collection T154319 Titlepage in red and black. Dedication signed: Fr. Purcell. The leaf after p. vi is an advertisement for John Cullen. A reissue of the second edition of the same year, with a cancel titlepage and, additionally, a frontispiece. London: printed by William Pearson, and sold by John Young, 1706. [2], vi, [2],286p., plate: ill., music, port.; 2°

Nineteenth Century Collections Online: European Literature, 1790-1840: The Corvey Collection includes the full-text of more than 9,500 English, French and German titles. The collection is sourced from the remarkable library of Victor Amadeus, whose Castle Corvey collection was one of the most spectacular discoveries of the late 1970s. The Corvey Collection comprises one of the most important collections of Romantic era writing in existence anywhere -- including fiction, short prose, dramatic works, poetry, and more -- with a focus on especially difficult-to-find works by lesser-known, historically neglected writers. The Corvey library was built during the last half of the 19th century by Victor and his wife Elise, both bibliophiles with varied interests. The collection thus contains everything from novels and short stories to belles lettres and more populist works, and includes many exceedingly rare works not available in any other collection from the period. These invaluable, sometimes previously unknown works are of particular interest to scholars and researchers. European Literature, 1790-1840: The Corvey Collection includes: * Novels and Gothic Novels * Short Stories * Belles-Lettres * Short Prose Forms * Dramatic Works * Poetry * Anthologies * And more Selected with the guidance of an international team of expert advisors, these primary sources are invaluable for a wide range of academic disciplines and areas of study, providing never before possible research opportunities for one of the most studied historical periods. Additional Metadata Primary Id: B0053400 PSM Id: NCCOF0063-C00000-B0053400 DVI Collection Id: NCCOC0062 Bibliographic Id: NCCO001451 MCODE: 4UVC Original Publisher: Printed for and under the direction of George Cawthorn, British Library Original Publication Year: 1796 Original Publication Place: London Subjects Verse drama, English -- Early works to 1800.

Near-complete collection of great English composer's keyboard compositions, including the 8 suites, airs, trumpet tunes (for harpsichord solo), grounds, preludes, dances, etc. Edited by William Barclay Squire.

Expertly arranged Vocal Score by Henry Purcell from the Kalmus Edition series. This is from the Baroque era.

"The Fairy Queen" was first performed in 1692, and was repeated in the following year. For the revival in 1693 Purcell added all the music of Act I., and the two songs, "Ye gentle spirits of the air" (No. 24) and "The Plaint" (No. 43). The Opera was adapted from Shakespeare's "A Midsummer Night's Dream," but Purcell did not set a single line of Shakespeare's play to music. The play was considerably curtailed, many lines altered, and some Scenes rearranged; in this mutilated version it was acted, not sung. At the end of each Act some pretext is found for introducing a musical entertainment which has little or nothing to do with the play. Purcell's music, composed towards the end of his short career, includes some of his best work, and shows strong Italian influence.

A collection of vocal solos composed by Henry Purcell.

A Choral Extended Work for SATB or SAATTB with SAATBB Soli composed by Henry Purcell.

A Choral Worship Cantata in SATB with SATB Soli voicing, composed by Henry Purcell.

A Violin solo for 2 Violins with Piano Accompaniment composed by Henry Purcell.

Henry Purcell's masterpiece, Dido and Aeneas, is considered the high point of English opera. "When I Am Laid in Earth" is a poignant, lovely aria sung by the lovelorn, dying Queen Dido as her hero Aeneas sails away. Beautifully arranged by Sylvia Rabinof for two pianos, eight hands, the delicate simplicity sings forth with subtle strength.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT135473Originally published in 1654 as: A breefe introduction to the skill of musick. In three books. Book II has a separate titlepage: 'An introduction. To the playing on the bass, tenor, and treble-viols; and also on the treble-violin.'. Book III has a sepaLondon: printed by W. Pearson, for Henry Playford; and John Sprint, 1703. [18],80,91-180, [2]p., plate: ill., music, port.; 8

A collection of exercises for Piano, composed by Henry Purcell and others.

A choral worship collection for a cappella chorus with English and German text, composed by Henry Purcell.

PDF sheet music optimized for iPad, tablet and laptop screens. Recitative and aria from de opera ''Dido and Aeneas'' by Henry Purcell. Voice and Piano. Soprano or Mezzo-soprano. English. Intermediate. MCL77