Best Selling Books by Hilary Mantel

The sequel to Wolf Hall, Hilary Mantel''s Man Booker Prize winner and New York Times bestseller, Bring Up the Bodies delves into the heart of Tudor history with the downfall of Anne Boleyn. The basis for the TV show on BBC and PBS Masterpiece starring Mark Rylance as Thomas Cromwell. Though he battled for seven years to marry her, Henry is disenchanted with Anne Boleyn. She has failed to give him a son and her sharp intelligence and audacious will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice. At a word from Henry, Thomas Cromwell is ready to bring her down. Over three terrifying weeks, Anne is ensnared in a web of conspiracy, while the demure Jane Seymour stands waiting her turn for the poisoned wedding ring. But Anne and her powerful family will not yield without a ferocious struggle. Hilary Mantel''s Bring Up the Bodies follows the dramatic trial of the queen and her suitors for adultery and treason. To defeat the Boleyns, Cromwell must ally with his natural enemies, the papist aristocracy. What price will he pay for Anne''s head? Named a top 10 Best Book of the Year by The New York Times, Publishers Weekly, and The Washington Post

The brilliant #1 New York Times bestseller Named a best book of 2020 by The New York Times, The Washington Post, TIME, The Guardian, and many more With The Mirror & the Light, Hilary Mantel brings to a triumphant close the trilogy she began with her peerless, Booker Prize-winning novels, Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. The story begins in May 1536: Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell, a man with only his wits to rely on, has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to the breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. All of England lies at his feet, ripe for innovation and religious reform. But as fortune’s wheel turns, Cromwell’s enemies are gathering in the shadows. The inevitable question remains: how long can anyone survive under Henry’s cruel and capricious gaze? Eagerly awaited and eight years in the making, The Mirror & the Light completes Cromwell’s journey from self-made man to one of the most feared, influential figures of his time. Portrayed by Mantel with pathos and terrific energy, Cromwell is as complex as he is unforgettable: a politician and a fixer, a husband and a father, a man who both defied and defined his age.

The drama of an English missionary couple. Posted to South Africa they become anti-apartheid activists and are jailed. Released, they move to Botswana where she gives birth to twins, but a black servant abducts them and only one boy is recovered. Although they have more children, the incident poisons their lives. By the author of An Experiment in Love.

''Like Lorna Sage''s Bad Blood ... A masterpiece'' RACHEL CUSK ''Giving up the Ghost'' is award-winning novelist Hilary Mantel''s uniquely unusual five-part autobiography. Opening in 1995 with ''A Second Home'', Mantel describes the death of her stepfather which leaves her deeply troubled by the unresolved events of her childhood. In ''Now Geoffrey Don''t Torment Her'' Mantel takes the reader into the muffled consciousness of her early childhood, culminating in the birth of a younger brother and the strange candlelight ceremony of her mother''s ''churching''. In ''Smile'', an account of teenage perplexity, Mantel describes a household where the keeping of secrets has become a way of life. Finally, at the memoir''s conclusion, Mantel explains how through a series of medical misunderstandings and neglect she came to be childless and how the ghosts of the unborn like chances missed or pages unturned, have come to haunt her life as a writer.

In the ruthless arena of King Henry VIII''s court, only one man dares to gamble his life to win the king''s favor and ascend to the heights of political power England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years, and marry Anne Boleyn. The pope and most of Europe opposes him. The quest for the king''s freedom destroys his adviser, the brilliant Cardinal Wolsey, and leaves a power vacuum. Into this impasse steps Thomas Cromwell. Cromwell is a wholly original man, a charmer and a bully, both idealist and opportunist, astute in reading people and a demon of energy: he is also a consummate politician, hardened by his personal losses, implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph? In inimitable style, Hilary Mantel presents a picture of a half-made society on the cusp of change, where individuals fight or embrace their fate with passion and courage. With a vast array of characters, overflowing with incident, the novel re-creates an era when the personal and political are separated by a hairbreadth, where success brings unlimited power but a single failure means death.

THE FINAL BOOK FROM ONE OF OUR GREATEST WRITERS In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. “Ink is a generative fluid,” she explains. “If you don’t mean your words to breed consequences, don’t write at all.” A Memoir of My Former Self collects the finest of this writing over four decades. Her subjects are wide-ranging, sharply observed, and beautifully rendered. She discusses nationalism and her own sense of belonging; our dream life popping into our conscious life; the mythic legacy of Princess Diana; the many themes that feed into her novels—revolutionary France, psychics, Tudor England; and other novelists, from Jane Austen to V.S. Naipaul. She writes about her father and the man who replaced him; she writes fiercely and heartbreakingly about the battles with her health that she endured as a young woman, and the stifling years she found herself living in Saudi Arabia. Here, too, is her legendary essay “Royal Bodies,” on our endless fascination with the current royal family. From her unusual childhood to her all-consuming interest in Thomas Cromwell that grew into the Wolf Hall trilogy, A Memoir of My Former Self reveals the shape of Hilary Mantel’s life in her own luminous words, through “messages from people I used to be.” Filled with her singular wit and wisdom, it is essential reading from one of our greatest writers.

One dark and stormy night in 1956, a stranger named Fludd mysteriously turns up in the dismal village of Fetherhoughton. He is the curate sent by the bishop to assist Father Angwin-or is he? In the most unlikely of places, a superstitious town that understands little of romance or sentimentality, where bad blood between neighbors is ancient and impenetrable, miracles begin to bloom. No matter how copiously Father Angwin drinks while he confesses his broken faith, the level of the bottle does not drop. Although Fludd does not appear to be eating, the food on his plate disappears. Fludd becomes lover, gravedigger, and savior, transforming his dull office into a golden regency of decision, unashamed sensation, and unprecedented action. Knitting together the miraculous and the mundane, the dreadful and the ludicrous, Fludd is a tale of alchemy and transformation told with astonishing art, insight, humor, and wit.

An English couple''s life in Saudi Arabia told through the eyes of Frances, the wife. She describes the heat, the ugliness and the menace of Islamic law. Men stroll in the street with rifles and from the apartment upstairs comes sobbing. It is nothing her Arab friends tell her, simply a millionaire''s mistress, but Frances knows they are lying. Finally, there is murder.

The New York Times bestselling collection, from the Man Booker prize-winner for Wolf Hall and Bring Up the Bodies, that has been called "scintillating" (New York Times Books Review), "breathtaking" (NPR), "exquisite" (The Chicago Tribune) and "otherworldly" (Washington Post). "A new Hilary Mantel book is an Event with a ‘capital ‘E.''"—NPR "A book of her short stories is like a little sweet treat."—USA Today (4 stars) "[Mantel is at] the top of her game."—Salon "Genius."—The Seattle Times One of the most accomplished, acclaimed, and garlanded writers, Hilary Mantel delivers a brilliant collection of contemporary stories In The Assassination of Margaret Thatcher, Hilary Mantel''s trademark gifts of penetrating characterization, unsparing eye, and rascally intelligence are once again fully on display. Stories of dislocation and family fracture, of whimsical infidelities and sudden deaths with sinister causes, brilliantly unsettle the reader in that unmistakably Mantel way. Cutting to the core of human experience, Mantel brutally and acutely writes about marriage, class, family, and sex. Unpredictable, diverse, and sometimes shocking, The Assassination of Margaret Thatcher displays a magnificent writer at the peak of her powers.

Winners of the Man Booker Prize and hugely successful stage plays in London''s West End and on Broadway, Hilary Mantel''s Wolf Hall and Bring Up the Bodies bring history to life for a whole new audience having now been adapted into a six-part television series by the BBC and PBS Masterpiece. England in the 1520s is a heartbeat from disaster. If the king dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The pope and most of Europe oppose him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer and a bully, both idealist and opportunist, master of deadly intrigue, and implacable in his ambition.

A two-ebook edition of Hilary Mantel’s bestselling novels: Wolf Hall, winner of the Man Booker Prize 2009, and Bring Up the Bodies, winner of the Man Booker Prize 2012. Wolf Hall and Bring Up the Bodies, the first two instalments in Hilary Mantel’s Tudor trilogy, have gathered readers and praise in equal and enormous measure. They have been credited with elevating historical fiction to new heights and animating a period of history many thought too well known to be made fresh. Through the eyes and ears of Thomas Cromwell, the books’ narrative prism, we are shown Tudor England, the court of King Henry VIII. Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with a delicate and deadly expertise in manipulating people and events. In Wolf Hall we witness Cromwell’s rise, beginning as clerk to Cardinal Wolsey, Henry’s chief advisor, charged with securing the divorce the pope refuses to grant. He is soon to become his successor. By 1535, when the action of Bring Up the Bodies begins, Cromwell is Chief Minister to Henry, his fortunes having risen with those of Anne Boleyn, Henry’s second wife. Anne’s days, though, are marked. Cromwell watches as the king falls in love with silent, plain Jane Seymour, sensing what Henry’s affection will mean for his queen, for England, and for himself.

Trouble spirals out of control for a psychic and her personal assistant when they take up with a spirit guide and his drowned therapist after moving to a suburban wasteland.

The Giant, O''Brien, is a freak of nature on display in 1782 London. On exhibit for money, he has, he soon finds out, come to die--and a man of science covets the corpse for his own purposes.

A New York Times Book Review Notable Book of the Year It was the year after Chappaquiddick, and all spring Carmel McBain had watery dreams about the disaster. Now she, Karina, and Julianne were escaping the dreary English countryside for a London University hall of residence. Interspersing accounts of her current position as a university student with recollections of her childhood and an ever difficult relationship with her longtime schoolmate Karina, Carmel reflects on a generation of girls desiring the power of men, but fearful of abandoning what is expected and proper. When these bright but confused young women land in late 1960s London, they are confronted with a slew of new preoccupations--sex, politics, food, and fertility--and a pointless grotesque tragedy of their own. Hilary Mantel''s magnificent novel examines the pressures on women during the early days of contemporary feminism to excel--but not be too successful--in England''s complex hierarchy of class and status.

WINNER OF THE 2009 MAN BOOKER PRIZE WINNER OF THE WALTER SCOTT PRIZE and the NATIONAL BOOK CRITICS CIRCLE AWARD SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION and the COSTA NOVEL AWARD Now the inspiration for a BBC mini-series, starring Mark Rylance and Damian Lewis, and directed by Peter Kosminsky England, the 1520s. Henry VIII is on the throne, but he has no male heir. Despite opposition from the pope and most of Europe, he is determined to annul his marriage of twenty years and marry Anne Boleyn. The quest for the king’s freedom destroys his brilliant adviser, Cardinal Wolsey, and leaves a power vacuum and a deadlock. Into this impasse steps Thomas Cromwell. A political genius, a briber, a bully and a charmer, Cromwell has broken all the rules of a rigid society in his ascent to power, and he is preparing to break some more. Pitting himself against parliament, the political establishment and the papacy, he is prepared to reshape England to his own and Henry’s desires.

Stephen King meets Muriel Spark in Hilary Mantel''s first novel. Evelyn Axona-medium by trade-and her half-wit daughter Muriel have become a social problem. Barricaded in their once-respectable house, they live amid festering rubbish, unhealthy smells-and secrets. They completely baffle Isabel Field, the social worker assigned to help them. But Isabel is only the most recent in a long line of people that find the Axons impossible. Meanwhile, Isabel has her own problems: a married lover, Colin. He is a history teacher to unresponsive children and father to a passel of his own horrible kids. With all this to worry about, how can Isabel even begin to understand what is going on in the Axon household? When Evelyn finally moves to def Muriel, and Muriel, in turn, acts to protect herself, the results are by turns hilarious and terrifying.

Set during the French Revolution, this "riveting historical novel" ("The New Yorker") is the story of three young provincials who together helped destroy a way of life and, in the process, destroyed themselves.