New Release Books by Humphrey Carpenter

Though written nearly four hundred years ago, the stories in Shakespeare's plays are relevant to any age. Stories of love, hate, jealousy, murder, greed, and magic. Comedies and tragedies to appeal to every taste. Humphrey Carpenter has retold the stories from twelve of Shakespeare's plays in an original and exciting way. Using contemporary language, each story is told from a different character's point of view and in a different style. Includes retellings of: Hamlet Twelfth Night Julius Caesar A Midsummer Night's Dream Macbeth Much Ado About Nothing King Lear The Merchant of Venice Othello As You Like It The Winter's Tale The Tempest

The last thirty years have witnessed one of the most fertile periods in the history of children's books. A fascinating reference guide to the world of children's literature, this volume covers every genre from fairy tales to chapbooks; school stories to science fiction; comics to children's hymns

This collection will entertain all who appreciate the art of masterful letter writing. The Letters of J.R.R Tolkien sheds much light on Tolkien's creative genius and grand design for the creation of a whole new world: Middle-earth. Featuring a radically expanded index, this volume provides a valuable research tool for all fans wishing to trace the evolution of THE HOBBIT and THE LORD OF THE RINGS.

Mr Majeika can behave just like any ordinary teacher if he wants to, but something has to be done about Hamish Bigmore, the class nuisance, and so he uses a little magic to turn him into a frog - the only problem is he can't remember the spell to turn him back.

A comprehensive collection of letters spanning the adult life (1914-1973) of one of the world’s most famous storytellers.

W. H. Auden disapproved of literary biography. Or did he? The truth is far more equivocal than at first seems apparent. There is no denying he delivered himself of such unambiguous pronouncements as 'Biographies of writers are always superfluous and usually in bad taste.'; and that he asked for his friends to burn his letters at his death, but, against that, Auden himself often reviewed literary biographies and normally with enthusiasm. Moreover he argued for biographies of writers such as Dryden, Trollope, Wagner and Gerard Manley Hopkins as their lives would tell us something about their art. Humphrey Carpenter himself nicely summarizes Auden's ambiguity on this question. 'Here (referring to literary biography), as so often in his life, Auden adopted a dogmatic attitude which did not reflect the full range of his opinions, and which he sometimes flatly contradicted.' Although the biography was not authorized it did receive the co-operation of the Auden Estate which gave permission for letters and unpublished works to be quoted. The result is a biography that was widely praised on first publication in 1981 and which continues to hold its own. Now is the obvious time to reissue it with the character of Humphrey Carpenter playing an important role in Alan Bennett's The Habit of Art. In his introduction Alan Bennett writes 'When I started writing the play I made much use of the biographies of both Auden and Britten written by Humphrey Carpenter and both are models of their kind. Indeed I was consulting his books so much that eventually Carpenter found his way into the play.' 'Carpenter is a model biographer - diligent, unspeculative, sympathetic, and extremely good at finding out what happened when and with whom . . . admirably detailed and researched study.' John Bayley, The Listener 'an illuminating book; full of information, unobtrusively affectionate, it describes with unpretentious elegance the curve of a great poet's life and work' Frank Kermode, Guardian 'sharpens and usually lights up even the most canvassed parts of the Auden life and myth . . . a deeply interesting book about a deeply interesting life' Roy Fuller, Sunday Times ' . . . the story of a remarkable man told by one of the best living biographers' David Cecil, Book Choice

In Humphrey Carpenter's own words, 'This is the story of the longest-ever literary party, which went on in Montparnasse, on the Left Bank, throughout the 1920s.' 'This book', to continue to quote Carpenter himself, 'is chiefly a collage of Left-Bank expatriate life as it was experienced by the Hemingway generation - "The Lost Generation", as Gertrude Stein named it in a famous remark to Hemingway.' There are brief portraits of Gertrude Stein, Natalie Clifford Barney and Sylvia Beach, who moved to Paris before the First World War and provided vital introductions for the exiles of the 1920s. The main narrative, however, concerns the years 1921 to 1928 because these saw the arrival and departure of Hemingway and most of his Paris associates. 'He is a compelling guide, catching the kind of idiosyncratic detail or incident that holds the readers' attention and maintains a cracking pace. Anyone wanting an introduction to the constellation of talent that made the Left Bank in Paris during the Twenties a second Greenwich Village would find this a useful and inspiring book.' Times Educational Supplement

The original authorised biography, and the only one written by an author who actually met J.R.R. Tolkien.

'[The Brideshead Generation] has both style and substance, and is above all an enjoyable companion. It has a wildly amusing cast, here controlled by a skilful director.' Evening Standard 'Jovial and entertaining, full of the sort of stories that your friends will tell you if you don't read it before them.' Independent 'Carpenter has read widely and has collected an enormous fund of entertaining stories and facts.' Sunday Telegraph 'Hauntingly sad and wonderfully funny and by far the best thing Humphrey Carpenter has done.' Fiona MacCarthy, The Times

When Class Three and Mr Majeika go to the circus, it's definitely not as fun as they imagined. Everyone's a bit old, creaky and rubbish really! So when Mr Majeika casts a small spell to help the performers with their circus show, it's no surprise that Billy Balance, the slack rope walker, kidnaps Mr Majeika so that Mr Majeika can magically help him everytime! Things get worse whilst Mr majeika is trapped when Wilhelmina Worlock takes the opportunity to turn Class Three's classroom into a circus and the children spend all afternoon running away from lions and alligators! But Mr Majeika's magic saves the day, Class Three and the circus end up on the news and once again Mr Potter, the headmaster, misses it all!

When old Mr Jenks retires, St Barty's School advertises for a new caretaker. Unfortunately there's only one applicant - Hamish Bigmore's Uncle Wilf who is just as rude and bad-tempered as Hamish. When Mr Majeika is hurt in an accident it becomes clear that Uncle Wilf is working for the wickedest of witches, Wilhelmina Warlock! It's up to Mr Majeika to work his magic and put things right again.

'I really am quite useless as a wizard.' But Class Three thinks Mr Majeika is an excellent wizard, particularly when his spells go wrong! First Hamish Bigmore ends up on TV, then a real giant appears in the school play. And finally Mr Majeika gets the whole class lost on a magic carpet! There's always an adventure with Mr Majeika around...

Class 3 are sure that something is very wrong when Mr Majeika leaves school without saying goodbye. When they find a message from him saying he's been arrested by the Silly Crime Squad, they are determined to rescue him. To do this they must outwit Hamish Bigmore and Mr Majeika's old enemy, Wilhelmina Worlock. They succeed and Wilhelmina is punished with a 'spell' on earth as a Supply Teacher!

Covering the period from the publication of Alice's Adventures in Wonderland to Winnie-the-Pooh, Humphrey Carpenter examines the lives and writings of Lewis Carroll, Kenneth Grahame, George Macdonald, Louisa May Alcott, Frances Hodgson Burnett, A.A. Milne and others whose works make up the Golden Age of children's literature. Both a collective biography and a work of criticism, Secret Gardens forces us to reconsider childhood classics in a new light. 'Secret Gardens permits us to see in a fresh light the interaction between cultural history and literature, and to realize that ... it wasn't mere misfits who withdrew into the writing of children's books, but rather the sort of misfits who reflected the prevailing dissatisfactions of the age.' New York Times Book Review

'Sometimes, ' whispered Jody. 'I think school dinners would be alright if it wasn't for her.' Mrs Chipchase, the nasty dinner lady, makes lunch hour at St Barty's really unpleasant. That is, for everyone but her 'favourite friend', Hamish Bigmore. Up to his usual tricks, Hamish is allowed to eat chocolate instead of ghastly school dinners! Mr Majeika decides it's time to sort out the menu...

Spike Milligan was one of our best-loved comics as well as one of our most original. In this first major assessment of Spike's life and career, the highly respected biographer Humphrey Carpenter has - through copious research and access to many of those closest to the great man - unearthed a character who could be as difficult and contradictory as he was generous and talented. The creator of The Goons was to influence a whole generation of comics, yet was never to feel fully valued. His periods of depression were matched by periods of high creativity - there were poems, novels, volumes of biography, as well as TV series and a one-man show as Spike searched for his best means of expression. There was also, as revealed here, his inveterate womanising. Married three times and with four children to whom he was devoted, two illegitimate children were to remain barely acknowledged, Detailing both his private and professional life, Humphrey Carpenter gives us the most revealing portrait yet of this highly complex genius.

'Music teacher? What music teacher?' The sudden arrival of a new music teacher throws St barty's School into confusion. Mysterious smells start coming from the staffroom and creepy-crawlies appear out of nowhere. The new arrival is, of course, Wilhelmina Worlock, a wicked witch with some nasty tricks. It's up to Mr Majeika to try to outwit her...

'Use of magic by teacher strictly forbidden.' Poor Mr Majeika goes to the bottom of the class when the school inspector comes to call. Things don't get any easier when Mr Majeika turns himself into a lobster by mistake. Class Three somehow has to get Wilhemina Worlock to undo the spell...

Dennis Potter's death in 1994 deprived British television of its most controversial figure. Potter was a prolific writer of genius. Yet while his subversive television plays, such as Pennies from Heaven and The Singing Detective, scandalized and delighted the nation, they also made him the butt of the tabloids, who nicknamed him 'Dirty Den' for his 1989 serial Blackeyes. Humphrey Carpenter, acclaimed biographer of Tolkien, Auden, Pound, Britten and Robert Runcie, interviewed everyone who came close to Potter, and had exclusive access to Potter's archives, including the many unmade television and film scripts. Carpenter portrays a very different Potter from the aggressive public image: a deeply shy and reclusive man, who was psychologically as well as physically scarred by the illness which struck him down at the age of twenty-six. Potter was a man with a vast interest in sex but also a terrible loathing of it, thanks to an appalling experience he suffered in childhood. Potter was a man much gossiped about. Carpenter's remarkable biography establishes the extraordinary truth behind the rumours; describes Potter's strange, obsessive relationships with women such as Gina Bellman, who played Blackeyes; and gives a vivid portrait of the backstage dramas and fights behind Potter's screen triumphs. 'What is valuable about this book is that it reveals Potter's real private life, which barely features in his plays ... A wonderfully vivid portrait of the man: his generosity and cruelty, his coarseness and tenderness, and the thwarted sexual yearning that underlay everything.' Lynn Barber, Daily Telegraph

Ezra Pound's greatness as a man of letters - poet, translator, critic, editor, pedagogue, universal correspondent - made him a central figure in the literature of the twentieth century. He was an exotic and controversial character throughout his life, and his public career achieved melodrama in l945 when he was indicted on a charge of treason, for broadcasting Axis propaganda on Rome radio during the war. He was eventually confined to a Washington psychiatric hospital for thirteen years. The final period of his life, after his release and return to Italy, was as dramatic - and tragic - as anything that had gone before. In this vigorous and fully documented biography Humphrey Carpenter carefully scrutinizes and often takes issue with the accepted valuation of Pound's achievements and his personality. He had access to Pound's vast correspondence - including highly revealing letters to his parents - and to medical records and confidential American government memoranda relating to Pound's indictment and trial. A Serious Character is rich in fascinating detail and acutely challenging in its judgements and commentary. Its title is taken from one of Pound's favourite sayings (first recorded in 1913): 'Are you or are you not, a serious character?'.

'Oh dear,' said Mr Majeika, 'I seem to have made the spell too strong.' Class Three has fun during Book Week, when famous storybook characters suddenly appear! But there's trouble ahead with Wilhemina Worlock the witch at the school's Olympic Sports Day... Will Mr Majeika manage to magic up a solution?

It started with Beyond the Fringe at the Edinburgh Festival of 1960. Four Cambridge undergraduates, Peter Cook, Dudley Moore, Jonathan Miller and Alan Bennett had created a satirical revue, which by its iconoclastic irreverence destroyed what Humphrey Carpenter describes as 'the culture of deference' so prevalent in the preceding decade. Satire was quick to spread: The Establishment Club, 'London's first satirical nightclub', opened in Soho: Private Eye began to appear: and That Was The Week That Was started to be screened on the BBC on Saturday nights. Why was there this sudden upsurge of satire? What really happened in those years? Alan Bennett, Jonathan Miller, Ned Sherrin, Richard Ingrams and the late John Wells were all interviewed by Humphrey Carpenter. Their stories have been woven together to create a narrative which vibrantly brings alive this period of social and cultural change. 'It's an interesting story, and I think that it's never been really got quite right (before now), largely because it hasn't been set in its social context. . . This is the first detailed, scholarly account of this peculiar episode in British cultural history, and I suspect will remain a definitive one.' Jonathan Miller

'Do be careful, Mr Majeika, there might be real ghosts in there.' When Class Three and Mr Majeika get on board a ghost train, they are in for a surprise. Real ghosts appear and the wicked Wilhemina Worlock isn't far away. But Jody comes to the rescue - with a dragon to help her!

From its birth in 1768, when the first John Murray of Edinburgh came down to London, each of the publishing house's seven leaders has made his own contribution to the dissemination of literature and the understanding of the world. One became Byron's publisher and confidante; another began the revolutionary series of Murray handbooks which transformed world travel in the early years of the railways; a third broke controversial new ground with the publication of Queen Victoria's letters. So the tradition progressed to the end of the 20th century, and a list of literary giants including Patrick Leigh Fermor, Osbert Lancaster, Francoise Sagan, and British Poet Laureate, John Betjeman. Written in Carpenter's rollicking and iconoclastic style, it is an affectionate and vibrant account of the longest-surviving publishing house in the world.

'Oh, don't be cowards,' said Jody. 'I'm sure it's perfectly safe.' Mysteriously stranded in the fog at night. Mr Majeika and Class Three find themselves in a creepy hotel near Hadrian's Wall, where some very spooky things start to happen. Strange lights, ghostly sounds and vanishing people...

Class Three has got a new computer and while exploring it, Mr Majeika manages to get the whole class trapped in the school website. Many adventures follow and Class Three meet bizarre characters before they can get out.

A biography of CS Lewis, JRR Tolkien and the group of writers to come out of Oxford during the Second World War.

More amazing adventures with Mr Majeika, the ex-wizard, turned teacher, and his class at St Barty's School. This time there's a trip down a magic river, a battle to save St Barty's from the wrecking ball, and work experience for Class Three.

A group biography of the Angry Young Men - a journalistic catchphrase applied to writers like John Osborne, Kingsley Amis, Colin Wilson, John Braine, and John Wain, who shook up the cosy, stale cultural values of mid 1950s Britain. There may be more important literary movements than the Angry Young Men but there can be few as consciously (or unconsciously) entertaining. The Angry Young Men were an absurdly diverse group, often wildly at odds and, indeed, often wholly unacquainted with each other. This cavalcade of misunderstandings, wild statements, mediocrity and genuine achievement can now be seen as an example of how the media can both help and ruin literature.