New Releases by Hunter S. Thompson

"Pourquoi avoir parcouru une telle distance jusqu’à ce qu’on appelait jadis “les Îles Sandwich” et s’être fadé le spectacle débile de huit mille riches qui se torturent dans les rues d’Honolulu et appellent ça du sport ?" Décembre 1980. Hunter S. Thompson est envoyé par un magazine couvrir le marathon d’Honolulu aux côtés de son comparse, le dessinateur Ralph Steadman. À Hawaï, Thompson découvre que la majorité des rebelles des deux décennies précédentes se sont mis au "jogging", dernier avatar du rêve américain, et que la course à pied l’intéresse nettement moins que la pêche au gros. Au fil de mésaventures extravagantes et inattendues, sur fond d’alcool et de substances illicites, le reportage tourne au fiasco – et le récit du fiasco sera mémorable...

Hunter S. Thompson was so outside the box, a new word was invented just to define him: Gonzo. He was a journalist who mocked all the rules, a hell-bent fellow who loved to stomp on his own accelerator, the writer every other writer tried to imitate. In these brutally candid and very funny interviews that range across his fabled career, Thompson reveals himself as mad for politics, which he thought was both the source of the country’s despair and, just maybe, the answer to it. At a moment when politics is once again roiling America, we need Thompson’s guts and wild wisdom more than ever.

_____________ 'Brilliant' - Observer 'Vivid, hyperactive, combative, ferociously intelligent and iconoclastic' - Guardian 'Splendidly corrosive' - Independent _____________ The Proud Highway is a literary milestone. The first volume in Hunter S. Thompson's intimate letters begins with a high school essay written in 1955, and takes us through 1967, when the publication of Hell's Angels made the author an international celebrity. Thompson's prolific and often profound correspondence gives us an unforgettable insight into the world during the Cold War era, as well as an authoritative introduction to the cultural revolution of the sixties. With a vicious eye for detail and rude wit he writes to such luminaries as Norman Mailer, Tom Wolfe, Lyndon Johnson and Joan Baez. These letters represent the evolution of the original, a singular voice defying an era of banality, and cements Thompson's reputation as one of the great romantic journalistic figures of our time.

An anthology of the best motorcycle literature from top authors including Hunter S. Thompson, Thomas McGuane, Robert Pirsig, Roald Dahl, Alberto Granado, and T. E. Lawrence Sons of Thunder is a high-octane anthology that brings together the best in motorcycle writing. This unique collection includes seminal pieces from Hunter S. Thompson and Robert Pirsig. Melissa Holbrook Pierson and Thomas McGuane offer probing reflections on the relationship between rider and machine. Roald Dahl waxes poetic on the second-hand Ariel 500cc he bought as a sixteen-year-old. There are classic dispatches from the road including T. E. Lawrence's travels on his Brough Superior, Alberto Granado's storied rides with Che Guevara, and Theresa Wallach's overland journey with Florence Blenkiron from London to Cape Town. This anthology also offers hidden gems, such as Mike Carter's midlife meditation "Uneasy Rider" and Jim Perrin's "Travels with a Harley." Facing more than just the elements of the road, these riders simultaneously take physical and emotional journeys, surrendering to the mental release a bike brings. Danger lurks around every bend, but above all is the rider's desire for speed, the constant craving to go faster and further than one has ever gone before. At times literary and lyrical, at others tactile and thrilling, Sons of Thunder takes to the road with an all-star roster of writers who delve into the pleasures and perils of motorcycles and celebrate the emotional bond between rider and machine.

NEW YORK TIMES BESTSELLER • A mind-bending view of the 1992 presidential campaign—in all of its horror, sacrifice, lust, and dubious glory—from the famed political analyst and author of Fear and Loathing on the Campaign Trail and Hell’s Angels “Memorable . . . [Thompson] delivers yet another of his trademark cocktail mixes of unbelievable tales and dark observations about the sausage grind that is the U.S. presidential sweepstakes.”—Los Angeles Daily News In Better Than Sex, Hunter S. Thompson wanders into the savage vortex of political power to present a groundbreaking and bizarre saga of what happens to campaign junkies behind the scenes of a victorious presidential campaign. Better Than Sex drags you into Bill Clinton’s America, a world full of fear that stretches from Pennsylvania Avenue to Hollywood to the squalid hills of the Ozarks, where power-crazed monsters like James Carville and George Stephanopoulos seize control of a nation and wallow unashamed in a Palace of Power where the only governing ethic is raw lust. It is an ugly and disillusioning spectacle, one that only the merciful death of Richard M. Nixon—explored here in all its glorious symbolism—could defuse. Complete with faxes sent to and received by candidate Clinton’s top aides, and 100 percent pure gonzo screeds on Richard Nixon, George Bush, and Oliver North, here is the most true-blue campaign tell-all ever penned by man or beast.

Here, for the first time, is the private and most intimate correspondence of one of America's most influential and incisive journalists--Hunter S. Thompson. In letters to a Who's Who of luminaries from Norman Mailer to Charles Kuralt, Tom Wolfe to Lyndon Johnson, William Styron to Joan Baez--not to mention his mother, the NRA, and a chain of newspaper editors--Thompson vividly catches the tenor of the times in 1960s America and channels it all through his own razor-sharp perspective. Passionate in their admiration, merciless in their scorn, and never anything less than fascinating, the dispatches of The Proud Highway offer an unprecedented and penetrating gaze into the evolution of the most outrageous raconteur/provocateur ever to assault a typewriter.

Endlich! Hunter S. Thompsons legendäres Meisterwerk jetzt in deutscher Sprache Hunter S. Thompson erhält den Auftrag, über den Honolulu-Marathon zu berichten: für ihn in erster Linie ein bezahlter Urlaub. Doch wie immer bei Thompson entwickelt sich die Reise zu einem durchgeknallten Trip, in den neben dem Marathon-Wahnsinn auch Surfer, Orkane, ein Riesen-Marlin und natürlich der hawaiianische Gott Lono irgendwie verwickelt sind. Der König des Gonzo-Journalismus beweist einmal mehr seine Meisterschaft: ein halluzinogenes Vergnügen.

Raoul Duke en Dr. Gonzo reizen in hun Chevrolet cabrio - de Grote Rode Haai - gevuld met 'twee zakken weed, vijfenzeventig mescalinetabletten, vijf vellen krachtige blotters, een zoutvaatje halfvol cocaïne en een veelkleurig arsenaal uppers en downers, gillers, lachers... plus nog 1 liter tequila, 1 liter rum, een krat Budweiser, 0,5 liter pure ether en vierentwintig ampullen amylnitriet' naar Las Vegas, alwaar zij in opdracht van een chic New Yorks sportblad geacht worden verslag te doen van de legendarische Mint 400, een motorrace dwars door de Nevada-woestijn.

From the bestselling author of The Rum Diary and king of “Gonzo” journalism Hunter S. Thompson, comes the definitive collection of the journalist’s finest work from Rolling Stone. Fear and Loathing at Rolling Stone showcases the roller-coaster of a career at the magazine that was his literary home. “Buy the ticket, take the ride,” was a favorite slogan of Hunter S. Thompson, and it pretty much defined both his work and his life. Jann S. Wenner, the outlaw journalist’s friend and editor for nearly thirty-five years, has assembled articles—and a wealth of never- before-seen correspondence and internal memos from Hunter’s storied tenure at Rolling Stone—that begin with Thompson’s infamous run for sheriff of Aspen on the Freak Party ticket in 1970 and end with his final piece on the Bush-Kerry showdown of 2004. In between is Thompson’s remarkable coverage of the 1972 presidential campaign and plenty of attention paid to Richard Nixon; encounters with Muhammad Ali, Bill Clinton, and the Super Bowl; and a lengthy excerpt from his acknowledged masterpiece, Fear and Loathing in Las Vegas. The definitive volume of Hunter S. Thompson’s work published in the magazine, Fear and Loathing at Rolling Stone traces the evolution of a personal and professional relationship that helped redefine modern American journalism, presenting Thompson through a new prism as he pursued his lifelong obsession: The life and death of the American Dream.

The irreverent writer's long lost novel, written before his nonfiction became popular, chronicles a journalist's enthusiastic, drunken foray through 1950s San Juan.

The Gonzo memoir from one of the most influential voices in American literature, Kingdom of Fear traces the course of Hunter S. Thompson’s life as a rebel—from a smart-mouthed Kentucky kid flaunting all authority to a convention-defying journalist who came to personify a wild fusion of fact, fiction, and mind-altering substances. Brilliant, provocative, outrageous, and brazen, Hunter S. Thompson's infamous rule breaking—in his journalism, in his life, and under the law—changed the shape of American letters, and the face of American icons. Call it the evolution of an outlaw. Here are the formative experiences that comprise Thompson’s legendary trajectory alongside the weird and the ugly. Whether detailing his exploits as a foreign correspondent in Rio, his job as night manager of the notorious O’Farrell Theatre in San Francisco, his epic run for sheriff of Aspen on the Freak Power ticket, or the sensational legal maneuvering that led to his full acquittal in the famous 99 Days trial, Thompson is at the peak of his narrative powers in Kingdom of Fear. And this boisterous, blistering ride illuminates as never before the professional and ideological risk taking of a literary genius and transgressive icon.

The first volume in Hunter S. Thompson’s bestselling Gonzo Papers offers brilliant commentary and outrageous humor, featuring a new introduction from award-winning author and editor John Jeremiah Sullivan. Originally published in 1979, the first volume of the bestselling “Gonzo Papers” is now back in print. The Great Shark Hunt is Dr. Hunter S. Thompson’s largest and, arguably, most important work, covering Nixon to napalm, Las Vegas to Watergate, Carter to cocaine. These essays offer brilliant commentary and outrageous humor, in signature Thompson style. Ranging in date from the National Observer days to the era of Rolling Stone, The Great Shark Hunt offers myriad, highly charged entries, including the first Hunter S. Thompson piece to be dubbed “gonzo”—“The Kentucky Derby Is Decadent and Depraved,” which appeared in Scanlan's Monthly in 1970. From this essay, a new journalistic movement sprang which would change the shape of American letters. Thompson's razor-sharp insight and crystal clarity capture the crazy, hypocritical, degenerate, and redeeming aspects of the explosive and colorful ‘60s and ‘70s.

First published in 1990, Songs of the Doomed is back in print -- by popular demand! In this third and most extraordinary volume of the Gonzo Papers, Dr. Hunter S. Thompson recalls high and hideous moments in his thirty years in the Passing Lane -- and no one is safe from his hilarious, remarkably astute social commentary. With Thompson's trademark insight and passion about the state of American politics and culture, Songs of the Doomed charts the long, strange trip from Kennedy to Quayle in Thompson's freewheeling, inimitable style. Spanning four decades -- 1950 to 1990 -- Thompson is at the top of his form while fleeing New York for Puerto Rico, riding with the Hell's Angels, investigating Las Vegas sleaze, grappling with the "Dukakis problem," and finally, detailing his infamous lifestyle bust, trial documents, and Fourth Amendment battle with the Law. These tales -- often sleazy, brutal, and crude -- are only the tip of what Jack Nicholson called "the most baffling human iceberg of our time." Songs of the Doomed is vintage Thompson -- a brilliant, brazen, bawdy compilation of the greatest sound bites of Gonzo journalism from the past thirty years.

A collection of outrageous and brilliant interviews with the author of "Fear and Loathing in Las Vegas," selected and edited by his widow, Anita Thompson.

In 1971, the outlandish originator of gonzo journalism, Hunter S. Thompson (1937-2005) commandeered the international literary limelight with his best-selling, comic masterpiece Fear and Loathing in Las Vegas. Following his 1966 debut Hell's Angels, Thompson displayed an uncanny flair for inserting himself into the epicenter of major sociopolitical events of our generation. His audacious, satirical, ranting screeds on American culture have been widely read and admired. Whether in books, essays, or collections of his correspondence, his raging and incisive voice and writing style are unmistakable. Conversations with Hunter S. Thompson is the first compilation of selected personal interviews that traces the trajectory of his prolific and much-publicized career. These engaging exchanges reveal Thompson's determination, self-indulgence, energy, outrageous wit, ire, and passions as he discusses his life and work. Beef Torrey is the editor of Conversations with Thomas McGuane and co-editor of the forthcoming Jim Harrison: A Comprehensive Bibliography. Kevin Simonson has been published in SPIN, Rolling Stone, Village Voice, and Hustler.

Una acción delirante: así como los caballeros de la Tabla Redonda se lanzaban en pos del Santo Grial envueltos en una armadura de poder sobrenatural, Thompson entró en Las Vegas pertrechado con un arsenal verdaderamente mágico de «nefandas sustancias químicas» en su búsqueda del Sueño Americano. Sus peligrosos enfrentamientos, dopado hasta las cejas, con los empleados de casinos, camareros, policías especializados en narcóticos y demás representantes de la Mayoría Silenciosa segregan un humor alucinado y un clima de terror muy infrecuentes. Porque ésta es la verdadera historia de un hombre que pasó una prolongada temporada en el infierno... y vivió para contarlo.

A compilation of articles in which journalist Hunter S. Thompson reflects on politics, sex, and sports in the modern world.

Every book tells a story . . . And the 70 titles in the Pocket Penguins series are emblematic of the renowned breadth and quality that formed part of the original Penguin vision in 1935 and that continue to define our publishing today. Together, they tell one version of the unique story of Penguin Books. High priest of hedonism and godfather of gonzo journalism, Hunter S. Thompson was renowned for his counterculture masterpiece Fear and Loathing in Las Vegas, which described his chemical-addled adventures in 1970s America. Taken from Thompson's brilliantly entertaining autobiography, Kingdom of Fear - the last book published before his death earlier this year - these pieces provide a hilarious but now also painful insight into the life and the mind of a true literary outlaw.

Kemp, un joven periodista trotamundos, bebedor de ron y álter ego del autor, abandona Greenwich Village, en los años cincuenta, con destino a Puerto Rico, donde consigue un trabajo como periodista en el San Juan Daily News. Allí trabaja una variopinta fauna de personajes: misántropos, desengañados, fracasados, ambiciosos dispuestos a rehacer el mundo, todos ellos parias en busca de una existencia mejor en el trópico. Pero la paradisíaca tríada de ron, sexo y sol se convierte en prolongadas borracheras, peleas sin fin y fiestas desmelenadas de una sexualidad salvaje. Y mientras lucha contra la irrisoria libertad del aburrimiento, Kemp asiste a la lenta agonía de una isla corroída por el dinero, las ambiciones de Estados Unidos y el hipócrita compromiso de los periodistas. Esta primera novela del creador del llamado «periodismo gonzo», que brilló con todo su esplendor en Miedo y asco en Las Vegas, es la crónica mordiente de una desilusión. «Hilarante, absolutamente real y trágica... Qué fascinante e interesante hubiese sido que, en 1959, a los 22 años, Hunter S. Thompson se hubiese largado por ejemplo a Puerto Rico, se hubiera bebido su peso en ron diariamente, hubiera follado toda la noche y se hubiera sentado bajo una sombrilla a escribir una novela. Bueno, pues lo hizo. La novela permanecía enterrada y olvidada en el húmedo sótano de su fortificado rancho de Colorado, hasta que un amigo la desenterró. Se llama El diario del ron y la espera ha valido la pena... Se trata de una verdadera joya, una novela ágil y bien construida, que deja al lector inquieto y sonriente» (Scotland on Sunday). «Salvaje, agudo, visceral, cínico y sarcástico... Un libro muy divertido que hará que, en comparación, tu vida parezca sumamente aburrida» (Scene).

"Spanning the years between 1968 and 1976, these never-before-published letters show Thompson building his legend."--Jacket.

Capturing the essence of Hunter S. Thompson’s “Gonzo” style, short story Mescalito details his dark and miserably comic first mescaline drug trip. First published in Songs of the Doomed, Mescalito suggests the nascent ideas and energy of Thompson’s seminal work on the ‘60s experience, Fear and Loathing in Las Vegas. "We live in a jungle of pending disasters," the author warns. Alone in a hotel room in Los Angeles in February, 1969, Thompsons’ alter-ego Duke sustains a fever-pitched bout of paranoia so dark and depraved, it would make most mortals run fast―and far―from this kind of suicidal experimentation.

Pubblicato nel 1971 sulla rivista musicale "Rolling Stones", il libro narra del viaggio di un giornalista sportivo e del suo avvocato a bordo di una Chevrolet rossa. La meta è Las Vegas, dove si tiene la Mint 400, sgangherata corsa di moto e Dune-Buggy. Il viaggio si rivela allucinante, esilarante e disperato. I due protagonisti, sotto l'effetto della droga, assistono a una trasformazione totale della realtà , che assume le più imprevedibili sfaccettature. Il romanzo disegna il quadro dell'America di quegli anni, l'America degli sconfitti, persi in un baratro che le droghe ed i miti andati in frantumi non hanno potuto colmare. Il romanzo è accompagnato da una "Piccola Enciclopedia Psichedelica" composta da nomi prestigiosi e inattesi. Annotation Supplied by Informazioni Editoriali

Fear and Loathing in Las Vegas is the best chronicle of drug-soaked, addle-brained, rollicking good times ever committed to the printed page. It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken. Now this cult classic of gonzo journalism is a major motion picture from Universal, directed by Terry Gilliam and starring Johnny Depp and Benicio del Toro.

The 50th-anniversary edition of the classic, savagely comic account of a trip to Las Vegas that came to represent what happened to America in the 1960s—and a founding document of “gonzo journalism”—featuring the original artwork by Ralph Steadman and a new introduction by Caity Weaver First published in Rolling Stone magazine in 1971, Fear and Loathing in Las Vegas is told through Hunter S. Thompson’s story of an assignment he undertook with his attorney to visit Las Vegas and “check it out.” The book stands as the final word on the highs and lows of that decade, one of the defining works of our time, and a stylistic and journalistic tour de force. As Christopher Lehmann-Haupt wrote in The New York Times, it has “a kind of mad, corrosive prose poetry that picks up where Norman Mailer’s An American Dream left off and explores what Tom Wolfe left out.” This 50th-anniversary Modern Library edition features Ralph Steadman’s original drawings, a new introduction by New York Times writer Caity Weaver, and three companion pieces selected by Thompson: “Jacket Copy for Fear and Loathing in Las Vegas,” “Strange Rumblings in Aztlan,” and “The Kentucky Derby Is Decadent and Depraved.”