New Releases by Isak Dinesen

Lucan has been orphaned, Zosine has been deserted, and London in the 1840s is a hostile place for two young girls without a home. Bound together by poverty, isolation and a shared childhood, they set out to make a future for themselves in new surroundings.

Blixen takes up the absorbing story of her life in Kenya begun in the unforgettable Out of Africa, which she published under the name of Isak Dinesen. With warmth and humanity these four stories illuminate her love both for the African people, their dignity and traditions, and for the beauty and wildness of the landscape. The first three were written in the 1950s and the last, ''Echoes from the Hills'', was written especially for this volume in the summer of 1960 when the author was in her seventies. In all they provide a moving final chapter to her African reminiscences.Blixen takes up the absorbing story of her life in Kenya begun in the unforgettable Out of Africa, which she published under the name of Isak Dinesen. With warmth and humanity these four stories illuminate her love both for the African people, their dignity and traditions, and for the beauty and wildness of the landscape. The first three were written in the 1950s and the last, ''Echoes from the Hills'', was written especially for this volume in the summer of 1960 when the author was in her seventies. In all they provide a moving final chapter to her African reminiscences.

"Last Tales" is a collection of twelve of the last tales that Karen Blixen wrote under the pen name Isak Dinesen, before her death in 1962. They include seven tales from Albondocani, a projected novel that was never completed; “The Caryatids,” an unfinished Gothic tale of a couple bedeviled by an old letter and a gypsy’s spell; and three tales of winter, including “Converse at Night in Copenhagen,” a drunken, allnight conversation between a boyking, a prostitute, and a poor young poet.

Segundo volumen de los dos que componen los Cuentos completos de Isak Dinesen. El presente libro recoge las últimas obras de narrativa breve publicadas, en vida o póstumamente, por Isak Dinesen, sobrenombre literario de la baronesa Karen Blixen, y cierra la colección de todos sus cuentos. De este modo, en este segundo volumen compilatorio se presentan los Cuentos de «Albondocani», los dos Nuevos cuentos góticos, así como los tres Nuevos cuentos de invierno, y las obras póstumas Carnival y Ehrengard, el más extenso de todos los relatos que llegó a concebir. Estos Cuentos completos 2 son el reflejo del desarrollo literario de Dinesen hasta su madurez y plenitud como escritora, y la culminación de la trayectoria de una voz esencial de la narrativa universal de los últimos años. Javier Marías dijo sobre la obra de Isak Dinesen... «Los cuentos de Isak Dinesen constituyen uno de los conjuntos más originales de la literatura del siglo XX.»

SINOPSIS Carnaval y otros cuentosrecoge once relatos publicados tras la muerte de Isak Dinesen en 1962. Estos cuentos fueron escritos en diferentes etapas de la vida de la autora y muestran su amplia variedad de intereses literarios y personales, así como su magistral técnica. Algunos de estos relatos están entre los mejores y más originales de su producción, como por ejemplo «Caballos fantasmas» y «El oso y el beso». En Nórdica sentimos un aprecio especial por Isak Dinesen, pues su escritura nos parece llena de una honestidad e inteligencia que nos hacen recuperar el gusto por las historias bien contadas. CRÍTICA «Mi historia de amor con Isak Dinesen duraría mientras yo tuviera ojos para leer.» Orson Welles

From the author of the timeless classic Out of Africa: five hauntingly evoked, sensuously realized stories and a novella “that belong in that special realm in which artistry is more real than reality” (TIME). • Ehrengard is soon to be a Netflix Film. “Dinesen’s stories are the work of a writer with a powerful imagination and a shrewd intelligence.” —The New York Times Book Review In the classic “Babette’s Feast,” a mysterious Frenchwoman prepares sumptuous feast for a gathering of religious ascetics and, in doing so, introduces them to the true essence of grace. In “The Immortal Story,” a miserly old tea-trader living in Canton wishes for power and finds redemption as he turns an oft-told sailors’ tale into reality for a young man and woman. And in the magnificent novella Ehrengard, Dinesen tells of the powerful yet restrained rapport between a noble Wagnerian beauty and rakish artist.

El libro emblemático de Dinesen: la historia de su pasión por una tierra que se convierte en su destino. Una de las narraciones más perfectas de la literatura contemporánea. «Yo tenía una granja en África, al pie de las colinas de Ngong...» Recién casada, una joven danesa, aristócrata y refinada, hija y hermana de militares, viaja a Kenia, donde permanece durante diecisiete años. Esta experiencia da lugar a una novela que es una encendida declaración de amor a unos paisajes, a unas gentes y a unas culturas situadas en el polo opuesto de lo que había sido su pasado familiar y social. Poseída por la misma pulsión de Sherezade, Isak Dinesen nos sumerge en un relato que se prolonga a lo largo de páginas encantadas: el de su vida en África y el de la vida de los que la rodeaban, europeos o somalíes, kikuyus o masais. Memorias de África es no sólo una de las narraciones más perfectas de la literatura contemporánea, sino también la historia de su pasión por una tierra que se convierte en su destino, en revelación de la pluralidad fascinante del mundo y sus gentes.

''And it happened when Martine or Philippa spoke to Babette that they would get no answers, and would wonder if she had even heard what they said ... Orshe would sit immovable on the three-legged kitchen chair, her strong hands in her lap and her dark eyes wide open, as enigmatical and fatal as a Pythia upon her tripod. At such moments, they realised that Babette was deep, and that in the soundings of her being there were passions, there were memories and longings of which they knew nothing at all.'' Babette''s Feast is a sublime celebration of eating, drinking and sensual pleasure. In Isak Dinesen''s life-affirming short story, two elderly sisters living in a remote, god-fearing Norwegian community take in a mysterious refugee from Paris one night - and are rewarded for their kindness with the most decadent, luxurious feast of a lifetime.

En un aislado pueblo de pescadores de la costa noruega, la comunidad practica, en el sentido más estricto, los principios religiosos que el pastor ha predicado durante años. De pronto, Babette aparece en sus vidas para cambiarlas...

Film of the same name showing in Perth.

Old Times in Oildom, published in 1911 by the Derrick Publishing Company of Oil City, Pennsylvania, contains the memoirs and stories of George W. Brown, who was deeply involved in the oil business in Pennsylvania in the late nineteenth and early twentieth centuries. Brown was a witness to times of profound change in the industrial and economic landscapes of Pennsylvania s oil regions, when technology rapidly developed and oil wells sprang up across the northern part of the state, irrevocably altering both the land itself and the communities living on it. He provides a detailed account of what life was like in the oildom of nineteenth-century Pennsylvania, from the striking of the first oil well, the famous Drake Well in Titusville, to the solidification of the industry in the early twentieth century. In addition to stories from his own life, Brown tells those of his prominent contemporaries, and includes a series of biographical sketches of men who played important roles in the Pennsylvania oil industry."

Set in Africa, it is the story of Dinesen''s years in Africa--together with Shadows on the Grass. Copyright © Libri GmbH. All rights reserved.

Donated.

Carnival is an animated collection of works from every stage of Isak Dinesen''s career. Many were written during her most creative years but set aside; others she wrote "just for entertainment." The collection includes "Second Meeting," her last work, and the title story, the first written under her now-famous pen name. None of these stories has previously appeared in book form in English. Three of them were translated especially for this collection by P. M. Mitchell and W. D. Paden. "The editors have included only material that will stand easily with her more familiar work and satisfy her large following. . . . The rough drafts and variant treatments have been set aside for scholars."—Joseph McLellan, Washington Post "The wit, the imagination, the elevated philosophical dialogue mark most of the stories in this volume as vintage Dinesen . . . of special interest to Dinesen fans."—Robert Langbaum, New York Times Book Review

"Isak Dinesen . . . had an original approach to life that permeated all her work. She loved storytelling, with the result that most of her essays are quasi-narratives, which proceed not from major to minor premise but from one anecdote to another as the way of making concrete whatever idea she is considering. Her work is a delight and at times a marvel."—The New Yorker "Through these daguerreotypes we begin to understand other periods, the renunciations of World War I, the purpose of houses and mansions, of ritual ceremonials, such as tatooing. We are given a fresh and vivid view of the women''s movement . . . which urges that what our ''small society'' needs beyond human beings who have demonstrated what they can do, is people who are. ''Indeed, our own time,'' she wrote in 1953, ''can be said to need a revision from doing to being.'' She demonstrated it in her own work and craft, with courage and with dignity. This collection is as real as a gallery of old daguerreotypes, moving and unfaded. The work, as Hannah Arendt says, of a wise woman."—Robert Kirsch, Los Angeles Times "These essays . . . have the flavor of good conversation: humorous, easy, personal but not oppressive, the distillation of reading, thought, and experience. Their subjects are of surprisingly current interest. We need make no concessions to the past, need not set our watches back to ''historical.'' Isak Dinesen was not a faddish thinker. . . . ''In history it is always the human element that has a chance for eternal life,'' Dinesen remarks, and she gives these essays their chance."—Penelope Mesic, Chicago