Most Popular Books by J. D. SALINGER

It''s Christmas time and Holden Caulfield has just been expelled from yet another school. Fleeing the crooks at Pencey Prep, he pinballs around New York City seeking solace in fleeting encounters - shooting the bull with strangers in dive hotels, wandering alone round Central Park, getting beaten up by pimps and cut down by erstwhile girlfriends. The city is beautiful and terrible, in all its neon loneliness and seedy glamour, its mingled sense of possibility and emptiness. Holden passes through it like a ghost, thinking always of his kid sister Phoebe, the only person who really understands him, and his determination to escape the phonies and find a life of true meaning. The Catcher in the Rye is an all-time classic in coming-of-age literature- an elegy to teenage alienation, capturing the deeply human need for connection and the bewildering sense of loss as we leave childhood behind.

"For Esmé With Love and Squalor" includes two of Salinger''s most famous and critically acclaimed stories, and helped to establish him as one of the contemporary literary greats. The title story recounts a Sergeant''s meeting with a young girl before being sent into combat. When it was first published in "The New Yorker" in 1950 it was an immediate sensation and prompted a flood of readers'' fan-letters. ''A Perfect Day for Bananafish'' is the first of the author''s stories to feature the Glass family, the loveable and idiosyncratic family who would appear in much of Salinger''s later fiction. A haunting and unforgettable piece of writing, the story follows the eldest sibling, Seymour Glass, and his wife, Muriel, as they embark on an ill-fated honeymoon in Florida.

The "original, first-rate, serious, and beautiful" short fiction (New York Times Book Review) that introduced J. D. Salinger to American readers in the years after World War II, including "A Perfect Day for Bananafish" and the first appearance of Salinger''s fictional Glass family. Nine exceptional stories from one of the great literary voices of the twentieth century. Witty, urbane, and frequently affecting, Nine Stories sits alongside Salinger''s very best work--a treasure that will passed down for many generations to come. The stories: A Perfect Day for Bananafish Uncle Wiggily in Connecticut Just Before the War with the Eskimos The Laughing Man Down at the Dinghy For Esmé--with Love and Squalor Pretty Mouth and Green My Eyes De Daumier-Smith''s Blue Period Teddy

A Note from the Author: The two long pieces in this book originally came out in The New Yorker - RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR - An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my series about the Glass family. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can''t say why, though. Not, at least, outside the casino proper of my fiction. ''The Glasses are one of the liveliest, funniest, most fully-realized families in all of fiction'' Charles McGrath, New York Times

"Perhaps the best book by the foremost stylist of his generation" (New York Times), J. D. Salinger''s Franny and Zooey collects two works of fiction about the Glass family originally published in The New Yorker. "Everything everybody does is so--I don''t know--not wrong, or even mean, or even stupid necessarily. But just so tiny and meaningless and--sad-making. And the worst part is, if you go bohemian or something crazy like that, you''re conforming just as much only in a different way." A novel in two halves, Franny and Zooey brilliantly captures the emotional strains and traumas of entering adulthood. It is a gleaming example of the wit, precision, and poignancy that have made J. D. Salinger one of America''s most beloved writers.

The last book-length work of fiction by J. D. Salinger published in his lifetime collects two novellas about "one of the liveliest, funniest, most fully realized families in all fiction" (New York Times). These two novellas, set seventeen years apart, are both concerned with Seymour Glass--the eldest son of J. D. Salinger''s fictional Glass family--as recalled by his closest brother, Buddy. "He was a great many things to a great many people while he lived, and virtually all things to his brothers and sisters in our somewhat outsized family. Surely he was all real things to us: our blue-striped unicorn, our double-lensed burning glass, our consultant genius, our portable conscience, our supercargo, and our one full poet..."

The hero-narrator of The Catcher in the Rye is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children''s voices, adult voices, underground voices-but Holden''s voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. J.D. Salinger''s classic novel of teenage angst and rebellion was first published in 1951. The novel was included on Time''s 2005 list of the 100 best English-language novels written since 1923. It was named by Modern Library and its readers as one of the 100 best English-language novels of the 20th century. It has been frequently challenged in the court for its liberal use of profanity and portrayal of sexuality and in the 1950''s and 60''s it was the novel that every teenage boy wants to read.

From the moment J. D. Salinger published The Catcher in the Rye in 1951, he was stalked by besotted fans, would-be biographers, and pushy journalists. In this collection of rare and revealing encounters with the elusive literary giant, Salinger discusses—sometimes willingly, sometimes grudgingly—what that onslaught was like, the autobiographical origins of his art, and his advice to writers. Including his final, surprising interview, and with an insightful introduction by New York Times journalist David Streitfeld, these enlightening, provocative, and even amusing conversations reveal a writer fiercely resistant to the spotlight but powerless to escape its glare.

Franny se enfrenta al problema de los farsantes y la falsedad. El hecho mismo de que sea actriz profesional la obliga a plantearse la distinción entre autenticidad y falsedad y a vérselas con la vanidad y el egotismo casi a diario, e incluso su intento de renuncia a su profesión está abocado al fracaso si pretende mantenerse fiel a sí misma.

Um retrato da vida em família e do fim da infância. Um retrato lírico, ocasionalmente cômico e sempre cortante da vida em família e do fim da infância. Salinger continua a explorar os meandros da família Glass,que os leitores conheceram em Nove histórias. Em "Franny", a mais jovem dos Glass se encontra com o namorado, mas o que prometia ser um fim de semana aprazível acaba se tornando uma descida ao mal-estar espiritual que a domina. Em "Zooey", encontramos Franny em meio a um colapso nervoso, e cabe a seu irmão tentar ajudá-la. "(...) Nove Histórias e Franny & Zooey atestam que Salinger deu voz não apenas ao inconformismo de uma geração (o que já não é pouca coisa), mas também a anseios ancestrais do espírito humano." - Jerônimo Teixeira, O Estado de S. Paulo

Amb la conversa com a vehicle conductor, aquesta obra aprofundeix en les inquietuds de la petita Franny, membre de la omnipresent família Glass. Serà en Zooey, el seu germà, el que tracti d''ajudar-la a eludir la crisi existencial en la qual es veu sotmesa. Pel camí, amb Dostoievki a l''horitzó, el lector trobarà les més subtils reflexions sobre l''art i la religió.

Nou contes de J.D. Salinger, número 21 de la col·lecció de Narrativa, es va publicar per primera vegada amb traducció de Quim Monzó i amb el títol Just abans de la guerra amb els esquimals. Quan J.D. Salinger va veure els exemplars amb el títol canviat (l''original es deia Nine stories), es va posar fet una fúria, i va exigir la retirada immediata de tots els exemplars. La ràpida reacció d''Empúries va reconduir la situació i recomposar les relacions, i des d''aleshores Salinger s''ha consolidat com un dels autors més emblemàtics del nostre catàleg.