New Releases by John Banville

FROM THE BESTSELLING AUTHOR OF SNOW ''Stunning'' Independent ''Impressive'' Irish Times When spring storms descend on 1950s Dublin, a body is found in a canal, and pathologist Quirke must find the truth behind this brutal murder. The investigation leads him into the dark heart of the organisation that really runs this troubled city: the church. As Quirke''s traumatic childhood in a priest-run orphanage returns to haunt him, he must face his greatest trial yet. Praise for the Quirke Series: ''A joy to read.'' Sunday Times ''Darkly dangerous [with] flinty humour.'' Daily Telegraph ''Beguiling characters and evocative settings . . . Impeccable.'' The Times

LA NUEVA NOVELA DEL GANADOR DE LOS PREMIOS PRÍNCIPE DE ASTURIAS DE LAS LETRAS, BOOKER Y FRANZ KAFKA «El mejor escritor en activo en su idioma y, si hay justicia, Nobel cercano. [...] Leemos a Banville para recordar qué era eso de leer». Rodrigo Fresán, ABC Cultural «Su prosa es un deleite incesante». Martin Amis Año de 1899. A las puertas del nuevo siglo, el escritor inglés Evelyn Dolman se casa con Laura Rensselaer, hija de un magnate estadounidense del petróleo. Dolman confía en que heredarán una considerable fortuna y llevarán una vida cómoda y estable. Pero sus esperanzas se ven truncadas cuando un misterioso enfrentamiento entre Laura y su padre, poco antes de la muerte del patriarca, provoca que ella sea desheredada. Los recién casados, descontentos, viajan a Venecia para celebrar el Año Nuevo en el Palazzo Dioscuri, hogar ancestral de un encantador y traicionero conde. Una bruma envuelve las calles de la ciudad flotante y empieza a nublar también la mente y la moral del marido, mientras Venecia se convierte en el escenario perfecto para un maestro de las sombras y las insinuaciones como es John Banville. La crítica ha dicho: «Una novela de fantasmas y una novela erótica. [...] Fiel a los elementos que han caracterizado su laureada trayectoria -la composición atenta y detallada de sus criaturas, la disertación existencialista y el estilo envolvente y sinuoso-, el escritor nos conduce por los derroteros de la pasión cegadora, el engaño y la manipulación». Irene Adler, Atlántico – La Revista «Una escapada con mucha clase que incluso Henry James podría disfrutar». The Wall Street Journal «Un thriller complejo que también es una obra de arte astutamente elaborada [...]. Una trama tan perfecta que deja una impronta muy satisfactoria en la mente». The Irish Times «Cada momento, evocado de forma vívida, conduce al siguiente mientras la intriga crece. [...] La geografía de la ciudad, la distribución del Palazzo Dioscuri, el paso del tiempo [...], todo se transmite con una intensidad cinematográfica. [...] Una lectura memorable y perturbadora». The Guardian «Cada uno de los libros de este ganador del Premio Booker es un acontecimiento [...]. Su versatilidad no deja de sorprendernos, y Nocturno de Venecia despliega sus trampas particulares con un aplomo diabólico». Financial Times «John Banville se mueve en terrenos proustianos y nabokovianos armado con un arma definitiva: el estilo». Nadal Suau, El Cultural «No hay truco que valga. Banville es puro arte». Inés Martín Rodrigo, ABC «La grandeza de Banville reside en su prosa límpida, armada frase a frase con maneras de orfebre». Javier Aparicio Maydeu, Babelia

FROM THE BESTSELLING AUTHOR OF SNOW 'Banville is one of my favourite writers alive.' REBECCA F. KUANG 'More than a touch of genius.' THE TIMES As a deep, bewildering fog cloaks Dublin, a young woman named April is found to have vanished. Flawed pathologist Quirke responds to a request to help find her. Speaking with those who knew her, he begins to realize that there may have been more behind the young woman's secrecy than he could have imagined. When a disturbing discovery is made, the complex web of love, lies, jealousy and dark secrets that April spun her life from finally begins to unravel. Praise for the Quirke Series: 'A joy to read.' Sunday Times 'Darkly dangerous [with] flinty humour.' Daily Telegraph 'Beguiling characters and evocative settings . . . Impeccable.' The Times

Une lettre, et tout bascule. Vous pouviez être un éminent professeur qui mène la belle vie en Californie, puis soudainement partir pour Turin tuer la femme qui dit avoir découvert votre plus grand secret. Car cette vie, vous ne la méritez pas, Alex Vander ne la mérite pas : depuis la Seconde Guerre mondiale, il usurpe l'identité de son ami mystérieusement disparu. Et la chercheuse Cass Cleave, obsédée par le travail de Vander, pourrait bien tout révéler. La rencontre entre Vander et Cleave sera décisive : commettra-t-il l'irréparable pour empêcher la vérité d'éclater ou trouvera-t-il enfin la rédemption dans l'amour qu'elle lui porte ? " Hypnotique. Avec Impostures, Banville nous démontre que les termes "art' et "chef-d'œuvre' gardent toute leur pertinence. " The New York Times

" Neige sur Ballyglass House est certainement l''un des meilleurs romans noirs de John Banville, et l''un des meilleurs romans noirs jamais écrits. " The Globe and Mail Irlande, 1957. Après la découverte du cadavre émasculé d''un prêtre très respecté dans la majestueuse bibliothèque de Ballyglass House – le manoir de l''énigmatique famille Osborne –, le Detective Inspector Strafford, prénom Saint John (à prononcer " Sinjun "), est appelé de Dublin pour enquêter. Alors que la neige tombe sans discontinuer sur la campagne irlandaise, Saint John, un protestant dégingandé loin des clichés de la profession, est bien déterminé à lever le voile sur cette affaire. Mais c''est compter sans les habitants de Ballyglass House et des alentours, prêts à tout pour protéger leurs – nombreux – secrets. Un cadavre dans la bibliothèque, des personnages hauts en couleur, un soupçon de cynisme et une plume d''une grande qualité littéraire : tout est réuni pour faire de Neige sur Ballyglass House un incontournable du genre. " Banville reprend les codes d''un Agatha Christie avant de les faire voler en éclats d''une main de maître. " The New York Times Book Review

Aan de idyllische kust van de Spaanse stad San Sebastian kan patholoog Quirke maar moeilijk rust vinden, ondanks de stranden, de cafés en het gezelschap van zijn ontwapenend liefdevolle vrouw. Wanneer hij in een bar een bekend gezicht denkt te zien, denkt hij dat zijn verbeelding met hem aan de loop is gegaan. Deze jonge vrouw kán niet April Latimer zijn. Zij werd immers jaren geleden door haar broer vermoord – zo was de conclusie van een geruchtmakende zaak die de Ierse politieke verhoudingen op hun grondvesten had laten schudden. Niet in staat de kwestie uit zijn hoofd te zetten, belt Quirke naar Ierland, en al snel wordt rechercheur St. John Strafford naar Spanje gezonden. Maar Strafford is niet de enige die op pad gaat. Een meedogenloze huurmoordenaar jaagt op zijn nieuwste prooi, en zijn slachtoffer zou weleens Quirke zelf kunnen zijn.

*NATIONAL BESTSELLER* Booker Prize winner John Banville returns with a dark and evocative new mystery set on the Spanish coast Don't disturb the dead… On the idyllic coast of San Sebastian, Spain, Dublin pathologist Quirke is struggling to relax, despite the beaches, cafés and the company of his disarmingly lovely wife. When he glimpses a familiar face in the twilight at Las Acadas bar, it's hard at first to tell whether his imagination is just running away with him. Because this young woman can't be April Latimer. She was murdered by her brother, years ago—the conclusion to an unspeakable scandal that shook one of Ireland's foremost political dynasties. Unable to ignore his instincts, Quirke makes a call back home to Ireland and soon Detective St. John Strafford is dispatched to Spain. But he's not the only one en route. A relentless hit man is on the hunt for his latest prey, and the next victim might be Quirke himself. Sumptous, propulsive and utterly transporting, April in Spain is the work of a master writer at the top of his game. Don't miss John Banville's next novel, The Lock-up! Other riveting mysteries from John Banville: Snow

''The body is in the library,'' Colonel Osborne said. ''Come this way.'' Following the discovery of the body of a highly respected parish priest at Ballyglass House - the Co. Wexford family seat of the aristocratic, secretive Osborne family - Detective Inspector St. John Strafford is called in from Dublin to investigate. Strafford faces obstruction from all angles, but carries on determinedly in his pursuit of the murderer. However, as the snow continues to fall over this ever-expanding mystery, the people of Ballyglass are equally determined to keep their secrets.

"When you're done binge-watching The Crown, pick up this multifaceted wartime thriller." —Kirkus Reviews As London endures nightly German bombings, Britain’s secret service whisks the princesses Elizabeth and Margaret from England, seeking safety for the young royals on an old estate in Ireland. Ahead of the German Blitz during World War II, English parents from every social class sent their children to the countryside for safety, displacing more than three million young offspring. In The Secret Guests, the British royal family takes this evacuation a step further, secretly moving the princesses to the estate of the Duke of Edenmore in “neutral” Ireland. A female English secret agent, Miss Celia Nashe, and a young Irish detective, Garda Strafford, are assigned to watch over “Ellen” and “Mary” at Clonmillis Hall. But the Irish stable hand, the housemaid, the formidable housekeeper, the Duke himself, and other Irish townspeople, some of whom lost family to English gunshots during the War of Independence, go freely about their business in and around the great house. Soon suspicions about the guests’ true identities percolate, a dangerous boredom sets in for the princesses, and, within and without Clonmillis acreage, passions as well as stakes rise. Benjamin Black, who has good information that the princesses were indeed in Ireland for a time during the Blitz, draws readers into a novel as fascinating as the nascent career of Miss Nashe, as tender as the homesickness of the sisters, as intriguing as Irish-English relations during WWII, and as suspenseful and ultimately action-packed as war itself.

Frederick Montgomery, irlandese, trentottenne, senza problemi né pensieri, persegue insieme a una moglie bella e sconvolgente il sogno di un'eterna infanzia panica e assolata in qualche isola del Mediterraneo. Ma all'improvviso un prestito che aveva richiesto quasi per gioco, e che non è in grado di restituire, lo costringe a tornare in patria per procurarsi il denaro. È questa l'occasione che mette in moto un'inesorabile macchina narrativa: le tappe del ritorno a casa diventano le stazioni di un viaggio nel ricordo, e interi periodi del passato del protagonista tornano in vita, grazie all'attraversamento di una strada, a un incontro nel pub, al soggiorno nella casa dell'infanzia, alla visita di una dimora patrizia. La blanda odissea di Frederick scivola inesorabile verso la catastrofe, che si manifesta sotto le spoglie gentili di un quadro olandese del Seicento, Ritratto di donna con guanti. Frederick lo scorge nella villa palladiana di un amico di famiglia, e ne resta folgorato. Ma l'apparizione lo conduce, per ragioni imperscrutabili, fino al delitto che costituisce il punto focale del libro. Perché "La spiegazione dei fatti" è la deposizione che Frederick scrive in carcere nell'attesa del processo.

From the internationally acclaimed Booker Prize-winning author of The Sea comes "a delicious memoir" (New York Times) that unfolds around the author's recollections, experiences, and imaginings of Dublin. As much about the life of the city as it is about a life lived, sometimes, in the city, John Banville's "quasi-memoir" is as layered, emotionally rich, witty, and unexpected as any of his novels. Born and bred in a small town a train ride away from Dublin, Banville saw the city as a place of enchantment when he was a child, a birthday treat, the place where his beloved, eccentric aunt lived. And though, when he came of age and took up residence there, and the city became a frequent backdrop for his dissatisfactions (not playing an identifiable role in his work until the Quirke mystery series, penned as Benjamin Black), it remained in some part of his memory as fascinating as it had been to his seven-year-old self. And as he guides us around the city, delighting in its cultural, architectural, political, and social history, he interweaves the memories that are attached to particular places and moments. The result is both a wonderfully idiosyncratic tour of Dublin, and a tender yet powerful ode to a formative time and place for the artist as a young man.

Morrow ist kein unbeschriebenes Blatt. Er hat im Gefängnis gesessen, war gewalttätig, hat Frau und Kinder verloren. Nun hat er seinen Namen geändert, wie schon häufiger. Geldsorgen hat er keine mehr seit ihm Tante Corky ihr gesamtes Vermögen hinterlassen, nachdem er sie in den letzten Wochen bei sich aufgenommen hatte. Tante Corky war nicht seine richtige Tante, und Morrow weiß nicht, wer sie wirklich war, welche ihrer Geschichten der Wahrheit entsprechen. Doch eigentlich drehen sich seine Gedanken nur um seine Geliebte A., die er eines Tages kennen gelernt hatte, die ihn mitnahm in Mordens Haus. Eine Frau, der er mit jeder Faser verfiel, und deren Geheimnis er noch imer nicht zu lüften vermag. Morden hatte ihn in dieses Haus geholt, um Gutachten abzugeben über einige Bilder niederländischer Maler zu klassifizieren. Bilder, die gestohlen waren, wie er später erfährt. Morrow wird in einen Sumpf hineingezogen, aus dem er sich nicht befreien kann. Jetzt, da alles zu spät ist, versucht er zu rekapitulieren, was passiert ist. Und er sucht weiter nach A.. »Schreib mir«, hatte sie ihm beim Abschied gesagt, ohne eine Adresse zu hinterlassen. Und Morrow schreibt.

Una de las primeras novelas del Man Booker Prize y Príncipe de Asturias de las Letras John Banville, en la que indaga sobre la memoria, la familia y el fin de la inocencia. Novela galardonada con el Allied Irish Bank''s Prize y el Irish Arts Council Macaulay Fellowship. « Existo, luego pienso. Eso parece innegable. En esta casa desmadrada dedico las noches a devanar mis recuerdos. » Cuando Gabriel Godkin regresa a Birchwood tras varios años, la gran casa familiar no es más que una propiedad ruinosa con habitantes enajenados. Hurgando en los recuerdos, rememora sus primeras experiencias de amor y de pérdida, pero los desastres se suceden y el joven decide huir con un circo ambulante para buscar a su hermana gemela, desaparecida tiempo atrás. Pronto descubrirá que el hambre y el malestar acechan el campo y que Irlanda también está arruinada. La crítica ha dicho sobre la obra... « Regreso a Birchwood representa un punto de inflexión en la literatura irlandesa contemporánea: es una novela en la que la historia se convierte en una divertida comedia negra repleta de alborotos rurales y de personajes góticos, y un sentido de desconcierto hacia la naturaleza del universo llena sus páginas.» Colm Tóibín « Birchwood es una de las más deslumbrantes hazañas de la literatura irlandesa en lo que va de siglo.» Seamus Deane « Regreso a Birchwood cuenta la vuelta de Gabriel Godkin a casa, bajo ese pretexto la novela reflexiona sobre los recuerdos, la distorsión de los mismos y la vida, el amor y la pérdida; de los recuerdos como reflejos de la luz bajo el agua en movimiento. [...] Elegancia, sutileza, profundidad, poesía y un tempo único en John Banville.» Huffington Post «Una divertida comedia negra repleta de personajes góticos.» Miren Artetxe, Gara Zazpika Sobre el autor... «El mejor escritor en activo en su idioma y, si hay justicia, Nobel cercano... Pericia y elegancia... Leemos a Banville para recordar qué era eso de leer.» Rodrigo Fresán, ABCultural «El más respetado de los escritores irlandeses, el mayor estilista en lengua inglesa.» Elena Hevia, El Periódico de Cataluña «John Banville, recurrente candidato al Nobel, se mueve en terrenos proustianos y nabokovianos armado con un arma definitiva: el estilo.» Nadal Suau, El Cultural «No hay truco que valga. Banville es puro arte.» Inés Martín Rodrigo, ABC «A las palabras, John Banville, autor insólito, sugerente, les saca brillo.» Jesús Ruiz Mantilla, El País «La grandeza de Banville reside en su prosa límpida, armada frase a frase con maneras de orfebre.» Javier Aparicio Maydeu, Babelia «Solo unos pocos escritores son auténticos estilistas, capaces de encandilar al lector con palabras mágicas. Entre estos pocos bendecidos, en diferentes modos, se encuentran Fitzgerald, Updike, Styron, Capote y Chandler. Y también el novelista irlandés John Banville es miembro de la fraternidad.» Washington Post Review «Lo que define y deleita es la prosa y voz narrativa de Banville: acaso la mejor y más exquisita entre los escritores británicos en activo.» Rodrigo Fresán, Vanity Fair

Oliver Otway Orme è un pittore di una certa fama, con un segreto che lo accompagna fin dall’infanzia: ha una mania della quale non riesce a vergognarsi, quella di rubare piccoli oggetti. Quasi a sfidare la sorte, che finora gli ha sempre evitato di essere scoperto, questa volta ha commesso un furto che potrebbe minare l’equilibrio della sua vita. Ha infatti «rubato» una donna non sua, la moglie di quello che era, forse, il suo migliore amico, che ignaro si rivolge a lui in cerca di conforto. Temendo di essere smascherato, Oliver fugge da tutto, non solo dall’amante, una donna in fondo scialba per cui nutre un sentimento ambiguo, ma soprattutto dalla moglie, la bella e algida Gloria. Spera in realtà che sia lei a ritrovarlo e a liberarlo da un esilio autoimposto, superando la distanza che un grande dolore ha creato tra loro. Segregato nella sua casa natale, dove tutto lo riporta all’infanzia, Oliver è costretto a confrontarsi con domande che lo angosciano, con la verità e la menzogna dei suoi legami più profondi, e con i demoni della vocazione artistica che sembra averlo abbandonato.

A suspicious death, a pregnant woman suddenly gone missing: Quirke's latest case leads him inexorably toward the dark machinations of an old foe Perhaps Quirke has been down among the dead too long. Lately the Irish pathologist has suffered hallucinations and blackouts, and he fears the cause is a brain tumor. A specialist diagnoses an old head injury caused by a savage beating; all that's needed, the doctor declares, is an extended rest. But Quirke, ever intent on finding his place among the living, is not about to retire. One night during a June heat wave, a car crashes into a tree in central Dublin and bursts into flames. The police assume the driver's death was either an accident or a suicide, but Quirke's examination of the body leads him to believe otherwise. Then his daughter Phoebe gets a mysterious visit from an acquaintance: the woman, who admits to being pregnant, says she fears for her life, though she won't say why. When the woman later disappears, Phoebe asks her father for help, and Quirke in turn seeks the assistance of his old friend Inspector Hackett. Before long the two men find themselves untangling a twisted string of events that takes them deep into a shadowy world where one of the city's most powerful men uses the cover of politics and religion to make obscene profits. Even the Dead--Benjamin Black's seventh novel featuring the endlessly fascinating Quirke--is a story of surpassing intensity and surprising beauty.

Ποια η διαφορά ανάμεσα στη μνήμη και την επινόηση; Αυτό το ερώτημα στοιχειώνει τον Αλεξάντερ Κλιβ, έναν ηθοποιό του θεάτρου στο γέρμα της σταδιοδρομίας και της ζωής του, καθώς ανασκαλεύει τις αναμνήσεις του πρώτου –και ίσως μοναδικού του– έρωτα (εκείνος, δεκαπέντε, εκείνη είκοσι χρόνια μεγαλύτερη και μάλιστα μητέρα του καλύτερού του φίλου) και σκέφτεται την κόρη του που ο χαμός της οφείλεται σε μια τρέλα όχι μόνο του νου αλλά και της καρδιάς. Όταν η καριέρα του αναβιώνει αναπάντεχα χάρη σ’ έναν κινηματογραφικό ρόλο που ανεξήγητα του προτείνουν, η νεαρή, διάσημη κι ευάλωτη συμπρωταγωνίστριά του, άθελά της, του δίνει την ευκαιρία να δει με επώδυνη διαύγεια το «χάσμα που ανοίγεται πάντα ανάμεσα στην πράξη και την ενθύμησή της». Το Αρχαίο φως, γραμμένο με τον εξαίσιο λυρισμό και το υποχθόνιο χιούμορ που τόσο χαρακτηρίζουν την πρόζα του Μπάνβιλ, πραγματεύεται τα θέματα της αγάπης και της απώλειας, καθώς και το πώς η επινόηση διαμορφώνει τη μνήμη μας – άρα και το παρόν μας. Οι κριτικοί το χαρακτήρισαν ισάξιο της Θάλασσας, του γνωστότερου έργου του σπουδαίου Ιρλανδού συγγραφέα. «Από την Ιρλανδία της δεκαετίας του 1950 στο σήμερα, με μια ενδιάμεση στάση σ’ ένα χιονισμένο ψαροχώρι του ιταλικού νότου… Ο Τζων Μπάνβιλ συμπλέκει τρεις διαφορετικές περιόδους της ζωής ενός ηλικιωμένου ηθοποιού για να δημιουργήσει μια εξαίσιας αφηγηματικής ομορφιάς σπουδή πάνω στον έρωτα, την απώλεια και το θάνατο. Η κριτική επιτροπή της Στοκχόλμης πρέπει να σηκώσει πάση θυσία το τηλέφωνο!» ―Financial Times «Ο Μπάνβιλ, άξιος διάδοχος του Ναμπόκοφ, αναδεικνύει με τρόπο μοναδικό το πνεύμα της εφηβείας, τη λαχτάρα του νεανικού κορμιού για ερωτική εμπειρία, το θόλωμα ανάμεσα στη σεξουαλικότητα και το συναίσθημα… Η πλούσια από ποιητικές εικόνες πρόζα του χαρίζει στον αναγνώστη την αίσθηση πως γλιστράει αρχοντικά σε μια λίμνη από σοκολάτα που τη γεύεται αργά και άκρως απολαυστικά». ―The Independent «Το Αρχαίο φως μαγεύει τα μάτια και το νου… Πρόκειται για ένα έργο γραμμένο με απαράμιλλη μαεστρία… Η ασυναγώνιστη πένα του Μπάνβιλ συλλαμβάνει την κάθε στιγμή με ζωγραφική ακρίβεια». ―The Scotsman «Ένας κόσμος όπου το παρελθόν είναι πιο αληθοφανές από το παρόν, και οι νεκροί πιο ζωντανοί και από τους ζωντανούς ακόμη… Ένα εξαιρετικό, αλησμόνητο βιβλίο!» ―The Sunday Telegraph «Εξίσου υπέροχο με τη Θάλασσα που του χάρισε το Man Booker 2005… Ο Μπάνβιλ αποδεικνύει ξανά και ξανά μες στις σελίδες αυτού του βιβλίου πώς μπορεί ένας συγγραφέας να αποδίδει αυτούσια την αληθινή υφή του έρωτα δίχως να καταφεύγει σε ευτελή διεγερτικά τερτίπια. Του αξίζει να πουλήσει δέκα φορές περισσότερα αντίτυπα από τιςΠενήντα αποχρώσεις του γκρί!» ―Sunday Express

The Man Booker Prize-winning author of The Sea gives us a brilliant novel about an actor in the twilight of his life and his career: “a devastating account of a boy’s sexual awakening and the loss of his childhood…. Seamless [and] profound ... An unsettling and beautiful work.” —Wall Street Journal Is there a difference between memory and invention? That is the question that haunts Alexander Cleave as he reflects on his first, and perhaps only, love—an underage affair with his best friend’s mother. When his stunted acting career is suddenly, inexplicably revived with a movie role playing a man who may not be who he claims, his young leading lady—famous and fragile—unwittingly gives him the opportunity to see, with startling clarity, the gap between the things he has done and the way he recalls them. Profoundly moving, Ancient Light is written with the depth of character, clarifying lyricism, and heart-wrenching humor that mark all of Man Booker Prize-winning author John Banville’s extraordinary works.

A bizarre suicide leads to a scandal and then still more blood, as one of our most brilliant crime novelists reveals a world where money and sex trump everything It's a fine day for a sail, and Victor Delahaye, one of Ireland's most successful businessmen, takes his boat far out to sea. With him is his partner's son—who becomes the sole witness when Delahaye produces a pistol, points it at his own chest, and fires. This mysterious death immediately engages the attention of Detective Inspector Hackett, who in turn calls upon the services of his sometime partner Quirke, consultant pathologist at the Hospital of the Holy Family. The stakes are high: Delahaye's prominence in business circles means that Hackett and Quirke must proceed very carefully. Among others, they interview Mona Delahaye, the dead man's young and very beautiful wife; James and Jonas Delahaye, his identical twin sons; and Jack Clancy, his ambitious, womanizing partner. But then a second death occurs, this one even more shocking than the first, and quickly it becomes apparent that a terrible secret threatens to destroy the lives and reputations of several members of Dublin's elite. Why did Victor Delahaye kill himself, and who is intent upon wreaking vengeance on so many of those who knew him?

From the Booker Prize-winning author of The Sea comes a novel set in sixteenth-century Europe about an obscure cleric who is preparing a theory that will shatter the medieval view of the universe—while being haunted by his malevolent brother and threatened by the conspiracies raging around him and his ideas. Sixteenth-century Europe is teeming with change and controversy: wars are being waged by princes and bishops and the repercussions of Luther are being felt through a convulsing Germany. In a remote corner of Poland a modest canon is practicing medicine and studying the heavens, preparing a theory that will shatter the medieval view of the universe. In this astonishing work of historical imagination, John Banville offers a vivid portrait of a man of painful reticence. For, in a world that is equal parts splendor and barbarism, an obscure cleric who seeks “the secret music of the universe” poses a most devastating threat.

Man Booker Prize 2005 für den Roman Die See Der Kunsthistoriker Max Morden flieht in das Haus am Meer, wo er als Kind aufregende Ferientage verbrachte. Indem er sich die damaligen Erlebnisse vergegenwärtigt, um mit dem Verlust seiner Frau fertig zu werden, werden jedoch auch alte Wunden aufgerissen. Alles hängt miteinander zusammen. Anna und der Kunsthistoriker Max sind glücklich verheiratet, als sie erfahren, dass Anna unheilbar an Krebs erkrankt ist und nicht mehr lange leben wird. Nach ihrem Tod flüchtet Max ans Meer, in den Ort, in dem er als Kind aufregende Sommer verlebte. Damals lernte er die unkonventionelle Familie Grace kennen mit ihrem Zwillingspaar Myles und Chloe. Mrs. Grace zieht den jungen Max magisch an und erweckt eine große Sehnsucht in ihm. Indem sich Max fast manisch erinnert, an seine erwachende Sexualität in diesem Sommer, an seine erotischen Phantasien und die spätere Liebe zu Chloe, an seine glückliche Zeit mit Anna und ihre letzten Tage im Krankenhaus, versucht er, sich mit dem erlittenen Verlust zu versöhnen.

One of The Chicago Tribune's Best Reads of 2011 One of Dublin's most powerful men meets a violent end— and an acknowledged master of crime fiction delivers his most gripping novel yet On a sweltering summer afternoon, newspaper tycoon Richard Jewell—known to his many enemies as Diamond Dick—is discovered with his head blown off by a shotgun blast. But is it suicide or murder? For help with the investigation, Detective Inspector Hackett calls in his old friend Quirke, who has unusual access to Dublin's elite. Jewell's coolly elegant French wife, Françoise, seems less than shocked by her husband's death. But Dannie, Jewell's high-strung sister, is devastated, and Quirke is surprised to learn that in her grief she has turned to an unexpected friend: David Sinclair, Quirke's ambitious assistant in the pathology lab at the Hospital of the Holy Family. Further, Sinclair has been seeing Quirke's fractious daughter Phoebe, and an unlikely romance is blossoming between the two. As a record heat wave envelops the city and the secret deals underpinning Diamond Dick's empire begin to be revealed, Quirke and Hackett find themselves caught up in a dark web of intrigue and violence that threatens to end in disaster. Tightly plotted and gorgeously written, A Death in Summer proves to the brilliant but sometimes reckless Quirke that in a city where old money and the right bloodlines rule, he is by no means safe from mortal danger.

Novel on the death of the author's wife, Max Morden retreats to the seaside town of his childhood summers, where his own life becomes inextricably entwined with the members of the vacationing Grace family.

WINNER OF THE LANNAN LITERARY AWARD FOR FICTION • From the Booker Prize-winning author of The Sea comes the fascinating story of a former British spy who's been unmasked as a Russian agent—and "one of spy fiction's greatest characters" (People). • "Contemporary fiction gets no better than this." —The New York Times Book Review One of the most dazzling and adventurous writers now working in English takes on the enigma of the Cambridge spies in a novel of exquisite menace, biting social comedy, and vertiginous moral complexity. The narrator is the elderly Victor Maskell, formerly of British intelligence, for many years art expert to the Queen. Now he has been unmasked as a Russian agent and subjected to a disgrace that is almost a kind of death. But at whose instigation? As Maskell retraces his tortuous path from his recruitment at Cambridge to the airless upper regions of the establishment, we discover a figure of manifold doubleness: Irishman and Englishman; husband, father, and lover of men; betrayer and dupe. Beautifully written, filled with convincing fictional portraits of Maskell's co-conspirators, and vibrant with the mysteries of loyalty and identity, The Untouchable places John Banville in the select company of both Conrad and le Carre. "Victor Maskell is one of the great characters in recent fiction.... The Untouchable is the best work of art in any medium on [its] subject." —Washington Post Book World "As remarkable a literary voice as any to come out of Ireland; Joyce and Beckett notwithstanding." —San Francisco Chronicle