Most Popular Books by John Darnielle

Long-listed for the 2014 National Book Award in fiction
Winner of the 2015 Alex Award for adult books with special appeal for young adults
Welcome to Trace Italian, a game of strategy and survival! You may now make your first move. Isolated by a disfiguring injury since the age of seventeen, Sean Phillips crafts imaginary worlds for strangers to play in. From his small apartment in southern California, he orchestrates fantastic adventures where possibilities, both dark and bright, open in the boundaries between the real and the imagined. As the creator of Trace Italian―a text-based, role-playing game played through the mail―Sean guides players from around the world through his intricately imagined terrain, which they navigate and explore, turn by turn, seeking sanctuary in a ravaged, savage future America.
Lance and Carrie are high school students from Florida, explorers of the Trace. But when they take their play into the real world, disaster strikes, and Sean is called to account for it. In the process, he is pulled back through time, tunneling toward the moment of his own self-inflicted departure from the world in which most people live.
Brilliantly constructed, Wolf in White Van unfolds in reverse until we arrive at both the beginning and the climax: the event that has shaped so much of Sean's life. Beautifully written and unexpectedly moving, John Darnielle's audacious and gripping debut novel is a marvel of storytelling brio and genuine literary delicacy.

A New York Times Bestseller
Nominated for the National Book Award, Finalist for the Los Angeles Times Book Prize for First Fiction, and Winner of the Alex Award, "One of the Most Compelling Books of the Year" (Blake Butler, Vice)

Isolated by a disfiguring injury since the age of seventeen, Sean Phillips crafts imaginary worlds for strangers to explore. As the creator of "Trace Italian"-a text-based role-playing game that's played through the mail-Sean guides subscribers through his intricately imagined terrain, turn by turn, as they search out sanctuary in a ravaged, savage future America. But when Lance and Carrie, two teenaged seekers of the Trace, take their play outside the game, disaster strikes, and Sean is called on to account for it. In the process, he is pulled back through time, toward the beginning and the climax: the moment of his own self-inflicted departure from the world in which most people live.

Beautifully written and unexpectedly moving, Wolf in White Van is "an indelible novel, a hymn for those who inhabit lonely universes, and a harbor for anyone who has sought refuge in a reality other than their own" (Patrick deWitt).

Jeremy works at the Video Hut in Nevada, Iowa. It's a small town in the center of the state―the first a in Nevada pronounced ay. This is the late 1990s, and even if the Hollywood Video in Ames poses an existential threat to Video Hut, there are still regular customers, a rush in the late afternoon. It's good enough for Jeremy: it's a job, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a car wreck.

But when a local schoolteacher comes in to return her copy of Targets―an old movie, starring Boris Karloff, one Jeremy himself had ordered for the store―she has an odd complaint: “There's something on it,” she says, but doesn't elaborate. Two days later, a different customer returns a different tape, a new release, and says it's not defective, exactly, but altered: “There's another movie on this tape.”

Jeremy doesn't want to be curious, but he brings the movies home to take a look. And, indeed, in the middle of each movie, the screen blinks dark for a moment and the movie is replaced by a few minutes of jagged, poorly lit home video. The scenes are odd and sometimes violent, dark, and deeply disquieting. There are no identifiable faces, no dialogue or explanation―the first video has just the faint sound of someone breathing― but there are some recognizable landmarks. These have been shot just outside of town.

So begins John Darnielle's haunting and masterfully unsettling Universal Harvester: the once placid Iowa fields and farmhouses now sinister and imbued with loss and instability and profound foreboding. The novel will take Jeremy and those around him deeper into this landscape than they have ever expected to go. They will become part of a story that unfolds years into the past and years into the future, part of an impossible search for something someone once lost that they would do anything to regain.