New Releases by John Donne

Reprint of the original, first published in 1839.

This title is part of UC Press''s Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1955.

"Devotions Upon Emergent Occasions; Together with Death''s Duel" is a 1624 prose wo rk by the English writer John Donne, who dedicated it to the future King Charles I. It is a series of reflections that were written as Donne recovered from a serious illness, believed to be either typhus or relapsing fever. (Donne does not clearly identify the disease in his text.) He describes this as a "preternatural birth, in returning to life, from this sickness". The work consists of twenty-three parts (''devotions'') describing each stage of the sickness. Each part is further divided into a Meditation, an Expostulation, and a Prayer. This series of meditations on illness were published following John Donne''s sickness during late November and early December of 1623 (when he either had typhus or relapsing fever). Each of his ruminations are recorded in groups of three: meditation, expostulation, and prayer. Donne''s insights about the "variable, therefore miserable condition of man" will always be pertinent as long as humans continue to fall prey to disease. The reading is a little slow at times, but there are some fine pieces in this book, including his famous meditation XVII, "No man is an island", that Hemingway quoted when he wrote FOR WHOM THE BELL TOLLS. Even if you don''t read all of the essays, this book is worth obtaining just to pore over meditation XVII.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

John Donne was an English poet and cleric in the Church of England. Donne''s poetry, which included sonnets, elegies, religious and love poems, is noted for its sensual style. Donne is often considered the greatest of the metaphysical poets. Devotions Upon Emergent Occasions is a book of prose that discusses topics such as death, rebirth, and sin.

The nineteen poems that comprise John Donne''s Holy Sonnets are works of anxiety and spiritual crisis. Most of the sonnets are thought to have been written between 1609 and 1611 but were not published until two decades later—two years after Donne''s death. The Holy Sonnets explore the poet''s fear and trembling when faced with the realisation of his mortality and self-described unworthiness as a recipient of God''s grace and mercy. Donne''s poems navigate through his doubts in search of a divine comfort and assurance in the hope of salvation and eternal life. With an introduction by poet John Daniel Thieme.

The Delphi Poets Series offers readers the works of literature''s finest poets, with superior formatting. This volume presents the complete poetical works of John Donne, with beautiful illustrations and the usual Delphi bonus material. Donne''s sparkling wit and imaginative conceits have delighted readers over the centuries; now you can own his entire poetical genius on your eReader! (3MB Version 1) * Beautifully illustrated with images relating to Donne''s life and works * Concise introductions to the poetry and other works * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Almost the complete prose, with rare texts like Donnes study of suicide BIATHANATOS, appearing for the first time in digital print * Includes Donne''s letters - spend hours exploring the poet''s personal correspondence * Features three biographies, including Izaak Waltons famous contemporary memoir - discover Donne''s literary life in detail! * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse our range of exciting titles CONTENTS: The Poetry Collections SONGS AND SONNETS ELEGIES DIVINE POEMS HOLY SONNETS OTHER DIVINE POEMS SATIRES MARRIAGE SONGS VERSE LETTERS EPICEDES AND OBSEQUIES EPIGRAMS INFINITATI SACRUM THE ANNIVERSARIES LATIN POEMS DOUBTFUL VERSES The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Prose BIATHANATOS PSEUDO-MARTYR IGNATIUS HIS CONCLAVE DEVOTIONS UPON EMERGENT OCCASIONS PARADOXES PROBLEMS The Letters LIST OF LETTERS The Biographies THE LIFE OF DR. JOHN DONNE by Izaak Walton JOHN DONNE by Arthur Symons JOHN DONNE by Robert Lynd Please click here to browse our other titles

Regarded by many as the greatest of the Metaphysical poets, John Donne (1572-1631) was also among the most intriguing figures of the Elizabethan age. A sensualist who composed erotic and playful love poetry in his youth, he was raised a Catholic but later became one of the most admired Protestant preachers of his time. The Collected Poetry reflects this wide diversity, and includes his youthful songs and sonnets, epigrams, elegies, letters, satires, and the profoundly moving Divine Poems composed towards the end of his life. From joyful poems such as ''The Flea'', which transforms the image of a louse into something marvellous, to the intimate and intense Holy Sonnets, Donne breathed new vigour into poetry by drawing lucid and often startling metaphors from the world in which he lived. His poems remain among the most passionate, profound and spiritual in the English language.

Holy Sonnets by John Donne are a series of nineteen poems originally written in 1609-1610 and have been tied to Donne''s conversion to Anglicanism. These poems of John Donne have become some of his most highly regarded and most popular works. Included are Holy Sonnet 10 ("Death be not Proud") and Holy Sonnet 14 ("Batter my heart, three-person''d God; for you").

Selection of 73 poems by the English metaphysical poet: "The Good Morrow," "The Canonization," "The Relic," "A Valediction: Forbidding Mourning," "To His Mistress Going to Bed," "Death Be Not Proud," more. Note.

This volume of John Donne''s writings begins with a biography of John Donne''s life, as told by Donne''s writer friend, Izaak Walton. Walton gives readers a close look at Donne''s past, which was plagued with the loss of many close family members. This biographical information helps readers to make better sense of the somber devotions contained in this volume. In his Devotions upon Emergent Occasions, Donne concentrates on the miserable condition of man and the inevitability of death. The devotions are all structured the same, each beginning with a meditation followed by an expostulation and a prayer. These devotions serve as a preview for Donne''s "Death''s Duel Sermon," written near his death in 1631 as his funeral sermon. While "Death''s Duel" paints a grave picture of earthly life tormented by pain and death, it hopes for a bright future in God''s love through Christ''s resurrection and ascension. -Emmalon Davis, CCEL Staff Writer

John Donne (1572-1631) was an English Jacobean poet, preacher and a major representative of the metaphysical poets of the period. His works are notable for their realistic and sensual style and include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, satires and sermons. His poetry is noted for its vibrancy of language and inventiveness of metaphor, especially as compared to those of his contemporaries. It suggests a healthy appetite for life and its pleasures, while also expressing deep emotion. He did this through the use of conceits, wit and intellect - as seen in the poems The Sunne Rising and Batter My Heart. Some scholars believe that Donne''s literary works reflect the changing trends of his life, with love poetry and satires from his youth and religious sermons during his later years. Despite his great education and poetic talents he lived in poverty for several years, relying heavily on wealthy friends. In 1615 he became an Anglican priest and, in 1621, was appointed the Dean of St Paul''s Cathedral in London.

In addition to the writer''s 1624 collection of meditations, debates with God, and prayers on the human condition-particularly earthly physical sickness and health-this volume contains the 1631 work "Death''s Duel," a sermon said to be his own funeral oration, which he preached shortly before his own death. Readers of 17th-century literature, religious devotionals, and ponderers of human mortality are sure to find something profound in this fascinating, famous work. British metaphysical poet JOHN DONNE (1572-1631), renowned for his satires on English society, wrote this prose work in the latter part of his life, after he became an Anglican priest.

A selection of John Donne''s poems suitable for study at A level. This OCR-endorsed edition also contains textual notes and an OCR GCE-specific introduction.

JOHN DONNE: SELECTED POEMS A selection of the finest poems by British poet John Donne. John Donne was, Robert Graves said, a Muse poet, a poet who wrote passionately of the Muse. It is easy to see Donne as a love poet, in the tradition of love poets such as Bernard de Ventadour, Dante Alighieri, Francesco Petrarch and Torquato Tasso. Donne has written his fair share of love poems. There are the bawdy allusions to the phallus in The Flea, while The Comparison parodies the adoration poem, with references to the sweat drops of my mistress breast . Like William Shakespeare in his parody sonnet my mistress eyes are nothing like the sun, Donne sends up the Petrarchan and courtly love genre with gross comparisons ( Like spermatic issue of ripe menstruous boils ). In The Bait, there is the archetypal Renaissance opening line Come live with me, and be my love, as used by Christopher Marlowe and William Shakespeare, among others. And there is the complex, ambivalent eroticism of The Extasie, a much celebrated love poem, and the 19th Elegy, where features Donne s famous couplet: Licence my roving hands, and let them go Before, behind, between, above, below. The Songs and Sonnets of John Donne celebrate the many emotions of love, feelings that are so familiar in love poetry from Sappho to Adrienne Rich. Donne does not quite cover every emotion of love, but a good deal of them. In The Canonization, we find the age-old Neo-platonic belief that two can become as one ( we two being one, or we shall/ Be one, he writes in Lovers Infiniteness ), a common belief in love poetry. John Donne s love poetry, like (nearly) all love poetry, self-reflexive. Although he would ne er parted be, as he writes in Song: Sweetest love, I do not go, he knows that love poetry comes out of loss. The beloved woman is not there, so art takes her place. The Songs and Sonnets arise from loss, loss of love; they take the place of love. For, if he were clasping his beloved in those feverish embraces as described in The Extasie and Elegy, he would not, obviously, bother with poetry. Love poetry has this ambivalent, difficult relationship with love. The poem is not love, and is no real substitute for it. And writing of love exacerbates the pain and the insecurity of the experience of love. "

A Chronology, Selected Bibliography, Index of Titles, and Index of First Lines are also included."--BOOK JACKET.

Regarded by many as the greatest of the Metaphysical poets, John Donne (1572-1631) was also among the most intriguing figures of the Elizabethan age. A sensualist who composed erotic and playful love poetry in his youth, he was raised a Catholic but later became one of the most admired Protestant preachers of his time. The Selected Poems reflects this wide diversity, and includes his youthful Songs and Sonnets, epigrams, elegies, letters, satires, and the profoundly moving Divine Poems composed towards the end of his life. From joyful poems such as ''The Flea'', which transforms the image of a louse into something marvellous, to the intimate and intense Holy Sonnets, Donne breathed new vigour into poetry by drawing lucid and often startling metaphors from the world in which he lived. His poems remain among the most passionate, profound and spiritual in the English language.

No poet has been more wilfully contradictory than John Donne, whose works forge unforgettable connections between extremes of passion and mental energy. From satire to tender elegy, from sacred devotion to lust, he conveys an astonishing range of emotions and poetic moods. Constant in his work, however, is an intensity of feeling and expression and complexity of argument that is as evident in religious meditations such as ''Good Friday 1613. Riding Westward'' as it is in secular love poems such as ''The Sun Rising'' or ''The Flea''. ''The intricacy and subtlety of his imagination are the length and depth of the furrow made by his passion,'' wrote Yeats, pinpointing the unique genius of a poet who combined ardour and intellect in equal measure.

This Modern Library edition contains all of John Donne''s great metaphysical love poetry. Here are such well-known songs and sonnets as "A Valediction: Forbidding Mourning," "The Extasie," and "A Nocturnall Upon S. Lucies Day," along with the love elegies "Jealosie," "His Parting From Her," and "To His Mistris Going to Bed." Presented as well are Donne''s satires, epigrams, verse letters, and holy sonnets, along with his most ambitious and important poems, the Anniversaries. In addition, there is a generous sampling of Donne''s prose, including many of his private letters; Ignatius His Conclave, a satiric onslaught on the Jesuits; excerpts from Biathanatos, his celebrated defense of suicide; and his most famous sermons, concluding with the final "Death''s Duell." "We have only to read [Donne]," wrote Virginia Woolf, "to submit to the sound of that passionate and penetrating voice, and his figure rises again across the waste of the years more erect, more imperious, more inscrutable than any of his time."

"Based on an exhaustive study of the manuscript and print history of Donne''s poetry, this edition presents newly edited critical texts of the poems and a comprehensive digest of the critical-scholarly commentary on them from Donne''s time forward. Textual introductions briefly locate the poems in the context of Donne''s life or poetic development, outline the 17th-century textual history of the poems, and sketch the treatment of the text by modern editors. A detailed textual apparatus presents variants collated from many sources and traces the lines of textual transmission"--Provided by publisher.

John Donne (1572-1631) is perhaps the most important poet of the seventeenth century. In his day it seemed to his admirers that Donne had changed the literary universe, and he is now widely regarded as the founder of the metaphysical `school''. Donne''s poetry is highly distinctive and individual, adopting a multitude of rhythms, images, forms, and personae, from irresistible seducer to devout believer. His greatness stems from the subtleties and ambivalences of tone that convey his remarkably modern awareness of the instability of the self. This collection of Donne''s verse is chosen from the Oxford Authors critical edition of his major works. It includes a wide selection from his secular and divine poems, such as the rebellious and libertine satires and love elegies, the virtuoso Songs and Sonnets, and the desperate, passionate Holy Sonnets. John Carey''s introduction and extensive notes provide valuable insights into Donne''s poetic genius.

John Donne''s poetry is marked by a scientific colloquial directness and a complex, even tortured, intelligence. It falls into two classes. There is the early ironic and erotic poetry that contains some of the finest English love poetry and also his later, religious poetry.

Presenting a collection of poems, this edition contains notes on the poems and an Approaches section offering commentary and activities on key themes and techniques, such as political beliefs and the role of imagery.

This meditative prose conveys the essence of the human place in the world -- past and present.

This classic edition of Donne''s Divine Poems contains an extensive and invaluable critical apparatus by Helen Gardner.

John Donne published Pseudo-Martyr in 1610, at a moment of extreme political tension between London and Rome. It was an attempt to convince English Roman Catholics that they could remain loyal to the spiritual authority of Rome and still take the oath of allegiance to the British Crown and avoid persecution. Donne, brought up as a Catholic and trained as a lawyer, argued his case by appealing to precedents from the body of canon and civil law in existence since the beginning of Christian civilization. Pseudo-Martyr is thus a vast survey of relations between church and state from the days of the early church to 1600. Donne also drew detailed historical parallels between crises in medieval and contemporary times and the particular dilemma of Catholics in England to prove that a compromise of loyalties was possible and acceptable.