Best Selling Books by John Miller

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One of the first studies of the full career of M S Gorbachev as Soviet leader, this book traces his seven-year struggle to reform the Soviet system and his failure to preserve it. Mr Miller analyses characteristics of Gorbachev that puzzled the West - his reformist gradualism, his relationship to the Communist party, his attitudes to communism, revolution, democracy and nationalism - and explores their role in the collapse of Soviet power.

Whether it is her sunny temperament, her gift of laughter, her wide-ranging abilities, or all three, Dame Judi Dench is without doubt a star. Equally at home on stage, film or TV, her career spans five decades and has earned her a host of awards, including an Oscar for her performance in Shakespeare in Love. From Z Cars to James Bond, from the National Theatre to sit-com, this much-loved actress continues to delight and surprise audiences across the world. John Miller''s biography brings Judi''s life story right up to date and reveals the person behind her many roles.

An illustrated examination of a 1995 work by Mike Kelley that marked a significant change in his work. One of the most influential artists of our time, Mike Kelley (1954–2012) produced a body of innovative work mining American popular culture as well as modernist and postmodernist art—relentless examinations of subjectivity and of society that are both sinister and ecstatic. With a wide range of media, Kelley''s work explores themes as varied as post-punk politics, religious systems, social class, and repressed memory. Using architectural models to represent schools he attended, his 1995 work, Educational Complex, presents forgotten spaces as frames for private trauma, real or imagined. The work''s implications are at once miniature and massive. In this book, John Miller offers an illustrated examination of this milestone work that marked a significant change in Kelley''s practice. A “complex” can mean an architectural configuration, a psychological syndrome, or a political apparatus, and Miller approaches Educational Complex through corresponding lines of inquiry, considering the making of the work, examining it in terms of education and trauma (sexual or otherwise), and investigating how it tests the ideological horizon of art as an institution. Miller shows that in Educational Complex, Kelley expands his political and aesthetic focus, including not only such artifacts as generic forms of architecture but (inspired by the infamous McMartin Preschool case) popular fantasies associated with ritual sex abuse and false memory syndrome. Through this archaeology of the contemporary, Miller argues, Kelley examines the mandate for education and the liberal democratic premises underpinning it.