Best Selling Books by John Richardson

This study edition in two volumes contains the complete vocabulary of the Hebrew Bible, including those parts of books which are written in Aramaic. The alphabetical ordering of entries rather than the traditional arrangement of words according to their roots is especially helpful to new students.

This collection surveys the contemporary landscape of audiovisual media. Contributors from image and sound studies explore the history and the future of moving-image media across a range of formats including blockbuster films, video games, music videos, social media, experimental film, documentaries, video art, pornography, theater, and electronic music.

Martin Heidegger is one of the twentieth century’s most influential, but also most cryptic and controversial philosophers. His early fusion of phenomenology with existentialism inspired Sartre and many others, and his later critique of modern rationality inspired Derrida and still others. This introduction covers the whole of Heidegger’s thought and is ideal for anyone coming to his work for the first time. John Richardson centres his account on Heidegger’s persistent effort to change the very kind of understanding or truth we seek. Beginning with an overview of Heidegger’s life and work, he sketches the development of Heidegger’s thought up to the publication of Being and Time. He shows how that book takes up Husserl’s method of phenomenology and adapts it. He then introduces and assesses the key arguments of Being and Time under three headings—pragmatism, existentialism, and temporality—its three levels of analysis of human experience. Subsequent chapters introduce Heidegger’s later philosophy, including his turn towards a historical account of being, and new ideas about how we need to ‘think’ to get the truth about it; his influential writings on language, art, and poetry, and their role in the Western history of being; and his claim that this history has culminated in a technological relation to things that is deeply problematic, above all in the way it excludes the divine. The final chapter looks at Heidegger’s profound influence on several intellectual movements ranging from phenomenology to existentialism to postmodernism. A much-needed and refreshing introduction to this major figure, Heidegger is ideal reading for anyone coming to his work for the first time and will interest and stimulate students and scholars alike.

Many marine mammals communicate by emitting sounds that pass through water. Such sounds can be received across great distances and can influence the behavior of these undersea creatures. In the past few decades, the oceans have become increasingly noisy, as underwater sounds from propellers, sonars, and other human activities make it difficult for marine mammals to communicate. This book discusses, among many other topics, just how well marine mammals hear, how noisy the oceans have become, and what effects these new sounds have on marine mammals. The baseline of ambient noise, the sounds produced by machines and mammals, the sensitivity of marine mammal hearing, and the reactions of marine mammals are also examined. An essential addition to any marine biologist''s library, Marine Mammals and Noise will be especially appealing to marine mammalogists, researchers, policy makers and regulators, and marine biologists and oceanographers using sound in their research.

This book argues, against recent interpretations, that Nietzsche does in fact have a metaphysical system--but that this is to his credit. Rather than renouncing philosophy''s traditional project, he still aspires to find and state essential truths, both descriptive and valuative, about us and the world. These basic thoughts organize and inform everything he writes; by examining them closely we can find the larger structure and unifying sense of his strikingly diverse views. With rigor and conceptual specificity, Richardson examines the will-to-power ontology and maps the values that emerge from it. He also considers the significance of Nietzsche''s famous break with Plato--replacing the concept of "being" with that of "becoming." By its conservative method, this book tries to do better justice to the truly radical force of Nietzsche''s ideas--to demonstrate more exactly their novelty and interest.

The third volume of Richardson’s magisterial Life of Picasso, a groundbreaking contribution to our understanding of one of the greatest artists of the twentieth century. Here is Picasso at the height of his powers in Rome and Naples, producing the sets and costumes with Cocteau for Diaghilev’s Ballets Russes, and visiting Pompei where the antique statuary fuel his obsession with classicism; in Paris, creating some of his most important sculpture and painting as part of a group that included Braque, Apollinaire, Miró, and Breton; spending summers in the South of France in the company of Gerald and Sara Murphy, Hemingway, and Fitzgerald. These are the years of his marriage to the Russian ballerina Olga Khokhlova—the mother of his only legitimate child, Paulo—and of his passionate affair with Marie-Thérèse Walter, who was, as well, his model and muse.

Nietzsche wrote in a scientific culture transformed by Darwin, yet most of what he said about Darwin was hostile. In this text, John Richardson argues that Nietzsche was in fact deeply and pervasively influenced by Darwin.

Insightful and opinionated, erudite and amusing, this collection by the author of "A Life of Picasso" provides a personal, close-up look at a marvelously eclectic mix of artists and writers, tastemakers and tycoons.