Most Popular Books by John Richardson

St. John Richardson Liddell (1815--1870), a conspicuous combat leader in the Army of Tennessee, was an important eyewitness to the making of history. A prominent Louisiana planter, he also served on the staffs of P.G.T. Beauregard, William J. Hardee, and Albert Sidney Johnston during the conflict and traveled in the upper circles of the Confederate military and political high command. In 1866, disillusioned and embittered by defeat, Liddell penned his memoirs for his sons. More than a description of his wartime experiences, Liddell''s Record is one man''s judgment on why the Confederacy failed, offering blunt, often harsh criticisms of Confederate leadership and fellow soldiers rarely found in such personal accounts.

In this book John Richardson argues for centering the concept of values in the study of Nietzsche''s philosophical thinking. He identifies twelve of Nietzsche''s key concepts, and organizes them into three sections: the first two outline how values influence human behavior and self-conception, while the third presents new values Nietzsche himself defines in response to his previous critiques. The study builds on recent scholarship in philosophy and provides one of the most up-to-date comprehensive assessments of Nietzsche.

The beautifully illustrated fourth volume of Picasso’s life—set in France and Spain during the Spanish Civil War and World War II—covers friendships with the surrealist painters; artistic inspiration around Guernica and the Minotaur; and his muses Marie-Thérèse, Dora Maar, and Françoise Gilot; and much more. Including 271 stunning illustrations and drawing on original and exhaustive research from interviews and never-before-seen material in the Picasso family archives, this book opens with a visit by the Hungarian-French photographer Brassaï to Picasso’s chateau in Normandy, Boisgeloup, where he would take his iconic photographs of the celebrated plaster busts of Marie-Thérèse, Picasso’s mistress and muse. Picasso was contributing to André Breton’s Minotaur magazine and he was also spending more time with the likes of Man Ray, Salvador Dalí, Lee Miller, and the poet Paul Éluard, in Paris as well as in the south of France. It was during this time that Picasso began writing surrealist poetry and became obsessed with the image of himself as the mythic Minotaur—head of a bull, body of a man—and created his most famous etching, Minotauromachie. Richardson shows us the artist is as prolific as ever, painting Marie-Thérèse, but also painting the surrealist photographer Dora Maar who has become a muse, a collaborator and more. In April 1937, the bombing of the town of Guernica during the Spanish Civil War inspires Picasso’s vast masterwork of the same name, which he paints in just a few weeks for the Spanish Pavilion at the Paris World’s Fair. When the Nazis occupy Paris in 1940, Picasso chooses to remain in the city despite the threat that his art would be confiscated. In 1943, Picasso meets Françoise Gilot who would replace Dora, and as Richardson writes, “rejuvenate his psyche, reawaken his imagery and inspire a brilliant sequence of paintings.” As always, Richardson tells Picasso’s story through his work during this period, analyzing how it shows what the artist was feeling and thinking. His fascinating and accessible narrative immerses us in one of the most exciting moments in twentieth century cultural history, and brings to a close the definitive and critically acclaimed account of one of the world’s most celebrated artists.

A Canadian Campaign: Operations of the Right Division of the Army of Upper Canada, during the American War of 1812, by a British Officer with an introduction by David Beasley, and Richardson''s Recollections of the West Indies, and David Beasley''s In Search of Richardson''s Spain.

A new translation and transcription of Hammurabi''s Laws, with an introduction, a huge glossary and listing of proper names, numerals, units of measurement, roots and stems, verbal forms, and an English-Akkadian and Akkadian-English index. An indispensible reference tool for students of Hebrew and Arabic.

Summary: Discusses Roman government in areas under its control from the First Punic War up to 200 A.D

This anthology of 18th-century English poetry is extensively annotated for a new generation of readers. It combines the scope of a period anthology with the detailed annotations of an authoritative single-author edition. Selected poets include John Wilmot, Earl of Rochester, John Dryden, Jonathan Swift, Anne Finch, Countess of Winchilsea, Joseph Addison, Alexander Pope and William Cowper. The guiding principle of the annotation is one of thoroughness: the editors concentrate on works where the meanings have changed, on primary allusions and on relevant details of social and political history.

Richardson explores the famous turn (Kehre) in Heidegger''s thought after ''Being in Time'' and demonstrates how this transformation was radical without amounting to a simple contradiction of his earlier views.