Most Popular Books by John Richardson

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These experts and coffee shop owners seek to answer two main questions: 1. What is the one thing they wish they'd known before they started 2. What is the secret to success of their business and of great coffee shops and cafés in general. Some of these owners have just one site and some have multiple sites and worldwide success but all are acknowledged as being exceptional.

In the second volume of his Life of Picasso, Richardson reveals the young Picasso in the Baudelairean role of “the painter of modern life.” Never before have Picasso’s revolutionary vision, technical versatility, prodigious achievements, and, not least, his sardonic humor been analyzed with such clarity. Hence his great breakthrough painting, Les Demoiselles d’Avignon, with which this book opens. As well as portraying Picasso as a revolutionary, Richardson analyzes the more compassionate side of his genius. The misogynist of posthumous legend turns out to have been surprisingly vulnerable—more often sinned against than sinning. Heartbroken at the death of his mistress Eva, Picasso tried desperately to find a wife. Richardson recounts the untold story of how his two great loves of 1915–17 successively turned him down. These disappointments, as well as his horror at the outbreak of World War I and the wounds it inflicted on his closest friends, Braque and Apollinaire, shadowed his painting and drove him off to work for the Ballets Russes in Rome and Naples—back to the ancient world. In this volume we see the artist’s life and work during the crucial decade of 1907–17, a period during which Picasso and Georges Braque devised what has come to be known as cubism and in doing so engendered modernism. Thanks to the author’s friendship with Picasso and some of the women in his life, as well as Braque and their dealer, D. H. Kahnweiler, and other associates, he has had access to untapped sources and unpublished material. In The Cubist Rebel, Richardson also introduces us to key figures in Picasso’s life who have been totally overlooked by previous biographers. Among these are the artist’s Chilean patron, collector, and mother figure, Eugenia Errázuriz, as well as two fiancées: the loveable Geneviève Laporte and the promiscuous bisexual painter Irène Lagut. By harnessing biography to art history, he has managed to crack the code of cubism more successfully than any of his predecessors. And by bringing fresh light to bear on the artist’s private life, he has succeeded in coming up with a new view of this paradoxical man and of his paradoxical work. Never before have Picasso’s revolutionary vision, technical versatility, prodigious achievements, and, not least, his sardonic humor been analyzed with such clarity.

Revised and expanded edition of an extremely popular book on local history. A guide to research into local history with chapters including: land and agriculture, the local community, taxes, services and rents, archives, documents and printed records; palaeography; museums, libraries and county record offices; organistions and societies; genealogy; education; social welfare; law and order; utilities and services; roads and transport; religion; coins and tokens; the militia; architecture and housing; heraldry; trades and occupations; archaeology.

This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

A study of the life and work of Pablo Picasso captures the artist from his early life in Málaga and Barcelona, through his revolutionary Cubist period, to the height of his talent in prewar Europe.

This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1828. Excerpt: ... APPENDIX. TOPOGRAPHICAL AND GEOLOGICAL NOTICES, BY JOHN RICHARDSON, M.D., F.R.S., &c. SURGEON AND NATURALIST TO THE EXPEDITION. Read before the Geological Society.' A Very limited portion of my time could be allotted to geological inquiries. For eight months in the year the ground in the northern parts of America is covered with snow; and during the short summer, the prosecution of the main object of the expedition rendered the slightest delay in our journey unadvisable. The few hours that could be stolen from the necessary halts, for rest and refreshment, were principally occupied in the collection of objects for the illustration of botany and zoology. It is evident, that an account of the rock formations, drawn up under such circumstances, cannot be otherwise than very imperfect; but I have bee.n led to publish it from the belief that, in the absence of more precise information, even the slightest notice of the rocks of the extreme northern parts of the American continent would be useful to those employed in developing the structure of the crust of the earth; the more especially, as it is not probable that the same tract of country will soon be trod by an expert geologist. The specimens of rocks I obtained have been deposited in the Museum of the Geological Society, and are referred to in the ensuing pages by the numbers affixed to them. The notices are arranged nearly.in the order of the route of the expedition, commencing with Great Bear Lake, where our winter quarters were situated. GREAT BEAR LAKE. Great Bear Lake is an extensive sheet of water, of a very.irregular shape, being formed by the union of five arms or bays in a common centre. The greatest diameter of the lake, measuring about one hundred and fifty geographical miles, runs from the bottom...