New Releases by John Wyndham

A rediscovered, outstandingly prescient crime novel written in the lead-up to World War II, by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.” “Genuinely creepy . . . Wyndham really was a terrific storyteller.”—Jo Walton England, 1935: Phyllida Shiffer’s marriage has just ended in divorce. She heads home, expecting to be welcomed with open arms by her father, a brilliant (if slightly distracted) scientist. But her father’s house is locked up; he is nowhere to be found; and there are suspicious men who seem to think that Phyllida herself might hold the key to her father’s latest scientific discovery. . . .

John Wyndham considered this story a study in “realism in interplanetary travel.” This is no ordinary interplanetary story: it is a human and gripping adventure of explorations into a new world with a surprising series of developments. What Mr. Harris shows so powerfully is the effect of environment upon two races: the rise of one and the steady degeneration of another to almost the level of the brute. As he points out, when men from temperate climates have gone to the tropics, one of two things has happened: they have either transformed the tropics and tamed it to civilization or else the tropics have conquered them and they have sunk slowly to the level of nature. The same struggle must go on when men go to other worlds to live and colonize.

A hard science fiction masterpiece, perfect for fans of Kim Stanley Robinson, by one of the twentieth century’s most brilliant—and neglected—writers, whom Stephen King called “the best writer of science fiction that England has ever produced.” What does the future hold for a species torn between exploration—the outward urge—and apparent self-destruction? First published in 1959, The Outward Urge follows members of the Troon family as humanity extends its reach into space. The first vignette follows a Troon to a British space station in 1994; the next to the Moon bases as Earth experiences nuclear war; then to Mars and Venus landings, when Brazil is the only world power; and finally to the asteroids.

THE COLD WAR SCI-FI CLASSIC: Following a global nuclear war, a telepathic young boy searches for freedom in a fundamentalist society. “One of the most thoughtful post-apocalypse novels ever written.” —David Mitchell, New York Times–bestselling author of Cloud Atlas The Chrysalids is set in the future after a devastating global nuclear war. David lives in a tight-knit community of religious and genetic fundamentalists, who exist in a state of constant alert for any deviation from what they perceive as the norm of God’s creation—deviations broadly classified as “offenses” and “blasphemies.” Offenses consist of plants and animals that are in any way unusual, and these are publicly burned to the accompaniment of the singing of hymns. Blasphemies are human beings—ones who show any sign of abnormality, however trivial. They are banished from human society, cast out to live in the wild country where, as the authorities say, nothing is reliable, and the devil does his work. David grows up surrounded by admonitions: KEEP PURE THE STOCK OF THE LORD; WATCH THOU FOR THE MUTANT. At first, he hardly questions them, though he is shocked when his sternly pious father and rigidly compliant mother force his aunt to forsake her baby. It is a while before he realizes that he too is out of the ordinary, in possession of a power that could doom him to death or introduce him to a new, hitherto-unimagined world of freedom. The Chrysalids is a perfectly conceived and constructed work from the classic era of science fiction. It is a Voltairean philosophical tale that has as much resonance in our own day, when genetic and religious fundamentalism are both on the march, as when it was written during the Cold War.

This short book is a translation of some of the myths of the Yoruba people of Nigeria. It is a history of the creation of the world, the gods, and humanity, and the early days of the sacred city of Ífè, the traditional center of Yoruba culture. The text was recited to the author/translator by the high priests of Ífè, and the book is still cited in some books on traditional Yoruba religion and thought today. It has undeservedly become quite rare, as it can be considered a minor classic in the field.

This short book is a translation of some of the myths of the Yoruba people of Nigeria. It is a history of the creation of the world, the gods, and humanity, and the early days of the sacred city of �f�, the traditional center of Yoruba culture. The text was recited to the author/translator by the high priests of �f�, and the book is still cited in some books on traditional Yoruba religion and thought today. It has undeservedly become quite rare, as it can be considered a minor classic in the field.

The six stories in Consider Her Ways: And Others, the second collecton of John Wyndham's short tales, continue his exploration of the science fiction staple - what if? In the title story we are introduced to a world where all the men have been killed by a virus and women continue to survive in a strict caste system - bottom of the heap are the mothers. In others we meet the man who accidentally summons a devil and then has to find a way of getting rid of him without losing his immortal soul, as well as the woman who, thanks to an experiment in time, discovers why her lover abandoned her. 'Wyndham writes strongly and has a gift for bizarre plots' Guardian 'One of the few authors whose compulsive readability is a compliment to the intelligence' Spectator John Wyndham Parkes Lucas Benyon Harris was born in 1903, the son of a barrister. He tried a number of careers including farming, law, commercial art and advertising, and started writing short stories, intended for sale, in 1925. From 1930 to 1939 he wrote short stories of various kinds under different names, almost exclusively for American publications, while also writing detective novels. During the war he was in the Civil Service and then the Army. In 1946 he went back to writing stories for publication in the USA and decided to try a modified form of science fiction, a form he called 'logical fantasy'. As John Wyndham he wrote The Day of the Triffids, The Kraken Wakes, The Chrysalids, The Midwich Cuckoos (filmed as Village of the Damned), The Seeds of Time, Trouble with Lichen, The Outward Urge, Consider Her Ways and Others, Web and Chocky. John Wyndham died in March 1969.

Was he a reality, a dream or a nightmare?

They were a small band of Mutants, searching for a new salvation as outlaws in the darkness of a shattered world.

One of the fascinations of the time traveling story lies in the endless source of speculation concerning its manifold possibilities. So many elements of time traveling stories seem to be contrary to reason and lead the thinking reader into all sort of absurd situations. Readers may find some of these apparent contradictions in the present story. Even the scientists of the 22nd century found themselves unable to follow the mysterious program of the owners of the silver vehicles who wanted to transfer a whole race through time. But this story is thrilling from beginning to end. It leaves one with a sense that there was much that our hero could have told us, if he were able. It leaves us with a haunting sense of mystery, of unnamable fear and of desolation. This classic short story, by the author of The Day of the Triffids and The Midwich Cookoos (filmed as Village of the Damned) originally appeared in Wonder Stories in 1931. Includes an introduction by Karl Wurf.