Best Selling Books by John Wyndham

A space opera set on Mars by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.” What if alien life-forms included autonomous, conscious machines? An international prize is offered to the first man to complete an interplanetary journey. For British pilot Dale Curtance, it is the ultimate challenge; he must build a ship, assemble a top-notch crew, and beat the Russians and the Americans, too. Soon the Gloria Mundi heads for Mars. There’s only one problem: a stowaway named Joan Shirning. At first, the men resent Joan’s presence. But they come to realize that she is the only one who has firsthand knowledge of the Martians—or at least the intelligent beings that will one day replace them. . . .

John Wyndham''s 1951 classic post-apocalypse novel introduced the world to triffids, walking man-eating plants, preying on humanity in a world struck blind by a cosmic disaster. Only a few sighted people remain, and it is up to them to rebuild civilization and keep the triffids at bay—if they can learn to survive in this new world!

A wild ride from one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.” What if the defeated Nazis had a plan to clone their master race and cause nuclear war? Johnny Farthing is your average photojournalist until his fiancée goes missing and women who look suspiciously, uncannily similar to her start turning up dead. As Johnny descends a rabbit hole of doppelgängers, mysterious American senators, and eerie bureaucracies, it becomes clear that these peculiar similarities are part of far bigger and deadlier plans—and that the fate of the world just might be at stake.

Was he a reality, a dream or a nightmare?

A hard science fiction masterpiece, perfect for fans of Kim Stanley Robinson, by one of the twentieth century’s most brilliant—and neglected—writers, whom Stephen King called “the best writer of science fiction that England has ever produced.” What does the future hold for a species torn between exploration—the outward urge—and apparent self-destruction? First published in 1959, The Outward Urge follows members of the Troon family as humanity extends its reach into space. The first vignette follows a Troon to a British space station in 1994; the next to the Moon bases as Earth experiences nuclear war; then to Mars and Venus landings, when Brazil is the only world power; and finally to the asteroids.

THE COLD WAR SCI-FI CLASSIC: Following a global nuclear war, a telepathic young boy searches for freedom in a fundamentalist society. “One of the most thoughtful post-apocalypse novels ever written.” —David Mitchell, New York Times–bestselling author of Cloud Atlas The Chrysalids is set in the future after a devastating global nuclear war. David lives in a tight-knit community of religious and genetic fundamentalists, who exist in a state of constant alert for any deviation from what they perceive as the norm of God’s creation—deviations broadly classified as “offenses” and “blasphemies.” Offenses consist of plants and animals that are in any way unusual, and these are publicly burned to the accompaniment of the singing of hymns. Blasphemies are human beings—ones who show any sign of abnormality, however trivial. They are banished from human society, cast out to live in the wild country where, as the authorities say, nothing is reliable, and the devil does his work. David grows up surrounded by admonitions: KEEP PURE THE STOCK OF THE LORD; WATCH THOU FOR THE MUTANT. At first, he hardly questions them, though he is shocked when his sternly pious father and rigidly compliant mother force his aunt to forsake her baby. It is a while before he realizes that he too is out of the ordinary, in possession of a power that could doom him to death or introduce him to a new, hitherto-unimagined world of freedom. The Chrysalids is a perfectly conceived and constructed work from the classic era of science fiction. It is a Voltairean philosophical tale that has as much resonance in our own day, when genetic and religious fundamentalism are both on the march, as when it was written during the Cold War.

A “sharp, amusing story” (The Guardian) about the fountain of youth and its implications for women’s rights, by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.” “It was a genius move for John Wyndham to center an age-slowing narrative on women, who are still today pressured to remain youthful-looking forever, or succumb to social invisibility. . . . Wyndham was uniquely gifted at skewering humankind’s foibles while maintaining a shred of hope that our better angels would prevail.”—Kate Folk, from the introduction What if humans discovered the secret to prolonged life? Francis Saxover and Diana Brackley, two biochemists investigating a rare lichen, separately discover that it has a remarkable property: It slows the aging process almost to a halt. Francis, realizing the horrifying implications of an ever-youthful wealthy elite, decides to keep his findings a secret. But the younger and more daring Diana sees an opportunity to overturn the male status quo and free women from the career-versus-children binary—in short, a chance to remake the world.

An “ingenious, horrifying” (The Guardian) first contact story by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.” “Few books capture the obscure, elliptical way that threats move from the background to the foreground of reality like The Kraken Wakes. . . . Feels all too familiar in today’s age of anti-vaxxer disinformation and QAnon conspiracists.” —Alexandra Kleeman, from the Introduction What if aliens invaded and colonized Earth’s oceans rather than its land? Britain, 1953: It begins with red dots appearing across the sky and crashing to the oceans’ deeps. At first, many people believe that these aliens are interested in only what’s down below. But when the polar ice-caps begin to melt, it becomes clear that these beings are not interested in sharing the Earth and that humankind might just be on the brink of extinction. . . .

The classic science fiction horror novel of possessed children that inspired the terrifying Village of the Damned films. In John Wyndham''s classically elegant, calm style, this novel explores the arrival of a collective intelligence on earth that threatens to eliminate mankind. The quiet, eerie changes that befall Midwich manifest in strange ways: On the surface, everything seems normal, but scratch a little deeper and there is a clear sense of dread. After the night of September 26, every woman of childbearing age is pregnant, all to give birth at the same time, to children who are all alike—their eyes mesmerizing, void of emotion. These children are innately possessed with unimaginable mental powers and a formidable intelligence. It is these children who develop into an unstoppable force, capable of anything and far out-reaching other humans in cunning. Whatever dwells in Midwich is sowing the seeds for a master race of ruthless and inhumane creatures who are bent on nothing less than absolute and total domination. The London Evening Standard called The Midwich Cuckoos "humane and urbane with a lightly sophisticated wit putting the ideas into shape." Wyndham skillfully heightens the terror by making his narrative so rational and matter-of-fact. In such a nuclear and technological age, this story is rich in irony in that it is set in the picturesque, bucolic English Village and the "enemy," or, the threat is seeming cherubim. "Exciting, unsettling and technically brilliant." — The Spectator

A remarkable anti-colonialist novel by one of the twentieth century’s most brilliant—and neglected—science fiction and horror writers, whom Stephen King called “the best writer of science fiction that England has ever produced.” What if spiders evolved and gained the ability to co-operate? A group of British citizens buy the South Pacific island of Tanakuatua from the British government in the hopes of building the world’s first utopian society. Tanakuatua is small, beautiful, and apparently uninhabited. Perhaps too uninhabited: there are no birds, no insects, no life of any kind—other than millions and millions of spiders. . . .

A powerful post-apocalyptic allegory of persecution and intolerance, the Penguin Modern Classics edition of John Wyndham''s science fiction masterpiece The Day of the Triffids contains an introduction by M. John Harrison. Nuclear war has devastated the world, bringing with it a host of genetic mutations. In the bleak, primitive society that has emerged from its ruins, any sign of deviation, no matter how small, is ruthlessly rooted out and destroyed. David lives in fear of discovery, for he is part of a secret group of children who are able to communicate with each other by transferring thought-shapes into each other''s minds. As they grow older, they feel increasingly isolated. Then one of them marries a ''norm'', with terrifying consequences. John Wyndham (1903-1969) the son of a barrister, tried a number of careers including farming, law, commercial art and advertising before writing short stories, intended for sale, in 1925. After serving in the Civil Service and the Army during the Second World War, he decided to try writing a modified form of Science Fiction, which he called ''logical fantasy''. Among his most famous books are The Day of the Triffids (1951), The Kraken Wakes (1953), The Chrysalids (1955), The Midwich Cuckoos (1957, filmed twice as Village of the Damned), Trouble with Lichen (1960), and Chocky (1968). If you enjoyed The Chrysalids, you might like Arthur Miller''s The Crucible, also available in Penguin Modern Classics. ''One of those few authors whose compulsive readability is a compliment to the intelligence'' Spectator

One of the fascinations of the time traveling story lies in the endless source of speculation concerning its manifold possibilities. So many elements of time traveling stories seem to be contrary to reason and lead the thinking reader into all sort of absurd situations. Readers may find some of these apparent contradictions in the present story. Even the scientists of the 22nd century found themselves unable to follow the mysterious program of the owners of the silver vehicles who wanted to transfer a whole race through time. But this story is thrilling from beginning to end. It leaves one with a sense that there was much that our hero could have told us, if he were able. It leaves us with a haunting sense of mystery, of unnamable fear and of desolation. This classic short story, by the author of The Day of the Triffids and The Midwich Cookoos (filmed as Village of the Damned) originally appeared in Wonder Stories in 1931. Includes an introduction by Karl Wurf.