New Releases by Jonathan Lethem

El autor de Huérfanos de Brooklyn vuelve con una novela que desafía todas las convenciones del género. Un retablo apasionante sobre la historia de Brooklyn a lo largo de medio siglo. «Una historia caleidoscópica y deslumbrante. Una de las cartas de amor a Brooklyn más completas y honestas jamás escritas». NPR «En Brooklyn, una novela criminal, Lethem mira más fijo que nunca y fija uno de sus mejores libros. Porque –como ocurre con los mejores libros– uno vive allí dentro mientras lo lee. En Brooklyn. En el Brooklyn de Lethem. En Brookthem». Rodrigo Fresán, ABC Cultural En las calles del Brooklyn de principios de los setenta, donde todavía no se perciben indicios de gentrificación, tiene lugar un ritual diario: lo llaman la danza. El dinero cambia de manos, se entregan pertenencias, el poder prevalece. La violencia está en todas partes, es una moneda de cambio. Para cualquier chaval –ya sea mulato, negro o blanco– la calle es el escenario donde exhibir su fuerza, sus debilidades y sus vergüenzas, mientras los demás actores se esconden entre bastidores: padres, policías, obreros, libreros, propietarios de viviendas; los que escriben los titulares, las historias y las leyes; los que dan nombre al barrio. A simple vista, las reglas se adivinan obvias, pero bajo el prisma de la memoria no está claro quién es víctima y quién delincuente. Las puertas de un vecindario, convertido hoy en oasis para ricos, se abren para mostrar, bajo la resplandeciente fachada de sus edificios, historias pasadas y presentes. Escrita con la ambición y el talento de un autor consagrado y en estado de gracia, Brooklyn, una novela criminal es un impresionante tour de force que se cuestiona cómo creamos historias para contener lo incontenible: nuestro remordimiento por el mundo que hemos creado. La crítica ha dicho: «El libro de Jonathan Lethem es, en realidad, un organismo vivo que respira a través del asfalto y los ladrillos de un barrio en plena transformación». Daniel Arjona, El Mundo «Entre los incontables cronistas que ha tenido el distrito de Brooklyn, pocos en el siglo XXI se han acercado a él desde un conocimiento tan profundo de sus códigos callejeros y menos aún con la voluntad de trasplantarle algunas de las lecciones de la literatura popular para componer un retrato que ampliara la visión costumbrista en la que con tanta frecuencia ha quedado encajado. Jonathan Lethem le dedica ahora su sinfonía más ambiciosa y su experimento más juguetón». Antonio Lozano, Cultura|s, La Vanguardia «Esta obra brillante, que desafía al género, sin duda dejará huella». Percival Everett «Un libro mordaz. Un relato de amor. Crónica social. Historia. Novela protesta. Y el misterio une el todo: ¿es el crimen el paso del tiempo? ¿O el todopoderoso dólar? También me reí mucho. Cada ciudad merece un libro como este». Colum McCann «Una declaración de amor interminable. Cada barrio merece un retrato tan reflexivo, una devoción tan absoluta y un libro tan valiente como este». Los Angeles Times «Una especie de memorias. [...] Un experimento interesante y conmovedor». The New York Times «Lethem nos brinda su agudo punto de vista sobre los aspectos más desoladores de la gentrificación urbana». Times Literary Supplement «Lethem se acerca con audacia al género de moda, la autoficción, y le añade un brillo verdaderamente convincente». The Guardian «Conmovedora y divertida, ingeniosa y encantadora, no podría recomendarla más». The Spectator

A definitive collection of new and selected stories by a master of the form “Comparisons might be drawn to writers ranging from Jorge Luis Borges and Haruki Murakami to Margaret Atwood and J. D. Salinger. All of Lethem’s stories are enlivened by his wit and provocative wordplay.” —Chicago Tribune This dazzling, genre-defying collection from Jonathan Lethem features seven major stories published since his last collection, along with his best work spanning more than three decades. A major new story, “The Red Sun School of Thoughts,” never published before, follows a teenage boy coming to terms with figures of authority and power—those in both his biological family and in the family he creates for himself. Elsewhere we meet “Super Goat Man,” a down-at-heels bohemian superhero; “The Porn Critic,” whose accidental expertise wrecks his own romantic aspirations; and “Sleepy People,” who pose interpersonal conundrums without ever rousing from their slumber. Fluidly moving between realism and the surreal, the absurd and the mundane, A Different Kind of Tension is a container bursting with life and death, couples in trouble, talking animals, and technologies on the fritz. Through it all are people longing to be seen and to connect; to thrive, love, and be forgiven. “This is the joy of reading Jonathan Lethem: you never know what you’re going to get.” (Financial Times)

Esta es la historia de un chico negro y uno blanco: Dylan Ebdus y Mingus Rude, vecinos que comparten sus días y defienden su amistad a capa y espada desde un rincón de Nueva York. Esta es la historia de su infancia en Brooklyn, un barrio habitado mayoritariamente por negros y en el que comienza a emerger una nueva clase blanca. Esta es la historia de la América de los años setenta, cuando las decisiones más intrascendentes -qué música escuchar, qué zona ocupar en el autobús escolar, en qué bar desayunar- desataban conflictos raciales y políticos. Esta es la historia de lo que habría pasado si dos adolescentes obsesionados con superhéroes de cómic hubieran desarrollado poderes similares a los de los personajes de ficción. Esta es la historia que Jonathan Lethem nació para contar. Esta es La fortaleza de la soledad. Reseña: « La fortaleza de la soledad ejemplifica, sin necesidad de grandes aspavientos vanguardistas, nuestro paradójico signo de los tiempos». Qué Leer

Una comedia romántica ambientada en Los Angeles con una peculiar banda musical como protagonista. Jonathan Lethem recrea las peripecias de una banda indie de escaso éxito en Los Ángeles. Lucinda, la bajista del grupo, trabaja en una oficina de reclamaciones. El trabajo es muy aburrido, pero hay un cliente que tras varias llamadas acaba seduciéndola con sus brillantes reflexiones subidas de tono. Matthew, el cantante de la banda, vive obsesionado por la tristeza de una canguro del zoo y está a punto de tomar una decisión desesperada. Bedwin, el genio apocado del grupo, sufre un bloqueo creativo que le impide escribir nuevas canciones y cree que la solución se encuentra en algún fotograma de Deseos humanos. Y Denise, que es el alma del grupo, está decidida a hacer lo que sea necesario para que la banda salga adelante. Un buen día, en un ensayo, Lucinda improvisa unas frases inconexas: el germen de una canción. Cuando Bedwin las transforma en un tema de éxito, el grupo salta a la fama. Pero esto solo traerá más problemas. Del autor de Huérfanos de Brooklyn llega esta pertida novela rebosante de sexo, música y humor.

»Jede Stadt verdient ein solches Buch.« Colum McCann Die Dean Street in Brooklyn ist mehr als eine Straße. Hier werden Träume wie harte Währung gehandelt, treffen reiche Kids auf Jungs aus der Hood und große Verbrechen auf kleine Gaunereien. Mit meisterhafter literarischer Finesse erzählt Jonathan Lethem die wechselvolle Geschichte von einer der hippsten Straßen New Yorks. Ein Blick hinter die Kulissen einer Stadt und einer Zeit, in der vieles immer stärker zur bloßen Fassade gerät. Die Dean Street gleicht einer Bühne. Täglich wird hier ein Tanz aus Macht, Geld und Gewalt aufgeführt. Wem gehört das Pflaster? Wer zahlt den Preis fürs Überleben? Einmal wird ein Kind am Eisstand Zeuge einer Schießerei, ein anderes Mal wird ein paar Blocks weiter ein anderes Kind dabei erwischt, wie es im Kiosk ein Erwachsenenmagazin mitgehen lässt. Rivalisierende Gangs streiten sich über das Recht, wer in der Straße Hockey spielen darf, um die Ecke wirft jemand versehentlich einen Baseball in die Windschutzscheibe eines Autos. Doch hinter all diesen Ereignissen lauern immer andere Strippenzieher: Eltern, Polizisten, Vermieter und diejenigen, die in der Stadt die Schlagzeilen und Gesetze schreiben. Sie alle prägen dieses Viertel, seine Geschichte und seine Gegenwart. Jonathan Lethem, einer der großen Erzähler Amerikas und selbst ein Kind Brooklyns, hat diesem Viertel eine grenzenlose Liebeserklärung geschrieben: witzig, vielschichtig und unfassbar berührend. »Ein großer Lesegenuss. Ein brillantes Buch, das alle Genregrenzen sprengt.« Percival Everett

In honor of the 25th anniversary of Motherless Brooklyn—a hardcover omnibus edition of two of the most acclaimed novels by one of America’s most inventive novelists Motherless Brooklyn, winner of the National Book Critics Circle Award, is a compulsively readable riff on the classic noir detective novel. Lionel Essrog is an orphan whose Tourette’s symptoms drive him to rip apart language in startling and evocative ways. Charismatic Brooklyn mobster Frank Minna serves as a father figure to Lionel and three of his fellow veterans of the St. Vincent’s Home for Boys, employing them in his limo service and detective agency. But when Frank is fatally stabbed, Lionel’s world is turned topsy-turvy, and he sets out to untangle the case while trying to keep the words straight in his head. The Fortress of Solitude is the story of two motherless boys, Dylan Ebdus and Mingus Rude, growing up as neighbors in 1970s Brooklyn. Because Dylan is white and Mingus is Black, their friendship is not simple. Neither is their neighborhood, where the entertainments range from muggings to joyous games of stoopball, and where the smallest decisions—what music you listen to, whether to speak to the kid seated next to you, whether to give up your lunch money—are laden with potential disaster. Through the knitting and unraveling of the boys’ friendship, Jonathan Lethem weaves a rich and emotionally gripping story that encompasses race and class, superheroes, gentrification, funk, hip-hop, graffiti, incarceration, loyalty, and memory. Everyman's Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author's life and times.

A rapturous, ravenous celebration of visual art and storytelling from one of our most innovative writers and critical minds. Many know Jonathan Lethem as one of our most celebrated and eclectic writers, whose iconic novels--Motherless Brooklyn, The Fortress of Solitude, Chronic City, among many others--play with genres and storytelling modes like a DJ mixing music. But Lethem grew up in his father's studio, went to art school, and, in his own words, "made hundreds if not thousands of drawings, collages, paintings, hand-drawn comics, and even two animated shorts" before diverting, at nineteen, to prose fiction. The surreal and form-defying panoply of his stories, essays, and novels celebrates - and mourns - this forsaken world of the visual and plastic arts. That leap, between the cellophane ephemerality of language and the brick-like tangibility of visual art, which operates as a sublimated wellspring for Lethem's writing, is the subject of this book. Cellophane Bricks gathers a lifetime of Lethem's art-writing, along with stunning, full-color images from the author's own collection and elsewhere. Here we tour Lethem's fictions in response to (and in exchange for) artworks by his friends; his meditations on comics and graffiti art; his collaborations with artists and interventions into visual culture, and his portrait of the museum that was and continues to be his home, untethered from geography. More than just a compilation, Cellophane Bricks comprises a kind of stealth memoir of Jonathan Lethem's parallel life in visual culture - a ravishing assemblage that makes the perfect gift for story lovers of all kinds, and an essential, singular brick to add to your own collection.

Named a Best Book of the Year by: Boston Globe * New Yorker * NPR * PopMatters From the bestselling and award-winning author of The Fortress of Solitude and Motherless Brooklyn comes a sweeping story of community, crime, and gentrification, tracing more than fifty years of life in one Brooklyn neighborhood. “A blistering book. A love story. Social commentary. History. Protest novel. And mystery joins the whole together: is the crime ''time''? Or the almighty dollar? I got a great laugh from it too. Every city deserves a book like this.” — Colum McCann, author of Apeirogon and Let the Great World Spin On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and the laws; those who award this neighborhood its name. The rules appear obvious at first. But in memory’s prism, criminals and victims may seem to trade places. The voices of the past may seem to rise and gather as if in harmony, then make war with one another. A street may seem to crack open and reveal what lies behind its glimmering facade. None who lived through it are ever permitted to forget. Written with kaleidoscopic verve and delirious wit, Brooklyn Crime Novel is a breathtaking tour de force by a writer at the top of his powers. Jonathan Lethem, “one of America’s greatest storytellers” (Washington Post), has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we’ve made.

From the award-winning author of The Feral Detective and Motherless Brooklyn comes an utterly original post-collapse yarn about two siblings, the man that came between them, and a nuclear-powered super car. The Arrest isn''t post-apocalypse. It isn''t a dystopia. It isn''t a utopia. It''s just what happens when much of what we take for granted—cars, guns, computers, and airplanes, for starters—quits working. . . . Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend and writing partner, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. That didn''t hurt. Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her organic farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Todbaum has spent the Arrest smashing his way across a fragmented and phantasmagorical United States, trailing enmities all the way. Plopping back into the siblings'' life with his usual odious panache, his motives are entirely unclear. Can it be that Todbaum wants to produce one more extravaganza? Whatever he''s up to, it may fall to Journeyman to stop him. Written with unrepentant joy and shot through with just the right amount of contemporary dread, The Arrest is speculative fiction at its absolute finest.

El libro en que se basa la película dirigida por Edward Norton. Novela ganadora del Premio del National Critics Circle. Una original y brillante novela policíaca por uno de los autores más aclamados de su generación. «Tengo el síndrome de Tourette». Las palabras salen atropellándose, incontrolables, y las manos no pueden evitar tocar impulsiva y compulsivamente todo lo que tengan cerca. Es el sino de Lionel Essrog, criado en un orfanato y que, junto con sus tres amigos de la infancia, trabaja para un mafiosillo local, Frank Minna, en una agencia ilegal de detectives. El asesinato de Frank le obligará a sumergirse en la trama, compleja y llena de sombras, de relaciones, amenazas y favores que conforman el Brooklyn que él creía conocer tan bien y donde nadie es lo que parece. Huérfanos de Brooklyn supera con creces lo que podríamos considerar una novela negra, subvierte el género y le confiere nuevos matices hasta lograr un texto sumamente original. Esta novela pertenece al #FondoDeEditor de Literatura Random House «Huérfanos de Brooklyn, con su protagonista inolvidable, el detective afectado por el síndrome de Tourette, convirtió a Jonathan Lethem en un autor de referencia. Con este homenaje a las novelas clásicas del género policial ganó el premio Nacional de la Crítica en los Estados Unidos.».- Claudio López Lamadrid ENGLISH DESCRIPTION Winner of the National Book Critics Circle Award. Now a movie directed by Edward Norton. A compelling and complusively readable riff on the classic detective novel from America's most inventive novelist. Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel's colleagues lands in jail, the other two vie for his position, and the victim's widow skips town. Lionel's world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original, captivating homage to the classic detective novel by one of the most acclaimed writers of his generation. A New York Times Notable Book.

Jonathan Lethem’s first detective novel since Motherless Brooklyn “One of America’s greatest storytellers.” —Washington Post Phoebe Siegler first meets Charles Heist in a shabby trailer on the eastern edge of Los Angeles. She’s looking for her friend’s missing daughter, Arabella, and hires Heist to help. A laconic loner who keeps his pet opossum in a desk drawer, Heist intrigues the sarcastic and garrulous Phoebe. Reluctantly, he agrees to help. The unlikely pair navigate the enclaves of desert-dwelling vagabonds and find that Arabella is in serious trouble—caught in the middle of a violent standoff that only Heist, mysteriously, can end. Phoebe’s trip to the desert was always going to be strange, but it was never supposed to be dangerous. . . . Jonathan Lethem’s first detective novel since Motherless Brooklyn, The Feral Detective is a singular achievement by one of our greatest writers.

Phoebe Siegler incontra per la prima volta Charles Heist, il Detective selvaggio, in un ufficio cupo e trasandato, in mezzo a una distesa di roulotte all’estrema periferia di Los Angeles. La donna vuole ingaggiarlo per la ricerca di Arabella, la figlia di una sua amica, scomparsa da tre mesi: i pochissimi indizi portano alla California, a una qualche comunità strampalata e a Leonard Cohen, di cui la ragazza era una fan sfegatata. Heist, un solitario di poche parole che tiene nel cassetto della scrivania un opossum come animale domestico, conquista subito l’esuberante, sarcastica e logorroica Phoebe. L’improbabile coppia inizia così un viaggio tra i vagabondi che abitano nel deserto californiano per scoprire che Arabella è in pericolo e che solo il Detective selvaggio, per ragioni misteriose, può tirarla fuori da guai. L’avventura di Phoebe nel deserto si prospettava bizzarra sin dall’inizio, ma di certo nessuno poteva immaginare quanto sarebbe diventata pericolosa... Dopo l’indimenticabile Brooklyn senza madre, Jonathan Lethem ritorna al romanzo poliziesco, restituendoci gli stessi, formidabili ingredienti: giochi di parole magistrali, personaggi vividi e intensi, e soprattutto il suo straordinario, velocissimo, senso dell’umorismo. “Un romanzo incredibile, che trabocca di verve e acume, marchio di fabbrica di Jonathan Lethem.” Colson Whitehead “Uno dei più brillanti scrittori americani di sempre.” The Washington Post “Un maestro nello scrivere polizieschi che sconvolgono il genere, dando vita a eccentrici protagonisti.” The Huffington Post “Un libro irriverente e incredibilmente spiritoso. Come al solito, Lethem scrive di un’America anticonformista, grottesca e spietata con sapienza e ironia straordinarie.” Dana Spiotta

Después de Los Jardines de la Disidencia, vuelve el mejor Lethem con Anatomía de un jugador. El autor de Huérfanos de Brooklyn y La fortaleza de la soledad indaga sobre el azar y la identidad a través de la historia de un jugador de backgammon que cree haber perdido sus dones telepáticos a causa de un tumor. Alexander Bruno ha hecho del azar su profesión. Con el estuche de backgammon y la funda del esmoquin a cuestas, recorre Berlín hacia la lujosa residencia de herr Köhler, donde jugará la partida que pague las deudas acumuladas después de una racha de mala suerte en Singapur. Pero los dados no están de su parte y el juego se va torciendo. Está convencido de que los dones telepáticos que hasta ahora le habían convertido en ganador le están fallando. Quizá se deba a la aparición de una incómoda mancha en su campo de visión que le nubla la vista y a causa de la cual deberá viajar a California aceptando la ayuda económica que parece ofrecerle desinteresadamente un viejo amigo de la infancia. Al igual que su visión, su vida se difumina por momentos. Jonathan Lethem regresa con una novela inquietante y extraordinaria que indaga en cómo las buenas cartas en la partida de la vida pueden volverse contra uno hasta hacerlo desparecer. El profundo retrato psicológico de los protagonistas de esta nueva historia confirma a Lethem como uno de los escritores más brillantes y originales de su generación. La crítica ha dicho: «Lethem es ambicioso como Mailer, divertido como Philip Roth y mordaz como Bob Dylan.» Los Angeles Times «Uno de los autores norteamericanos más brillantes.» The Washington Post «En su nueva novela, Lethem parece estar canalizando (y, como de costumbre, transformando) tanto a Thomas Pynchon como a Ian Fleming [...] en pocas palabras, se trata simplemente de un día más enLethemland, un lugar tan extraño y extraordinario como cualquier otro imaginado por L. FrankBaum.» Chicago Tribune «Maravillosamente extraña.» Vogue «Una novela reflexiva y de primer nivel que, además, resulta ser adictiva.» The New York Times Book Review «Anatomía de un jugador llevará a más de un lector a rebuscar en el fondo de su armario (o en la tienda de juguetes de su barrio) en busca de un tablero de backgammon [...] hipnótica, enrevesada, atrevida.» San Francisco Chronicle «Una combinación natural de gamberradas cómicas y tragedia delirante [...]. Lethem presenta una novela impactante, elegante, incansablemente entretenida.» Star Tribune

Affascinante, sempre elegantissimo, Bruno Alexander viaggia per il mondo arricchendosi a spese degli sventurati dilettanti che pensano di poter sfidare il suo ineguagliabile talento di giocatore di backgammon. Spinto dal suo manager, pallido e vampiresco, Bruno arriva a Berlino dopo una serie di partite a Singapore, dove è accaduto qualcosa che lo ha sorpreso. Forse a causa dell’incontro con un suo volgare amico d’infanzia e la sua bollente fidanzata, o forse per una misteriosa macchia comparsa improvvisamente che gli impedisce di vedere con precisione il gioco, il suo infallibile intuito, capace di leggere nella mente del suo sfidante, sembra essersi inceppato. A Berlino la situazione non migliora affatto. Bruno continua a perdere al gioco; il flirt con una donna bionda, troppo bionda, non va a finire bene, la macchia cresce e la diagnosi medica è impietosa. Bruno è costretto allora a tornare in California, dopo una vita passata all’estero, per affrontare un intervento chirurgico: la macchia, dopo avergli danneggiato la vista, rischia ora di ucciderlo. L’unico che può operarlo è un chirurgo hippie, che ha messo a punto una tecnica sperimentale e che lo terrà sotto i ferri per nove ore ascoltando Jimi Hendrix a tutto volume. Con questa operazione Bruno potrebbe riacquistare tutto il suo potere al gioco, ma a che prezzo? Sarà sempre lui? E l’America che gli si mostrerà davanti sarà la medesima che aveva lasciato e che ricordava? E una domanda inizierà a rincorrerlo: forse lui, giocatore d’azzardo, è stato “giocato” dalla vita e dai suoi modesti interpreti?

The author of Motherless Brooklyn and The Fortress of Solitude returns with a devilishly entertaining novel about an international backgammon hustler who thinks he''s psychic. Too bad about the tumor in his face. Alexander Bruno travels the world playing high stakes backgammon and hunting for amateur “whales” who think they can challenge him. Lately he’s had a run of bad luck, not helped by the blot that has emerged in his field of vision, which forces him to look at the board sideways. As the blot grows larger, his game gets worse, until, at an opulent mansion in Berlin, he passes out in the middle of a match and receives an alarming diagnosis. Out of money and out of friends, he turns to the only person who can help (and the last person he wants to see): a high-rolling former childhood acquaintance who agrees to pay for Bruno’s experimental surgery in Berkeley. But Berkeley is the place where Bruno discovered his psychic gift and where he vowed never to return. There, forced to confront patchouli flashbacks and his uncertain future, he must ask himself: Is he playing the game, or is the game playing him?

Una original y brillante novela policíaca por uno de los autores más aclamados de su generación. «Tengo el síndrome de Tourette». Las palabras salen atropellándose, incontrolables, y las manos no pueden evitar tocar impulsiva y compulsivamente todo lo que tengan cerca. Es el sino de Lionel Essrog, criado en un orfanato y que, junto con sus tres amigos de la infancia, trabaja para un mafiosillo local, Frank Minna, en una agencia ilegal de detectives. El asesinato de Frank le obligará a sumergirse en la trama, compleja y llena de sombras, de relaciones, amenazas y favores que conforman el Brooklyn que él creía conocer tan bien y donde nadie es lo que parece. Huérfanos de Brooklyn supera con creces lo que podríamos considerar una novela negra, subvierte el género y le confiere nuevos matices hasta lograr un texto sumamente original. Esta novela pertenece al #FondoDeEditor de Literatura Random House « Huérfanos de Brooklyn, con su protagonista inolvidable, el detective afectado por el síndrome de Tourette, convirtió a Jonathan Lethem en un autor de referencia. Con este homenaje a las novelas clásicas del género policial ganó el premio Nacional de la Crítica en los Estados Unidos.» Claudio López Lamadrid Reseñas: «En parte novela de detectives y en parte fantasía literaria, Huérfanos de Brooklyn compagina magistralmente una bella prosa y una trama absorbente.» The Wall Street Journal «Otro gran divertimento de Lethem, uno de los narradores contemporáneos más inspirado y que asume mayores riesgos. No se pierdan esta novela.» Kirkus Reviews «La mejor novela del año [1999]. Absolutamente original y hondamente conmovedora.» Esquire «Jonathan Lethem es una de las voces más originales entre los jóvenes escritores estadounidenses... Su imaginación es maravillosamente fértil.» Newsday «Un tour de force.» The Denver Post

The incomparable Jonathan Lethem returns with nine stories that demonstrate his mastery of the short form. Jonathan Lethem’s third collection of stories uncovers a father’s nervous breakdown at SeaWorld in “Pending Vegan”; a foundling child rescued from the woods during a blizzard in “Traveler Home”; a political prisoner in a hole in a Brooklyn street in “Procedure in Plain Air”; and a crumbling, haunted “blog” on a seaside cliff in “The Dreaming Jaw, The Salivating Ear.” Each of these locates itself in Lethem-land, which can be discovered only by visiting. As in his celebrated novels, Lethem finds the uncanny lurking in the mundane, the irrational self-defeat seeping through our upstanding pursuits, and the tragic undertow of the absurd world(s) in which we live. Devoted fans of Lethem will recognize familiar themes: the anxiety of influence taken to reductio ad absurdum in “The King of Sentences”; a hapless, horny outsider summoning bravado in “The Porn Critic”; characters from forgotten comics stranded on a desert island in “Their Back Pages.” As always in Lethem, humor and poignancy work in harmony, humans strive desperately for connection, words find themselves misaligned to deeds, and the sentences are glorious.

From Jonathan Lethem’s classic collection, Men and Cartoons, a haunting, playful story about dress-up, superheroes, Mafia, love and treachery. “I first met the kid known as the Vision at second base, during a kickball game in the P.S. 29 gymnasium,” the narrator, Joel, explains. Decades later the Vision returns to his old Brooklyn neighborhood, no longer a young boy who dresses up in superhero costumes but a confident adult. But at a party with several mysterious visitors the Vision reveals some secrets still lingering, as the partygoers turn from party games to the uneasy weight of truth. This is an exemplary story from a modern master—poignant, witty, and entirely original. An eBook short.

Los Jardines de la Disidencia sigue la vida de tres generaciones de neoyorquinos que no responden al prototipo del patriota estadounidense, puesto que son comunistas, hippies y activistas políticos. Rose Zimmer es conocida en Queens como la Reina Roja de Sunnyside por ser una comunista reaccionaria que importuna a familia, vecinos y camaradas políticos con su carácter feroz y su radical intransigencia. Su hija Miriam, que comparte el carácter obstinado de su madre, huye de su sofocante influencia para abrazar los albores de la contracultura de la Era de Acuario en Greenwich Village. La vida de estas dos mujeres es el eje central de un desfile de personajes imperfectos e idealistas que luchan por alcanzar el sueño utópico de una América donde el radicalismo es recibido con desconcierto, hostilidad o indiferencia. A través de sus vidas vemos cómo un movimiento revolucionario sucede al anterior: el auge comunista de los años treinta, la caza de brujas de la era McCarthy, el movimiento en defensa de los derechos civiles, las andrajosas comunas de los setenta y el conflicto sandinista hasta llegar al actual Ocupa Wall Street. En este viaje a lo largo de las décadas, la estimulante prosa de Lethem nos recuerda que lo personal puede ser político, pero que lo político siempre es personal. «Lethem es tan ambicioso como Mailer, tan divertido como Philip Roth y tan agudo como Bob Dylan [...]. En Los Jardines de la Disidencia se muestra en plena posesión de sus facultades como novelista.» Los Angeles Times ENGLISH DESCRIPTION Jonathan Lethem, winner of the National Book Critics Circle Award for Fiction and the MacArthur Fellowship whose writing has been called "as ambitious as [Norman] Mailer, as funny as Philip Roth, and as stinging as Bob Dylan" (Los Angeles Times), returns with an epic yet intimate family saga. Rose Zimmer, the aptly nicknamed Red Queen of Sunnyside, Queens, is an unreconstructed Communist who savages neighbors, family, and political comrades with the ferocity of her personality and the absolutism of her beliefs. Her equally passionate and willful daughter, Miriam, flees Rose's influence for the dawning counterculture of Greenwich Village. Despite their differences, they share a power to enchant the men in their lives: Rose's aristocratic German Jewish husband, Albert; her feckless chess hustler cousin, Lenny; Cicero Lookins, the brilliant son of her black cop lover; Miriam's (slightly fraudulent) Irish folksinger husband, Tommy Gogan; and their bewildered son, Sergius. Through Lethem's vivid storytelling we come to understand that the personal may be political, but the political, even more so, is personal

A New York Times Notable Book One of the Best Books of the Year: Chicago Tribune, Village Voice, The Globe and Mail Jonathan Lethem, winner of the National Book Critics Circle Award for Fiction and the MacArthur Fellowship whose writing has been called “as ambitious as [Norman] Mailer, as funny as Philip Roth, and as stinging as Bob Dylan” (Los Angeles Times), returns with an epic yet intimate family saga. Rose Zimmer, the aptly nicknamed Red Queen of Sunnyside, Queens, is an unreconstructed Communist who savages neighbors, family, and political comrades with the ferocity of her personality and the absolutism of her beliefs. Her equally passionate and willful daughter, Miriam, flees Rose’s influence for the dawning counterculture of Greenwich Village. Despite their differences, they share a power to enchant the men in their lives: Rose’s aristocratic German Jewish husband, Albert; her feckless chess hustler cousin, Lenny; Cicero Lookins, the brilliant son of her black cop lover; Miriam’s (slightly fraudulent) Irish folksinger husband, Tommy Gogan; and their bewildered son, Sergius. Through Lethem’s vivid storytelling we come to understand that the personal may be political, but the political, even more so, is personal.

Un padre di famiglia che periodicamente torna dall'aldilà e aiuta suo figlio a progettare un videogame ispirato alle sue avventure ultraterrene; un inferno più lewis-carrolliano che dantesco popolato di bellissime streghe a cavallo e cani robot; un felino alieno che segue a mo' di angelo custode due spacciatori di crack dilettanti che si sono cacciati in un brutto guaio; una nuova generazione di giocatori di basket equipaggiati con una futuristica «ipertuta» che li dota delle stesse capacità atletiche di Kareem Abdul Jabbar e Michael Jordan; un temibile penitenziario le cui mura sono costruite con i corpi disarticolati di centinaia di criminali... In questi sette irresistibili racconti la fantasia visionaria di Lethem rende omaggio, mescolandoli e ricreandoli, ai generi più disparati (il racconto poliziesco e la cronaca sportiva, la fiaba, la fantascienza pura e il noir), e al tempo stesso colpisce al cuore, appassiona, commuove e disturba, giocando a nascondere gli orrori del quotidiano dietro il velo del surreale.

Conrad Metcalf è un investigatore con un sacco di problemi: per cominciare, nella sala d'attesa del suo studio ci sono un coniglio e un canguro dal grilletto facile. Oakland, un prossimo futuro: gli animali evoluti fanno ormai parte della società, la polizia controlla i cittadini attraverso i loro livelli di karma e farmaci da capogiro come Forgettol e Acceptol sono di gran moda. Metcalf sta pedinando Celeste, la moglie di un medico facoltoso, e forse se ne sta anche innamorando. Quando il dottore viene assassinato, l'investigatore si ritrova sotto il fuoco incrociato dei detective governativi, pronti a ibernarlo per sempre, e dei gangster che si riuniscono nel retro del bar "La musa incostante". Mescolando fantascienza e noir in una trama avvincente, il primo romanzo di Jonathan Lethem è uno sguardo ironico, divertente e satirico su tutto ciò che può riservarci il futuro.

Lionel Essrog, per tutti Testadipazzo, ha la tendenza a cacciarsi nei guai: la sindrome di Tourette lo rende un ribelle dalle frasi sconnesse, violento e pieno di imprevedibili tic. Senza genitori e senza pace, la sua esistenza è colorata da urla e pugni sferrati all'improvviso. La sua salvezza si chiama Frank Minna, un mafioso di poco conto a Brooklyn, che lo tira fuori dall'orfanotrofio e lo trasforma nel suo tirapiedi. Quando però Minna viene pugnalato e il suo corpo senza vita gettato in un cassonetto, Testadipazzo si mette sulle tracce dell'assassino per difendere il suo fragile mondo, ingabbiato dalla malattia ma assetato di giustizia. Un noir appassionante e commovente che consegna alla letteratura contemporanea un personaggio indimenticabile, esploratore dei bassifondi di New York con la stessa caotica determinazione con cui affronta il labirinto della propria mente.

National Book Critics Circle Award Finalist A New York Times Notable Book A Best Book of the Year —Austin American-Statesman Includes a new, previously uncollected piece: "My Internet" In The Ecstasy of Influence, the incomparable Jonathan Lethem has compiled a career-spanning collection of occasional pieces—essays, memoir, liner notes, fiction, and criticism—which also doubles as a novelist’s manifesto, self-portrait, and confession. The result is an insightful, charming, and entertaining grab bag that covers everything from great novels to old films to graffiti to cyberculture.

Nei brani raccolti in questo volume Lethem commenta e celebra la musica, i film, i libri che lo hanno accompagnato nella sua crescita umana e intellettuale (da Philip K. Dick ai fumetti della Marvel, da John Cassavetes a James Brown, una serie di piccole e grandi ossessioni che spesso, sfumando, lo lasciavano tanto «deluso» quanto ansioso di nuovi stimoli) e al tempo stesso racconta la sua infanzia in una famiglia bohemién, l'adolescenza nella mitica e violenta New York degli anni Settanta, la sua formazione letteraria.

NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A complusively readable riff on the classic detective novel from America''s most inventive novelist. "A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette''s syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving." —The Boston Globe Brooklyn''s very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent''s Home for Boys, he works for small-time mobster Frank Minna''s limo service cum detective agency. Life without Frank Minna, the charismatic King of Brooklyn, would be unimaginable, so who cares if the tasks he sets them are, well, not exactly legal. But when Frank is fatally stabbed, one of Lionel''s colleagues lands in jail, the other two vie for his position, and the victim''s widow skips town. Lionel''s world is suddenly topsy-turvy, and this outcast who has trouble even conversing attempts to untangle the threads of the case while trying to keep the words straight in his head. Motherless Brooklyn is a brilliantly original, captivating homage to the classic detective novel by one of the most acclaimed writers of his generation.

COUSIN CORINNE'S REMINDER is a biannual publication which features new writing, photography, and comix from artists around the world.

Bestselling author Jonathan Lethem delivers a hilarious novel about love, art, and what it''s like to be young in Los Angeles. Lucinda Hoekke''s daytime gig as a telephone operator at the Complaint Line—an art gallery''s high-minded installation piece—is about as exciting as listening to dead air. Her real passion is playing bass in her forever struggling, forever unnamed band. But recently a frequent caller, the Complainer, as Lucinda dubs him, has captivated her with his philosophical musings. When Lucinda''s band begins to incorporate the Complainer''s catchy, existential phrases into their song lyrics, they are suddenly on the cusp of their big break. There is only one problem: the Complainer wants in.