New Releases by Jose Saramago

Traditional Chinese edition of Grim Reaper has a long holiday

Saramago''s Allegory of White Horror. A pain in democracy. The wonderful sequel to the classic "Blind" handed down by the only Portuguese Nobel Prize winner for literature in history. After seeing it, it is an even bigger disaster. A thrilling reveal of the full disguise of a totalitarian rise. Zhang Shuying, a professor of the Department of Foreign Languages at National Taiwan University, guided the reading, and writer He Jingbin recommended Ursula. Le Guin, Harlow. Bren, Eduardo. Galeano unanimously praised "a radical, ruthless and precise political fable."

Darker than blindness is human nature. A great fable with a profound look at the human condition. José José, the only Portuguese winner of the Nobel Prize in Literature in history. Saramago is the most popular and handed down masterpiece by readers. In the new version of the century, a certain country is suddenly blinded, and people are blinded one after another, and they don''t know how to get infected... Not seeing is scary, but what is even scarier is knowing that the other party can''t see... Darker than darkness, an unavoidable human fear.

A story by Nobel Prize-winning writer Jose Saramago, gorgeously illustrated in woodcuts by one of Brazil''s most famous artists. When a lizard appears in the neighborhood of Chiado, in Lisbon, it surprises passers-by, and mobilizes firefighters and the army. With a clear and precise style, the fable offers a multitude of senses, reaching audiences of all ages. "The Lizard" is a short story included in A Bagagem do Viajante (1973), a volume that brought together the Saramago chronicles for the newspaper A Capital and the weekly Jornal do Fundão between 1971 and 1972. Translated by Nick Caistor and Lucia Caistor, The Lizard, is an illustrated version of the chronicle by J. Borges.

Si las historias para niños fueran de lectura obligada para los adultos, ¿seríamos capaces de aprender lo que, desde hace tanto tiempo, venimos enseñando? Un bello relato para niños... y para adultos, de José Saramago, Premio Nobel de Literatura. La flor más grande del mundo narra la historia de un niño que, recorriendo el mundo, encuentra una flor marchita. «¡Oh! No hay agua por aquí, esta flor morirá». Y entonces comienza a buscar agua por el mundo, se aleja de su casa y atraviesa paisajes desconocidos buscando la forma de salvar la flor. Un cuento cargado de fuerza y energía y un texto repleto de símbolos y enigmas. Con ilustraciones de João Caetano que contribuyen a mantener la fuerza y la poesía del relato. ENGLISH DESCRIPTION If children’s stories were required reading for adults, would we be capable of learning that which we’ve been teaching for so long? A beautiful tale for children—and adults—by José Saramago, Nobel Prize laureate in Literature.The Biggest Flower in the World tells the story of a child who, while traveling the world, finds a withering flower. "Oh! There is no water here. This flower will die." So he starts to search for water around the world; he journeys far from home and crosses unknown landscapes looking for a way to save the flower.A story loaded with strength and energy and a text full of symbols and mysteries. With illustrations by João Caetano that help maintain the tale’s power and poetry.

Combining bitter satire, outrageous parody and uncanny hallucinations, this collection of José Saramago’s earliest stories from the beginning of his writing career attests to the novelist’s imaginative power and incomparable skill in elaborating the most extravagant fantasies. Each tale is a wicked, surreal take on life under dictatorship: in ‘Embargo’ a man drives around a city that is slowly running out of petrol; ‘The Chair’ recounts what happens when dictator Salazar falls off his chair and dies; in the Kafkaesque ‘Things’ the life of a civil servant is threatened as objects start to go missing.

If in The Gospel According to Jesus Christ, Jose Saramago presented us with his vision of the New Testament, in Cain he comes back to the first books of the Bible. An unorthodox itinerary takes him to decadent cities and stables, palaces of tyrants and battlefields, led by the hand of the central characters of the Old Testament, with the music and refined humor that are the hallmark of his work.