New Release Books by Jules Feiffer

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Never has the incomparable Jules Feiffer been more eerily prophetic than in this stunning finale to his best-selling Kill My Mother trilogy. Hollywood is haunted. 1953. Ghosts abound. In particular, the ghost of Detective Sam Hannigan—murdered in Bay City twenty-two years earlier by Addie Perl, the hired assassin who then bought a Hollywood nightclub with her blood money. Among the nightclub’s favored clientele is Sam’s widow, Elsie. Blinded by a Japanese bullet while on a USO tour in the South Pacific, Elsie has been reinvented into “Miss Know-It-All,” a Hollywood gossip columnist. But blind Elsie is haunted by the ghost of her husband, Sam, who asks her accusingly: “If Miss Know-It-All knows so much, why can’t she find Cousin Joseph, the man who had me killed?” Hollywood is haunted. Spooks abound. Agents Shoen and Kline, investigators for the House Un-American Activities Committee, manipulate the blacklisted, buxom, over-the-hill starlet-turned-hooker Lola Burns into working for them and naming the names she had once refused to betray. Hollywood is haunted. Communist screenwriters Oz McCay and Faye Bloom are noisily plotting, boozing, and laughing their way toward their impending disaster. Hollywood is haunted. As an inside joke, writer-director Annie Hannigan—Sam and Elsie’s daughter—comes up with the idea of a “Ghost Script” that may or may not exist but is rumored to expose the inside story of the Hollywood blacklist and the names of its undercover masterminds, most notably the reclusive philanthropist Lyman Murchison, a superpatriot with a dirty secret. Hollywood is haunted. Stumbling his way through this maze is private eye Archie Goldman, a tough-talking, nebbishy good guy who’s never been in a fight he didn’t lose. Archie’s single aim is to live up to the memory of the ghost who haunts him: Detective Sam Hannigan. Trail along with Archie into the middle of this muddle, as he tracks the arc of history and finds that it has rounded itself off into a circular firing squad. In this antic and brilliant assault on our past and present, Jules Feiffer shows us, once and for all, that if there’s one thing Americans hate, it’s learning from past mistakes. Every twenty years or so, a new generation must address new biases and injustices that are virtually identical to past biases and injustices. But who remembers? Exposing the tragically cyclical path of American history, Jules Feiffer pens the final installment to a noir masterpiece.

Everyone's favorite dog is back in the much-anticipated follow-up to Bark, George from celebrated author-illustrator Jules Feiffer. When George's mother asks her pup to add one plus one, two plus two, and three plus three, George would rather eat, go for a walk, and take a nap. But soon George finds himself in a colorful dream about...numbers! Can George count his way out? Featuring laugh-out-loud humor and expressive and bold illustrations from acclaimed author-illustrator and Pulitzer Prize-winning cartoonist Jules Feiffer, this imaginative follow-up to Bark, George is the perfect read-aloud for children ready to learn their numbers.

A Vanity Fair Best Book of 2014. A Kirkus Reviews Best Fiction Book of 2014. When three daunting dolls intersect with one hapless heroine and a hard-boiled private eye, deception, betrayal, and murder stalk every mean street in…Kill My Mother. Adding to a legendary career that includes a Pulitzer Prize, an Academy Award, Obie Awards, and Lifetime Achievement Awards from the National Cartoonist Society and the Writers Guild of America, Jules Feiffer now presents his first noir graphic novel. Kill My Mother is a loving homage to the pulp-inspired films and comic strips of his youth. Channeling Eisner's The Spirit, along with the likes of Hammett, Chandler, Cain, John Huston, and Billy Wilder, and spiced with the deft humor for which Feiffer is renowned, Kill My Mother centers on five formidable women from two unrelated families, linked fatefully and fatally by a has-been, hard-drinking private detective. As our story begins, we meet Annie Hannigan, an out-of-control teenager, jitterbugging in the 1930s. Annie dreams of offing her mother, Elsie, whom she blames for abandoning her for a job soon after her husband, a cop, is shot and killed. Now, employed by her husband’s best friend—an over-the-hill and perpetually soused private eye—Elsie finds herself covering up his missteps as she is drawn into a case of a mysterious client, who leads her into a decade-long drama of deception and dual identities sprawling from the Depression era to World War II Hollywood and the jungles of the South Pacific. Along with three femme fatales, an obsessed daughter, and a loner heroine, Kill My Mother features a fighter turned tap dancer, a small-time thug who dreams of being a hit man, a name-dropping cab driver, a communist liquor store owner, and a hunky movie star with a mind-boggling secret. Culminating in a U.S.O. tour on a war-torn Pacific island, this disparate band of old enemies congregate to settle scores. In a drawing style derived from Steve Canyon and The Spirit, Feiffer combines his long-honed skills as cartoonist, playwright, and screenwriter to draw us into this seductively menacing world where streets are black with soot and rain, and base motives and betrayal are served on the rocks in bars unsafe to enter. Bluesy, fast-moving, and funny, Kill My Mother is a trip to Hammett-Chandler-Cain Land: a noir-graphic novel like the movies they don’t make anymore.

Although Rupert liked watching his owner Mandy dance during the day, he secretly enjoyed dancing at night while Mandy slept.

New York Times Bestseller One of the Washington Post’s Best Graphic Novels of the Year Nominated for the Lynd Ward Graphic Novel Prize Meet Big Sam Hannigan. Tough, righteous, a man on a mission. Only problem is, it's the wrong mission. With the New York Times bestseller Kill My Mother, legendary cartoonist Jules Feiffer began an epic saga of American noir fiction. With Cousin Joseph, a prequel that introduces us to bare-knuckled Detective Sam Hannigan, head of the Bay City's Red Squad and patriarch of the Hannigan family featured in Kill My Mother, Feiffer brings us the second installment in this highly anticipated graphic trilogy. Our story opens in Bay City in 1931 in the midst of the Great Depression. Big Sam sees himself as a righteous, truth-seeking patriot, defending the American way, as his Irish immigrant father would have wanted, against a rising tide of left-wing unionism, strikes, and disruption that plague his home town. At the same time he makes monthly, secret overnight trips on behalf of Cousin Joseph, a mysterious man on the phone he has never laid eyes on, to pay off Hollywood producers to ensure that they will film only upbeat films that idealize a mythic America: no warts, no injustice uncorrected, only happy endings. But Sam, himself, is not in for a happy ending, as step by step the secret of his unseen mentor's duplicity is revealed to him. Fast-moving action, violence, and murder in the noir style of pulps and forties films are melded in the satiric, sociopolitical Feifferian style to dig up the buried fearmongering of the past and expose how closely it matches the headlines, happenings, and violence of today. With Cousin Joseph, Feiffer builds on his late-life conversion to cinematic noir, bowing, as ever, to youthful heroes Will Eisner and Milton Caniff, but ultimately creating a masterpiece that through his unique perspective and comic-strip noir style illuminates the very origins of Hollywood and its role in creating the bipolar nation we've become.

The award-winning cartoonist, playwright, and author delivers a witty, illustrated rendition of his life, from his childhood as a wimpy kid in the Bronx to his legendary career in the arts.

"Feiffer: The Collected Works" is part of a series bringing together all the cartoons, plays, screenplays, articles, essays, and other writings of this great political and social satirist. Vol. 4 collects Feiffer's great comic strip "Sick, Sick, Sick" (later renamed "Feiffer"), strips for "Playboy" magazine, and his satire on Hollywood sexuality, "Passionella."

“Raymond, I want you!” Just when Raymond is in the middle of a comic book, his mother calls him. Not once but five times. “It's not fair!” Raymond thinks. Then he thinks: “What if I had my own MEANWHILE...?” Comic books always use MEANWHILE... to change the scene. So Raymond tries writing it on the wall behind his bed. To his astonishment, Raymond discovers that he can MEANWHILE...from one perilous adventure to another'from pirates on the high seas, to Martians in outer space, to a posse and a mountain lion out West. Then, at the worst possible moment, Raymond's MEANWHILE... fails him, leaving him in a spot that spells certain doom! Unless . . .

"Bark, George," says George's mother, and George goes: "Meow," which definitely isn't right, because George is a dog. And so is his mother, who repeats, "Bark, George." And George goes, "Quack, quack." What's going on with George? Find out in this hilarious new picture book from Jules Feiffer.

A first of four volumes collecting the Pulitzer Prize- and Academy Award-winning cartoonist's Village Voice strips reflects the political and cultural arenas of the mid-twentieth century and tackles a wide range of topics, from the Eisenhower administration and McCarthyism to the Cold War and the impending civil rights era.

‘Prince Roger sets out eagerly on a quest and finds a few adventures, a lot of friends, a damsel or two in distress (not!) and himself, in the end. A ‘carrier of joy’ whose mere presence causes everyone to laugh uncontrollably, Roger finds cruelty and kindness equally amusing, and expects his quest to be a lark. It’s anything but: As Roger passes through the Forever Forest, nearly starves at the Dastardly Divide, sees people at their worst in the Valley of Vengeance, and temporarily despairs in the Mountains of Malice, he sobers up, learns to care for others, becomes an expert peacemaker, does Good Deeds, and falls in love with Lady Sadie, who says what she thinks as she repeatedly saves his bacon.’—K. ‘Feiffer’s worldly-wise, confiding tone and sense of the absurd are highly congenial, and the drawings are a vintage Feiffer delight.’—Publishers Weekly. 100 Books for Reading and Sharing 1995 (NY Public Library)

A little boy, raised by his family to believe he is perfect and given everything he ever wants, grows up to become a narcissistic, egotistical womanizer who tries to worm his way into New York City high society.

He's bad at sports and not much better at school, but Jimmy sure can draw terrific cartoons. And his dream, like that of his Uncle Lester, who writes flop Broadway musicals'is to be recognized for what he loves doing most.

When his father leaves him beside the road to teach him a lesson about misbehaving, Richard discovers that the roadside is not a bad place and takes up residence there.

Elliot is a bachelor in his late thirties whose new girlfriend, Joanna, is everything he ever wanted in a woman--intelligent, beautiful, warm, independent--and yet terrifies him for precisely that reason. A twice-divorced real estate broker who likes order in her life, she is equally scared of the precariousness of having someone matter to her. Their uncertainties come to a head when Elliot takes her to a party to meet 'the guys'--Bobby, who works for Playboy; Phil, a recovering alcoholic; and Larry, who 'is not comfortable with a woman outside the confines of a divorce court.' The encounter becomes an initiation ceremony crackling with witty, barbed, and devastating dialogue that strips the two lovers of all pretensions, forcing them to confront each other anew in a painful awareness of their vulnerability. The result is a bitterly funny play about the ambiguities of being in love, with Jules Feiffer at his most incisive, wise, and wickedly honest.

"[Munro is] one of Feiffer's great successes... reason enough to [buy] this album." Booklist"

The boy in the house across the street leads a fantastic life! He can sleep as late as he wants and doesn't have to go to school if it's raining. He's got a swimming pool in his bedroom and a piranha for a pet. So the little boy who watches his every move from the smaller house across the way wants desperately to be his friend. But how is this possible? With imagination, everything is possible.

It's not under the bed, or on the chair, or beneath the couch, or behind the curtains. It's GONE! What do you do when your favorite toy disappears, and you can't find it where you left it? What if your family is NO help at all? A determined little detective heads up the search, and discovers more than she ever expected! 00-01 Young Reader's Choice Award Program Masterlist

In 1956, an unknown cartoonist named Jules Feiffer began drawing a weekly comic strip called Sick, Sick, Sick free of charge for a then-obscure weekly newspaper called the Village Voice. Within two years, Feiffer had become one of the most popular satirists of the period, appearing in several major newspapers in the U.S. and Great Britain, and with a best-selling book under his belt. Feiffer: The Collected Works Vol. 3 contains the first two scintillating years of this strip (later re-dubbed simply Feiffer), shot mostly from the original art. But that's not all! This volume also includes "Boom," Feiffer's savage take on H-bomb testing, government duplicity, and public apathy. "The Deluge" takes a modern everyman, Harvey Noah, and gives him the daunting task of warning the world of impending flood by going through proper bureaucratic channels. "Kept" is the story of a small, ugly man who discovers the awful secret of successful seduction. In "Harold Swerg," the title character is the greatest athlete in the world; he upsets the nation when he refuses to win the Olympics because there's no challenge in it. As a special bonus this book includes "Rollie," a never-before-printed 10-page story from that period, about a bass player whose playing sends everyone who hears it into orbit. This story, which languished in Feiffer's files for close to four decades, is a great lost treasure, and absolutely critical to any Feiffer fan!

Comedy about a Jewish middle-aged journalist (Jake) and how he, his parents, his wife, and his sister communicate with each other.

The editorial cartoonist examines the American art form which produced comic book heroes such as Batman, Superman, and Captain Marvel in the nineteen-thirties and forties.

Nine-year-old Julie, who has a passion for animals, decorates her room with a vast array of creatures, including a cat, a hamster, a fish, a turtle, a kitten, and a cranky hermit crab--all which take over the house and her life, but Julie still wants more! Reprint.

A collection of favorite books and music.

"Someone's calling Bobby. I'm not Bobby. I'm a lion." Bobby's parents are trying to get his attention, but Bobby is something else. For example, he's a monster, an airplane, a dinosaur. Anything but Bobby. It's not long before Bobby turns himself into an eagle soaring away with Mom, Dad, and every other grown-up in his life chasing after him. But after a daring escape into outer space, Bobby gets hungry and returns to Earth to claim his dinner. This hilarious escape story rings true to every child's struggle for independence--not to mention a full tummy.