Most Popular Books by Julia Alvarez

“Julia Alvarez has suitcases full of history (public and private), trunks full of insights into what it means to be a Latina in the United States, bags full of literary wisdom.” —Los Angeles Times From the internationally acclaimed author of the bestselling novels In the Time of the Butterflies and How the García Girls Lost Their Accents comes a rich and revealing work of nonfiction capturing the life and mind of an artist as she knits together the dual themes of coming to America and becoming a writer. The twenty-four confessional, evocative essays that make up Something to Declare are divided into two parts. “Customs” includes Alvarez’s memories of her family’s life in the Dominican Republic, fleeing from Trujillo’s dictatorship, and arriving in America when she was ten years old. She examines the effects of exile--surviving the shock of New York City life; yearning to fit in; training her tongue (and her mind) to speak English; and watching the Miss America pageant for clues about American-style beauty. The second half, “Declarations,” celebrates her passion for words and the writing life. She lets us watch as she struggles with her art--searching for a subject for her next novel, confronting her characters, facing her family’s anger when she invades their privacy, reflecting on the writers who influenced her, and continually honing her craft. The winner of the National Medal of Arts for her extraordinary storytelling, Julia Alvarez here offers essays that are an inspiring gift to readers and writers everywhere. “This beautiful collection of essays . . . traces a process of personal reconciliation with insight, humor, and quiet power.” —San Francisco Examiner and Chronicle “Reading Julia Alvarez’s new collection of essays is like curling up with a glass of wine in one hand and the phone in the other, listening to a bighearted, wisecracking friend share the hard-earned wisdom about family, identity, and the art of writing.” —People Julia Alvarez’s new novel, Afterlife, is available now.

Anita de la Torre never questioned her freedom living in the Dominican Republic. But by her 12th birthday in 1960, most of her relatives have emigrated to the United States, her Tío Toni has disappeared without a trace, and the government’s secret police terrorize her remaining family because of their suspected opposition of el Trujillo’s dictatorship. Using the strength and courage of her family, Anita must overcome her fears and fly to freedom, leaving all that she once knew behind. From renowned author Julia Alvarez comes an unforgettable story about adolescence, perseverance, and one girl’s struggle to be free.

The New York Times Book Review has praised Julia Alvarez''s fiction as "powerful...beautifullycaptures the threshold experience of the new immigrant where the past is not yet a memory and the futureremains an anxious dream." These same qualities characterize her poetry--from the "Making Up the Past"poems, which explore a life of exile as lived by a young girl, to "the Joe Poems," a series of wonderfullysensual and funny love poems celebrating a middle-aged romance. The collection culminates in the twentyone-part title poem about the poet''s return to her native Dominican Republic and the internal conflict andultimate affirmation that journey occasioned. Bold innovation and invention, the interplay of sound and sense, and the rhythm of two languages all characterize Julia Alvarez''s art in transforming precious memory intounforgettable poetry.

MILLY KAUFMAN IS an ordinary American teenager living in Vermont—until she meets Pablo, a new student at her high school. His exotic accent, strange fashion sense, and intense interest in Milly force her to confront her identity as an adopted child from Pablo’s native country. As their relationship grows, Milly decides to undertake a courageous journey to her homeland and along the way discovers the story of her birth is intertwined with the story of a country recovering from a brutal history. Beautifully written by reknowned author Julia Alvarez, Finding Miracles examines the emotional complexity of familial relationships and the miracles of everyday life.

Celebrating its 30th anniversary in 2024, internationally bestselling author and literary icon Julia Alvarez''s In the Time of the Butterflies is "beautiful, heartbreaking and alive ... a lyrical work of historical fiction based on the story of the Mirabal sisters, revolutionary heroes who had opposed and fought against Trujillo." (Concepción de León, New York Times) Don''t miss Alvarez’s new novel, The Cemetery of Untold Stories, available now! It is November 25, 1960, and three beautiful sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. The official state newspaper reports their deaths as accidental. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Rafael Leónidas Trujillo’s dictatorship. It doesn’t have to. Everybody knows of Las Mariposas—the Butterflies. In this extraordinary novel, the voices of all four sisters--Minerva, Patria, María Teresa, and the survivor, Dedé--speak across the decades to tell their own stories, from secret crushes to gunrunning, and to describe the everyday horrors of life under Trujillo’s rule. Through the art and magic of Julia Alvarez’s imagination, the martyred Butterflies live again in this novel of courage and love, and the human costs of political oppression. "Alvarez helped blaze the trail for Latina authors to break into the literary mainstream, with novels like In the Time of the Butterflies and How the García Girls Lost Their Accents winning praise from critics and gracing best-seller lists across the Americas."—Francisco Cantú, The New York Times Book Review "This Julia Alvarez classic is a must-read for anyone of Latinx descent." —Popsugar.com "A gorgeous and sensitive novel . . . A compelling story of courage, patriotism and familial devotion." —People "Shimmering . . . Valuable and necessary." —Los Angeles Times "A magnificent treasure for all cultures and all time.” —St. Petersburg Times "Alvarez does a remarkable job illustrating the ruinous effect the 30-year dictatorship had on the Dominican Republic and the very real human cost it entailed."—Cosmopolitan.com

Bestselling novelist (How the Garcia Girls Lost Their Accents) and children''s (The Tia Lola Stories) author Julia Alvarez''s new picture book is a beautifully crafted poem for children that gently addresses the emotional side of death. The book asks, "When somebody dies, where do they go? / Do they go where the wind goes when it blows? ... Do they wink back at me when I wish on a star? Do they whisper, ''You''re perfect, just as you are''? ..." Illustrated by Vermont woodcut artist, Sabra Field, Where Do They Go? is a beautiful and comforting meditation on death, asking questions young readers might have about what happens to those they love after they die. A Spanish-language edition of the book, ¿Donde va a parar?, is available in paperback.

Named A Great American Novel by The Atlantic! From the international bestselling author of In the Time of the Butterflies and Afterlife, How the Garcia Girls Lost Their Accents is "poignant...powerful... Beautifully captures the threshold experience of the new immigrant, where the past is not yet a memory." (The New York Times Book Review) Don''t miss Alvarez’s new novel, The Cemetery of Untold Stories, available now! Acclaimed writer Julia Alvarez’s beloved first novel gives voice to four sisters as they grow up in two cultures. The García sisters—Carla, Sandra, Yolanda, and Sofía—and their family must flee their home in the Dominican Republic after their father’s role in an attempt to overthrow brutal dictator Rafael Trujillo is discovered. They arrive in New York City in 1960 to a life far removed from their existence in the Caribbean. In the wondrous but not always welcoming U.S.A., their parents try to hold on to their old ways as the girls try find new lives: by straightening their hair and wearing American fashions, and by forgetting their Spanish. For them, it is at once liberating and excruciating to be caught between the old world and the new. Here they tell their stories about being at home—and not at home—in America. "Alvarez helped blaze the trail for Latina authors to break into the literary mainstream, with novels like In the Time of the Butterflies and How the García Girls Lost Their Accents winning praise from critics and gracing best-seller lists across the Americas."—Francisco Cantú, The New York Times Book Review "A clear-eyed look at the insecurity and yearning for a sense of belonging that are a part of the immigrant experience . . . Movingly told." —The Washington Post Book World

After Tyler''s father is injured in a tractor accident, his family hires migrant Mexican workers to help save their Vermont farm from foreclosure. Tyler isn’ t sure what to make of these workers. Are they undocumented? And what about the three daughters, particularly Mari, the oldest, who is proud of her Mexican heritage but also increasingly connected her American life. Her family lives in constant fear of being discovered by the authorities and sent back to the poverty they left behind in Mexico. Can Tyler and Mari find a way to be friends despite their differences? In a novel full of hope, but no easy answers, Julia Alvarez weaves a beautiful and timely story that will stay with readers long after they finish it.

A Time Magazine Must-Read Book of 2020 A Most-Anticipated Book of the Year: O, The Oprah Magazine * The New York Times * The Washington Post *Vogue * Bustle * BuzzFeed * Ms. magazine * The Millions * Huffington Post * PopSugar * The Lily * Goodreads * Library Journal * LitHub * Electric Literature The first adult novel in almost fifteen years by the internationally bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents “A stunning work of art that reminds readers Alvarez is, and always has been, in a class of her own.” —Elizabeth Acevedo, National Book Award-winning author of the New York Times bestseller The Poet X Antonia Vega, the immigrant writer at the center of Afterlife, has had the rug pulled out from under her. She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep. Antonia has always sought direction in the literature she loves—lines from her favorite authors play in her head like a soundtrack—but now she finds that the world demands more of her than words. Afterlife is a compact, nimble, and sharply droll novel. Set in this political moment of tribalism and distrust, it asks: What do we owe those in crisis in our families, including—maybe especially—members of our human family? How do we live in a broken world without losing faith in one another or ourselves? And how do we stay true to those glorious souls we have lost?

75 Poems by the Author of How the García Girls Lost Their Accents and In the Time of the Butterflies The works of this award-winning poet and novelist are rich with the language and influences of two cultures: those of the Dominican Republic of her childhood and the America of her youth and adulthood. They have shaped her writing just as they have shaped her life. In these seventy-five autobiographical poems, Alvarez’s clear voice sings out in every line. Here, in the middle of her life, she looks back as a way of understanding and celebrating the woman she has become. Don''t miss Alvarez’s new novel, The Cemetery of Untold Stories, available now!

A cultural exploration of the Latina fifteenth birthday celebration traces the experiences of a Queens teen who encounters anticipation and stress while preparing for her quinceañera, in an account that documents the history of the celebration''s traditions as well as its growing popularity throughout America.

"Original and illuminating."—The New York Times Book Review In her most ambitious work since In the Time of Butterflies, Julia Alvarez tells the story of a woman whose poetry inspired one Caribbean revolution and of her daughter whose dedication to teaching strengthened another. Camila Henriquez Urena is about to retire from her longtime job teaching Spanish at Vassar College. Only now as she sorts through family papers does she begin to know the woman behind the legend of her mother, the revered Salome Urena, who died when Camila was three. In stark contrast to Salome, who became the Dominican Republic''s national poet at the age of seventeen, Camila has spent most of her life trying not to offend anybody. Her mother dedicated her life to educating young women to give them voice in their turbulent new nation; Camila has spent her life quietly and anonymously teaching the Spanish pluperfect to upper-class American girls with no notion of revolution, no knowledge of Salome Urena. Now, in 1960, Camila must choose a final destination for herself. Where will she spend the rest of her days? News of the revolution in Cuba mirrors her own internal upheaval. In the process of deciding her future, Camila uncovers the truth of her mother''s tragic personal life and, finally, finds a place for her own passion and commitment. Julia Alvarez has won a large and devoted audience by brilliantly illuminating the history of modern Caribbean America through the personal stories of its people. As a Latina, as a poet and novelist, and as a university professor, Julia Alvarez brings her own experience to this exquisite story. Julia Alvarez’s new novel, Afterlife, is available now.

Long before her award-winning novel, How the Garcia Girls Lost Their Accents, and In the Time of the Butterflies, Julia Alvarez was writing poetry that gave a distinctive voice to the Latina woman - and helped give to American letters a vibrant new literary form. Homecoming was Alvarez''s first published collection of poetry, a work of great subtlety and power in which the young poet returned to her old-world childhood in the Dominican Republic. Now this revised and expanded edition adds thirteen new poems. These more recent writings are still deeply autobiographical in nature, but written with the edgier, more knowing tone of a woman who has seen, and survived, more of life. Wonderfully lucid and engaging, toned with deep emotionality and a wry observation of life, the poems of Julia Alvarez stand next to her fiction to both delight us and give us lessons in living and loving.

"Charming and funny . . . Mesmerizing . . . Wonderful.” —USA Today Yolanda García--Yo, for short--is the literary one in the family. Her first published novel, in which uses as characters practically everyone she knows, was a big success. Now she’s basking in the spotlight while those “characters” find their very recognizable selves dangling in that same blinding light. But turnabout is fair play, and so here, Yolanda García’s family and friends tell the truth about Yo. Her three sisters, her Mami and Papi, her grandparents, tías, tíos, cousins, housemaids, her third husband: they take turns telling their side of the story, ripping into Yo and in the process creating their own endearing self-portraits. At once funny and poignant, intellectual and gossipy, lighthearted and layered, ¡Yo! is above all a portrait of the artist. And with its bright colors, passion, and penchant for controversy, it’s a portrait that could come only from the palette of Julia Alvarez. Don''t miss Alvarez’s new novel, The Cemetery of Untold Stories, available now!

Renowned Latina author Julia Alvarez recreates the legend of Dominican folk character La Vieja Belen in this delighful bilingual rhyming story, beautifully illustrated by Dominican artist Ruddy Nuñez. Alvarez''s retelling keeps the magic of the traditional account while contributing a down-to-earth, timely moral: "Of all the gifts you can give, your time is the best."

A story based on Dominican folklore, about the ciguapas, a tribe of beautiful underwater people whose feet are attached backwards, with their toes pointing in the direction from which they have come.

A collectible hardcover thirtieth-anniversary edition of Julia Alvarez''s modern Latinx classic that gives voice to four sisters as they grow up in two cultures, featuring a new foreword by New York Times bestselling, National Book Award–winning novelist Elizabeth Acevedo A Penguin Vitae Edition The García sisters—Carla, Sandra, Yolanda, and Sofía—and their family must flee their home in the Dominican Republic after the discovery of their father''s role in an attempt to overthrow the brutal dictator Rafael Trujillo. They arrive in New York City in 1960 to a life far removed from their existence in the Caribbean. In the wondrous but not always welcoming United States, their parents try to hold on to their old ways as the girls try to find new lives: by straightening their hair and wearing American fashions, and by forgetting their Spanish. For them, it is at once liberating and excruciating to be caught between the old world and the new. In Julia Alvarez''s beloved first novel, How the García Girls Lost Their Accents, the sisters tell their stories about being at home—and not at home—in America. Penguin Vitae—loosely translated as "Penguin of one''s life"—is a deluxe hardcover series from Penguin Classics celebrating a dynamic and diverse landscape of classic fiction and nonfiction from seventy-five years of classics publishing. Penguin Vitae provides readers with beautifully designed classics that have shaped the course of their lives, and welcomes new readers to discover these literary gifts of personal inspiration, intellectual engagement, and creative originality.

“[A] beguiling memoir of family and culture.”—O, The Oprah Magazine In a story that travels beyond borders and between families, acclaimed Dominican novelist and poet Julia Alvarez reflects on the joys and burdens of love—for her parents, for her husband, and for a young Haitian boy known as Piti. In this intimate true account of a promise kept, Alvarez takes us on a journey into experiences that challenge our way of thinking about history and how it can be reimagined when people from two countries—traditional enemies and strangers—become friends. Julia Alvarez’s new novel, Afterlife, is available now.

After their olive crop fails, Maria fears that her family will have to abandon their farm on the new island colony. Then, one night she dreams of a mysterious beautiful lady shrouded by trees with branches hung with hundreds of little suns. They are oranges like the ones Maria''s parents once ate in their homeland, Valencia, Spain. That very day Maria and her family plant the seeds that soon yield a magnificent orange grove and save the farm. But who was the mysterious lady who appeared in her dream and will Maria ever find her again?

Literary icon and great American novelist Julia Alvarez, bestselling author of In the Time of the Butterflies and How the García Girls Lost Their Accents, returns with a luminescent novel about storytelling that reads like an instant classic. “Only an alchemist as wise and sure as Alvarez could swirl the elements of folklore and the flavor of magical realism around her modern prose and make it all sing . . . Lively, joyous . . . often witty, occasionally somber and elegiac.” —Luis Alberto Urrea, The New York Times Book Review "Engaging and written in a playful, crystal-clear prose, this novel explores friendship, love, sisterhood, living between cultures, and how people can be haunted by the things they don’t finish . . . Entertaining . . . Heartwarming." —Gabino Iglesias, The Boston Globe **Named a Most Anticipated Book by the New York Times, Washington Post, Today.com, Goodreads, B&N Reads, Literary Hub, HipLatina, BookPage, BBC.com, Zibby Mag, and more** Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn’t want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories—literally. She creates a graveyard for the manuscript drafts and the characters whose lives she tried and failed to bring to life and who still haunt her. Alma wants her characters to rest in peace. But they have other ideas and soon begin to defy their author: they talk back to her and talk to one another behind her back, rewriting and revising themselves. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener to the secret tales unspooled by Alma''s characters. Among them, Bienvenida, dictator Rafael Trujillo''s abandoned wife who was erased from the official history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States. The Cemetery of Untold Stories asks: Whose stories get to be told, and whose buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories. Julia Alvarez reminds us that the stories of our lives are never truly finished, even at the end.

A delightfully entertaining story of family and culture from acclaimed author Julia Alvarez. Moving to Vermont after his parents split, Miguel has plenty to worry about! Tía Lola, his quirky, carismática, and maybe magical aunt makes his life even more unpredictable when she arrives from the Dominican Republic to help out his Mami. Like her stories for adults, Julia Alvarez’s first middle-grade book sparkles with magic as it illuminates a child’s experiences living in two cultures.

Welcome to Tía Lola''s bed and breakfast! With the help of her niece and nephew and the three Sword Sisters, Tía Lola is opening the doors of Colonel Charlebois'' grand old Vermont house to visitors from all over. But Tía Lola and the children soon realize that running a B & B isn''t as easy they had initially thought—especially when it appears that someone is out to sabotage them! Will Tía Lola and the kids discover who''s behind the plot to make their B & B fail? And will Tía Lola''s family and friends be able to plan her a surprise birthday party in her own B & B without her finding out? With the release of this Yearling edition, all four Tía Lola Stories are now available in paperback.

Juanita and Miguel''s great aunt, Ta Lola, comes from the Dominican Republic to help take care of them after their parents divorce, and soon she is so involved in their small Vermont community that when her visa expires, the whole town turns out to support her.

With lyric simplicity, A Cafecito Story tells the complex tale of a social beverage that bridges nations and unites people in trade, in words, in birds, and in love.".

Already a Butterfly is a gentle picture book tale about self-soothing practices and self-confidence beliefs. With so much to do in so little time, Mari is constantly on the move, flitting from flower to flower, practicing her camouflage poses, and planning for migration. She’s the busiest butterfly around. But does being productive mean she is happy? Mari couldn’t say. The only way she feels like a butterfly is by acting like one. Little does Mari know, the secret to feeling like herself is simply to focus her breath, find her quiet place, and follow her instincts. With the guidance of a thoughtful flower bud, Mari soon learns to meditate and appreciate that she was a butterfly all along. Acclaimed author Julia Alvarez extolls the importance of mindfulness, reflection, and self-care for young children in this gratifying picture book, stunningly illustrated by award-winning artist Raúl Colón. Christy Ottaviano Books

When three girls and their father visit for a week in the summer, it takes Tia Lola to make Miguel forget his unhappiness at the absence of any boys and embrace the adventures that ensue.

Those who practice "the miraculous art of stitching words into a web" have "not merely the right but the duty to protest and dissent."Edward Morrow On February 16, 2003, eleven contemporary poets held a reading in Manchester, Vermont, called "A Poetry Reading in Honor of the Right to Protest as a Patriotic and Historical Tradition." The reading was sponsored by the Northshire Bookstore and drew a crowd of more than six hundred people. Cry Out: Poets Protest the War gathers together the poems read by the participants, many original poems and others poems by such renowned poets as Langston Hughes, Pablo Neruda, and Walt Whitman. Among the poets present at the reading were Julia Alvarez, Donald Hall, Jamaica Kincaid, Galway Kinnell, William O''Daly, Grace Paley, Jay Parini, and Ruth Stone. Celebrating poetry''s vital and historic role as a means of peaceful protest, these poems remind us, as Jay Parini observed, that although it might take time, "the language of poetry seeps through." And that this language has the potential to redirect the fate of nations.

Miguel Guzman isn''t exactly looking forward to the summer now that his mother has agreed to let the Sword family—a father, his three daughters, and their dog—live with them while they decide whether or not to move to Vermont. Little does Miguel know his aunt has something up her sleeve that just may make this the best summer ever. With her usual flair for creativity and fun, Tía Lola decides to start a summer camp for Miguel, his little sister, and the three Sword girls, complete with magical swords, nighttime treasure hunts, campfires, barbecues, and an end-of-summer surprise! The warm and funny third book in the Tía Lola Stories is sure to delight young readers and leave them looking forward to their own summer fun!

Although ten-year-old Miguel is at first embarrassed by his colorful great aunt, Tia Lola, when she comes to Vermont from the Dominican Republic to stay with his mother, his sister, and him after his parents'' divorce, he learns to love her.

Es el verano de 1960 y Camila Henríquez Urena, profesora de español jubilándose de la Universidad de Vassar, está empacando sus últimas pertenencias antes de mudarse de su apartamento en Poughkeepsie, Nueva York para unirse a la revolución de Fidel Castro en Cuba. Camila es hija de Salomé Urena, la famosa poetisa dominicana de finales del siglo diecinueve que instigaba revolución con sus apasionados versos, se casó con un presidente y luchó por educar a las niñas de su querida isla. Para Camila su llamado a la revolución es parte de su herencia. Pero Camila también ha heredado la confusión y el dolor del exilio y tiene sólo dos baúles llenos de papeles y efectos personales para iluminar el corazón y la vida de una madre que nunca llegó a conocer de verdad — y así también descubrir su propio ser naciente.

Anita de la Torre es una niña de 12 años que vive en la República Dominicana en los años sesenta. La policía secreta ha comenzado a atemorizar a su familia porque se sospecha que están en contra del dictador, General Trujillo.

El 25 de noviembre de 1960 se encontraron, al pie de un risco en la costa dominicana, los cuerpos sin vida de tres muchachas. Según la versión oficial, se trataba de un accidente, y ningún diario publicó la verdad - las tres hermanas Mirabal, conocidas como las mariposas, luchaban contra el violento régimen dictatorial del general Trujillo, y una cuarta hermana, Dedé, seguía con vida. Tres décadas después, Dedé narra la apasionante historia de su lucha; las represalias que cayeron sobre su familia cuando Minerva rechazó en público el acoso sexual de Trujillo, cómo Patria se unió al movimiento opositor desde la Iglesia y el camino que llevó a María Teresa del amor a la revolución.

Set during the waning days of the Trujillo dictatorship in the Dominican Republica in 1960, this extraordinary novel tells the story the Mirabal sisters, three young wives and mothers who are assassinated after visiting their jailed husbands.

"Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they''re being taught, but in the end will understand themselves, and others, a little better, regardless of the la lengua nativa - the mother tongue. Simple