New Release Books by Kate Fagan

Kate Fagan is the author of All the Colors Came Out (2022), What Made Maddy Run (2017), Second Wind (2012), Rebounding (2011), Active Aesthetics (2016) and other 4 books.

9 results found

All the Colors Came Out

release date: Jun 14, 2022
All the Colors Came Out
"A love story for the ages" from # 1 New York Times bestselling author Kate Fagan comes an unforgettable story about basketball and the enduring bonds between a father and daughter that "will heal relationships and hearts." (Glennon Doyle) Kate Fagan and her father forged their relationship on the basketball court, bonded by sweaty high fives and a dedication to the New York Knicks. But as Kate got older, her love of the sport and her closeness with her father grew complicated. The formerly inseparable pair drifted apart. The lessons that her father instilled in her about the game, and all her memories of sharing the court with him over the years, were a distant memory. When Chris Fagan was diagnosed with ALS, Kate decided that something had to change. Leaving a high-profile job at ESPN to be closer to her mother and father and take part in his care, Kate Fagan spent the last year of her father''s life determined to return to him the kind of joy they once shared on the court. All the Colors Came Out is Kate Fagan''s completely original reflection on the very specific bond that one father and daughter shared, forged in the love of a sport which over time came to mean so much more. Studded with unforgettable scenes of humor, pain and hope, Kate Fagan has written a book that plumbs the mysteries of the unique gifts fathers gives daughters, ones that resonate across time and circumstance.

What Made Maddy Run

release date: Aug 01, 2017
What Made Maddy Run
The heartbreaking story of college athlete Madison Holleran, whose life and death by suicide reveal the struggle of young people suffering from mental illness today in this #1 New York Times Sports and Fitness bestseller *Instant New York Times Bestseller* #1 New York Times Monthly Sports and Fitness bestseller If you scrolled through the Instagram feed of 19-year-old Maddy Holleran, you would see a perfect life: a freshman at an Ivy League school, recruited for the track team, who was also beautiful, popular, and fiercely intelligent. This was a girl who succeeded at everything she tried, and who was only getting started. But when Maddy began her long-awaited college career, her parents noticed something changed. Previously indefatigable Maddy became withdrawn, and her thoughts centered on how she could change her life. In spite of thousands of hours of practice and study, she contemplated transferring from the school that had once been her dream. When Maddy''s dad, Jim, dropped her off for the first day of spring semester, she held him a second longer than usual. That would be the last time Jim would see his daughter. WHAT MADE MADDY RUN began as a piece that Kate Fagan, a columnist for espnW, wrote about Maddy''s life. What started as a profile of a successful young athlete whose life ended in suicide became so much larger when Fagan started to hear from other college athletes also struggling with mental illness. This is the story of Maddy Holleran''s life, and her struggle with depression, which also reveals the mounting pressures young people, and college athletes in particular, face to be perfect, especially in an age of relentless connectivity and social media saturation.

Rebounding

release date: Jan 01, 2011
Rebounding
Max Vernon is at a crossroads. After years of playing basketball, he has started trading the courts of Philadelphia for its streets. He tries holding onto his basketball dream but is soon faced with a series of life-changing decisions. Should he run the streets and make money with Raul and Theo? Or should he keep playing basketball even though he feels like a failure? What Max doesn''t realize is how much these decisions will affect everything—and everyone—around him.

Active Aesthetics

release date: Jan 01, 2016
Active Aesthetics
Poetry. A collection of work by innovative Australian poets whose work shares an interest in "a primary art of transformation in language" (from the introduction). All contributors traveled to the San Francisco Bay Area in April 2016 to participate in a four-day meeting with similarly-committed U.S.-based poets. The title of the event is also that of the anthology, which its editors intend as an extension and prolongation of the April gathering. ACTIVE AESTHETICS brings news across the Pacific and across the equator of Australia''s current radical poetry and poetics. As is true of new poetry in the US, much of the work here reflects the complexity and urgency of political thinking within the aesthetic sphere. Contributors: Pam Brown, a.j. carruthers, Bonny Cassidy, Stuart Cooke, Ali Cobby, Chris Edwards, Kate Fagan, Michael Farrell, Toby Fitch, elena gomez, Matthew Hall, Natalie Harkin, Marty Hiatt, Fiona Hile, Jill Jones, Nick Keys, Sam Langer, Kate Lilley, Astrid Lorange, Kent MacCarter, Philip Mead, Peter Minter, Ella O''Keefe, Luke Patterson, Gig Ryan, Amanda Stewart, John Tranter, Ann Vickery, Corey Wakeling, Jessica Wilkinson, R D Wood, and Ouyang Yu.

The Reappearing Act

release date: May 06, 2014
The Reappearing Act
It’s hard enough coming out, but playing basketball for a nationally ranked school and trying to figure out your sexual identity in the closeted and paranoid world of big-time college sports—that’s a challenge. Kate Fagan’s love for basketball and for her religious teammates at the University of Colorado was tested by the gut-wrenching realization that she could no longer ignore the feelings of otherness inside her. In trying to blend in, Kate had created a hilariously incongruous world for herself in Boulder. Her best friends were part of Colorado’s Fellowship of Christian Athletes, where they ran weekly Bible studies and attended an Evangelical Free Church. For nearly a year, Kate joined them and learned all she could about Christianity—even holding their hands as they prayed for others “living a sinful lifestyle.” Each time the issue of homosexuality arose, she felt as if a neon sign appeared over her head, with a giant arrow pointed downward. During these prayer sessions, she would often keep her eyes open, looking around the circle at the closed eyelids of her friends, listening to the earnestness of their words. Kate didn’t have a vocabulary for discussing who she really was and what she felt when she was younger; all she knew was that she had a secret. In The Reappearing Act, she brings the reader along for the ride as she slowly accepts her new reality and takes the first steps toward embracing her true self.

First Light

release date: Jan 01, 2012
First Light
The poems in First Light are both playful and intensely personal, combining an interest in language and the sound of words, with a sensual engagement with the world and the experiences of family life. Some poems are created by ''sampling'' from other writers; others test the tipping point between poetry and prose in small narrative ''prayers'', or stage a dialogue in love letters. Above all, this is a collection which explores the musicality of language, offering an important contribution to the technical range of Australian poetry, and its lyric possibilities.

The Long Moment

release date: Mar 01, 2002
The Long Moment
Kate Fagan’sThe Long Momentis a gorgeous and brilliant book, a work of complex sensuousness and deep intelligence. Fagan brings to her work the microcosmically precise insights of a geologist or biologist, but the writings are informed also by a strong sense of social history. Each poem, even each page, is a specific site for study, for sentience, and for politics. Observations from everyday life move into sharp focus alongside formal meditations on the act of perception itself. Fagan’s compressed lyricism takes stock of the material world, exploring relations between living bodies and things while allowing each to remain distinct and mobile. Poems are lineated to suit the specific pressures and drifts of Fagan’s thinking, with issues of sonic and technical control remaining central throughout. The book’s ‘Anti-landscape’ sequence gathers several key preoccupations of late twentieth-century Australian poetry and inverts them to offer a new, politically astute mode of geographical address. Overheard fragments from contemporary media sit alongside intimate findings in ‘The waste of tongues,’ creating a narrative that is both calmly persuasive and critically telling. The long moment of this book’s details is beautiful; inThe Long Momentthe site at which they collect has become astoundingly meaningful.
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