New Releases by Kingsley Amis

Kingsley Amis was one of the great masters of comic prose, and no subject was dearer to him than the art and practice of imbibing. This new volume brings together the best of his three out-of-print works on the subject: Kingsley Amis in Drink, Everyday Drinking and How's Your Glass? In one handsome package, the book covers a full shelf of the master's riotous and erudite thoughts on the drinking arts: Along with a series of well-tested recipes (including a cocktail called the Lucky Jim) are Amis's musings on The Hangover, The Boozing Man's Diet, The Mean Sod's Guide, and (presumably as a matter of speculation) How Not to Get Drunk - all leavened with fun quizzes on the making and drinking of alcohol all over the world. Mixing practical know-how and hilarious opinionation, this is a delightful cocktail of wry humour and distilled knowledge, served by one of our great gimlet wits.

A group of disgruntled septuagenarians prepare for their final days in this dark and “very funny” English novel about death and the inevitability of growing old (The Observer) Everyone wants a comfortable place to die, and Kingsley Amis’s characters have found it in Tuppeny-happeny Cottage, where assorted septuagenarians have come together to see one another out the door of life. There’s grotesque Adela, whose sole passion is her cheapness; her brother Brigadier Bernard Bastable, always strategizing a new retreat to the bathroom before sallying forth to play some especially nasty practical joke; Shorty, the servant, who years ago had a fling with the brigadier in the barracks and now organizes his day around a trail of hidden bottles; George Zeyer, the distinguished professor of history, bedridden and helpless to articulate his still-coherent thoughts; and Marigold, who slowly but surely is forgetting it all. And now it is Christmas. Children and grandchildren are coming to visit their ailing elders. They don’t know what lies in store before the story ends. None of us do. Ending Up is a grimly hilarious dance of death, full of bickering, bitching, backstabbing, drinking (of course), and idiocy of all sorts. It is a book about dying people and about a dying England, clinging to its memories of greatness as it succumbs to terminal decay.

Kingsley Amis, along with being the funniest English writer of his generation was a great chronicler of the fads and absurdities of his age, and Girl, 20 is a delightfully incisive dissection of the flower-power phase of the 1960s. Amis’s antihero, Sir Roy Vandervane, a conductor and composer who bears more than a passing resemblance to Leonard Bernstein, is a pillar of the establishment whohas fallen hard for protest, bellbottoms, and the electric guitar. And since vain Sir Vandervane is a great success, he is also free to pursue his greatest failing: a taste for younger and younger women. Highborn hippie Sylvia (not, in fact, twenty) is his latest infatuation and a threat to his whole family, from his drama-queen wife, Kitty, to Penny, his long-suffering daughter. All this is recounted by Douglas Yandell, a music critic with his own love problems, who finds that he too has a part in this story of botched artistry, bumbling celebrity, and scheming family, in a time that for all its high-minded talk is as low and dishonest as any other.

The owner of a haunted country inn contends with death, fatherhood, romantic woes, and alcoholism in this humorous, “rattling good ghost story” from a Booker Prize–winning author (The New York Times) Maurice Allington has reached middle age and is haunted by death. As he says, “I honestly can’t see why everybody who isn’t a child, everybody who’s theoretically old enough to have understood what death means, doesn’t spend all his time thinking about it. It’s a pretty arresting thought.” He also happens to own and run a country inn that is haunted. The Green Man opens as Maurice’s father drops dead (had he seen something in the room?) and continues as friends and family convene for the funeral. Maurice’s problems are many and increasing: How to deal with his own declining health? How to reach out to a teenage daughter who watches TV all the time? How to get his best friend’s wife in the sack? How to find another drink? (And another.) And then there is always death. The Green Man is a ghost story that hits a live nerve, a very black comedy with an uncannily happy ending: in other words, Kingsley Amis at his best.

In Kingsley Amis's Take A Girl Like You, twenty year old Jenny Bunn is supernally beautiful and stubbornly chaste, which is why Patrick Standish, an arrogant schoolmaster, wants her so much. This perceptive coming of age novel about a northern girl who moves south, wants to fit in and yet wants to preserve her principles, challenges our assumptions about the battle of the sexes and classes in Britain. It is a story about 'the squalid business of the man and the woman' and 'the most wonderful thing that had ever happened' to Jenny Bunn. Few twentieth century novelists have explored our preoccupation with sex like Kingsley Amis. The results are surprising and often hilarious. Kingsley Amis's (1922-95) works take a humorous yet highly critical look at British society, especially in the period following the end of World War II. Born in London, Amis explored his disillusionment in novels such as That Uncertain Feeling (1955). His other works include The Green Man (1970), Stanley and the Women (1984), and The Old Devils (1986), which won the Booker Prize. Amis also wrote poetry, criticism, and short stories.

In Kingsley Amis's Difficulties With Girls, Jenny Bunn and Patrick Standish have settled into London life with their troubled courtship long behind them. Patrick works in publishing and Jenny teaches sick children in a hospital. They have reached a certain level of maturity, or so they think. It is not long before they realize their respectability will be severely tested by seductive neighbours with a taste for whisky, the sexually confused Ted Valentine, and the literary set of Hampstead. In this funny and provocative study of a young couple growing up, Amis shows us that the difficulty with marriage is that it's so hard to preserve, especially when Patrick and Jenny harbour deep yearnings for a different kind of life. Kingsley Amis's (1922-95) works take a humorous yet highly critical look at British society, especially in the period following the end of World War II. Born in London, Amis explored his disillusionment in novels such as That Uncertain Feeling (1955). His other works include The Green Man (1970), Stanley and the Women (1984), and The Old Devils (1986), which won the Booker Prize. Amis also wrote poetry, criticism, and short stories.

Booker Prize Winner A pub gathering of elderly married couples devolves into booze-inflected reminiscing—and complaining—in this “sharp and funny” English comedy about marriage, aging, and friendship (The Washington Post). Age has done everything except mellow the characters in Kingsley Amis’s The Old Devils, which turns its humane and ironic gaze on a group of Welsh married couples who have been spending their golden years—when “all of a sudden the evening starts starting after breakfast”—nattering, complaining, reminiscing, and, above all, drinking. This more or less orderly social world is thrown off-kilter, however, when two old friends unexpectedly return from England: Alun Weaver, now a celebrated man of Welsh letters, and his entrancing wife, Rhiannon. Long-dormant rivalries and romances are rudely awakened, as life at the Bible and Crown, the local pub, is changed irrevocably. Considered by Martin Amis to be Kingsley Amis’s greatest achievement—a book that “stands comparison with any English novel of the [twentieth] century”—The Old Devils confronts the attrition of ageing with rare candor, sympathy, and moral intelligence.

In this hilarious, inspiring and provocative series of essays, Kingsley Amis introduces every reader to the wonders and value of science fiction writing. From the extraordinary ideas but sexless science of Jules Verne to the power of H. G. Wells's terrifying storytelling; from the brilliance of bad science fiction writing to the potency of their important ideas; from a portrait of the average SF reader to Amis's sad prediction that this genre will never make it in film or television, New Maps of Hell is a warm and witty exploration of a world many readers may be yet to discover.

Spring/Summer 1999

"Has you moved to tears. Amis amazes at every turn -- a masterpiece from a master." --"Mail on Sunday" Robin Davies is both a shrewd observer and an energetic actor in a drama that takes him from school to Oxford. With him we live through all the pangs of a pre-war adolescence in South London, and on through his rites of passage to adulthood, involving rebellion, self-discovery, sex, seduction and commitment. You Can't Do Both""is classic Amis -- brilliantly funny, outrageous, and alive to every social nuance; it is also tender, compellingly insightful and strongly autobiographical.

Novel of the lives and mores of the elite, middle-aged, middle-class community living on, and around Primrose Hill.

A near-future dystopia showing Britain under repressive post-communist Russian rule.

An excellent short introduction to the life and work of English short-story writer, poet, and novelest, Rudyard Kipling, who was the first English writer to be awarded the Nobel Prize. Amis, one of today's most admired writers, heightens our perception of Kipling's character and his great achievements.

In this first continuation novel published after Ian Fleming's death, the fictional British Secret Service operative James Bond tracks down the kidnappers of M, his superior at the Secret Service. During the mission he discovers a communist Chinese plot to cause an international incident. Bond, assisted by a Greek spy working for the Russians, finds M on a small Aegean island, rescues him and kills the two main plotters: Colonel Sun Liang-tan and a former Nazi commander, Von Richter--Adapted from Wikipedia.

Three stories of army life, three stories of postwar England, and a piece of science fiction.