New Releases by Kurt Andersen

A marriage cracks apart as a near-future United States redraws its borders in this penetrating and moving novel from the New York Times bestselling author of Fantasyland. “This remarkable book contains multitudes. With wide-ranging intelligence and his trademark wit, Kurt Andersen has written an epic elegy for a country strained past its breaking point.”—Tom Perrotta, author of Ghost Town Natalie and Asher’s marriage has long been marked by fault lines, quiet rifts in how they view their fellow Americans and navigate AI-suffused life in 2045. After twenty-three years together, and after surviving the two years of civil war in the 2030s, Natalie in rural Tennessee (part of the new Free American Republic) and Asher in San Francisco (in the now smaller United States).Natalie and Asher’s relationship mirrors America’s own unraveling—confused, messy, painful, ambivalent, and impossibly intimate. When Natalie and Asher are brought back into proximity while touring far-flung colleges with their seventeen-year-old, they find themselves on a road trip through a strange, uncertain new American landscape, transformed by both the terrorist uprising and technology, all while dealing with the flux—and resilience—within their own family. They face the questions the nation has reckoned with for a generation: what differences are irreconcilable, and when is something broken worth saving? Razor-sharp, ambitious, ranging from tragic to comic and brimming with imagination, The Breakup is a sweeping story where the personal and sociopolitical intersect in ways bracingly plausible, keenly insightful, and surprisingly hopeful.

NEW YORK TIMES BESTSELLER • When did America give up on fairness? The author of Fantasyland tells the epic history of how America decided that big business gets whatever it wants, only the rich get richer, and nothing should ever change—and charts a way back to the future. “Essential, absorbing . . . a graceful, authoritative guide . . . a radicalized moderate’s moderate case for radical change.”—The New York Times Book Review During the twentieth century, America managed to make its economic and social systems both more and more fair and more and more prosperous. A huge, secure, and contented middle class emerged. All boats rose together. But then the New Deal gave way to the Raw Deal. Beginning in the early 1970s, by means of a long war conceived of and executed by a confederacy of big business CEOs, the superrich, and right-wing zealots, the rules and norms that made the American middle class possible were undermined and dismantled. The clock was turned back on a century of economic progress, making greed good, workers powerless, and the market all-powerful while weaponizing nostalgia, lifting up an oligarchy that served only its own interests, and leaving the huge majority of Americans with dwindling economic prospects and hope. Why and how did America take such a wrong turn? In this deeply researched and brilliantly woven cultural, economic, and political chronicle, Kurt Andersen offers a fresh, provocative, and eye-opening history of America’s undoing, naming names, showing receipts, and unsparingly assigning blame—to the radical right in economics and the law, the high priests of high finance, a complacent and complicit Establishment, and liberal “useful idiots,” among whom he includes himself. Only a writer with Andersen’s crackling energy, deep insight, and ability to connect disparate dots and see complex systems with clarity could make such a book both intellectually formidable and vastly entertaining. And only a writer of Andersen’s vision could reckon with our current high-stakes inflection point, and show the way out of this man-made disaster.

NEW YORK TIMES BESTSELLER • From the acclaimed author of Evil Geniuses comes an electrifying, provocative history of American delusion—“an important book for understanding America in the age of Trump” (Walter Isaacson, author of Elon Musk). “A frighteningly convincing and sometimes uproarious picture of a country in steep, perhaps terminal decline that would have the founding fathers weeping into their beards.”—The Guardian A SAN FRANCISCO CHRONICLE BEST BOOK OF THE YEAR How did we get here? In this sweeping, eloquent history of America, Kurt Andersen demonstrates what’s happening in our country today. This strange, post-truth, “fake news” moment we’re all living through is not something entirely new, but rather the ultimate expression of our national character and path. America was founded by wishful dreamers, magical thinkers, and true believers, by hucksters and their suckers. Believe-what-ever-you-want fantasy is deeply embedded in our DNA. From the Salem witch trials to the Satanic Panic of the 1980s, from P. T. Barnum to Hollywood, from our fetish for guns to our obsession with extraterrestrials, our peculiar love of the fantastic has made America exceptional in a way that we’ve never fully acknowledged. Written with gleeful erudition and tell-it-like-it-is ferocity, Fantasyland could not appear at a more perfect moment for understanding the politics and culture of twenty-first-century America, and how the lines between reality and illusion have become dangerously blurred.

كيف أثر قط طفولة ريتشارد فورد على عمله الروائي؟ كيف تأثرت لوحات تشاك كلوز بعدم قدرته على تذكر الوجوه؟ ما اللحظة المحورية التي ساعدت روزان كاش على فهم قوة الشفاء على المسرح؟ الإبداع هو موضوع بعيد المنال؛ فنحن نتمتع بثماره: الأفلام، والروايات، واللوحات، والأغاني - ولكننا نادرًا ما كنا مطلعين على ما يحدث في أثناء العملية الإبداعية؛ ففي سبارك، تتبع جولي بيرشتاين جذور بعض المفكرين والمبدعين الأكثر تأثيرًا في القرن الحادي والعشرين، بما في ذلك جويس كارول أوتس، يو يو ما، ديفيد ميلش، إيزابيل الليندي، وجوشوا ريدمان. حيث تقوم جولي بكشف الستار عن مصادر إلهام هؤلاء الفنانين، والعمليات التي تبرز عملهم الى حيز الوجود. كتبت جولي: «قد لا يغير هؤلاء الفنانين الرصاص إلى ذهب»، وأضافت: «لكنهم رفعوا الأشياء من سياقاتها المألوفة، وجمعوها، وأعادوا تشكيلها، وحولوها إلى أعمال فنية تغير الطريقة التي نرى بها العالم». يعدُّ كتاب سبارك مصدرًا قيمًا للكاتب والفنان الطموح، ولكن تمتد الحاجة إلى الإبداع إلى ما وراء عالم فرش الرسم والآلات الكاتبة؛ فالإبداع جزء لا يتجزأ من العمل، وتربية الأطفال، والتعليم، والعلوم، وربما الأكثر تأثيراً في علاقاتنا الشخصية، ونادرًا ما تضيء كتب الإبداع وتلهم؛ u200bu200bولكن سيلهمك هذا الكتاب الرائع ويساعدك في العثور على سبارك بنفسك. العبيكان 2017

"This book and its contents are not authorized or endorsed by Donald J. Trump, any of his companies, or the White House"--Title page verso.

Lors de l''été 2013, dans le Colorado, un groupe d''écrivains et de militants s''est réuni pour s''interroger sur le rôle de la littérature et ses liens avec l''action sociale. De cette rencontre est née Narrative 4, une association caritative voulue par Colum McCann autour d''un concept fort, celui de l''"empathie radicale". Sa philosophie ? Le partage. Son but ? Faire s''échanger les histoires à travers les pays. Son action ? Favoriser des rencontres entre des jeunes d''horizons, de cultures, de vécus différents, pour se raconter, pour écouter. Et ainsi repousser le cynisme et la désolation, donner une place à l''espérance.

Withdrawing herself from consideration for Supreme Court Judgeship, distinguished judge Karen Hollander reflects on the reasons for her decision while remembering her coming of age in 1960s America, during which she experienced a formative event that reverberates in the cultural landscape of her present-day life. By the best-selling author of Heyday. 40,000 first printing.

As big and exciting as the next century, this is a novel of real life at our giddy, feverish, topsy-turvy edge of the millennium. Turn of the Century is a good old-fashioned novel about the day after tomorrow--an uproarious, exquisitely observed panorama of our world as the twentieth century morphs into the twenty-first, transforming family, marriage, and friendship and propelled by the supercharged global businesses and new technologies that make everyone''s lives shake and spin a little faster. As the year 2000 progresses, George Mactier and Lizzie Zimbalist, ten years married, are caught up in the whirl of their centrifugally accelerating lives. George is a TV producer for the upstart network MBC, launching a truly and weirdly groundbreaking new show that blurs the line between fact and fiction. Lizzie is a software entrepreneur dealing with the breakneck pleasures and pains of running her own company in an industry where the rules are rewritten daily. Rocketing between Los An-geles and Seattle, with occasional stopovers at home in Manhattan for tag-team parenting of their three children, George and Lizzie are the kind of businesspeople who, growing up in the sixties and seventies, never dreamed they would end up in business. They''re too busy to spend the money that''s rolling in, and too smart not to feel ambivalent about their crazed, high-gloss existences, but nothing seems to slow the roller-coaster momentum of their inter-secting lives and careers. However, after Lizzie, recovering from a Microsoft deal gone awry, becomes a confidante and adviser to George''s boss, billionaire media mogul Harold Mose, the couple discovers that no amount of sophisticated spin can obscure basic instincts: envy, greed, suspicion, sexual temptation--and, maybe, love. When they and their children are finally drawn into a thrilling, high-tech corporate hoax that sends Wall Street reeling (and makes one person very, very rich), George and Lizzie can only marvel at life''s oversized surprises and hold on for dear life. Like Tom Wolfe''s Bonfire of the Vanities, Kurt Andersen''s Turn of the Century lays bare the follies of our age with laser-beam precision, creating memorable characters and dissecting the ways we think, speak, and navigate this new era of extreme capitalism and mind-boggling technology. Entertaining, imaginative, knowing, and wise, Turn of the Century is a richly plotted comedy of manners about the way we live now.

“This is the end of the world as we’ve known it,” Kurt Andersen writes in Reset. “But it isn’t the end of the world.” In this smart and refreshingly hopeful book, Andersen–a brilliant analyst and synthesizer of historical and cultural trends, as well as a bestselling novelist and host of public radio’s Studio 360–shows us why the current economic crisis is actually a moment of great opportunity to get ourselves and our nation back on track. Historically, America has always shifted between wild, exuberant speculation and steady, sober hard work, as well as back and forth between economic booms and busts, and between right and left politically. This is one of the rare moments when all these cycles shift dramatically and simultaneously–a moment when complacency ends, ossified structures loosen up, and enormous positive change is possible. The shock to the system can enable each of us to rethink certain habits and focus more on the things that make us authentically happy. The present flux can enable us as a society to consolidate the enormous gains of the last several decades in areas such as technology, crime prevention, women’s and civil rights, and the democratization of the planet. We can reap the fruits of a revival of realism and pragmatism at home and abroad. As we enter a new era of post-party-line common sense, we can start to reinvent hopelessly broken systems–in health care, education, climate change, and more–and rediscover some of the old-fashioned American values of which we’ve lost sight. In Reset, Andersen explains how we’ve done it before and why we are about to do it again–and better than ever.

Heyday is a brilliantly imagined, wildly entertaining tale of America’s boisterous coming of age–a sweeping panorama of madcap rebellion and overnight fortunes, palaces and brothels, murder and revenge–as well as the story of a handful of unforgettable characters discovering the nature of freedom, loyalty, friendship, and true love. In the middle of the nineteenth century, modern life is being born: the mind-boggling marvels of photography, the telegraph, and railroads; a flood of show business spectacles and newspapers; rampant sex and drugs and drink (and moral crusades against all three); Wall Street awash with money; and giddy utopian visions everywhere. Then, during a single amazing month at the beginning of 1848, history lurches: America wins its war of manifest destiny against Mexico, gold is discovered in northern California, and revolutions sweep across Europe–sending one eager English gentleman off on an epic transatlantic adventure. . . . Amid the tumult, aristocratic Benjamin Knowles impulsively abandons the Old World to reinvent himself in New York, where he finds himself embraced by three restless young Americans: Timothy Skaggs, muckraking journalist, daguerreotypist, pleasure-seeker, stargazer; the fireman Duff Lucking, a sweet but dangerously damaged veteran of the Mexican War; and Duff’s dazzling sister Polly Lucking, a strong-minded, free thinking actress (and discreet part-time prostitute) with whom Ben falls hopelessly in love. Beckoned by the frontier, new beginnings, and the prospects of the California Gold Rush, all four set out on a transcontinental race west–relentlessly tracked, unbeknownst to them, by a cold-blooded killer bent on revenge. A fresh, impeccable portrait of an era startlingly reminiscent of our own times, Heyday is by turns tragic and funny and sublime, filled with bona fide heroes and lost souls, visionaries (Walt Whitman, Charles Darwin, Alexis de Tocqueville) and monsters, expanding horizons and narrow escapes. It is also an affecting story of four people passionately chasing their American dreams at a time when America herself was still being dreamed up–an enthralling, old-fashioned yarn interwoven with a bracingly modern novel of ideas. "In this utterly engaging novel, the author of Turn of the Century brings 19th-century America vividly to life . . . While this is a long book, it moves quickly, with historical detail that''s involving but never a drag on the action; the characters are beautifully drawn. A terrific book; highly recommended." –Library Journal "Heyday is fuled by manic energy, fanatical research, and a wicked sense of humor.... It''s a joyful, wild gallop through a joyful, wild time to be an American." -Vanity Fair

New York, 2000. George est producteur de télévision, Lizzie dirige une start-up convoitée par Microsoft. Ils sont jeunes, riches, heureux ; ils ont trois beaux enfants et la presse les cite comme un exemple de réussite. Jusqu''au jour où l''échec professionnel, le doute, la trahison et la jalousie viennent miner leur relation de l''intérieur. Un tableau terrifiant de Wall Street, des médias et du monde impitoyable des affaires.

Rockwell Group turns dreams into space. From steel and stone, color and light, Rockwell Group creates environments that are at once destinations and a means of transport: to new worlds, new experiences. Rockwell Group has crafted a vital form of vernacular architecture and design, one that crackles with the kinetic energy of the avant-garde, the shimmer of Hollywood, the sensual mystery of a far-off, yet somehow familiar, place. With projects such as the Kodak Theatre, a masterful pairing of technology and spectacle worthy of the Academy Awards; the Mohegan Sun casino, a dazzling scenescape of myth and wonder; and the Children''s Hospital at Montefiore, where learning and discovery help advance the healing process; Rockwell Group has garnered accolades for a signature design strategy that seduces, entertains, informs, and inspires. "Pleasure" is the first book to examine the theaters, hotels, stadiums, restaurants, casinos, and other spaces across the country that have positioned Rockwell Group as one of America''s most influential, acclaimed, and popular firms. Including essays by Kurt Andersen, Paola Antonelli, Arnold Aronson, Raul A. Barreneche, Michael Bierut, Paul Goldberger, Gael Greene, Reed Kroloff, Todd Oldham, Chee Pearlman, Irwin Redlener, M.D., George C. Wolfe, Richard Saul Wurman Featured projects include: Nobu, Vong, Ruby Foo''s, Michael Jordan''s The Steak House N.Y.C., Animator''s Palate, Chambers, W New York and W Union Square, Children''s Hospital at Montefiore, Jersey Gardens, Cirque du Soleil, Kodak Theatre, Coca-Cola Skyfield, Mohegan Sun Casino & Resort

Dans l''effervescence du nouveau millénaire, un couple de golden yuppies surfe sur le succès. George, producteur télé, lance une nouvelle émission, " Real Time ", mélange de sitcom et de vraies infos. Sa femme Lizzie dirige une start-up en pleine expansion, que Microsoft voudrait bien racheter. Ils vivent à New York avec leurs trois enfants surdoués et leur jeune fille au pair mexicaine, mais passent leur temps à naviguer entre Los Angeles et Seattle, communiquant par portable. George et Lizzie, qui ont grandi dans les années 70, conservent un tout petit peu d''ironie mais sont happés par le rythme effréné de leurs vies et de leurs responsabilités. Jusqu''au jour où Lizzie devient la confidente et la conseillère attitrée du patron de George, Harold Mose, multimillionnaire et nabab des médias. Le couple découvre alors que la plus grande sophistication ne peut étouffer certains instincts : la jalousie, l''envie, et, peut-être, l''amour.

The art direction of the late Tibor Kalman has never failed to question, challenge, and provoke its audience. Creator of the successful advertising and graphic design company M&Co., creative director of Interview, and founding editor of the controversial though acclaimed Benetton magazine Colors, Kalman is known for applying commercial techniques to issues that matter. With essays by Steve Heller, Kurt Andersen, and Rick Poynor, Tibor has set new standards for the presentation and analysis of a contemporary designer''s work. An essential book for professionals and students in design, media, and advertising, and all those interested in the controversial possibilities of graphics in the 20th century.

Based on the hit off-Broadway revue, Loose Lips offers readers the opportunity to listen in on the on- and off-the-record utterances of such famous celebrities as Prince Charles, Tommy Lasorda, Richard Nixon, Charlie Sheen, and Michael Jackson. 25 line drawings. HBO special this fall.