New Releases by Larry McMurtry

The final book of the Lonesome Dove quartet, set in the American West.

From dusty flea markets in Texas to parties in Washington, DC, crawling with political hacks, Cadillac Jack is a classic American novel, timelier than ever. Larry McMurtry’s “big hearted” fiction has been lauded for “taking us places we hadn’t known existed” (Joyce Carol Oates, New York Review of Books). Cadillac Jack does exactly that, inviting readers into the passenger seat of a pearl-colored Caddy with peach velour–covered seats, joining a rodeo-bulldogger-turned-antique- scout at the wheel. “Superbly comic” (Newsday), this rollicking tale echoes the cultural climate of America today, with the cagey yet charming Jack grappling with the capitol’s pretentious elite. As he cruises through relationships with distinctively appealing women—including socialite boutique owner Cindy and discreet mother-of-two Jean—Jack realizes home for him will always be simply barreling down freeways in his Cadillac, wandering the country in search of another obscure treasure. Bolstered with its cast of unforgettable characters, Cadillac Jack entices with the prospect of undiscovered riches around that next bend in the road.

Moving On anticipates McMurtry’s Terms of Endearment and explores the emotional journey of a young woman against a sprawling metropolis in 1970s Texas. Larry McMurtry’s Moving On, his epic first novel in the acclaimed Houston series, has long been considered a defining tale of “monumental honesty” worthy of great attention (New York Times). Preceding Terms of Endearment by five years, it is essential reading for anyone who appreciates the inherent genius of McMurtry’s late twentieth-century fiction. Moving On centers on the life of Patsy Carpenter, one of his most beloved characters. After calmly finishing a Hershey bar alone in her car, a restless Patsy drives away from her lifeless marriage in search of a greater purpose. In “precise and lyrical prose” (Boston Globe), McMurtry reveals the complex, colorful lives of Pete, the rodeo clown; high-spirited cowboy Sonny Shanks; and impassioned grad student Hank. A critical work of American literature that “presents human drama with sympathy and compassion” (Los Angeles Times), Moving On unfolds a tale of perseverance and emotional survival in the modern-day West.

A young writer hits the dusty Texas highway for the California coast in this “brilliant . . . funny and dangerously tender” (Time) tale of art and sacrifice. Hailed as one of “the best novels ever set in America’s fourth largest city” (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry’s “comic genius, his ability to render a sense of landscape, and interior intellection tension” (Jim Harrison, New York Times Book Review). Desperate to break from the “mundane happiness” of Houston, budding writer Danny Deck hops in his car, “El Chevy,” bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable characters joins the naïve troubadour’s pilgrimage to California and back to Texas, including a cruel, long-legged beauty; an appealing screenwriter; a randy college professor; and a genuine if painfully “normal” friend. Since the novel’s publication in 1972, Danny Deck has “been far more successful at getting loved by readers than he ever was at getting loved by the women in his life” (McMurtry), a testament to the author’s incomparable talent for capturing the essential tragicomedy of the human experience.

“McMurtry is an alchemist who converts the basest materials to gold.” — New York Times Book Review The Last Picture Show (1966) is both a rambunctious coming-of-age story and an elegy to a forlorn Texas town trying to keep its one movie house alive. Adapted into the Oscar-winning film, this masterpiece immortalizes the lives of the hardscrabble residents who are threatened by the inexorable forces of the modern world.

“If Chaucer were a Texan writing today . . . this is how he would have written and this is how he would have felt.”— New York Times In Leaving Cheyenne (1963), which anticipates Lonesome Dove more than any other early novel, the stark realities of the American West play out in a mesmerizing love triangle. Stubborn rancher Gideon Fry, resilient Molly Taylor, and awkward ranch hand Johnny McCloud struggle with love and jealousy as the years pass.

“Every line is poetry down and dirty in the mud, right where it belongs.” — Publishers Weekly A stunning literary debut, Horseman, Pass By (1961) exhibits the “full-blooded Western genius” (Publishers Weekly) that would come to define McMurtry’s incomparable sensibility. In the dusty north Texas town of Thalia, young Lonnie Bannon quietly endures the pangs of maturity as a persistent rivalry between his grandfather and step-uncle, Hud, festers, and a deadly disease spreads among their cattle like wildfire.

Wyatt Earp and Doc Holliday move across the frontier from Long Grass, Texas, to Buffalo Bill''s Wild West Show in Denver.

In this lavishly illustrated volume, Larry McMurtry, the greatest chronicler of the American West, tackles for the first time one of the paramount figures of Western and American history--George Armstrong Custer. McMurtry also argues that Custer''s last stand at the Little Bighorn should be seen as a monumental event in our nation''s history. Like all great battles, its true meaning can be found in its impact on our politics and policy, and the epic defeat clearly signaled the end of the Indian Wars--and brought to a close the great narrative of western expansion.

"One thing I’ve always liked about Hollywood is its zip, or speed. The whole industry depends to some extent on talent spotting. The hundreds of agents, studio executives, and producers who roam the streets of the city of Los Angeles let very little in the way of talent slip by." In this final installment of the memoir trilogy that includes Books and Literary Life, Larry McMurtry, "the master of the show-stopping anecdote" (O, The Oprah Magazine) turns his own keenly observing eye to his rollercoaster romance with Hollywood. As both the creator of numerous works successfully adapted by others for film and television (Terms of Endearment, Lonesome Dove, and the Emmy-nominated The Murder of Mary Phagan) and the author of screenplays including The Last Picture Show (with Peter Bogdanovich), Streets of Laredo, and the Oscar-winning Brokeback Mountain (both with longtime writing partner Diana Ossana), McMurtry has seen all the triumphs and frustrations that Hollywood has to offer a writer, and he recounts them in a voice unfettered by sentiment and yet tinged with his characteristic wry humor. Beginning with his sudden entrée into the world of film as the author of Horseman, Pass By—adapted into the Paul Newman–starring Hud in 1963—McMurtry regales readers with anecdotes that find him holding hands with Cybill Shepherd, watching Jennifer Garner’s audition tape, and taking lunch at Chasen’s again and again. McMurtry fans and Hollywood hopefuls alike will find much to cherish in these pages, as McMurtry illuminates life behind the scenes in America’s dream factory.

Pulitzer Prize–winner Larry McMurtry follows up his memoir Books with this engrossing and deeply personal reflection on the life of a writer. Larry McMurtry is that rarest of artists, a prolific and genre-transcending writer who has delighted generations with his witty and elegant prose. In Literary Life, the sequel to Books, he expounds on the private trials and triumphs of being a writer. From his earliest inkling of his future career while at Rice University, to his tenure as a Wallace Stegner fellow at Stanford with Ken Kesey in 1960, to his incredible triumphs as a bestselling author, this intimate and charming autobiography is replete with literary anecdotes and packed with memorable observations about writing, writers, and the author himself. It is a work to be cherished not only by McMurtry’s admirers, but by the innumerable aspiring writers who seek to make their own mark on American literature.

From the Pulitzer Prize–winning author of Lonesome Dove comes the novel that became the basis for the film Hud, starring Paul Newman. In classic Western style Larry McMurtry illustrates the timeless conflict between the modernity and the Old West through the eyes of Texas cattlemen. Horseman, Pass By tells the story of Homer Bannon, an old-time cattleman who epitomizes the frontier values of honesty and decency, and Hud, his unscrupulous stepson. Caught in the middle is the narrator, Homer''s young grandson Lonnie, who is as much drawn to his grandfather’s strength of character as he is to Hud''s hedonism and materialism. When first published in 1961, Horseman, Pass By caused a sensation in Texas literary circles for its stark, realistic portrayal of the struggles of a changing West in the years following World War II. Never before had a writer managed to encapsulate its environment with such unsentimental realism. Today, memorable characters, powerful themes, and illuminating detail make Horseman, Pass By vintage McMurtry.

The first of Larry McCurtry''s Pulitzer Prize–winning Lonesome Dove tetralogy, showcasing McCurtry''s talent for breathing new life into the vanished American West through two of the most memorable heroes in contemporary fiction: Augustus McCrae and Woodrow Call. As young Texas Rangers, Augustus McCrae and Woodrow Call ("Gus" and "Call" for short) have much to learn about survival in a land fraught with perils: not only the blazing heat and raging tornadoes, roiling rivers and merciless Indians, but also the deadly whims of soldiers. On their first expeditions—led by incompetent officers and accompanied by the robust, dauntless whore known as the Great Western—they will face death at the hands of the cunning Comanche war chief Buffalo Hump and the silent Apache Gomez. They will be astonished by the Mexican army. And Gus will meet the love of his life.

Pulitzer Prize–winner Larry McMurtry writes novels set in the American heartland, but his real territory is the heart itself. His gift for writing about women—their love for reckless, hopeless men; their ability to see the good in losers; and their peculiar combination of emotional strength and sudden weakness—makes The Desert Rose the bittersweet, funny, and touching book that it is. Harmony is a Las Vegas showgirl with the best legs in town. At night she''s a lead dancer in a gambling casino; during the day she raises peacocks. She throws her love away on second-rate men, but wakes up in the morning full of hope. She''s one of a dying breed of dancers, faced with fewer and fewer jobs and an even bleaker future. Yet, she maintains a calm cheerfulness in that arid neon landscape of supermarkets, drive-in wedding chapels, and all-night casinos. While Harmony''s star is fading, her beautiful, cynical daughter Pepper''s is on the rise. But Harmony remains wistful and optimistic through it all. She is the unexpected blossom in the wasteland, the tough and tender desert rose. Hers is a loving portrait that only Larry McMurtry could render.

In this acclaimed novel that inspired the Academy Award–winning motion picture, Larry McMurtry created two unforgettable characters who won the hearts of readers and moviegoers everywhere: Aurora Greenway and her daughter Emma. Aurora is the kind of woman who makes the whole world orbit around her, including a string of devoted suitors. Widowed and overprotective of her daughter, Aurora adapts at her own pace until life sends two enormous challenges her way: Emma’s hasty marriage and subsequent battle with cancer. Terms of Endearment is the Oscar-winning story of a memorable mother and her feisty daughter and their struggle to find the courage and humor to live through life’s hazards—and to love each other as never before.

Pulitzer Prize–winning Larry McMurtry writes like no one else about the American frontier—though in Somebody''s Darling, the frontier lies farther west, in Hollywood, and his subject is the strange world of the movies—those who make them and those who play in them. Somebody''s Darling is the story of the fortunes of Jill Peel. Jill is brilliant, talented, and disciplined, and one of the best female directors in Hollywood, or anywhere else. She''s got it all together, except where the men in her life are concerned: Joe Percy and Owen Oarson. Joe is a womanizing, aging screenwriter, cheerfully cynical about life, love, and art, and the pursuit of all three. But he''d rather be left alone with the young, oversexed wives of studio moguls. Owen is an ex-Texas football player and tractor salesman turned studio climber and sexual athlete. He''ll climb from bed to bed in pursuit of his starry goal: to be a movie producer. Between the two of them and a cast of Hollywood''s most unforgettable eccentrics, Jill Peel tries to create some movie magic. Full of all the grit and warmth of his best work, Somebody''s Darling is Larry McMurtry''s deft and raunchy romp behind the scenes of America''s own unique Babel: Hollywood.

A brilliant and riveting history of the famous and infamous massacres that marked the settling of the American West in the nineteenth century. In Oh What a Slaughter, Larry McMurtry has written a unique, brilliant, and searing history of the bloody massacres that marked—and marred—the settling of the American West in the nineteenth century, and which still provoke immense controversy today. Here are the true stories of the West''s most terrible massacres—Sacramento River, Mountain Meadows, Sand Creek, Marias River, Camp Grant, and Wounded Knee, among others. These massacres involved Americans killing Indians, but also Indians killing Americans, and, in the case of the hugely controversial Mountain Meadows Massacre in 1857, Mormons slaughtering a party of American settlers, including women and children. McMurtry''s evocative descriptions of these events recall their full horror, and the deep, constant apprehension and dread endured by both pioneers and Indians. By modern standards the death tolls were often small—Custer''s famous defeat at Little Big Horn in 1876 was the only encounter to involve more than two hundred dead—yet in the thinly populated West of that time, the violent extinction of a hundred people had a colossal impact on all sides. Though the perpetrators often went unpunished, many guilty and traumatized men felt compelled to tell and retell the horrors they had committed. From letters and diaries, McMurtry has created a moving and swiftly paced narrative, as memorable in its way as such classics as Evan S. Connell''s Son of the Morning Star and Dee Brown''s Bury My Heart at Wounded Knee. In Larry McMurtry''s own words: "I have visited all but one of these famous massacre sites—the Sacramento River massacre of 1846 is so forgotten that its site near the northern California village of Vina can only be approximated. It is no surprise to report that none of the sites are exactly pleasant places to be, though the Camp Grant site north of Tucson does have a pretty community college nearby. In general, the taint that followed the terror still lingers and is still powerful enough to affect locals who happen to live nearby. None of the massacres were effectively covered up, though the Sacramento River massacre was overlooked for a very long time. "But the lesson, if it is a lesson, is that blood—in time, and, often, not that much time—will out. In case after case the dead have managed to assert a surprising potency. "The deep, constant apprehension, which neither the pioneers nor the Indians escaped, has, it seems to me, been too seldom factored in by historians of the settlement era, though certainly it saturates the diary-literature of the pioneers, particularly the diary-literature produced by frontier women, who were, of course, the likeliest candidates for rapine and kidnap."

Writing with characteristic grace and wit, Larry McMurtry tackles the full spectrum of his favorite themes -- from sex, literature, and cowboys to rodeos, small-town folk, and big-city slickers. First published in 1968, In a Narrow Grave is the classic statement of what it means to come from Texas. In these essays, McMurtry opens a window into the past and present of America''s largest state. In his own words: "Before I was out of high school, I realized I was witnessing the dying of a way of life -- the rural, pastoral way of life. In the Southwest the best energies were no longer to be found on the homeplace, or in the small towns; the cities required these energies and the cities bought them...." "I recognized, too, that the no-longer-open but still spacious range on which my ranching family had made its livelihood...would not produce a livelihood for me or for my siblings and their kind....The myth of the cowboy grew purer every year because there were so few actual cowboys left to contradict it...." "I had actually been living in cities for fourteen years when I pulled together these essays; intellectually I had been a city boy, but imaginatively, I was still trudging up the dusty path that led out of the country...."

In this brilliant saga—the final volume of The Berrybender Narratives and an epic in its own right—Larry McMurtry lives up to his reputation for delivering novels with “wit, grace, and more than a hint of what might be called muscular nostalgia, fit together to create a panoramic portrait of the American West” (The New York Times Book Review). As this finale opens, Tasmin and her family are under irksome, though comfortable, arrest in Mexican Santa Fe. Her father, the eccentric Lord Berrybender, is planning to head for Texas with his whole family and his retainers, English, American, and Native American. Tasmin, who would once have followed her husband, Jim Snow, anywhere, is no longer even sure she likes him, or knows where to go to next. Neither does anyone else—even Captain Clark, of Lewis and Clark fame, is puzzled by the great changes sweeping over the West, replacing Native Americans and buffalo with towns and farms. In the meantime, Jim Snow, accompanied by Kit Carson, journeys to New Orleans, where he meets up with a muscular giant named Juppy, who turns out to be one of Lord Berrybender’s many illegitimate offspring, and in whose company they make their way back to Santa Fe. But even they are unable to prevent the Mexicans from carrying the Berrybender family on a long and terrible journey across the desert to Vera Cruz. Starving, dying of thirst, and in constant, bloody battle with slavers pursuing them, the Berrybenders finally make their way to civilization—if New Orleans of the time can be called that—where Jim Snow has to choose between Tasmin and the great American plains, on which he has lived all his life in freedom, and where, after all her adventures, Tasmin must finally decide where her future lies. With a cast of characters that includes almost every major real-life figure of the West, Folly and Glory is a novel that represents the culmination of a great and unique four-volume saga of the early days of the West; it is one of Larry McMurtry’s finest achievements.

In this tale of high-spirited and terrifying adventure, set against the background of the West that Larry McMurtry has made his own, By Sorrow’s River is an epic in its own right with the return of the formidable, young Tasmin Berrybender. At the heart of this third volume of his Western saga remains the beautiful and determined Tasmin Berrybender, now married to the “Sin Killer” and mother to their young son, Monty. By Sorrow’s River continues the Berrybender party’s trail across the endless Great Plains of the West toward Santa Fe, where they intend, those who are lucky enough to survive the journey, to spend the winter. They meet up with a vast array of characters from the history of the West: Kit Carson, the famous scout; Le Partezon, the fearsome Sioux war chief; two aristocratic Frenchmen, whose eccentric aim is to cross the Great Plains by hot air balloon; a party of slavers; a band of raiding Pawnee; and many other astonishing characters who prove, once again, that the rolling, grassy plains are not, in fact, nearly as empty of life as they look. Most of what is there is dangerous and hostile, even when faced with Tasmin’s remarkable, frosty sangfroid. She is one of the strongest and most interesting of Larry McMurtry’s characters, and she stands at the center of this powerful and ambitious novel of the West.

The earthy humor and the powerful emotional impact that set McMurtry''s Terms of Endearment apart from other novels now rise to brilliant new heights with The Evening Star. McMurtry takes us deep into the heart of Texas, and deep into the heart of one of the most memorable characters of our time, Aurora Greenway—along with her family, friends, and lovers—in a tale of affectionate wit, bittersweet tenderness, and the unexpected turns that life can take. This is Larry McMurtry at his very best: warm, compassionate, full of comic invention, an author so attuned to the feelings, needs, and desires of his characters that they possess a reality unique in American fiction.

Funny, sad, full of wonderful characters and the word-perfect dialogue of which he is the master, McMurtry brings the Thalia saga to an end with Duane confronting depression in the midst of plenty. Surrounded by his children, who all seem to be going through life crises involving sex, drugs, and violence; his wife, Karla, who is wrestling with her own demons; and friends like Sonny, who seem to be dying, Duane can''t seem to make sense of his life anymore. He gradually makes his way through a protracted end-of-life crisis of which he is finally cured by reading Proust''s Remembrance of Things Past, a combination of penance, and prescription from Dr. Carmichael that somehow works. Duane''s Depressed is the work of a powerful, mature artist, with a deep understanding of the human condition, a profound ability to write about small-town life, and perhaps the surest touch of any American novelist for the tangled feelings that bind and separate men and women.

From the bestselling, Pulitzer Prize-winning "absolute master of ''Western'' prose," comes McMurtry''s electrifying take on the classic tale of Billy the Kid, the teenage outlaw of the American Old West. The first time I saw Billy, he came walking out of a cloud... Welcome to the wild, hot-blooded adventures of Billy the Kid, the American West''s most legendary outlaw. Larry McMurtry takes us on a hell-for-leather journey with Billy and his friends as they ride, drink, love, fight, shoot, and escape their way into the shining memories of Western myth. Surrounded by a splendid cast of characters that only Larry McMurtry could create, Billy charges headlong toward his fate, to become in death the unforgettable desperado he aspires to be in life. Not since Lonesome Dove has there been such a rich, exciting novel about the cowboys, Indians, and gunmen who live at the blazing heart of the American dream.

A strange old woman caked in Montana mud pens a letter to her darling daughter back East—the writer''s name is Martha Jane, but her friends call her Calamity... I am the Wild West, no show about it. I was one of the people who kept it wild. Larry McMurtry returns to the territory of his Pulitzer Prize–winning masterwork, Lonesome Dove, to sing the song of Calamity Jane''s last ride. In a letter to her daughter back East, Martha Jane is not shy about her own importance. Martha Jane—better known as Calamity—is just one of the handful of aging legends who travel to London as part of Buffalo Bill Cody''s Wild West Show in Buffalo Girls. As he describes the insatiable curiosity of Calamity''s Indian friend No Ears, Annie Oakley''s shooting match with Lord Windhouveren, and other highlights of the tour, McMurtry turns the story of a band of hardy, irrepressible survivors into an unforgettable portrait of love, fellowship, dreams, and heartbreak.

In a prolific life of singular literary achievement, Larry McMurtry has succeeded in a variety of genres: in coming-of-age novels likeThe Last Picture Show; in collections of essays likeIn a Narrow Grave; and in the reinvention of the Western on a grand scale in his Pulitzer Prize-winning novel,Lonesome Dove. Now, inBooks: A Memoir, McMurtry writes about his endless passion for books: as a boy growing up in a largely "bookless" world; as a young man devouring the vastness of literature with astonishing energy; as a fledgling writer and family man; and above all, as one of America''s most prominent bookmen. He takes us on his journey to becoming an astute, adventurous book scout and collector who would eventually open stores of rare and collectible editions in Georgetown, Houston, and finally, in his previously "bookless" hometown of Archer City, Texas. In this work of extraordinary charm, grace, and good humor, McMurtry recounts his life as both a reader and a writer, how the countless books he has read worked to form his literary tastes, while giving us a lively look at the eccentrics who collect, sell, or simply lust after rare volumes.Books: A Memoiris like the best kind of diary -- full of McMurtry''s wonderful anecdotes, amazing characters, engaging gossip, and shrewd observations about authors, book people, literature, and the author himself. At once chatty, revealing, and deeply satisfying, Books is, like McMurtry, erudite, life loving, and filled with excellent stories. It is a book to be savored and enjoyed again and again.

Recounts myths of the closing decades of the western frontier viewed through the eyes of Nellie Courtright and her brother Jackson, orphans that make good in the town of Rita Blanca in what would become the Oklahoma Panhandle.

Journeying up the Missouri River in 1830, the wealthy Berrybenders encounter the challenges of the untamed American West before Tasmin Berrybender falls in love with frontiersman and part-time preacher Jim Snow.

The sensational Pulitzer Prize-winning author delivers the second thrilling book in the Berrybender Narratives--"The Wandering Hill" is Larry McMurtry at his best. He spins an epic American adventure of the Old West that succeeds the bestselling "Sin Killer" and stands beside "Lonesome Dove" in breadth, passion, and authenticity.

The two men could hardly be more different, but both are tough, redoubtable fighters who have learned to count on each other, if nothing else."--BOOK JACKET.

Set against the bitter frontier strife between Texans and the Comanche, Texas Rangers Gus McCrae and Woodrow Call battle Buffalo Hump, the enigmatic war chief, and Gus'' long-time nemesis, Blue Duck.