Best Selling Books by Louise Gluck

A ruthlessly probing family portrait in verse, Gluck's sixth poetry collection confronts, with devastating irony, her father's hollow life and her mother's inability to express emotion. This might seem like a daughter's belated rebellion, except that these fierce, rock-strong, deeply felt lyrics are steeled by love and understanding.

Louise GlÜck has long practiced poetry as a species of clairvoyance. She began as Cassandra, at a distance, in league with the immortal; to read her books sequentially is to chart the oracle's metamorphosis into unwilling vessel, reckless, mortal, and crude. The Seven Ages is GlÜck's ninth book, her strangest and most bold. In it she stares down her own death, and, in so doing, forces endless superimpositions of the possible on the impossible -- an act that simultaneously defies and embraces the inevitable, and is, finally, mimetic. Over and over, at each wild leap or transformation, flames shoot up the reader's spine.

Winner of the 1993 PEN/Martha Albrand Award for First Non-Fiction, Proofs and Theories is an illuminating collection of essays by Louise Glück, whose most recent book of poems, The Wild Iris, was awarded the Pulitzer Prize. Glück brings to her prose the same precision of language, the same incisiveness and insight that distinguish her poetry. The force of her thought is evident everywhere in these essays, from her explorations of other poets' work to her skeptical contemplation of current literary critical notions such as "sincerety" and "courage." Here also are Glück's revealing reflections on her own education and life as a poet, and a tribute to her teacher and mentor, Stanley Kunitz. Proofs and Theories is the testament of a major poet.

The First Four Books of Poems collects the early work that established Louise Gluck as one of America's most original and important poets. Honored with the Pulitzer Prize for The WildIris, Gluck was celebrated early in her career for her fierce, austerely beautiful voice. InFirstborn, The House on Marshland Wand, Descending Figure, and The Triumph of Achilles, which wonthe National Book Critics Circle Award for Poetry, we see the conscious progression of apoet who speaks with blade-like accuracy and stirring depth.

This collection of stunningly beautiful poems encompasses the natural, human, and spiritual realms, and is bound together by the universal themes of time and mortality. With clarity and sureness of craft, Gluck's poetry questions, explores, and finally celebrates the ordeal of being alive.

In an astonishing book-length sequence, Pulitzer Prize-winning poet Louise Gluck interweaves the dissolution of a contemporary marriage with the story of The Odyssey. Here is Penelope stubbornly weaving, elevating the act of waiting into an act of will; here, too, is a worldly Circe, a divided Odysseus, and a shrewd adolescent Telemachus. Through these classical figures, Meadowlands explores such timeless themes as the endless negotiation of family life, the cruelty that intimacy enables, and the frustrating trivia of the everyday. Gluck discovers in contemporary life the same quandary that lies at the heart of The Odyssey: the "unanswerable/affliction of the human heart: how to divide/the world's beauty into acceptable/and unacceptable loves."

Since, 1990, Louise GlÜck has been exploring a form that is, according to poet Robert Hass, her invention. Vita Nova -- like its immediate predecessors, a book-length sequence -- combines the ecstatic utterance of The Wild Iris with the worldly dramas elaborated in Meadowlands. Vita Nova is a book that exists in the long moment of spring, a book of deaths and beginnings, resignation and hope, brutal, luminous, and farseeing. Like late Yeats, Vita Nova dares large statement. By turns stern interlocutor and ardent novitiate, GlÜck compasses the essential human paradox, a terrifying act of perspective that brings into resolution the smallest human hope and the vast forces that shape and thwart it.

An anthology of contemporary poets presents works that reflect the diversity in American poetry.

Poems consider reality, perception, aging, religion, friendship, love, myths, dreams, partings, nature, grief, and hope