Best Selling Books by Lucie

Inventive, French-inspired dessert recipes from the founder of the beloved New York City bakery, From Lucie. “I dare you to page through Lucie’s book and not feel a flutter of joy. These are desserts to make you dream.”—Dorie Greenspan, James Beard Award–winning author of Dorie’s Anytime Cakes Lucie Franc de Ferriere is the owner and head baker at From Lucie, a small bakery in the East Village known for its whimsical baked goods adorned with fresh flowers. Born and raised in Southern France, Lucie grew up baking cakes with her mother at the family''s farm and bed-and-breakfast in their 165-year-old chateau, and after moving to New York City, she became homesick and turned to baking for a taste of home. Eventually, Lucie’s baked goods became so popular at café pop-ups that she decided to take a leap of faith and open her own bakery. Now in Cake From Lucie, Lucie invites home bakers to join her in creating gorgeously imperfect treats in her signature style, from easy everyday recipes to more intricate showstoppers. Lucie’s creations are less sweet than American-style baked goods, allowing her subtle and unique flavor combinations to shine. Indulge in a moist Zucchini Honey Mascarpone Cake that highlights the tastes of summer, or a layered Chamomile Cake with Whipped Cream and Strawberry Sumac Jam that beautifully melds citrus and herbal notes. For an effortless bake, try Lucie’s Blueberry Fennel Loaf, or if you’re feeling more adventurous, turn to her Blood Orange Olive Oil Princess Cake. Her popular Salted Dark Chocolate Chip Cookies are the ultimate afternoon treat, and a Tiramisu Charlotte will wow at your next dinner party. With transportive photography from Lucie’s farm and personal stories woven throughout, Cake From Lucie captures the charm of the French countryside and the buzz of New York City while relaying the secrets for Lucie’s beautiful and memorable desserts.

This study provides a systematic and comprehensive overview of Hus''s ideas on the last things as they are presented in both his work and life. It examines the content and language of his works, particularly his Latin sermons and correspondence, from a literary-historical perspective. It explores general eschatology (Antichrist, purgatory, heaven and hell), as well as its intertwining with the Last Things that Jan Hus experienced personally in his struggle against Antichrist. Thus, the reader will learn not only about Hus''s official ideas, but also about his intimate thoughts contained in correspondence written during his exile and even as he was in prison awaiting death. The book also presents Hus''s eschatology in the broader context of Church reform. It clarifies how Hus''s eschatology developed from its beginnings up to his death, and takes into account the writings of other thinkers whose ideas are connected to Hus''s eschatology, such as John Wycliffe, Mili? of Krom??i, Mat?j of Janov, and Nicholas of Dresden. The book also features an introductory prolegomena on Hus''s life and work and early reform eschatology, which describes not only relevant Czech influences on Hus''s eschatology (e.g. university theology, social-political factors, the Czech preaching tradition), but also European influences (e.g. Peter Lombard, heterodox doctrines).

Sofia honors her military family by making cards to thank them for their service. Leveled text and colorful illustrations help readers learn how to celebrate this honorable day. Pairs with the nonfiction title Celebrating Veterans Day.

To know what life was like for someone in the past, we must read their story in a way that we can understand. Steve Cornish was born in 1887 and killed in action in 1917, one of the millions of victims of the First World War. He was an ordinary man—a son, brother, father and husband who simply lived his life and did what he thought he should. He spent a little over a year as a soldier, and died minutes into his first action. Just one of the millions. Steve left no diaries or personal records, and no substantial family memory. We know him only through official records—birth, immigration, marriage, legal, military, and death. The closest we can get to the man himself is his signature on his enlistment papers and small, grainy photographs. He exists in the middle ground between those for whom much information exists—those considered by their contemporaries and history to have been important—and the countless billions for whom there is no record. His life was, nonetheless, adventurous and rich with personal experience, and he played his part in the grand and humble events of history. This Englishman, from a military family, fought for Australia and the British Empire and left his legacy in his children and grandchildren. This book places him within the world he experienced: from the vast historic events to the ordinary, day-to-day things of which, in fact, the human world comprises. It details Army recruiting, training in Australia, food, infantry weapons, kit issued to soldiers, troopship life, training and leave in the United Kingdom, training in France, commemoration of the dead, and government care for war widows, life in and out of the trenches on the Western Front, the lead up to and the first day of the Battle of the Menin Road from the perspective f the 9th Battalion. Over 250 illustrations and maps, many in colour.

To keep warm while searching for her spots blown away by the North Wind, Gilda the giraffe tries on the coats of several of her animal friends, but still longs for her pretty, funny spots.

The objective of this book is to analyse the Old Icelandic sagas dealing with the twelfth to fourteenth centuries – the secular contemporary sagas and the bishops’ sagas – from the perspective of cultural memory studies. This approach foregrounds their function as sources of the late medieval Icelanders’ collective identity, shaped by the narrative tradition and the current concerns. It is argued here that the intertextual relations between the Old Icelandic historiographical texts extend beyond the literary level and influence the perception of the past itself. The accounts of events from the settlement to the fourteenth century form a coherent narrative that acknowledges the historical development but accentuates the themes and values that continued to define the collective identity. Within this framework, the book presents a detailed analysis of how this function of the narrative shaped the sagas depicting the time when Iceland was gradually integrated into the Norwegian kingdom. As such, it contributes to a more nuanced understanding of how this culturally significant period of medieval Icelandic history was perceived when the memory of it was still crossing the boundary between common knowledge and foundational history.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In colonial-era Egypt, a new social category of "modern men" emerged, the efendiyya. Working as bureaucrats, teachers, journalists, free professionals, and public intellectuals, the efendiyya represented the new middle class elite. They were the experts who drafted and carried out the state''s modernisation policies, and the makers as well as majority consumers of modern forms of politics and national culture. As simultaneously "authentic" and "modern", they assumed a key political role in the anti-colonial movement and in the building of a modern state both before and after the revolution of 1952. Lucie Ryzova explores where these self-consciously modern men came from, and how they came to be such major figures, by examining multiple social, cultural, and institutional contexts. These contexts include the social strategies pursued by "traditional" households responding to new opportunities for social mobility; modern schools as vehicles for new forms of knowledge dissemination, which had the potential to redefine social authority; but also include new forms of youth culture, student rituals, peer networks, and urban popular culture. The most common modes of self-expression among the effendiyya were through politics and writing (either literature or autobiography). This articulated an efendi culture imbued with a sense of mission, duty, and entitlement, and defined the ways in which their social experiences played into the making of modern Egyptian culture and politics.

Lucie Brock-Broido''s poetry conjures what is half-known, at the limits of experience, in language fierce with a living glitter. This title introduces Brock-Broido''s poetry to British readers with generous selections from her three acclaimed collections: "A Hunger", "The Master Letters and Trouble in Mind".

The authors use examples from their own clinical practice to explain the development of Lacanian theory.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.