Most Popular Books by Margaret Atwood

Volatile social dissonance in America’s urban landscape is the backdrop as Valerie A. Miles-Tribble examines tensions in ecclesiology and public theology, focusing on theoethical dilemmas that complicate churches’ public justice witness as prophetic change agents. She attributes churches’ reticence to confront unjust disparities to conflicting views, for example, of Black Lives Matter protests as “mere politics,” and disparities in leader and congregant preparation for public justice roles. As a practical theologian with experience in organizational leadership, Miles-Tribble applies adaptive change theory, public justice theory, and a womanist communitarian perspective, engaging Emilie Townes’s construct of cultural evil as she presents a model of social reform activism re-envisioned as public discipleship. She contends that urban churches are urgently needed to embrace active prophetic roles and thus increase public justice witness. “Black Lives Matter times” compel churches to connect faith with public roles as spiritual catalysts of change.

One of the most powerful and most widely read novels of our time in display-worthy hardcover: A gripping vision of our society radically overturned by a theocratic revolution—from “the patron saint of feminist dystopian fiction” (The New York Times) The sixth and final season of the award-winning Hulu series starring Elisabeth Moss is streaming soon In Margaret Atwood’s dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead’s commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive. Like Aldous Huxley’s Brave New World and George Orwell’s Nineteen Eighty-Four, The Handmaid''s Tale has endured not only as a literary landmark but as a warning of a possible future that is still chillingly relevant. With an introduction by Valerie Martin. Everyman''s Library pursues the highest production standards, printing on acid-free cream-colored paper, with full-cloth cases with two-color foil stamping, decorative endpapers, silk ribbon markers, European-style half-round spines, and a full-color illustrated jacket. Contemporary Classics include an introduction, a select bibliography, and a chronology of the author''s life and times.

“Ten days after the war ended, my sister Laura drove a car off a bridge.” These words are spoken by Iris Chase Griffen, married at eighteen to a wealthy industrialist but now poor and eighty-two. Iris recalls her far from exemplary life, and the events leading up to her sister’s death, gradually revealing the carefully guarded Chase family secrets. Among these is “The Blind Assassin,” a novel that earned the dead Laura Chase not only notoriety but also a devoted cult following. Sexually explicit for its time, it was a pulp fantasy improvised by two unnamed lovers who meet secretly in rented rooms and seedy cafés. As this novel-within-a-novel twists and turns through love and jealousy, self-sacrifice and betrayal, so does the real narrative, as both move closer to war and catastrophe. Margaret Atwood’s Booker Prize-winning sensation combines elements of gothic drama, romantic suspense, and science fiction fantasy in a spellbinding tale.

A decade and a half has passed since Grace was locked up, at the age of 16, for the cold-blooded murders of her employer Thomas Kinnear and his housekeeper/lover Nancy Montgomery. Her alleged accomplice, James McDermot, was hanged in 1843. Dr Simon Jordan attempts to uncover the truth.

15 years after the sons of Jacob seized power in the USA and became Gilead. The story is told from three female viewpoints; Daisy, Agnes and Lydia. Daisy struggles with coming to the realization of her past and who she really is, Agnes tells her story and life in Gilead, and Lydia contemplates her life and decisions made. When the van door slammed on Offred's future at the end of The Handmaid's Tale, readers had no way of telling what lay ahead for her--freedom, prison or death. With The Testaments, the wait is over. Margaret Atwood's sequel picks up the story more than fifteen years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead. In this brilliant sequel to The Handmaid's Tale, acclaimed author Margaret Atwood answers the questions that have tantalized readers for decades. "Dear Readers: Everything you've ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we've been living in." --Margaret Atwood

William Shakespeare's The Tempest retold as Hag-Seed
 
Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: not only will it boost his reputation, it will heal emotional wounds.
 
Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge.
 
After twelve years, revenge finally arrives in the shape of a theatre course at a nearby prison. Here, Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It's magic! But will it remake Felix as his enemies fall?
 
Margaret Atwood's novel take on Shakespeare's play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own.

"On a dark night, young genetic engineer Strig Feleedus is accidentally mutated by his own experiment when his DNA is merged with that of a cat and an owl"--

Oryx and Crake is at once an unforgettable love story and a compelling vision of the future. Snowman, known as Jimmy before mankind was overwhelmed by a plague, is struggling to survive in a world where he may be the last human, and mourning the loss of his best friend, Crake, and the beautiful and elusive Oryx whom they both loved. In search of answers, Snowman embarks on a journey–with the help of the green-eyed Children of Crake–through the lush wilderness that was so recently a great city, until powerful corporations took mankind on an uncontrolled genetic engineering ride. Margaret Atwood projects us into a near future that is both all too familiar and beyond our imagining.

"Bringing together characters from Oryx and Crake and The Year of the Flood, this thrilling conclusion to Margaret Atwood's speculative fiction trilogy confirms the ultimate endurance of humanity, community, and love. Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, which is being fortified against man and giant Pigoon alike. Accompanying them are the Crakers, the gentle, quasihuman species engineered by the brilliant but deceased Crake. While their reluctant prophet, Jimmy--Crake's one-time friend--recovers from a debilitating fever, it's left to Toby to narrate the Craker theology, with Crake as Creator. She must also deal with cultural misunderstandings, terrible coffee, and her jealousy over her lover, Zeb. Meanwhile, Zeb searches for Adam One, founder of the God's Gardeners, the pacifist green religion from which Zeb broke years ago to lead the MaddAddamites in active resistance against the destructive CorpSeCorps. Now, under threat of an imminent Painballer attack, the MaddAddamites must fight back with the aid of their newfound allies, some of whom have four trotters. At the center is the extraordinary story of Zeb's past, which involves a lost brother, a hidden murder, a bear, and a bizarre act of revenge. Combining adventure, humor, romance, superb storytelling, and an imagination that is at once dazzlingly inventive and grounded in a recognizable world, MaddAddam is vintage Margaret Atwood, and a moving and dramatic conclusion to her internationally celebrated dystopian trilogy"--

The long-awaited new novel from Margaret Atwood. The Year of the Flood is a dystopic masterpiece and a testament to her visionary power. The times and species have been changing at a rapid rate, and the social compact is wearing as thin as environmental stability. Adam One, the kindly leader of the God's Gardeners--a religion devoted to the melding of science and religion, as well as the preservation of all plant and animal life--has long predicted a natural disaster that will alter Earth as we know it. Now it has occurred, obliterating most human life. Two women have survived: Ren, a young trapeze dancer locked inside the high-end sex club Scales and Tails, and Toby, a God's Gardener barricaded inside a luxurious spa where many of the treatments are edible. Have others survived? Ren's bioartist friend Amanda? Zeb, her eco-fighter stepfather? Her onetime lover, Jimmy? Or the murderous Painballers, survivors of the mutual-elimination Painball prison? Not to mention the shadowy, corrupt policing force of the ruling powers... Meanwhile, gene-spliced life forms are proliferating: the lion/lamb blends, the Mo'hair sheep with human hair, the pigs with human brain tissue. As Adam One and his intrepid hemp-clad band make their way through this strange new world, Ren and Toby will have to decide on their next move. They can't stay locked away... By turns dark, tender, violent, thoughtful, and uneasily hilarious, The Year of the Flood is Atwood at her most brilliant and inventive.

The author of such towering novels as The Handmaid’s Tale, The Blind Assassin, and Oryx and Crake, Margaret Atwood creates worlds just as vividly in her short fiction. In the title story from her acclaimed collection of linked stories Moral Disorder, Margaret Atwood takes us to the farm. Newly arrived city slickers, like Nell and Tig, shouldn’t have animals; a notion corroborated by the true farmers down the road: for them, livestock would mean dead stock. But Tig’s two boys will be at the farm on weekends, and it would be good for them to know where their food comes from. First come the chickens, then the ducks; before Nell knows it the cows have arrived, too. And soon Nell finds herself becoming a different woman than she ever thought she might be. The New York Times notes that “The tremendous imaginative power of [Atwood’s] fiction allows us to believe that anything is possible”—this applies as much to her fantastically imagined worlds as it does to the life of a family in the countryside. An eBook short.

Homer's Odyssey is not the only version of the story. Mythic material was originally oral, and also local -- a myth would be told one way in one place and quite differently in another. I have drawn on material other than the Odyssey, especially for the details of Penelope's parentage, her early life and marriage, and the scandalous rumors circulating about her. I've chosen to give the telling of the story to Penelope and to the twelve hanged maids. The maids form a chanting and singing Chorus, which focuses on two questions that must pose themselves after any close reading of the Odyssey: What led to the hanging of the maids, and what was Penelope really up to? The story as told in the Odyssey doesn't hold water: there are too many inconsistencies. I've always been haunted by the hanged maids and, in The Penelopiad, so is Penelope herself. The author of The Handmaid's Tale and The Blind Assassin presents a cycle of stories about Penelope, wife of Odysseus, through the eyes of the twelve maids hanged for disloyalty to Odysseus in his absence.

This splendid volume of short fiction testifies to Margaret Atwood''s startlingly original voice, full of a rare intensity and exceptional intelligence. Her men and women still miscommunicate, still remain separate in different rooms, different houses, or even different worlds. With brilliant flashes of fantasy, humor, and unexpected violence, the stories reveal the complexities of human relationships and bring to life characters who touch us deeply, evoking terror and laughter, compassion and recognition--and dramatically demonstrate why Margaret Atwood is one of the most important writers in English today. Copyright © Libri GmbH. All rights reserved.

Interviews with Atwood by other writers, including Graeme Gibson, Joyce Carol Oates, Geoff Hancock.

Atwood aims her constant curiosity and impish humour at our world and reports back to us on what she finds, in this frank, generous gift of a book. In it she seeks answers to Burning Questions such as: Why do people everywhere, in all cultures, tell stories? How can we live on our planet? What do zombies have to do with authoritarianism? The roller-coaster period covered in the collection brought an end to the end of history, a financial crash, the rise of Trump and a pandemic. From debt to tech, the climate crisis to freedom; from when to dispense advice to the young (answer: only when asked) to how to define granola, we have no better questioner of the many and varied mysteries of our human universe. INCLUDES NEW MATERIAL FOR PAPERBACK ‘A wonderfully written insight into everything from zombies to the climate crisis’ Stylist ‘The mighty Margaret Atwood writes about everything from granola to Trump'' The Times

The bestselling author of The Handmaid''s Tale and The Testaments "uses her powerful gifts of language and observation to delineate both the misunderstandings between men and women and the everyday sadnesses and comforts of love” (The New York Times). In each of these stories Atwood deftly illuminates the shape of a whole life: in a few brief pages we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age. The past resurfaces in the present in ways both subtle and dramatic: the body of a lost Arctic explorer emerges from the ice, a 2,000-year-old bog man turns up in an archeological dig, a man with dark secrets marries his lover’s sister, a girl who disappears on a canoe trip haunts her friend many decades later. The richly layered stories in Wilderness Tips map interior landscapes shaped by time, regret, and lost chances, endowing even the most unassuming of lives with a disquieting intensity.

A determined young lady who losses her focus along the line while trying to balance her life and relationship

From the bestselling author of The Handmaid''s Tale and The Testaments • This brilliant collection of connected short stories strings together several decades of moments in the life of one woman—as an ambitious girl in the 1930s, as a young professional coming of age in the uncertain ‘50s and ‘60s, and as half of a couple growing old together. In a series of vividly evoked settings that span cities, backwoods, and farm country, we see this woman contending over time with an unstable sister, a married lover, aging parents, mystifying stepchildren, vulnerable farm animals, and her own changing self. By turns funny, lyrical, earthy, shocking, and deeply personal, Moral Disorder displays Margaret Atwood’s celebrated storytelling gifts and unmistakable style to their best advantage.

""I don''t mind being ''interviewed'' any more than I mind Viennese waltzing--that is, my response will depend on the agility and grace and attitude and intelligence of the other person. Some do it well, some clumsily, some step on your toes by accident, and some aim for them.""--Margaret Atwood This gathering of 21 interviews with Margaret Atwood covers a broad spectrum of topics. Beginning with Graeme Gibson''s "Dissecting the Way a Writer Works" (1972), the conversations provide a forum for Atwood to talk about her own work, her career as a writer, feminism, and Canadian cultural nationalism, and to refute the autobiographical fallacy. These conversations offer what Earl Ingersoll calls "a kind of ''biography'' of Margaret Atwood--the only kind of biography she is likely to sanction." Enlivened by Atwood''s unfailing sense of humor, the interviews present an invaluable view of a distinguished contemporary writer at work. From the Interviews: ""Let''s not pretend that the interview will necessarily result in any absolute and blinding revelations. Interviews too are an art form; that is to say, they indulge in the science of illusion." "I don''t think you ever know how to write a book. You never know ahead of time. You start every time at zero. A former success doesn''t mean that you''re not going to make the most colossal failure the next time.""

The collection of a lifetime from the prodigious novelist and poet, now available as a paperback. By turns moving, playful, and wise, the poems gathered in Dearly are about absences and endings, ageing and retrospection, but also about gifts and renewals. They explore bodies and minds in transition, as well as the everyday objects and rituals that embed us in the present. Werewolves, sirens, and dreams make their appearance, as do various forms of animal life and fragments of our damaged environment. Before she became one of the world’s most important and loved novelists, Atwood was a poet. Dearly, her first collection in over a decade, brings together many of her most recognizable and celebrated themes, but distilled—from minutely perfect descriptions of the natural world to startlingly witty encounters with aliens, from pressing political issues to myth and legend. It is a pure Atwood delight, and long-term readers and new fans alike will treasure its insight, empathy, and humour. “Margaret Atwood has always been a poet; her poetry collections make visible the taproot of the wry, wise metaphysic that runs through her fiction and essays, and in a precarious time her new collection, Dearly, is a source of uncompromising elemental warmth.” —Ali Smith, Observer

A book of fifty lucid, urgent poems from internationally acclaimed, award-winning, bestselling author Margaret Atwood. In The Door, Margaret Atwood investigates the mysterious writing of poetry itself as well as the passage of time and our shared sense of mortality. The Door ranges in tone from lyric to ironic to meditative to prophetic, and touches on subjects both personal and political. Brave and compassionate, this collection interrogates the certainties that we build our lives on and reminds us once again of Atwood''s unique accomplishments as one of the finest and most celebrated writers of our time.

NATIONAL BESTSELLER • From the bestselling, award-winning author of The Handmaid''s Tale and The Testaments, a dazzling collection of short stories that look deeply into the heart of family relationships, marriage, loss and memory, and what it means to spend a life together "If you consider yourself an Atwood fan and have only read her novels: Get your act together. You’ve been missing out.” —The New York Times Book Review, Rebecca Makkai, best-selling author of The Great Believers Margaret Atwood has established herself as one of the most visionary and canonical authors in the world. This collection of fifteen extraordinary stories—some of which have appeared in The New Yorker and The New York Times Magazine—explore the full warp and weft of experience, speaking to our unique times with Atwood’s characteristic insight, wit and intellect. The two intrepid sisters of the title story grapple with loss and memory on a perfect summer evening; “Impatient Griselda” explores alienation and miscommunication with a fresh twist on a folkloric classic; and “My Evil Mother” touches on the fantastical, examining a mother-daughter relationship in which the mother purports to be a witch. At the heart of the collection are seven extraordinary stories that follow a married couple across the decades, the moments big and small that make up a long life of uncommon love—and what comes after. Returning to short fiction for the first time since her 2014 collection Stone Mattress, Atwood showcases both her creativity and her humanity in these remarkable tales which by turns delight, illuminate, and quietly devastate.

The author of “The Handmaid’s Tale” connects moments from her life to the books she has written.

**For centuries, cats have been worshipped, adored and mistrusted in equal measure. This beautiful gift book contains a selection of essays, stories, and poems on cats by writers from across the ages.** In these pages, writers reflect on the curious feline qualities that inspire such devotion in their owners, even when it seems one-sided. Cats’ affections are hard-won and often fickle. Freud considered his cat an embodiment of true egoism; Hilaire Belloc found peace in his feline companion’s complacency; and Hemingway—a famous cat-lover—wrote of drinking with his eleven cats and the pleasant distraction they gave him. Edward Gorey can’t turn down a stray despite the trouble they cause him, and admits he has no idea what they’re thinking about; Muriel Spark gives practical advice on how to teach a cat to play ping-pong; Nikola Tesla, who helped design the modern electricity supply system, describes a seminal experience with a cat that first sparked his fascination with electricity; and Caitlin Moran considers the unexpected feelings of loss after the death of her family cat. These writers, and many others (including Mary Gaitskill, Alice Walker, Ursula K. Le Guin, John Keats, James Bowen, Lynne Truss, and more), paint a joyful portrait of cats and their mysterious and loveable ways. As Hemingway wrote, “one cat leads to another.” The book features six black-and-white cat portraits by photographer Elliot Ross.

Contains: [Young Goodman Brown](https://openlibrary.org/works/OL455569W) / Nathaniel Hawthorne -- [The cask of Amontillado](https://openlibrary.org/works/OL41016W) / Edgar Allan Poe -- [An occurrence at owl creek bridge](https://openlibrary.org/works/OL14863196W)/ Ambrose Bierce -- [The story of an hour](https://openlibrary.org/works/OL20078864W) / Kate Chopin -- The lady with the dog / Anton Chekhov -- The yellow wallpaper / Charlotte Perkins Gilman -- [Araby](https://openlibrary.org/works/OL20570121W) / James Joyce -- Kew gardens / Virginia Woolf -- A hunger artist / Franz Kafka -- Miss Brill / Katherine Mansfield -- [A rose for Emily](https://openlibrary.org/works/OL82884W) / William Faulkner -- Hills like white elephants / Ernest Hemingway -- I stand here ironing / Tillie Olsen -- The swimmer / John Cheever-- Battle royal / Ralph Ellison -- The lottery / Shirley Jackson -- Sonny's blues / James Baldwin -- A good man is hard to find / Flannery O'Connor -- A very old man with enormous wings / Gabriel García Márquez -- Cathedral / Raymond Carver -- Where are you going, where have you been? / Joyce Carol Oates -- The lesson / Toni Cade Bambara -- Happy endings / Margaret Atwood -- Everyday use / Alice Walker -- The things they carried / Tim O'Brien -- The man to send rain clouds / Leslie Marmon Silko -- Girl / Jamaica -- The house on Mango Street / Sandra Cisneros -- The red convertible / Louise Erdich -- Sticks / George Sanders -- The great Silence / Ted Chang -- Brownies / ZZ Packer -- Echo Ave. / Adrian Tomine -- Birdsong / Chimamanda Ngozi Adichie -- At the round earth's imagined corners / Lauren Groff -- You can find love now / Ramona Ausubel -- Vampires in the lemon grove / Karen Russell -- If you see me, don't say hi / Neel Patel -- A modern marriage / Grace Oluseyi -- The suitcase / Meron Hadero.

For sixteen years, Angela Merkel was Chancellor of Germany and at the forefront of European and international politics. In her memoir, she looks back on her life in two German states―East Germany until 1990, and reunified Germany thereafter. How did she, coming from the East, rise to the top of the Christian Democratic Union to become the first woman to hold the office of chancellor? And how did she then become one of the most powerful heads of government in the Western world? What guided her? In Freedom, Angela Merkel recounts daily life in the chancellor’s office as well as the dramatic days and nights when she made far-reaching decisions in Berlin, Brussels, and beyond. She traces the long lines of change in international cooperation and reveals the pressure politicians face when seeking solutions to complex problems in a globalized world. Here, she takes us behind the scenes of international politics, demonstrating both the importance of personal conversations and, crucially, their limits. Reflecting on politics in a time of increasing confrontation and division, Angela Merkel’s memoir offers a unique insight into the inner workings of power―and is a determined and timely plea for freedom.