Best Selling Books by Margo Jefferson

A NEW YORKER BEST BOOK OF THE YEAR • From "one of our most nuanced thinkers on the intersections of race, class, and feminism (Cathy Park Hong, New York Times bestselling author of Minor Feelings) comes a memoir "as electric as the title suggests" (Maggie Nelson, author of On Freedom). The Pulitzer Prize-winning critic and memoirist Margo Jefferson has lived in the thrall of a cast of others—her parents and maternal grandmother, jazz luminaries, writers, artists, athletes, and stars. These are the figures who thrill and trouble her, and who have made up her sense of self as a person and as a writer. In her much-anticipated follow-up to Negroland, Jefferson brings these figures to life in a memoir of stunning originality, a performance of the elements that comprise and occupy the mind of one of our foremost critics. In Constructing a Nervous System, Jefferson shatters her self into pieces and recombines them into a new and vital apparatus on the page, fusing the criticism that she is known for, fragments of the family members she grieves for, and signal moments from her life, as well as the words of those who have peopled her past and accompanied her in her solitude, dramatized here like never before. Bing Crosby and Ike Turner are among the author’s alter egos. The sounds of a jazz LP emerge as the intimate and instructive sounds of a parent’s voice. W. E. B. Du Bois and George Eliot meet illicitly. The muscles and movements of a ballerina are spliced with those of an Olympic runner, becoming a template for what a black female body can be. The result is a wildly innovative work of depth and stirring beauty. It is defined by fractures and dissonance, longing and ecstasy, and a persistent searching. Jefferson interrogates her own self as well as the act of writing memoir, and probes the fissures at the center of American cultural life.

NATIONAL BOOK CRITICS CIRCLE WINNER • NATIONAL BESTSELLER • An extraordinary look at privilege, discrimination, and the fallacy of post-racial America by the renowned Pulitzer Prize–winning cultural critic Jefferson takes us into an insular and discerning society: “I call it Negroland,” she writes, “because I still find ‘Negro’ a word of wonders, glorious and terrible.” Margo Jefferson was born in 1947 into upper-crust black Chicago. Her father was head of pediatrics at Provident Hospital, while her mother was a socialite. Negroland’s pedigree dates back generations, having originated with antebellum free blacks who made their fortunes among the plantations of the South. It evolved into a world of exclusive sororities, fraternities, networks, and clubs—a world in which skin color and hair texture were relentlessly evaluated alongside scholarly and professional achievements, where the Talented Tenth positioned themselves as a third race between whites and “the masses of Negros,” and where the motto was “Achievement. Invulnerability. Comportment.” Jefferson brilliantly charts the twists and turns of a life informed by psychological and moral contradictions, while reckoning with the strictures and demands of Negroland at crucial historical moments—the civil rights movement, the dawn of feminism, the falsehood of post-racial America.

The renowned Pulitzer Prize–winning cultural critic brilliantly unravels the complexities of one of the most enigmatic figures of our time in this passionate, incisive, and bracing work of cultural analysis. Who is Michael Jackson and what does it mean to call him a “What Is It”? What do P. T. Barnum, Peter Pan, and Edgar Allan Poe have to do with our fascination with Jackson? How did his curious Victorian upbringing and his tenure as a child prodigy on the “chitlin’ circuit” inform his character and multiplicity of selves? How is Michael Jackson’s celebrity related to the outrageous popularity of nineteenth-century minstrelsy? What is the perverse appeal of child stars for grown-ups and what is the price of such stardom for these children and for us? What uncanniness provoked Michael Jackson to become “Alone of All His Race, Alone of All Her Sex,” while establishing himself as an undeniably great performer with neo-Gothic, dandy proclivities and a producer of visionary music videos? What do we find so unnerving about Michael Jackson’s presumed monstrosity? In short, how are we all of us implicated? In this stunning book, Margo Jefferson gives us the incontrovertible lowdown on call-him-what-you-wish; she offers a powerful reckoning with a quintessential, richly allusive signifier of American society and popular culture.

Discusses various aspects of birth, childhood, economics, marriage, family relationships, politics, society, religion, and art common to many native African people.

Michael Jackson, The King of Pop: icoon, provocateur, mysterie. Wie was hij echt? En hoe zijn zijn spectaculaire opkomst en catastrofale ondergang bepaald door hen die hem hebben gevormd, die hem hebben beschadigd en die hem liefhadden? Margo Jefferson schreef een scherpzinnige analyse van deze gebroken man, die werd veroordeeld om zijn huid en uiterlijk, zijn ondoorgrondelijke gedrag, zijn dubieuze relatie met kinderen. Een tragisch verhaal dat we alleen kunnen aanvaarden, als we erkennen wat het in ons oproept – wanhoop, verdriet, woede, compassie – en proberen het in wijsheid te vertalen. Naar aanleiding van het misbruik dat aan het licht kwam in de documentaire Leaving Neverland schreef Margo Jefferson een nieuwe inleiding.

"This volume of Virginia Woolf''s diary has a slower pace: she is finishing The Waves and wrestling with the shape of her next novel (The Years). These years are marred by the death of many of the people in her circle, including her close friend Lytton Strachey. Woolf also reflects on the political situation in Britain, and the menacing rise of fascism abroad. The diary testifies to the sense of external threat, as well as the tension between her social and her writing life, but as she and Leonard embark on a series of foreign trips she also revels in the discovery of new places and the profound contentment of her marriage."--