New Releases by Mary Wollstonecraft Shelley

200 years after it was first published, Mary Shelley''s Frankenstein has stood the test of time as a gothic masterpiece--a classic work of humanity and horror that blurs the line between man and monster... The story of Victor Frankenstein and the monstrous creature he created has held readers spellbound ever since it was published two centuries ago. On the surface, it is a novel of tense and steadily mounting horror; but on a more profound level, it offers searching illumination of the human condition in its portrayal of a scientist who oversteps the bounds of conscience, and of a monster brought to life in an alien world, ever more desperately attempting to escape the torture of his solitude. A novel of hallucinatory intensity, Frankenstein represents one of the most striking flowerings of the Romantic imagination. Original Complete Unabridged Illustrated with book-end doodles about reading

One of the masterpieces of the written world. A must-read. Illustrated with doodles Complete and Unabridged The Last Man is a post-apocalyptic novel which tells of a future world that has been ravaged by a plague. Lionel Verney or The Last Man is the orphan son of an impoverished nobleman. Lionel is originally lawless, self-willed, and resentful of the nobility for casting aside his father. When he is befriended by Adrian, son of the last King of England, he embraces civilization and particularly scholarship.

Frankenstein; or, The Modern Prometheus is an 1818 novel written by English author Mary Shelley (1797-1851) that tells the story of Victor Frankenstein, a young scientist who creates a hideous sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition published in Paris in 1821.

Desperate in his search of the secret of life, young Dr Victor Frankenstein attempts to construct and then bring to life a previously inanimate creature. He succeeds, yet immediately finds himself horrified and repulsed by the fruit of his long-lasting labors and, as a result, abandons the creature without a word. This action begins a series of tragic events in the life of the scientist, as the enraged monster begins his quest to fill every minute of Dr. Frankenstein’s life with terror, dread and misery. First published in 1818, this novel continues to captivate the audience today. Frankenstein is not merely a horror story, but, rather, a tale that would make its readers ponder on the pursuit of knowledge and explore what monstrosity truly means.

When you want to read in both French and English, though, there

Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley that tells the story of Victor Frankenstein, a young scientist who creates a hideous sapient creature in an unorthodox scientific experiment.

During the voyage, the crew spots a dog sled driven by a gigantic figure. A few hours later, the crew rescues a nearly frozen and emaciated man named Victor Frankenstein. Frankenstein has been a pursuit of the gigantic man observed by Walton's crew. Frankenstein starts to recover from his exertion; he sees in Walton the same obsession and has destroyed him. and recounts a story of his life's miseries to Walton as a waring. The recounted story serves as the frame for Frankenstein's narrative.

History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the English Romantic authors Mary Shelley and Percy Bysshe Shelley. Published in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About Maria, or the Wrongs of Woman by Mary Wollstonecraft Shelley Maria, or the Wrongs of Woman is the 18th-century British feminist Mary Wollstonecraft's unfinished novelistic sequel to her revolutionary political treatise A Vindication of the Rights of Woman (1792). The Wrongs of Woman was published posthumously in 1798 by her husband, William Godwin, and is often considered her most radical feminist work. Wollstonecraft's philosophical and gothic novel revolves around the story of a woman imprisoned in an insane asylum by her husband. It focuses on the societal rather than the individual "wrongs of woman" and criticizes what Wollstonecraft viewed as the patriarchal institution of marriage in eighteenth-century Britain and the legal system that protected it. However, the heroine's inability to relinquish her romantic fantasies also reveals women's collusion in their oppression through false and damaging sentimentalism. The novel pioneered the celebration of female sexuality and cross-class identification between women. Such themes, coupled with the publication of Godwin's scandalous Memoirs of Wollstonecraft's life, made the novel unpopular at the time it was published. Twentieth-century feminist critics embraced the work, integrating it into the history of the novel and feminist discourse. It is most often viewed as a fictionalized popularization of the Rights of Woman, as an extension of Wollstonecraft's feminist arguments in Rights of Woman, and as autobiographical.

Nothing can be more unpresuming than this little volume. It contains the account of some desultory visits by a party of young people to scenes which are now so familiar to our countrymen, that few facts relating to them can be expected to have escaped the many more experienced and exact observers, who have sent their journals to the press. In fact, they have done little else than arrange the few materials ivwhich an imperfect journal, and two or three letters to their friends in England afforded. They regret, since their little History is to be offered to the public, that these materials were not more copious and complete. This is a just topic of censure to those who are less inclined to be amused than to condemn. Those whose youth has been past as theirs (with what success it imports not) in pursuing, like the swallow, the inconstant summer of delight and beauty which invests this visible world, will perhaps find some entertainment in following the author, with her husband and sister, on foot, through part of France and Switzerland, and in sailing with vher down the castled Rhine, through scenes beautiful in themselves, but which, since she visited them, a great Poet has clothed with the freshness of a diviner nature. They will be interested to hear of one who has visited Mellerie, and Clarens, and Chillon, and Vevai—classic ground, peopled with tender and glorious imaginations of the present and the past. They have perhaps never talked with one who has beheld in the enthusiasm of youth the glaciers, and the lakes, and the forests, and the fountains of the mighty Alps. Such will perhaps forgive the imperfections of their narrative for the sympathy which the adventures and feelings which it recounts, viand a curiosity respecting scenes already rendered interesting and illustrious, may excite. The Poem, entitled "Mont Blanc," is written by the author of the two letters from Chamouni and Vevai.

Robert Walton, an explorer, describes his trip to the Arctic in letters to his sister, Margaret Saville, who lives in England. After discussing his preparations for the trip, one of Walton's letters informs Margaret that his ship is stuck and surrounded by ice. Walton then relates a strange event: As they looked out on the enormous ice field, Walton and his crew saw a gigantic man being pulled by a dogsled. The following day they discovered another, smaller man, desperately ill, adrift on a sheet of ice. Walton writes that he brought the man onto his ship, allowed him to rest, and attempted to nurse him back to health. After a week the man was able to talk and told Walton an incredible story.The man's name is Victor Frankenstein, a young scientist born in Geneva, Switzerland. He is a member of a wealthy family concerned with humanitarian issues. Victor goes on to relate his story to Walton, who writes it down as Victor speaks, making a record of Victor's story, to be sent as a letter to Margaret Saville, Walton's sister.Victor tells Walton that, as a boy, he was always fascinated by science and alchemy and he eventually attended the University of Ingolstadt to study natural science. At the university he focused all his attention on experiments designed to create life. After months of exhaustive study, Victor constructed a huge creature from parts of human cadavers. He then discovered a method of bringing it to life. However, when the creature opened its eyes, Victor was horrified by his monstrous-looking creation. He ran from his laboratory and became very ill and disoriented for almost two years. During this time, he believed that the creature must have perished.After he recovered from his illness, as he prepared to return home to his family, Victor learned that William, his seven-year-old brother, had been murdered. Justine Moritz, a young woman the Frankenstein family had adopted, had been accused of the crime. But Victor refused to believe that Justine committed the murder. Instead, he suspected that his creature wasn't really dead, and was responsible for the horrible crime. However, after Victor returned to Geneva, Justine was tried, found guilty, and hanged.Victor explains to Walton that he felt responsible for William's murder and Justine's execution. Guilt-ridden and desperate to be alone, he climbed into the mountains, where he encountered the creature. The creature told Victor that he had survived for the past two years, hiding out in the woods and eating nuts and berries. Lonely and miserable, he realized that he was repulsive to other human beings. In the forest, though, the creature discovered a gentle peasant family living in a cottage; by secretly observing them, the creature learned to read and write. Then, in his jacket pocket, the creature found Victor's journal and read of the experiments that led to his creation. Enraged, he concluded that it was Victor Frankenstein who was responsible for his misery.After relating his story, the creature demanded that Victor re-create his experiment and construct another creature. The creature explained he was desperate for a companion who would not find him repulsive. If Victor does as he asks, he will go away with the new creature and never bother Victor again. Although wary of the proposal, Victor says he reluctantly agreed to the creature's request.

This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare''s finesse to Oscar Wilde''s wit, this unique collection brings together works as diverse and influential as The Pilgrim''s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.

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Contains the complete text of Shelley''s key work, supplemented by annotations and followed by contextual materials that reveal the conversations and controversies of its historical moment.

Advanced. Speed Level 6 (100-110 wpm). A huge powerful monster has set out to avenge his painful and horrible life. Made from parts of dead bodies this famous but tragic character has a horrible life because of his horrible maker a crazy scientist. A legendary horror story.

The California edition of the Pennyroyal Press "Frankenstein" unites the dark side of Barry Moser''s art with the classic 1818 text of Mary Shelley''s tale of moral transfiguration. In a vivid sequence of woodcuts, the reader witnesses the birth of the "monster" as Moser shapes him from darkness and gives him a form simultaneously ghastly in its malice and transfixing in its suffering.

The letters of Mary Wollstonecraft Shelley reveal a remarkable woman living in a remarkable age. They date from October 1814 -- shortly after her elopement with Percy Bysshe Shelley -- through September 1850, five months before her death. Her correspondents'' names are familiar -- Shelley himself, Byron, Bulwer-Lytton, Disraeli, General Lafayette, Sir Walter Scott -- and the letters abound with anecdotes about such eminent figures as her parents (William Godwin and Mary Wollstonecraft), Keats, Washington Irving, and Charles and Mary Lamb. Publication of the widely acclaimed, three-volume edition of Mary Shelley''s letters was completed in 1988, containing all 1,276 of her known extant letters. Now Betty T. Bennett has selected 230 of those letters to give an overview of Mary Shelley''s life as she was seeing it, living it, and recording it. Bennett also includes an introductory essay that sketches a portrait of Mary Shelley, her world, and her place in the history of literature and letters.

Frankenstein was published in 1818, the work of a 21-year-old genius named Mary Shelley. Hundreds of movies, adaptations, and monster masks later, its reputation remains so lively that the title has become its own word in the English language. Victor Frankenstein, a scientist, discovers the secret of reanimating the dead. After he rejects his hideous creation, not even the farthest poles of the earth will keep his bitter monster from seeking an inhuman revenge. Inspired by a uniquely Romantic view of science’s possibilities, Shelley’s masterpiece ultimately wrestles with the hidden shadows of the human mind.

Not reprinted since its first edition, Mary Shelley''s second novel is sure to be a major discovery of the Mary Shelley bicentenary of 1997. The novel''s lack of success as a follow-up to Frankenstein was the result of its subject matter and unconventional approach to the genre of historicalfiction, attributes that can only delight the twentieth-century reader. Shelley''s mastery of the intricate details of thirteenth-century Tuscan politics is unique among women of her time, and her resolute filtering of the bloody heroics of the age through the sensibilities of two women who aredestroyed by them reveals the feminist perspective missing so conspicuously from her first novel. The latest addition to the acclaimed Women Writers in English series, this glittering novel from Romanticism''s premier woman storyteller belongs on the shelves of all serious readers of Englishfiction.