Best Selling Books by Michael BISHOP

"In the future, on the island of Ongladred, mankind has survived two enigmatic, civilization-destroying setbacks. Now a third holocaust is anticipated. The people fear destruction from invading barbarians, the reappearance of a semi-mythical sea creature, and the devious intervention of the neo-human Parfects. This imminent disaster is very much the concern of Ingram Marley, a government spy sent to keep surveillance over Stonelore, a secluded haven and the center of free thought on Ongladred, and Gabriel Elk, Stonelore''s resident genius. While panic and fear rage outside, deep inside Stonelore the mysteries of life are pursued - reanimation of the dead, the invention of powerful laser weapons, and the secrets of "old earth" knowledge. Amidst harrowing dangers of sea battles and land invasions, Michael Bishop explores the transformation of Ingram Marley, a man caught in the middle."--Goodreads.com.

"Perhaps the most difficult task in undertaking a study of nineteenth-century French poetry would be the selection of poets to study: who among us would care to choose only one from among Mallarme, Vigny, Hugo - and literally dozens of others - who so thoroughly and powerfully interpreted, shaped, and challenged the art forever more? Author Michael Bishop, charged with that forbidding duty, has concentrated his study on ten central figures of that century: Desbordes-Valmore, Lamartine, Vigny, Baudelaire, Hugo, Mallarme, Verlaine, Rimbaud, Laforgue, and Lautreamont. And while the list of subjects is compact, Bishop''s intense critical and personal analysis of th ese extraordinary giants is astounding. Not only has he delved deeply into the complex structure of each of these ten poetic oeuvres, but in so doing has introduced to the discussion a number of those poets seemingly excluded from the book. Indeed, his thoughts on Nerval, Gautier, and others are frequently as perspicacious and comprehensive as those put forth in works devoted solely to those poets." "In examining the clearest and most distinct voices of nineteenth-century French poetry, Bishop has shrewdly probed a tradition, come to terms with modern criticisms, imparted truly fresh details of coherence resulting from intimate and informed readings, and joined hands across the ages - all the while preserving (and occasionally solidifying) the exquisite, individual integrity of particular oeuvres. As he canvasses the charm and strength of Desbordes-Valmore''s unaltered passion, Baudelaire''s unsurpassed powers of versification, the stunning descriptive-narrative specificity of Hugo''s lexicon, or the interplay of fiction and reality in Mallarme, Bishop constantly reflects the teeming fascinations and elan of the poets themselves."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

From Smock To Cassock tells the fascinating story of a young boy who makes his career in farming but changes mid-life into the priesthood. Born in 1927, his father''s ill health brings him to London during the Second World War where he experiences the horrors of the Blitz. While he survives the bombings, the end of the war brings the death of his father. This deeply personal loss, combined with a change in family fortunes, results in Michael seeking his own way in the world. He soon finds his passion in farming. Michael gains experience working for a variety of farmers, learning different methods and skills. Ultimately, he is able to acquire his own farm. His life continues to flourish as he marries and starts a family. Sadly tragedy strikes in the form of a disabling injury, which brings an end to this career. Before long, Michael finds himself living in a caravan. Searching for a new purpose, Michael is drawn to the Church. Completing various educational requirements, he achieves ordination into the priesthood. This autobiography details this journey and provides a fascinating story about overcoming the odds, pursuing your dreams and following your heart.

Contemporary French Women Poets offers the first full-length study, divided into two volumes, of a wide range of women''s poetry in France written over the past forty years. Volume I provides a broad Introduction, eight chapters devoted to individual critical assessments of the work of Andrée Chedid, Heather Dohollau, Denise Le Dantec, Janine Mitaud, Jacqueline Risset, Anne Teyssiéras, Esther Tellermann and Marie-Claire Bancquart, followed by a provisional Conclusion and Bibliography. Volume II recentres the overall analysis via a brief Introduction, then proceeds to offer eight more individual critical evaluations of the work of Jeanne Hyvard, Jeannine Baude, Françoise Hàn, Céline Zins, Vénus Khoury-Ghata, Denise Borias, Marie Etienne and Anne-Marie Albiach. An overall Conclusion is then developed, followed by a Bibliography.

A prehistoric man found wandering in a Georgia pecan grove is taken in by an artist and her ex-husband and given the name of Adam. This is the story of his honesty and deep spirituality coming into conflict with the modern world and examines the question of what it means to be human.

Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and their rootedness, the specificities of their differing and at times overlapping plastic practices and the swirling and often highly hybridised conceptions entertained in regard to such practices. Thus does analysis range from discussion of the feisty, Fluxus-inspired, free-spirited funkiness of Ben Vautier’s work to the various modes of transcendence of trauma and haunting fear generated by the exceptional gestures of Niki de Saint Phalle and Louise Bourgeois, to the alyrical formalism yet imbued with irony and ludicity of François Morellet, through to the serene intensities of Alexandre Hollan’s vies silencieuses, the infinite a-signatures of Claude Viallat’s adventure in the sheer joy of a poiein of self-reflexive coloration, the powerfully elegant and muscular disarticulations of Bernard Pagès’ sculpture, the great sweep through art’s history implied by Jean-Pierre Pincemin’s chameleon-like gestures, the vast swirling programme of socio-psychological analysis the arts of Annette Messager and Sophie Calle offer in their radically distinctive manners, the obsessively serialised oeuvre of Gérard Titus-Carmel allowing a burrowing deep into the opaque logic of a real though dubious ‘presence to the world’.

In an alternate universe, Richard M. Nixon, in the fourth term of the "imperial presidency," is about to undertake a fateful meeting