New Releases by Michael Bishop

Contemporary French Women Poets offers the first full-length study, divided into two volumes, of a wide range of women''s poetry in France written over the past forty years. Volume I provides a broad Introduction, eight chapters devoted to individual critical assessments of the work of Andrée Chedid, Heather Dohollau, Denise Le Dantec, Janine Mitaud, Jacqueline Risset, Anne Teyssiéras, Esther Tellermann and Marie-Claire Bancquart, followed by a provisional Conclusion and Bibliography. Volume II recentres the overall analysis via a brief Introduction, then proceeds to offer eight more individual critical evaluations of the work of Jeanne Hyvrard, Jeannine Baude, Françoise Hàn, Céline Zins, Vénus Khoury-Ghata, Denise Borias, Marie Etienne and Anne-Marie Albiach. An overall Conclusion is then developed, followed by a Bibliography.

This is a story about Brooklyn—about a young man who grew up in a neighborhood called Crown Heights. It is a story of an ordinary kid who fell in love with music; first the music he heard at home, then with the music of the streets. This street music had been bubbling up around the city for nearly 10 years before the kid discovered it at a block party one summer evening. It was loud, infectious, and alive. The crazy thing was this music was really familiar but different at the same time. This crazy new kind of music grabbed the boy’s attention and lit a fire in him that would never be put out. This music didn’t have a name but later became known as Hip Hop.

Joshua Kampa, the illegitimate son of a mute Spanish whore and a black serviceman, has always dreamed of Africa. But his dreams are of an Africa far in the past and are so vivid and in such hallucinatory detail that he is able to question the understanding of eminent paleontologists. As a result, Joshua is invited to join a most unusual time travel project and is transported millions of years into the past of his dreams. In early Pleistocene Africa, living among the pre-human species Homo habilis, experiencing the same hardships and the same intense pleasures, Joshua finds, for the first time in his troubled life, not only contentment but real love - a love that transcends almost everything. Intelligent, thoughtful and deeply moving, No Enemy but Time brilliantly evokes the remote past and, at the same time, presents a powerful and convincing portrayal of a relationship surmounting even the most daunting barriers. It is a challenging and highly original novel exploring the nature a nd origins of humankind.

A wide-ranging study of Prévert’s promethean imagination and creativity in the interwoven realms of theatre, film, poetry, art, photography, and song, Michael Bishop’s Jacques Prévert seeks to demonstrate the originality of a genial fabricator of image and word whose essential focus, unpretentious yet urgently felt, unintellectualised yet buoyantly and wittily intelligent, ever remains the quality of our daily being-in-the-world, the possibility of our self-transformation, the stunning availability – should we truly will it, and despite all that can weigh upon existence, above all ideologically – of joy and love and freedom.

This retrospective Michael Bishop collection of fifty short pieces (thirty-four stories, fifteen poems or prose-poems, and one amusing Moon-based play about writing SF, "The Grape Jelly and Mustard Method") spans the author''s entire career, from "Asytages''s Dream," written while Bishop was a college student, to "Yahweh''s Hour," an acerbic but moving work of science-fantasy political satire composed in 2020. The collection''s most distinctive attribute, however, lies in the fact that no contribution is longer than 3,000 words and most are shorter, a kind of Palm-of-the-Hand Stories for lovers of short fiction, heartfelt pieces that afford the reader as much meat as they do flash. "A Few Last Words for the Late Immortals," set on Saturn''s largest moon, Titan, embodies a requiem for the entire human species. "Philip K. Dick is dead, a lass" memorializes in verse science fiction''s preeminent bard of the reality breakdown." "Love''s Heresy" and "The Library of Babble" appear to be channeling the labyrinthine mind of Jorge Luis Borges, albeit with surprising jinks all their own. And the list of narrative explorations grows and grows . . . Humor and horror, music and whimsy, primates and pathology, mice and men, religion and rebellion: these stories and poems cover the waterfront of human experience while acknowledging the singularity of each human life.

Urban warfare in a post-collapse scenario is cruel to all combatants. But when the fighters are children, their resilience and passions combine to make for a bittersweet tragedy.

In Earth and Mind : Dreaming, Writing, Being Michael Bishop examines very recent work by nine major French and Francophone writers : Bonnefoy, Risset, Stétié, Khoury-Ghata, Ben Jelloun, Velter, Bancquart, Pinson and Dupin, dealing with the mind’s complex modes of relating to its experience of presence to the world.

The Sacerdotal Owl and Three Other Long Tales gathers four of Michael Bishop''s unusual longer stories, from different stages of his almost fifty-year career, into a single remarkable volume. Discover the brave, far-ranging, unpredictable talent of Michael Bishop.

This collection gathers together Michael Bishop''s mainstream stories set in Georgia or featuring characters from Georgia. Two stories, the opener and the closer, have conspicuous fantasy or science-fictional elements. The collection represents the culmination of a career-long project that Bishop did not fully realize he had embarked upon, but that he did always have in the back of his mind.

A private citizen discovers compelling evidence that a decades-old murder in Nashville was not committed by the man who went to prison for the crime but was the result of a conspiracy involving elite members of Nashville society. Nashville 1964. Eighteen-year-old babysitter Paula Herring is murdered in her home while her six-year-old brother apparently sleeps through the grisly event. A few months later a judge''s son is convicted of the crime. Decades after the slaying, Michael Bishop, a private citizen, stumbles upon a secret file related to the case and with the help of some of the world''s top forensic experts--including forensic psychologist Richard Walter (aka "the living Sherlock Holmes")--he uncovers the truth. What really happened is completely different from what the public was led to believe. Now, for the very first time, Bishop reveals the true story. In this true-crime page-turner, the author lays out compelling evidence that a circle of powerful citizens were key participants in the crime and the subsequent cover-up. The ne''er-do-well judge''s son, who was falsely accused and sent to prison, proved to be the perfect setup man. The perpetrators used his checkered history to conceal the real facts for over half a century. Including interviews with the original defense attorney and a murder confession elicited from a nursing-home resident, the information presented here will change Nashville history forever.

Joel-Brock Lollis''s family has vanished into the labyrinthine Sporangium below a curious Georgia emporium, Big Box Bonanzas. Glimpses of an older J-B Lollis of the Atlanta Braves on a BBB television suggest that Joel-Brock may never get back his parents and sister. The Valorous Smalls--almost-ten Joel-Brock, lively teen Addi, and tiny detective Valona--forge their way into the mushroom realm to change that possible future. Young readers who enjoy quests with marvels in the kingdom of the weird--mushroom warriors! mazes! time games! giant slugs!--will find much to interest, amuse, and surprise them in Michael Bishop''s unusual fantasy, Joel-Brock the Brave and the Valorous Smalls, well and profusely illustrated in pen-and-ink by Orion Zangara.

After accidental contact with radioactive waste, Xavier Thaxton, an art critic for a great metropolitan newspaper and an avowed enemy of popular culture, is gradually forced to assume the role of a comic book superhero.

After the death of her husband, Mary Stevenson "Stevie" Crye supports her two children in their small Georgia town by becoming a freelance writer. But when her typewriter breaks, she begins receiving demonic messages through the machine and uncovers a curse over the Crye household.

Seventeen of writer Michael Bishop''s favorite stories were handpicked from his previously uncollected works to create this compelling collection, providing an excellent overview of a career that includes award-winning science fiction, horror, fantasy, satire, space opera, and mystery. In "A Tapestry of Little Murders, " a murderer attempts to escape along a literal road to self-destruction. A medical missionary, tortured by government thugs, reveals her dying wish in "With a Little Help from Her Friends." In "The Procedure, " an operation to remove a tumorous growth will hopefully excise from the patient''s mind and body all tendencies toward faith and superstition. From futuristic mystery and Vietnam-era dark fantasy to theological speculation on Christ''s death, a variety of lyrical voices speak through these haunting stories. An essay by the author divulges the genesis of each story.

In the domed city of Atlanta, after the breakup of the United States, a young writer named Julian Cawthorn is in trouble. Because he insulted the daughter of a public official, Cawthorn is out of work, and virtually unemployable. He begs a temporary job on the city newspaper and finds himself assigned to cover the first public appearance of the aliens Cygnusians, travelers from outer space who have been living in seclusion in Atlanta while visiting Earth. A Christian revivalist dictatorship rules Atlanta; church services are as much social as they are religious events. When one of the aliens chooses to appear at a church service, Julian watches as the first alien from space stands up and is "saved". The alien''s voluntary salvation is taken as a sign that the state religion is indeed the one true religion, and minority groups, previously tolerated, are attacked by gangs, leaving Atlanta in turmoil. The service is a turning point in Julian''s life. He is hired by Fiona Bitler, hostess to and protector of the aliens; at her invitation he goes to work in the secret alien enclave. In this environment Julian comes to know the fascinating aliens. He is mystified by the aliens'' interest in his personal life and cannot understand how they have acquired so many oddly human characteristics in their brief period on Earth.

Imagine a living specimen of a multimillion-year-old hominid species, Homo habilis, encountering the contemporary world. Told in the first-person narrative of Paul Loyd, divorced owner of a small town restaurant, Ancient of Days tells the story of a habiline man found wandering in a Georgia pecan orchard, a living descendant of a habiline tribe, brought from Africa via Haiti as a slave. Paul''s ex-wife, RuthClaire, takes in the living fossil, appropriately naming him Adam, and as an artist she discovers Adam''s mute but vibrant artistic sensibility, falls in love with him, and marries him - much to Paul''s confusion and dismay. And then the story begins to widen out onto a broader canvas, as Adam first faces persecution by small town Georgia Klansmen, then, surviving that, moves with RuthClaire to Atlanta and encounters the whole spectrum of American culture, from art critics and media spectacles to evangelists and punk clubs. Throughout the peregrinations and travails of Adam, however, runs a rich and developing strain of self-conscious spiritual, intellectual, and artistic growth, interwoven with Adam''s genuine anguish over the problematic nature of his true humanity. In the end, the central characters come together on the Haitian island of Montarez in the aftermath of crisis, and in a moment of illumination and revelation meet the mysterious and extraordinary origins of Adam and his race in human prehistory.

A multinational expedition has landed on the planet Onogoro, a cold and dour world circling one star of a binary pair. Their objective is to investigate a strange alien race, known to the human visitors as the Kybers. These aliens, dwelling in a great network of ruined palaces, are partly biological creatures and partly machines, with the ability to switch themselves off at will. Expedition scientists discover that the Kyber''s sun is soon to blaze up in a nova, yet the Kybers are not alarmed.

Gérard Garouste, Colette Deblé, Georges Rousse, Geneviève Asse, Martial Raysse, Christian Jaccard, Joël Kermarrec, Danièle Perronne, Daniel Dezeuze, Philippe Favier, Daniel Nadaud: after the eleven essays of Contemporary French Art 1, devoted to major artists from Ben Vautier and Niki de Saint Phalle to Annette Messager and Gérard Titus-Carmel, the present volume pursues its interrogations of the what, the how and the why of contemporary plastic production of some of France’s finest practitioners. If, as ever, such production can reveal elements of an interweaving of individualized preoccupations and modes, endless specificities demarcate and affirm originalities that pure theory and its leveling anonymity may obscure. Thus is it that Gérard Garouste is alone in that obsession with ‘indianness’ and ‘classicalness’; that Colette Deblé’s gesture is drawn implacably to the unseenness of female representation; that Georges Rousse plunges photography into the realm of matter’s poetic sacredness; that Geneviève Asse traverses a pure seemingness of abstraction to attain to an intimacy of silence; that Martial Raysse’s ‘hygiene of vision’ may endlessly renew and hybridize itself. Christian Jaccard, too, will explore with uniqueness an art of materiality at the frontier of metaphysics; Joël Kermarrec will offer us the inimitable exquisite traces of surging desire and deception; Danièle Perronne’s boxes and stringings, her paintings and her sheetings will unfold a psychic infinity at the heart of form. And, if Daniel Dezeuze seeks namelessness and pure structuration, the latter yet surge forth via works that relentlessly identify a gesture so distant, we may feel, from the at once sobering and ceremonial microproliferations of a Philippe Favier or the tense but genial articulations of Daniel Nadaud’s sculptural imagination.

Beloved understand the beginning, understand the Creator and then you will know and understand creation Between the face of the deep and the face of darkness is a womb- a place and realm where physical things are nurtured While it is there it is still void and without form-reduced to infinite density

Between the incessant music of the stars and the spectre of a giant squid caught inside a locket ball, it is difficult for Don Horacio to maintain a restful mind. At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Collects twenty-five of Michael Bishop''s stories and novellas, all newly revised, in one volume.

The British Land Rover 4x4 has grown from 1948 to become one of the world''s leading automotive brands. Exactly how it all came together back in the late 1940''s and early 50''s has been the topic of interest and debate for many years. This was until two Australian enthusiasts, Michael Bishop and Alex Massey quite literally stumbled across senior member of the original Land Rover development team, Arthur Goddard living in Brisbane, Australia in 2009. The discovery led to many of the myths and tales surrounding the early vehicles to be heard as it happened from Arthur''s point of view. Then to a trip by Arthur to visit his old work place in Solihull and to the vehicle that he helped bring to life back in 1948. The book contains both a technical and human side to this incredible story as well as a great reunion between Arthur and his old colleague Spen King who went onto design the Range Rover in the 1960''s. This is truly a unique story from the time of post War World two Britain to modern day Australia and how the iconic 4x4 grew up so quickly in the 1950''s to become the world leader that it is today.

Gérard Garouste, Colette Deblé, Georges Rousse, Geneviève Asse, Martial Raysse, Christian Jaccard, Joël Kermarrec, Danièle Perronne, Daniel Dezeuze, Philippe Favier, Daniel Nadaud: after the eleven essays ofContemporary French Art 1, devoted to major artists from Ben Vautier and Niki de Saint Phalle to Annette Messager and Gérard Titus-Carmel, the present volume pursues its interrogations of thewhat, the how and the why of contemporary plastic production of some of France''s finest practitioners. If, as ever, such production can reveal elements of an interweaving of individualized preoccupations and modes, endless specificities demarcate and affirm originalities that pure theory and its leveling anonymity may obscure. Thus is it that Gérard Garouste is alone in that obsession with ''indianness'' and ''classicalness''; that Colette Deblé''s gesture is drawn implacably to the unseenness of female representation; that Georges Rousse plunges photography into the realm of matter''s poetic sacredness; that Geneviève Asse traverses a pure seemingness of abstraction to attain to an intimacy of silence; that Martial Raysse''s ''hygiene of vision'' may endlessly renew and hybridize itself. Christian Jaccard, too, will explore with uniqueness an art of materiality at the frontier of metaphysics; Joël Kermarrec will offer us the inimitable exquisite traces of surging desire and deception; Danièle Perronne''s boxes and stringings, her paintings and her sheetings will unfold a psychic infinity at the heart of form. And, if Daniel Dezeuze seeks namelessness and pure structuration, the latter yet surge forth via works that relentlessly identify a gesture so distant, we may feel, from the at once sobering and ceremonial microproliferations of a Philippe Favier or the tense but genial articulations of Daniel Nadaud''s sculptural imagination.

In 1989 Michael Bishop and Harold Varmus were awarded the Nobel Prize for their discovery that normal genes under certain conditions can cause cancer. In this book, Bishop tells us how he and Varmus made their momentous discovery. More than a lively account of the making of a brilliant scientist, How to Win the Nobel Prize is also a broader narrative combining two major and intertwined strands of medical history: the long and ongoing struggles to control infectious diseases and to find and attack the causes of cancer. Alongside his own story, that of a youthful humanist evolving into an ambivalent medical student, an accidental microbiologist, and finally a world-class researcher, Bishop gives us a fast-paced and engrossing tale of the microbe hunters. It is a narrative enlivened by vivid anecdotes about our deadliest microbial enemies--the Black Death, cholera, syphilis, tuberculosis, malaria, smallpox, HIV--and by biographical sketches of the scientists who led the fight against these scourges. Bishop then provides an introduction for nonscientists to the molecular underpinnings of cancer and concludes with an analysis of many of today''s most important science-related controversies--ranging from stem cell research to the attack on evolution to scientific misconduct. How to Win the Nobel Prize affords us the pleasure of hearing about science from a brilliant practitioner who is a humanist at heart. Bishop''s perspective will be valued by anyone interested in biomedical research and in the past, present, and future of the battle against cancer. Table of Contents: List of Illustrations Preface 1. The Phone Call 2. Accidental Scientist 3. People and Pestilence 4. Opening the Black Box of Cancer 5. Paradoxical Strife Notes Credits Index Reviews of this book: Despite his book''s encouraging title, Bishop--who won a Nobel Prize in Physiology and Medicine in 1989--cautions that "I have not written an instruction manual for pursuit of the prize." Instead, he has written an amiable reflection on the experience of being a Nobelist, intertwined with some history and anecdotes about the award, and balanced by a wide-ranging review of his own career as an "accidental scientist"...Along the way, Bishop reflects on the history of our knowledge of microbes, cancer, the politics of funding research and present-day disenchantment with science. His main purpose in writing this book, Bishop says, is to show that "scientists are supremely human"--which he does with grace and charm. --Publishers Weekly Reviews of this book: How to Win the Nobel Prize is typical Bishop: modest, funny, insightful and offering an extremely clear and brief explanation of the basic scientific achievement that won the 1989 Nobel Prize in physiology or medicine for himself and longtime colleague, Harold Varmus, now president of the Memorial Sloan-Kettering Cancer Center. --David Perlman, San Francisco Chronicle Reviews of this book: In these pages Bishop reveals himself as a good writer blessed with enviable clarity, someone sensible and levelheaded who likes people and is enamored of his science. --John Tyler Bonner, New York Times Book Review Reviews of this book: This is a treasure...Above all, How to Win the Nobel Prize is a civilised book and a lavishly rewarding one. --Roy Herbert, New Scientist Reviews of this book: At its heart this analysis of science and the scientific world is a jewel. How to Win the Nobel Prize is an inspirational book, full of careful analysis and judgement. --John Oxford, Times Higher Education Supplement Reviews of this book: Bishop is a gifted communicator and teacher, and he sets about his task of educating scientists and the public by describing his career in science and science politics...In the end, Bishop''s book provides a road map for scientists and the public to build a robust scientific community that serves our society well. --Andreas Trumpp and Daniel Kalman, Nature Cell Biology J. Michael Bishop has written his book ''to show that scientists are supremely human.'' The book is also a lucid explanation of how science has been harnessed to fight the human afflictions of cancer and infectious disease. And the story ends with a wide-ranging overview of today''s challenges to the scientific enterprise. Overall, a must-read for all those interested in science and scientists--even those with absolutely no interest in winning a Nobel Prize! --Bruce Alberts, President, National Academy of Sciences J. Michael Bishop is that rare scientist who is widely read in literature and poetry. Most importantly, he remembers what he reads and thinks deeply about it, as well as about all else in his rich life. The Nobel Prize he won and richly deserved, his political activism, his understanding of cancer and microbiology, his devotion to the practice of science--all these provide fodder for his writerly craft. Quite a wonderful book! --David Baltimore, Nobel Laureate and President, California Institute of Technology