New Release Books by Michael Bedard

When Ophelia's father heads off to Italy for the summer to finish work on his book on the poet Ezra Pound, O - as she prefers to be called - is sent by train to stay with her Aunt Emily, who runs a secondhand bookshop back east called The Green Man. Emily has recently suffered a heart attack. Part of the reason O is sent to stay with her is to see if she can help out with the shop. Part mystery, part fantasy, this compelling and beautifully written novel slips between the real world, and that of the creative imagination. Cloaked in the simple story of a young woman taking over a bookstore from her aged aunt, The Green Man is an eerie story about finding voice and courage, and about suspending disbelief!

In the sequel to A Darker Magic, a grown-up Emily and her niece, Alice, return to Caledon to confront the dark forces of an evil magic. Facing pressures at home and the expectations of her pregnant mom, Alice can’t accept a summer job staging a Punch-and-Judy show at the library fast enough. As the show draws nearer, mysterious and frightening events take place and Alice’s strange Aunt Emily suspects that the truth might lie buried in the past. Will she and Alice be able to discover the dreadful secret that is sabotaging the puppet show in enough time to save themselves?

A darkly fantastic middle-grade mystery with the ominous atmosphere loved by fans of Jonathan Auxier and Jonathan Stroud Thirteen-year-old Simon's life has been knocked askew ever since his family moved into his deceased grandfather's house. First there's his eccentric neighbor Mr. Hawkins, who is laid up with a broken leg. Simon's mother begins sending him over there with dinner for the elderly man, and soon Mr. Hawkins is depending on Simon to fetch old books and manuscript pages from all over his eerie, mirror-filled house. There's one mirror in particular, an ancient Egyptian piece, that keeps showing Simon visions of a disturbing figure emerging from its depths. No one else sees the figure, though--just like they don't see the huge, gaunt dog lurking in Mr. Hawkins' bushes. As Simon himself becomes increasingly plagued by a mysterious illness, he is powerless to help as his neighbor descends into paranoia about dark forces encircling his house. The terrible part is, Mr. Hawkins is right. Everything is about to get much, much worse. With an eerie atmosphere perfect for fans of Jonathan Auxier and Jonathan Stroud, The Egyptian Mirror is a deliciously unsettling mystery from Michael Bedard, the author of The Green Man, A Darker Magic, and the Governor General's Award-winning Redwork. -- "Publisher"

2 The clock mounted on the face of the organ loft made a muted click as it measured off another minute. Charles glanced up at it – 4:30. It would soon be safe to leave for home. The inside of the old church was dim. The only light came through the stained glass windows that ran along both sides of the nave. For the first few minutes after you walked in, it felt as if you’d come into a cave walled in colored glass. But as your eyes adjusted to the lower light, the space took shape around you. The ribbed vaulting of the ceiling stole from the shadows. Creatures carved in stone peered down from the pillar tops. Patches of flaking paint appeared on the walls. St. Bartholomew’s was an old church that had definitely seen better days. It sat in the midst of what had once been a wealthy neighborhood of tree-lined streets and sedate old houses. Most of the trees had now succumbed to age or disease. The lawns had been bricked over, the houses broken into rooming houses. The old Caledon Psychiatric Hospital stood nearby, and outpatients tended to gravitate to the neighborhood. A lot of lost-looking souls walked the streets: people in their private worlds, broken worlds. Many of the stores along the main street where the church stood had died, or were looking poorly. Some had been boarded up, others turned into makeshift residences with sheets draped over the inside of the plate glass and withered plants languishing on the windowsills. He had discovered the church one Friday a couple of months back, shortly after he’d started skipping his piano lesson. It had been a March day, and bitterly cold. After wandering the streets aimlessly, he’d stumbled on the place quite by chance. The door was open, and he’d slipped in and spent half an hour sharing the empty church with a handful of homeless people, also escaping the cold. The silence of the place had shocked him. It was as if he’d breached some boundary between worlds. At the back of the church, as if by way of welcome, there stood a life-sized statue of St. Bartholomew. St. Bart had been one of the original twelve apostles. Tradition had it that he’d been martyred by being flayed alive. The statue depicted him holding the long hooked knife of his martyrdom in one hand, with the slack pelt of his skin draped over the other arm, the way Gran draped her sweater over her arm when she went out for a walk on a summer evening, in case she got cold. Often there would be one or two other stray souls scattered through the rows of wooden pews, but today the place seemed empty. Even the caretaker, who could normally be seen flitting quietly along the shadowed aisles as he went about his work, had fled into the sun. Charles had seen him perched on a high ladder outside, washing the windows. He could see the shadow of his arm now, moving silently against the glass, like the beating of some great wing. His book bag lay on the seat beside him. He opened it and pulled out his piano exercise book, turning to the little Bach piece he was supposed to have been practising. It was simply a question of time before they discovered he’d been skipping the lesson. There were bound to be consequences, but somehow it didn’t seem to matter. Gran had always had a passion for the piano. The ornate old upright had sat in the corner of the dining room for as long as he could remember. One of his first memories was of sitting beside her on the bench while she played. He would bang away on the keys and pretend that he too was playing. She had promised him then that when he was old enough, she would pay for him to take lessons, as his father had taken lessons as a boy. And so, two years ago, when the bunch of them had moved in with her, she had talked him into going to lessons. But everything had changed by then. He was no longer the little boy banging away on the keys. And though he went dutifully to the lessons and dutifully practised for a long while without complaint, each note cut like a knife, and finally he could do it no more. He knew it would disappoint her, but for his own sake he had to stop. And so he had simply quit, without bothering to tell anyone he had done it. And now he found himself entangled in a lie, without the courage to extract himself from it, without the words to explain why it had wrenched him apart to play. It was the first really devious thing he’d done in his life, and he still had not recovered from the shock of it. Even now, as the door at the back of the church opened, his heart gave a little flutter and he half expected one of his family to walk in and find him here. Instead it was a small stooped woman, with a shawl pulled up over her hair. She slipped down the side aisle to the front of the church. A large marble Pietà stood by a side altar there, with a bank of votive candles before it. She rooted through her bag for change, then dropped two coins through the slot of the metal box, touched the taper to a flame, and lit two candles. The taper smoked as she extinguished it, and a thin stream of smoke ascended in the still air. She knelt in the front pew and prayed. He wondered what she was praying about. He often wondered that about those he saw in the church when he came, for most of them truly were praying, not simply hiding out as he was. Still, he knew that even he was doing more here now than merely hiding out. For some reason he did not fully understand, he was drawn to this old church with its rattling rads and water-stained walls; with its sad-eyed statues and shattered rainbows of light that flecked the floor. Part of it was the pure strangeness of the place. At the back of the church, tucked in a corner on the wall by the magazine rack, there was an old framed article from the Caledon Daily Examiner on the history of St. Bart’s. He had read there that the church’s first patron, who had donated the parcel of land on which it was built, had willed that on his death his heart be removed and interred in the walls of the church. And so it was done. The heart lay sealed now in a niche in the west wall. Charles had found the stone inscribed in Latin that marked the spot, and had stood there wondering at the strangeness of the heart walled in the stone. Sometimes he would wander the shadowy aisles, sometimes simply sit in a pew, quietly looking around, while the forty-five minutes of the lesson ticked slowly by. And it was as if he were taking a lesson in silence. He could feel the silence of the place seep into him, in the way the faint smell of incense seeped into his clothes. It seeped into him and woke other silences there. Once, years ago, after a huge snowstorm had struck Caledon, he and Elizabeth had gone with Emily to toboggan down the steep white hills in the park near their home. It was early on a Sunday morning, and there was no one else around. Theirs had been the first footsteps to break the pure expanse of snow. They were like explorers in a new world. And as they walked side by side through the park, pulling the toboggan along behind them, a hush came over them, and he felt the silence enfold them, tucking them under its great white wing. There was something of that long-ago snowfall here still in this empty church, as though all the silences in the world were heaped in drifts around him here. ********** 3 George Berkeley did not like heights. His legs felt queer, all cobbled together with wood and wire like a marionette’s, as he clung to the upper rungs of the ladder. He dunked the dirty rag into the pail of soapy water suspended from the ladder and wrung it out, careful not to look down. He was working his way along the east wall of the church, washing the outside of the stained glass windows. There were six windows in all, dingy with the dust and soot that had settled on them over the years. He had finished the first three and was starting on the fourth. He would do just this one more, he told himself, as he had told himself with each of the others, and that would be it for the day. He gripped the rung of the ladder with one hand and leaned as far as he dared to reach the far side of the window with the rag. The soapy water ran down the glass and pooled on the sill. From the outside the window looked lifeless. Dull bits of glass webbed with lead. A stranger passing on the street would not even have known what scene the window depicted. Yet, from within, where the sun’s light shone through, the window woke and was all alive. This was the St. Francis window, likely the oldest window in Caledon. He suspected that this and the one that faced it across the nave were medieval in origin, though the experts were skeptical that such rare windows could ever have found their way to Caledon. The consensus of opinion was, rather, that they were fine imitations of ancient glass. No less, but certainly no more. Mr. Berkeley knew better. As a young lad in England in the sixties, he and a group of his friends who were going to art school had apprenticed to the glass craftsmen at Canterbury Cathedral. There was a wealth of ancient glass that had managed to survive the centuries at Canterbury, much of it tucked out of harm’s way in the upper reaches of the cathedral. Before the outbreak of the Second World War, the dean of the cathedral, sensing what was in the wind, had all the ancient windows removed and buried in the crypt under six feet of sand to keep them safe. When the war was over, as one by one the windows were uncovered and returned to their places, they were first restored: stripped of the old leads, the glass washed, then the whole releaded. It was to aid in this work that George Berkeley and his fellow apprentices had been engaged. And in the course of it, he had come to know the ancient glass intimately — the look of it, the feel of it, the play of light upon it. There was no doubt in his mind now as he studied closely the lacework of the old leads, the pitting in the outer surface of the glass, that this window was kin to those he had worked on then. It was at Canterbury, too, that he had acquired his dislike of heights, perched on the narrow parapet, sixty feet off the ground, the heels of his shoes hanging out over the edge while he anchored the ladder for the master to heft a mended panel back into place. He ran his rag over the intricate mosaic of glass. The window depicted several scenes from the legend of St. Francis and the Wolf of Gubbio. Here, before its cave, was the great wolf that terrorized the townspeople of Gubbio. Here, strewn on the ground about it, were human bones. There, in the distance, were the walls of the town. He ran the cloth lightly over them. Water dripped lazily from the edge of the rag down to the garden far below, where the feet of the ladder stood anchored in the soft soil. There upon the path that led from the town through the woods below was Francis, come to meet the wolf. Finally, there was the wolf transformed, placing its paw in the saint’s hand as a pledge that it would do harm no more. So absorbed was Mr. Berkeley in the tale told by the glass that he failed at first to notice that the ladder had begun to edge sideways along the stone. For as he leaned, the soft soil yielded and one of the ladder’s feet began to sink into the soil beneath. By the time he noticed, it was too late. He tried frantically to right the ladder by shifting his weight the other way, thought for one blissful moment that he had managed it, then realized with sick certainty that he was about to fall.

When a mother and child pay a visit to their reclusive neighbour Emily, who stays in her house writing poems, there is an exchange of special gifts. Includes brief factual information on the life of Emily Dickinson. A Sophisticated picture book. Suggested level: primary, intermediate.

Day after day, brand new ducks roll off a giant assembly line operated by alligators at the Colossal Duck Factory. They are loaded into trucks and taken to Ducktown, where they are fattened up in preparation for their final destination—into the stomachs of alligators. Everything proceeds smoothly, until the day one of the alligators decides to take a wayward duck home. Over time, the alligator grows fond of his future dinner. Can a duck and an alligator really be friends in an alligator-eat-duck world? Find out in this charming and humorous friendship story.

A joke book filled with wisequacks about Bill, Aldo, and the rest of their friends in Ducktown features the characters from the television show on Cartoon Network, Sitting Ducks.

It's the hottest day of the year and Ducktown is overheating: there's no ice cream in the freezers and a power cut has shut down the air conditioning! Luckily Bill has a cunning plan - a dangerous mercy-dash to Swapwood. But why does he need a wheelbarrow?

When Willa Cather was a girl, her family moved west to the open prairie of Nebraska, leaving behind a world Willa loved dearly. Gone were the wooded hills and the meadows marbled with sheep. In their place was a flat, empty land, as bare as a strip of sheet iron. Willa felt she had come to the end of things; she felt the land did not want them. But then spring came, and the silent land stirred to life. Summer followed, long and hot, and Willa roamed free over the open fields on her pony. Slowly she began to explore the hidden delights of this strange new countryside, and to make friends with her fellow settlers on the Divide. By the time autumn came, with its splendid sunlit colors, Willa understood that what she had thought was an ending was really a new beginning. Michael Bedard and Emily Arnold McCully evoke the spirit of the American West in this lyrical story with delicate, richly hued illustrations. They celebrate, as Willa Cather did in her novels, the wild beauty of the vast prairie she came to love and the sturdy spirit of the pioneers who made it their home.

An adaptation of the tales of Pu Sung-ling.

When Raoul squashes his toe on a window ledge, Bill feels so guilty that he lets the pesky crow move in to convalesce. But soon the little duck starts to wonder if that toe is really so bad after all! Will Raoul get his come-uppance? And who is Doctor Green?

Based on the animated series of the cult picture book Sitting Ducks - now on TV Cecil reveals his latest secret invention to Bill - duck dentures. However, he warns, the duck public is not yet ready for the psychological power that comes from having teeth. Left alone in Cecil's lab, Bill can't resist trying them on. Sneaking them outside, he meets admiring glances and impressed reactions. Bill is excited, but Aldo warns him that teeth are a big responsibility - and with good reason Bill's confidence begins to turn into obnoxiousness as he takes a bite out of the Decoy jukebox and starts scaring ducklings with his glinting choppers. Soon, the whole town is running scared of Chomper. But a strange twist of fate teaches Bill a valuable lesson... Following the phenomenal success of Sitting Ducks, this is another cracking comedy adventure based on Michael Bedard's bestselling book and hit TV series.

Redwork is published by Fitzhenry and Whiteside.

Three people find their lives in danger when a ghostly magician haunts them with visions of an extraodinary, deadly magic show he originally staged in 1936.

A brief, fictionalized account of the daily lives of the Brontèes, told from the point of view of Charlotte.

Long, long ago there was an Emperor of China whose palace was quite the most wonderful in all the world. But when visitors came from afar, it wasn't the palace that impressed them. Instead, they spoke of the song of the nightingale that lived in the woods by the sea. When he heard this, the Emperor had the bird brought to him and he kept it in a golden cage and treasured it more than all he possessed. Then one day a parcel came to the palace - a gift from the Emperor of Japan. It was a mechanical nightingale made of gold and silver and precious jewels. It was much prettier than the real bird, and it could sing the same tune time and again without growing tired - just as long as there was someone to wind it.