Best Selling Books by Muriel Spark

Dame Muriel Spark delivers a delightfully alarming novel, full of high society and low cunning. One October evening five posh London couples gather for a dinner party, enjoying "the pheasant (flambe in cognac as it is)" and waiting for the imminent arrival of the late-coming guest Hilda Damien, who has been unavoidably detained due to the fact that she is being murdered at this very moment Symposium was applauded by Time magazine for the "sinister elegance" of Muriel Spark''s "medium of light but lethal comedy." Mixed in are a Monet, a mad uncle, some unconventional nuns, and a burglary ring run by a rent-a-butler. Symposium stars a perfectly evil young woman (a classic sweet-faced hair-raising Sparkian horror) who has married rich Hilda''s son by hook or by crook, hooking him at the fruit counter of Harrod''s. There is also spiritual conversationand the Bordeaux is superb. "The prevailing mood is urbane: the wine is poured, the talk continues, and all the time the ice on which the protagonists'' world rests is being thinned from beneath, by boiling emotions and ugly motives .No living writer handles the tension between formality of expression and subversiveness of thought more elegantly." (The Independent on Sunday).

"To rendezvous with her archeologist fiance in Jordan, Barbara Vaughn must first pass through the Mandelbaum Gate - which divides strife-torn Jerusalem. A half-Jewish convert to Catholicism, an Englishwoman of strong and stubborn convictions, Barbara will not be dissuaded from her ill-timed pilgrimage - despite a very real threat of bodily harm and the fearful admonishments of staid British diplomat, Freddy Hamilton. So they set out together to brave the Holy City, and are swept into a heart-stopping adventure of abduction and espionage - lost in a complex labyrinthine world where the sacred and the profane explosively collide."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The brevity of Muriel Spark’s novels is equaled only by their brilliance. These four novels, each a miniature masterpiece, illustrate her development over four decades. Despite the seriousness of their themes, all four are fantastic comedies of manners, bristling with wit. Spark’s most celebrated novel, The Prime of Miss Jean Brodie, tells the story of a charismatic schoolteacher’s catastrophic effect on her pupils. The Girls of Slender Means is a beautifully drawn portrait of young women living in a hostel in London in the giddy postwar days of 1945. The Driver’s Seat follows the final haunted hours of a woman descending into madness. And The Only Problem is a witty fable about suffering that brings the Book of Job to bear on contemporary terrorism. All four novels give evidence of one of the most original and unmistakable voices in contemporary fiction. Characters are vividly etched in a few words; earth-shaking events are lightly touched on. Yet underneath the glittering surface there is an obsessive probing of metaphysical questions: the meaning of good and evil, the need for salvation, the search for significance.

First published in 1993, this book brings together Muriel Spark''s writings on the Brontë sisters, including a selection of their letters and a selection of Emily Brontë''s poems. Perceptively but unsentimentally, Spark considers the Brontës'' lives and works, including their generally disastrous attempts at teaching, and reflects on her own fascination, as a writer and a reader, with Emily Brontë and with "the immortal Wuthering Heights and its nightmare hero." This edition features a new foreword by Boyd Tonkin, the literary editor at the Independent.

Three survivors of an airline crash find themselves on a small volcanic island named Robinson. An eccentric mystery story.

In May 2005 Penguin will publish 70 unique titles to celebrate the company''s 70th birthday. The titles in the Pocket Penguins series are emblematic of the renowned breadth of quality of the Penguin list and will hark back to Penguin founder Allen Lane''s vision of good books for all''. cool, biting humour and unique vision of human nature - all the trademark Spark obsessions are here, and much more besides.

Muriel Spark’s bracingly salty memoir is a no-holds-barred trip through an extraordinary writer’s life. It is no surprise that one of Muriel Spark’s most lively and entertaining works would be her own memoir, Curriculum Vitae. Born to a Scottish Jewish father and an English Presbyterian mother, Spark describes her childhood in 1930s Edinburgh in brief, dazzling anecdotes. In one she recalls a cherished schoolteacher, Christina Kay, who would later be used as the prototype for Miss Jean Brodie. Spark boldly details her disastrous first marriage to Sydney Oswald Spark (S.O.S.) — himself thirty-two, she just nineteen — whom she followed to Rhodesia (now Zimbabwe) and left behind to return to England. In the midst of WWII, Spark took a bizarre position working in the disinformation campaign of the British Secret Service, eliciting information from German POWs to combat Nazi propaganda. She later moved to the Poetry Society of London, where she mingled with literati and other intellectuals, befriended by some (such as Graham Greene, an early supporter of her work) and sparring with others. We experience Spark’s joy with the publication of her first novel, The Comforters, her trials with other writers’ envy, and her emergence as the most brilliant femme fatale of 20th-century English literature.

In tutti e tre i racconti che compongono questa raccolta Muriel Spark ci proietta in uno scenario molto diverso da quelli altamente anglici a cui ci ha abituati: l''Africa, dove si trasferì, giovane sposa, nel 1937, rimanendovi suo malgrado, a causa della guerra, fino al 1944. L''Africa Nera di un''asfittica colonia inglese popolata di piantatori con velleità letterarie e mogli brille e incarognite che dormono sempre con la pistola sul comodino, «luogo feroce» che tira fuori il «lato più crudele» di ciascuno, e dove avvengono quei continui omicidi fra bianchi che tanto incuriosiscono chi, in patria, ne legge placidamente le cronache sul giornale bevendo il tè del mattino. Qui incontriamo Sybil che, catapultata nell''altro emisfero, vi trova proprio la compagna di scuola che detestava di più; e Daphne, ossessionata dal grido funereo e premonitore dell''Ucu00adu00adu00adcelu00adlo va''-via: giovani donne che guardano con spietato disincanto il malevolo consorzio umano che le circonda, accomunate da quel senso di fiera diversità che accompagnò Muriel Spark per tutta la vita.

A present contains a monstrous secret. An uninvited guest haunts a Christmas party. A shadow slips across the floor by firelight. A festive entertainment ends in darkness and screams. Who knows what haunts the night at the dark point of the year? This collection of seasonal chillers looks beneath Christmas cheer to a world of ghosts and horrors, mixing terrifying modern fiction with classic stories by masters of the macabre. From Neil Gaiman and M. R. James to Muriel Spark and E. Nesbit, there are stories here to make the hardiest soul quail - so find a comfy chair, lock the door, ignore the cold breath on your neck and get ready to welcome in the real spirits of Christmas.

Tom Richards has fallen off a crane while directing his latest movie, The Hamburger Girl, fracturing some ribs and a hip. A comic procession of doctors, nurses, and relatives files through his hospital room. Another director replaces him at the studio, and everything in his cinematic dream is being changed - the screenplay, the title, the plot. Tom is baffled and furious. His children''s marriages are coming apart, and who can be certain of his own? People everywhere are losing their jobs. His real life and his creative life become ever more displaced while he gradually recovers his health, his balance, and his natural imbalance. Tom''s shrewd wife, Claire; their daughter Marigold, for whom Tom has ambivalent feelings; his beautiful daughter Cora, by his first marriage; and his lovers, family, friends, and colleagues all find themselves revolving in a sexual and economic maelstrom that gradually results in violence. "What we are doing," Tom tells his film crew at last, "is real and not real. We are living in a world where dreams are reality and reality is dreams. In our world everything starts from a dream." Ű