New Releases by Nalo Hopkinson

"Veycosi, in training as a griot (an historian and musician), hopes to sail off to examine the rare Alamat Book of Light and thus secure a spot for himself on Cynchin's Colloquium of scholars. However, unexpected events prevent that from happening. Fifteen Ymisen galleons arrive in the harbor to force a trade agreement on Cynchin. Veycosi tries to help, hoping to prove himself with a bold move, but quickly finds himself in way over his head. Bad turns to worse when malign forces start stirring. Pickens (children) are disappearing and an ancient invading army, long frozen into piche (tar) statues by island witches is stirring to life--led by the fearsome demon known as the Blackheart Man."--

Caribbean-Canadian author Nalo Hopkinson (Brown Girl in the Ring, The Salt Roads, Falling in Love with Hominids) is an internationally-beloved storyteller. This long-awaited new collection of her deeply imaginative short fiction offers striking journeys to far-flung futures and fantastical landscapes. Hopkinson is at the peak of her powers, ranging effortlessly between art, folklore, science, and magic. Hailed by the Los Angeles Times as having "an imagination that most of us would kill for," Nalo Hopkinson and her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are gorgeously strange, inventively subversive, and vividly beautiful. In Hopkinson's newest stories since 2015, a woman and her cyborg pig eke a living in a future waterworld; two scientists contemplate the cavernous remains of an alien lifeform; and an artist creates nanotechnology that asserts Blackness where it is least welcome.

From the imagination of New York Times bestselling author Neil Gaiman comes this final volume of stories that find him revisiting Morpheus, the Endless, the realm of the Dreaming, and beyond. In the Hugo Award-winning prequel series The Sandman: Overture, illustrated by J.H. Williams III, Gaiman returns to the Sandman Universe after a 17-year break to spin a tale in which Morpheus must save the universe from a rogue star. The comic book version of The Sandman: The Dream Hunters adapts the Dream Hunters prose novel into a lush four-part miniseries drawn by P. Craig Russell. And in The Sandman Universe, plotted by Gaiman, writers Simon Spurrier, Kat Howard, Nalo Hopkinson, and Dan Watters expand upon the characters and worlds Gaiman created for a new generation of readers. The Sandman Book Six is the perfect bookend for Sandman completists and fans of modern fantasy. Collecting The Sandman Universe #1, The Sandman: Overature #1-6, and The Sandman: The Dream Hunters #1-4

Two monumental works from the SFWA Grand Master who is "preparing to take her place among the world's most celebrated black women writers" ( Toronto Star). Experience the rich imagination and genre-defying writing of multiple-award-winning author Nalo Hopkinson with this special volume, which includes both her epic novel spanning time and place, and her first collection of short fiction. The Salt Roads When an Afro-Caribbean goddess of sexual desire and love is manifested on a nineteenth-century Caribbean island, she explores her newfound powers by traveling through time and space, inhabiting a midwife, a mixed-race Parisian dancer, and an enslaved prostitute in ancient Alexandria. "Should be required reading for the next century. An electrifying, bravura performance by one of our most important writers." —Junot Díaz Skin Folk With works ranging from science fiction to Caribbean folklore, passionate love to chilling horror, this story collection illustrates why Hopkinson received the John W. Campbell Award for Best New Writer. Entertaining, challenging, and alluring, Skin Folk is not to be missed. "A marvelous display of Nalo Hopkinson's talents, skills and insights into the human conditions of life, especially of the fantastic realities of the Caribbean . . . Everything is possible in her imagination." — Science Fiction Chronicle

The time has come for both Erzulie and Poquita to take back the power of their twinned Houses…but Anansi will stop at nothing to keep his treasures! The sweeping epic of Erzulie’s war with the trickster god comes to an explosive conclusion!

Trapped in Guinée, the Land of the Dead, Papa Midnite and Erzulie must join forces to return to their own realms…unfortunately, their mutual foe the trickster god Ananse is in the way, and he’s eager for a rematch!

The divine houseboat that is the House of Whispers has always obeyed Erzulie’s commands-but now it has begun its own journey, trapping Erzulie aboard with her ex-husbands…and sailing on a collision course with an entire fleet of ghostly slave ships bound for Guinée, the land of the dead!

Young Poquita has fled the abusive foster family thatÕs held her hostage...but in an abandoned refugee prison on the southern border, sheÕll find that her traveling companion is not the kindly, grateful kitten she started the journey with. ItÕs an aspect of the Corinthian made flesh...and Erzulie may not hear her cries in time to intervene!

After her encounter with Erzulie, the young girl known as Poquita finally has the strength to stand up to the adoptive family that’s forced her into labor. But is that strength really coming from a benevolent goddess? Or is it the tiny fragment of the Corinthian that’s taken up residence in her life whispering in her ears?

The second year of the most innovative series in The Sandman Universe begins with a terrifying upgrade for one of the world’s worst nightmares! The goddess Erzulie is grieving the loss of one of her husbands, while her remaining spouses are asking themselves if they can remain by her side. But in the darkness, a rival has arrived to vie for Erzulie’s place. The Corinthian has his eyes on a forgotten piece of real estate in the Dreaming, and he’s not above moving into a fixer-upper, if taking control of it can give him power like Erzulie’s. To fend off this threat, Erzulie will need allies-including the mysterious Papa Midnite and the dangerous Shakpana, the contagious god whose last outbreak nearly destroyed the world! And with friends like those...

As the battle rages on in Ananse’s lair, Erzulie makes a spectacular final effort to prevail—but when she multiplies her forces, her authority is divided. With time running out, hundreds of sister-selves must negotiate their powers and learn to work together to free Agwe and turn the tide for the House of Dahomey.

Things are beyond dire for the House of Dahomey, to the point where Erzulie must call upon the most grim and unforgiving of her sister-selves: Marinette of the Dry-Bones, rider of a pale horse and commander of werewolves!

To try and understand what is going on in her own story, Erzulie seeks to enlist assistance from the fearsome god of stories: Kwaku Anansi. However, the spider-god has many threads in his web, and who knows what price he may extract in unraveling the secrets of one...

Things continue to get worse for Erzulie and her followers in the House of Dahomey. Even her warrior sister-self cannot keep off the pains and troubles that follow each of them like the plague. She fears it may be time to unleash another of her feared personae: Erzulie the Red-Eye, dark lady of sorrows.

The mysterious infection doctors are calling ÒCotardÕs DelusionÓ spreads, trapping countless souls in the Dreaming and leaving their physical bodies yearning for death. To handle her own case of the disease, Latoya decides to go on risky adventures, believing sheÕll feel alive the closer she gets to death, while her girlfriend Maggie tries to find a true cure. Meanwhile, in the Dreaming, Erzulie Dantor calls her war council of Shakpana, Turtle and Uncle Monday to find a way to take her sister-selfÕs bayou and boat back to their realm. Shakpana, however, seems to be more interested in making his way back to the Waking WorldÉ

What doctors are calling ÒCotardÕs DelusionÓÑthe disease Latoya contracted from the mysterious bookÑis beginning to spread across the Waking World, trapping the souls of its victims in the Dreaming, so that their corporeal bodies are mere husks, waiting for death to take them. Likewise, Erzulie is still trapped within the Dreaming, and her personality begins to shift, expressing fewer of her love-and -desire qualities, and developing more of her warrior persona, known as Erzulie Dantor. She may not be looking for a fight, but what function does a warrior have outside of battle?

Erzulie shouldnÕt be in the Dreaming; in fact, she isnÕt really sure how she suddenly got stranded there. Worse, she soon learns that she is no longer connected to her worshippers, which, for a deity, means only one thing: death. Against the advice of Cain and Abel, Erzulie steers her houseboat back into the rip between the worlds in an effort to return to her realm. But how will she find her way back, and what danger lies ahead in the otherworldly waters she finds herself sailing? Meanwhile, LatoyaÕs sisters and her girlfriend watch her comatose body in the hospital, praying sheÕll wake up, not realizing theyÕd best be careful what they wish forÉ

An alluring new collection from the author of the New York Times Notable Book, Midnight Robber Nalo Hopkinson (Brown Girl in the Ring, The Salt Roads, Sister Mine) is an internationally-beloved storyteller. Hailed by the Los Angeles Times as having "an imagination that most of us would kill for," her Afro-Caribbean, Canadian, and American influences shine in truly unique stories that are filled with striking imagery, unlikely beauty, and delightful strangeness. In this long-awaited collection, Hopkinson continues to expand the boundaries of culture and imagination. Whether she is retelling The Tempest as a new Caribbean myth, filling a shopping mall with unfulfilled ghosts, or herding chickens that occasionally breathe fire, Hopkinson continues to create bold fiction that transcends boundaries and borders.

Nalo Hopkinson--winner of the John W. Campbell Award, the Sunburst Award, and the World Fantasy award (among others), and lauded as one of our "most inventive and brilliant writers" ( New York Post)--returns with a new work exploring the relationship between two sisters in this richly textured and deeply moving novel. We'd had to be cut free of our mother's womb. She'd never have been able to push the two-headed sport that was me and Abby out the usual way. Abby and I were fused, you see. Conjoined twins. Abby's head, torso, and left arm protruded from my chest. But here's the real kicker; Abby had the magic, I didn't. Far as the Family was concerned, Abby was one of them, though cursed, as I was, with the tragic flaw of mortality. Now adults, Makeda and Abby still share their childhood home. The surgery to separate the two girls gave Abby a permanent limp, but left Makeda with what feels like an even worse deformity: no mojo. The daughters of a celestial demigod and a human woman, Makeda and Abby were raised by their magical father, the god of growing things--a highly unusual childhood that made them extremely close. Ever since Abby's magical talent began to develop, though, in the form of an unearthly singing voice, the sisters have become increasingly distant. Today, Makeda has decided it's high time to move out and make her own life among the other nonmagical, claypicken humans--after all, she's one of them. In Cheerful Rest, a run-down warehouse space, Makeda finds exactly what she's been looking for: an opportunity to live apart from Abby and begin building her own independent life. There's even a resident band, led by the charismatic (and attractive) building superintendent. But when her father goes missing, Makeda will have to discover her own talent--and reconcile with Abby--if she's to have a hope of saving him . . .

Nalo Hopkinson has been busily (and wonderfully) “subverting the genre” since her first novel, Brown Girl in the Ring, won a Locus Award for SF and Fantasy in 1999. Since then she has acquired a prestigious World Fantasy Award, a legion of adventurous and aware fans, a reputation for intellect seasoned with humor, and a place of honor in the short list of SF writers who are tearing down the walls of category and transporting readers to previously unimagined planets and realms. Never one to hold her tongue, Hopkinson takes on sexism and racism in publishing in “Report from Planet Midnight,” a historic and controversial presentation to her colleagues and fans. Plus... “Message in a Bottle,” a radical new twist on the time travel tale that demolishes the sentimental myth of childhood innocence; and “Shift,” a tempestuous erotic adventure in which Caliban gets the girl. Or does he? And Featuring: Our Outspoken Interview, an intimate one-on-one that delivers a wealth of insight, outrage, irreverence, and top-secret Caribbean spells.

Navigate between myth and chaos in this “journey filled with peril, self-discovery, and terrifying moments” (Publishers Weekly, starred review). Sixteen-year-old Scotch struggles to fit in—at home she’s the perfect daughter, at school she’s provocatively sassy, and thanks to her mixed heritage, she doesn’t feel she belongs with the Caribbeans, whites, or blacks. And even more troubling, lately her skin is becoming covered in a sticky black substance that can’t be removed. While trying to cope with this creepiness, she goes out with her brother—and he disappears. A mysterious bubble of light just swallows him up, and Scotch has no idea how to find him. Soon, the Chaos that has claimed her brother affects the city at large, until it seems like everyone is turning into crazy creatures. Scotch needs to get to the bottom of this supernatural situation ASAP before the Chaos consumes everything she’s ever known—and she knows that the black shadowy entity that’s begun trailing her every move is probably not going to help. A blend of fantasy and Caribbean folklore, at its heart this tale is about identity and self-acceptance—because only by acknowledging her imperfections can Scotch hope to save her brother.

Ha llegado el Carnaval y el planeta de Toussaint, colonizado por caribeños, lo celebra con música, bailes y gran pompa. Personas disfrazadas de "Ladrones de Medianoche" asaltan a los juerguistas, esgrimiendo sus armas y sus fascinantes palabras. Para la pequeña Tan-Tan, la Reina Ladrona no es más que su disfraz preferido, el que llevará al festival... Hasta que su padre, poderoso y corrupto, comete un crimen imperdonable.De pronto, padre e hija son enviados al brutal mundo de Nuevo Árbol a Medio Camino, donde las monstruosas criaturas del folclore son reales y los humanos son violentos proscritos que viven en libertad. Tan-Tan tendrá que internarse en la leyenda para convertirse en la Reina Ladrona, pues sólo los poderes legendarios de esta Reina podrán salvarle la vida... y liberarla.

A landmark work by a brilliant young author, THE SALT ROADS transports readers across centuries and civilizations as it fearlessly explores the relationships women have with their lovers, their people, and the divine. Jeanne Duval, the ginger-colored entertainer, struggles with her lover poet Charles Baudelaire...Mer, plantation slave and doctor, both hungers for and dreads liberation...and Thais, a dark-skinned beauty from Alexandria, is impelled to seek a glorious revelation-as Ezili, a being born of hope, unites them all. Interweaving acts of brutality with passionate unions of spirit and flesh, this is a narrative that shocks, entertains, and dazzles-from an award-winning writer who dares to redefine the art of storytelling.

First it's her mother's missing gold brooch. Then, a blue and white dish she hasn't seen in years. Followed by an entire grove of cashew trees. When objects begin appearing out of nowhere, Calamity knows that the special gift she has not felt since childhood has returned-her ability to find lost things. Calamity, a woman as contrary as the tides around her Caribbean island home, is confronting two of life's biggest dramas. First is the death of her father, who raised her alone until a pregnant Calamity rejected him when she was sixteen years old. The second drama: she's starting menopause. Now when she has a hot flash and feels a tingling in her hands, she knows it's a lost object calling to her. Then she finds something unexpected: a four-year-old boy washes up on the shore, his dreadlocked hair matted with shells. Calamity decides to take the orphaned child into her care, which brings unexpected upheaval into her life and further strains her relationship with her adult daughter. Fostering this child will force her to confront all the memories of her own childhood-and the disappearance of her mother so many years before.

So Long Been Dreaming: Postcolonial Science Fiction & Fantasy is an anthology of original new stories by leading African, Asian, South Asian and Aboriginal authors, as well as North American and British writers of color. Stories of imagined futures abound in Western writing. Writer and editor Nalo Hopkinson notes that the science fiction/fantasy genre “speaks so much about the experience of being alienated but contains so little writing by alienated people themselves.” It’s an oversight that Hopkinson and Mehan aim to correct with this anthology. The book depicts imagined futures from the perspectives of writers associated with what might loosely be termed the “third world.” It includes stories that are bold, imaginative, edgy; stories that are centered in the worlds of the “developing” nations; stories that dare to dream what we might develop into. The wealth of postcolonial literature has included many who have written insightfully about their pasts and presents. With So Long Been Dreaming they creatively address their futures. Contributors include: Opal Palmer Adisa, Tobias Buckell, Wayde Compton, Hiromi Goto, Andrea Hairston, Tamai Kobayashi, Karin Lowachee, devorah major, Carole McDonnell, Nnedi Okorafor-Mbachu, Eden Robinson, Nisi Shawl, Vandana Singh, Sheree Renee Thomas and Greg Van Eekhout. Nalo Hopkinson is the internationally-acclaimed author of Brown Girl in the Ring, Skin Folk, and Salt Roads. Her books have been nominated for the Hugo, Nebula, Tiptree, and Philip K. Dick Awards; Skin Folk won a World Fantasy Award and the Sunburst Award. Born in Jamaica, Nalo moved to Canada when she was sixteen. She lives in Toronto. Uppinder Mehan is a scholar of science fiction and postcolonial literature. A South Asian Canadian, he currently lives in Boston and teaches at Emerson College.

A new collection of short stories from Hopkinson, including "Greedy Choke Puppy," which Africana.com called "a cleverly crafted West Indian story featuring the appearance of both the soucouyant (vampire) & lagahoo (werewolf)," "Ganger (Ball Lightning)," praised by the Washington Post Book World as written in "prose [that] is vivid & immediate," this collection reveals Hopkinson's breadth & accomplishments as a storyteller.

A breathtaking novel from the award-winning author Nalo Hopkinson about two women, two worlds, fated to encounter one another. Sheeny lives in a world scoured clean by the glass wind that comes roaring out of the empty space where a mountain used to be. A wind whose gusts can strip flesh from bone and whose breezes leave a dust of glass so fine it accumulates in the lungs with every sip of air. Delpha lives in an otherwhere, an otherwhen in which no glass wind blows. Her world is poised on the precipice of its reality, needing only the faintest push to fall. And if that should happen, there will be no picking up the pieces. Two women, two worlds, rush toward a shattering collision. Unless...