New Releases by Niccolo Machiavelli

Reprint of the original.

The Prince is generally labelled as a cynical and overly pragmatic account of gaining and retaining political power. It is a significant deviation from the righteous meditations of Plato and Aristotle, which emphasise the goodness of human nature.

"Political and philosophical commentaries on the republic of ancient Rome from the Renaissance author of The Prince. In Discourses, Italian statesman, philosopher, and writer Niccolò Machiavelli offers a wide-ranging analysis of the democratic underpinnings of the Roman Republic, based on the epic history written by Roman scholar Titus Livy. Focusing on "a republic as the best way to secure the long term stability of states . . . the various discourses contain observations about aspects of governance, political powers, state safety, corruption, and the expansion of powers. They analyze types of governments and how they change over time from both internal and external pressures. The observations provide significant insights into our world today""

The Prince is a 16th-century political treatise by the Italian diplomat and political theorist Niccolò Machiavelli. From correspondence a version appears to have been distributed in 1513, using a Latin title, De Principatibus (About Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was done with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of the Prince in manuscript, controversy had swirled about his writings".Although it was written as if it were a traditional work in the mirrors for princes style, it is generally agreed that it was especially innovative. This is only partly because it was written in the vernacular Italian rather than Latin, a practice which had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature.The Prince is sometimes claimed to be one of the first works of modern philosophy, especially modern political philosophy, in which the effective truth is taken to be more important than any abstract ideal. It was also in direct conflict with the dominant Catholic and scholastic doctrines of the time concerning how to consider politics and ethics.Although it is relatively short, the treatise is the most remembered of Machiavelli's works and the one most responsible for bringing the word "Machiavellian" into usage as a pejorative. It also helped make "Old Nick" an English term for the devil, and even contributed to the modern negative connotations of the words "politics" and "politician" in western countries. In terms of subject matter it overlaps with the much longer Discourses on Livy, which was written a few years later. Read Story Next....

The Art of War is a treatise by the Italian Renaissance political philosopher and historian Niccolò Machiavelli. The format of The Art of War is a socratic dialogue.

Machiavelli's Highly Influential Treatise on Political Power This edition of Machiavelli's masterpiece is carefully edited and formatted to provide you with the best reading experience. We gave the original content of the book a fresh look and design that matches the expectations of the modern reader. This edition also includes: A detailed author's biography (as a final chapter) that takes you on a journey into the times and environments that shaped the writer's life. ABOUT THE PRINCE The Prince is a 16th-century political treatise as an instruction guide for new princes and royals. The general theme of The Prince is of accepting that the aims of princes - such as glory and survival - can justify the use of immoral means to achieve those ends. The Prince is one of the first works of modern philosophy, especially modern political philosophy, in which the "effectual" truth is taken to be more important than any abstract ideal. It is also notable for being in direct conflict with the dominant Catholic and scholastic doctrines of the time, particularly those concerning politics and ethics. Enjoy!

"Everyone sees what you appear to be, few experience what you really are." -Nicolò Machiavelli ; The Prince The Prince is a 16th-century political treatise by the Italian diplomat and political theorist Niccolò Machiavelli. The Prince is sometimes claimed to be one of the first works of modern philosophy, especially modern political philosophy, in which the "effectual" truth is taken to be more important than any abstract ideal. It is also notable for being in direct conflict with the dominant Catholic and scholastic doctrines of the time, particularly those concerning politics and ethics. Although it is relatively short, the treatise is the most remembered of Machiavelli's works and the one most responsible for bringing the word "Machiavellian" into usage as a pejorative. It even contributed to the modern negative connotations of the words "politics" and "politician" in western countries. A True Classic that Belongs on Every Bookshelf!

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Prince (Italian: Il Principe) is a 16th-century political treatise by the Italian diplomat and political theorist Niccolò Machiavelli. From correspondence a version appears to have been distributed in 1513, using a Latin title, De Principatibus (Of Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was done with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings." Although it was written as if it were a traditional work in the mirrors for princes style, it is generally agreed that it was especially innovative. This is only partly because it was written in the vernacular Italian rather than Latin, a practice which had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature. The Prince is sometimes claimed to be one of the first works of modern philosophy, especially modern political philosophy, in which the effective truth is taken to be more important than any abstract ideal. It was also in direct conflict with the dominant Catholic and scholastic doctrines of the time concerning politics and ethics. Although it is relatively short, the treatise is the most remembered of Machiavelli's works and the one most responsible for bringing the word "Machiavellian" into usage as a pejorative. It even contributed to the modern negative connotations of the words "politics" and "politician" in western countries. In terms of subject matter it overlaps with the much longer Discourses on Livy, which was written a few years later. In its use of near-contemporary Italians as examples of people who perpetrated criminal deeds for politics, another lesser-known work by Machiavelli which The Prince has been compared to is the Life of Castruccio Castracani. The descriptions within The Prince have the general theme of accepting that the aims of princes - such as glory and survival - can justify the use of immoral means to achieve those ends: He who neglects what is done for what ought to be done, sooner effects his ruin than his preservation.

The Discourses on Livy (Italian: Discorsi sopra la prima deca di Tito Livio, literally "Discourses on the First Decade of Titus Livy") is a work of political history and philosophy written in the early 16th century (ca. 1517) by the Italian writer and political theorist Niccolo Machiavelli, best known as the author of The Prince. The Discourses were published posthumously with papal privilege in 1531."

Written while Machiavelli was in exile for allegedly plotting against the Medici clan, "The Mandrake" or "Mandragola" details the corruption of Italian society in a series of increasingly comical scenes that culminate in the cuckolding of a powerful Florentine aristocrat. The author depicts human nature just as he has come to know it, and the sinister fruits of his studies have delighted audiences to this day, for we recognize our own failures in Machiavelli’s creations--characters too quick to compromise personal ethics in order to accommodate a corrupt and demeaning world, too easily persuaded to lie, cheat, swindle, and deceive, or close their eyes to deception, in order to ensure some small improvement in their miserable lives, always espousing the mantra that "the end justifies the means." "The Mandrake" is a powerful comic treatise on immorality, a diagnosis of cultural disease, and perhaps the finest surviving example of the Italian Renaissance comedy of intrigue.

With "The Prince", Machiavelli made his name synonymous with intrigue and cunning for all time. His instructions to the Prince, on achieving and maintaining power, by any and all means available, became the archetypical philosophy of The Ends Justify The Means. Machiavelli advocated that political expediency supersedes morality and that success, by any means, is its own justification. His cold, calculating logic sweeps aside and dismisses all arguments against the use of every manner of deceit and dishonesty for a ruler to achieve his ends on the basis that those ends, once achieved, are, in themselves, sufficient justification. Not only does Machiavelli make philosophical arguments for his viewpoint, he gives numerous practical examples of behavior, which are generally considered to be both ruthless and invariably successful. For nearly 500 years, politicians of all stripes have found that in ignoring Machiavelli's views they become easy prey to those who are willing to employ Machiavellian methods. Machiavelli is considered by many to be the Father of Modern Political Theory. His influence has been immense and his writings, particularly "The Prince", will undoubtedly continue to influence many generations to come.

Though better known today as a political theorist than as a dramatist, Machiavelli secured his fame as a giant in the history of Italian comedy more than fifty years before Shakespeare's comedies delighted English-speaking audiences. This bilingual edition includes all three examples of Machiavelli's comedic art: sparkling translations of his farcical masterpiece, The Mandrake; of his version of Terence's The Woman From Andros; and of his Plautus-inspired Clizia--works whose genre afforded Machiavelli a unique vehicle not only for entertaining audiences but for examining virtue amid the twists and turns of fortune.