Most Popular Books by Niccolo Machiavelli

The Prince Niccolo Machiavelli, 2021 version.

The full text of Nicolas Machiavelli: The Prince.

The Discourses on Livy (Italian: Discorsi sopra la prima deca di Tito Livio, literally "Discourses on the First Decade of Titus Livy") is a work of political history and philosophy written in the early 16th century (ca. 1517) by the Italian writer and political theorist Niccolo Machiavelli, best known as the author of The Prince. The Discourses were published posthumously with papal privilege in 1531."

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Art of War is a treatise by the Italian Renaissance political philosopher and historian Niccolò Machiavelli. The format of The Art of War is a socratic dialogue.

Voltaire said, "Machiavelli taught Europe the art of war; it had long been practiced, without being known." For Machiavelli, victory was the supreme aim to which all other considerations must be subordinated. The Art of War is far from an anachronism--its pages outline fundamental questions that theorists of war continue to examine today, making it essential reading for any student of military history or strategy. Newly designed and typeset in a modern 6-by-9-inch format by Waking Lion Press.

Written while Machiavelli was in exile for allegedly plotting against the Medici clan, "The Mandrake" or "Mandragola" details the corruption of Italian society in a series of increasingly comical scenes that culminate in the cuckolding of a powerful Florentine aristocrat. The author depicts human nature just as he has come to know it, and the sinister fruits of his studies have delighted audiences to this day, for we recognize our own failures in Machiavelli’s creations--characters too quick to compromise personal ethics in order to accommodate a corrupt and demeaning world, too easily persuaded to lie, cheat, swindle, and deceive, or close their eyes to deception, in order to ensure some small improvement in their miserable lives, always espousing the mantra that "the end justifies the means." "The Mandrake" is a powerful comic treatise on immorality, a diagnosis of cultural disease, and perhaps the finest surviving example of the Italian Renaissance comedy of intrigue.

For the first time ever, three of the greatest treatises on politics and war ever written, in one beautiful volume.******This book contains the complete texts of Machiavelli''s The Prince and Jomini''s The Art of War, and an abridged version of On War by Cl

Albeit the jealous temper of mankind, ever more disposed to censure than to praise the work of others, has constantly made the pursuit of new methods and systems no less perilous than the search after unknown lands and seas; nevertheless, prompted by that desire which nature has implanted in me, fearlessly to undertake whatsoever I think offers a common benefit to all, I enter on a path which, being hitherto untrodden by any, though it involve me in trouble and fatigue, may yet win me thanks from those who judge my efforts in a friendly spirit. And although my feeble discernment, my slender experience of current affairs, and imperfect knowledge of ancient events, render these efforts of mine defective and of no great utility, they may at least open the way to some other, who, with better parts and sounder reasoning and judgment, shall carry out my design; whereby, if I gain no credit, at all events I ought to incur no blame.

"Political and philosophical commentaries on the republic of ancient Rome from the Renaissance author of The Prince. In Discourses, Italian statesman, philosopher, and writer Niccolò Machiavelli offers a wide-ranging analysis of the democratic underpinnings of the Roman Republic, based on the epic history written by Roman scholar Titus Livy. Focusing on "a republic as the best way to secure the long term stability of states . . . the various discourses contain observations about aspects of governance, political powers, state safety, corruption, and the expansion of powers. They analyze types of governments and how they change over time from both internal and external pressures. The observations provide significant insights into our world today""

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Art of War is a treatise by the Italian Renaissance political philosopher and historian Niccolò Machiavelli. The format of The Art of War is a socratic dialogue.

Severin is so infatuated with Wanda that he requests to be treated as her slave and encourages her to treat him in progressively more degrading ways. At first Wanda does not want to, but later embraces the idea; though at the same time, she disdains Severin for allowing her to do so. Severin describes his feelings during these experiences as suprasensuality. Wanda treats him brutally as a servant, and recruits a trio of African women to dominate him. The relationship arrives at a crisis point when Wanda herself meets a man to whom she would like to submit. Severin, humiliated by Wanda''s new lover, ceases to desire to submit, stating that men should dominate women until the time when women are equal to men in education and rights. Probably the first book which blatantly addresses the issue of female sexual domination, this is today a classic of the genre and it is the author from whom the word masochism takes its name. (less)

It appears, dearest Zanobi and Luigi, a wonderful thing to those who have considered the matter, that all men, or the larger number of them, who have performed great deeds in the world, and excelled all others in their day, have had their birth and beginning in baseness and obscurity; or have been aggrieved by Fortune in some outrageous way. They have either been exposed to the mercy of wild beasts, or they have had so mean a parentage that in shame they have given themselves out to be sons of Jove or of some other deity. It would be wearisome to relate who these persons may have been because they are well known to everybody, and, as such tales would not be particularly edifying to those who read them, they are omitted. I believe that these lowly beginnings of great men occur because Fortune is desirous of showing to the world that such men owe much to her and little to wisdom, because she begins to show her hand when wisdom can really take no part in their career: thus all success must be attributed to her. Castruccio Castracani of Lucca was one of those men who did great deeds, if he is measured by the times in which he lived and the city in which he was born; but, like many others, he was neither fortunate nor distinguished in his birth, as the course of this history will show.

DigiCat presents to you this meticulously edited collection of essential works to read, prepared by Dr. Eliot, the longest running president of the Harvard University: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton''s Prose, Browne V. 4 Complete Poems by John Milton V. 5: Essays & English Traits by Emerson V. 6: Poems and Songs by Robert Burns V. 7: The Confessions of Saint Augustine & The Imitation of Christ V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Lives of the Noble Grecians and Romans V. 13: Aeneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: The Thousand and One Nights V. 17: Folklore & Fable: Aesop, Grimm & Andersen V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke: French Revolution... V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27: English Essays: Sidney to Macaulay V. 28: Essays: English and American V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prefaces and Prologues to Famous Books V. 40: English Poetry 1: from Chaucer to Gray V. 41: English Poetry 2: from Collins to Fitzgerald V. 42: English Poetry 3: from Tennyson to Whitman V. 43: American Historical Documents V. 44: Sacred Writings 1: Confucian, Hebrew & Christian V. 45: Sacred Writings 2: Christian, Buddhist, Hindu & Mohammedan V. 46: Elizabethan Drama 1: Marlowe & Shakespeare V. 47: Elizabethan Drama 2: Dekker, Jonson, Webster, Massinger, Beaumont and Fletcher V. 48: Thoughts, Letters & Minor Works of Pascal V. 49: Epic and Saga V. 50: The Editor''s Introduction & Reader''s Guide V. 51: Lectures

The Complete Harvard Classics - All 51 Volumes in One Edition stands as a monumental anthology that intricately weaves the profound tapestry of Western thought. Within its extensive bounds lie the myriad voices of the West''Äôs most illustrious thinkers, dramatists, poets, and philosophers. From the philosophical musings of Plato and Descartes to the poetic eloquence of Dante and Shakespeare, this collection avails an unparalleled voyage through time and discipline. While each volume contains seminal works that have shaped the contours of literature, science, and moral philosophy, certain pieces ''Äî such as the storytelling prowess evident in traditional fables and epistles ''Äî showcase the evolution and diversity of literary style that defines the anthology''Äôs significance. The contributing figures in this anthology span centuries, continents, and intellectual movements, offering a panoramic view of the human experience as translated through various eras. Editors with the vision of crafting a seamless interplay of intellect imbue the collection with a unifying thread of brilliance. The compendium incorporates the Age of Enlightenment, Renaissance humanism, Romanticism, and early scientific inquiry, among others, guided by trailblazers who have shaped cultures and ideologies. This convergence of historical and cultural backgrounds promises the reader an enriched understanding of humanity''Äôs collective quest for knowledge. For learners and scholars alike, The Complete Harvard Classics is an indispensable resource, compacting the breadth of human wisdom into a singular entity. Beyond its scholarly appeal, it presents an invitation to discern the connections across epochs and the dialogue between disparate philosophies and perspectives. The anthology encourages devout exploration of its depths, promising revelations about past wisdom and its implications on contemporary life. As a bastion of educational value, this tome fosters intellectual engagement and prompts readers to ponder the timelessness of the human spirit''s inquisitive nature.

The original Harvard Classics Collection contains 51 volumes of the essential works of world literature, showing the progress of man from antics to modern age. In this edition, the original collection is supplemented with the 20 volume Harvard Shelf of Fiction, a selection of the greatest works of fiction. Content: The Harvard Classics: V. 1: Franklin, Woolman & Penn V. 2: Plato, Epictetus & Marcus Aurelius V. 3: Bacon, Milton, Browne V. 4: John Milton V. 5: R. W. Emerson V. 6: Robert Burns V. 7: St Augustine & Thomas á Kempis V. 8: Nine Greek Dramas V. 9: Cicero and Pliny V. 10: The Wealth of Nations V. 11: The Origin of Species V. 12: Plutarchs V. 13: Æneid V. 14: Don Quixote V. 15: Bunyan & Walton V. 16: 1001 Nights V. 17: Folklore & Fable V. 18: Modern English Drama V. 19: Goethe & Marlowe V. 20: The Divine Comedy V. 21: I Promessi Sposi V. 22: The Odyssey V. 23: Two Years Before the Mast V. 24: Edmund Burke V. 25: J. S. Mill & T. Carlyle V. 26: Continental Drama V. 27 & 28: English & American Essays V. 29: The Voyage of the Beagle V. 30: Scientific Papers V. 31: The Autobiography of Benvenuto Cellini V. 32: Literary and Philosophical Essays V. 33: Voyages & Travels V. 34: French & English Philosophers V. 35: Chronicle and Romance V. 36: Machiavelli, Roper, More, Luther V. 37: Locke, Berkeley, Hume V. 38: Harvey, Jenner, Lister, Pasteur V. 39: Prologues V. 40–42: English Poetry V. 43: American Historical Documents V. 44 & 45: Sacred Writings V. 46 & 47: Elizabethan Drama V. 48: Blaise Pascal V. 49: Saga V. 50: Reader''s Guide V. 51: Lectures The Shelf of Fiction: V. 1 & 2: The History of Tom Jones V. 3: A Sentimental Journey & Pride and Prejudice V. 4: Guy Mannering V. 5 & 6: Vanity Fair V. 7 & 8: David Copperfield V. 9: The Mill on the Floss V. 10: Irving, Poe, Harte, Twain, Hale V.11: The Portrait of a Lady V. 12: Notre Dame de Paris V. 13: Balzac, Sand, de Musset, Daudet, de Maupassant V. 14 & 15: Goethe, Keller, Storm, Fontane V. 16–19: Tolstoy, Dostoevsky, Turgenev V. 20: Valera, Bjørnson, Kielland

Niccolo Machiavelli was born in Florence on May 3rd, 1469 during a time of great political activity in Italy. His first role in political affairs came at the young age of 29 when the ruling regime of Savonarola fell from power in his native city. Though he had no previous administrative background, Machiavelli was appointed to serve as the second chancellor of the Florentine Republic under the new government. His nomination to this powerful diplomatic post was in large part due to the influence of the Italian humanists, who stressed the need for education in the "humane disciplines" of Latin, rhetoric, classical studies, ancient history and moral philosophy - subjects in which Machiavelli excelled as a student.

Translated by Luigi Ricci, Revised by E.R.P. Vincent, Introduction by Max Lerner

The Art of War (Italian: Dell''arte della guerra) is a treatise by the Italian Renaissance political philosopher and historian Niccolò Machiavelli. The format of The Art of War is a socratic dialogue. The purpose, declared by Lord Fabrizio Colonna (perhaps Machiavelli''s persona) at the outset, "To honor and reward virtù, not to have contempt for poverty, to esteem the modes and orders of military discipline, to constrain citizens to love one another, to live without factions, to esteem less the private than the public good." To these ends, Machiavelli notes in his preface, the military is like the roof of a palazzo protecting the contents. Written between 1519 and 1520 and published the following year, it was Machiavelli''s only historical or political work printed during his lifetime, though he was appointed official historian of Florence in 1520 and entrusted with minor civil duties.

Political and philosophical commentaries on the republic of ancient Rome from the Renaissance author of The Prince. In Discourses, Italian statesman, philosopher, and writer Niccolò Machiavelli offers a wide-ranging analysis of the democratic underpinnings of the Roman Republic, based on the epic history written by Roman scholar Titus Livy. Focusing on "a republic as the best way to secure the long term stability of states . . . the various discourses contain observations about aspects of governance, political powers, state safety, corruption, and the expansion of powers. They analyze types of governments and how they change over time from both internal and external pressures. The observations provide significant insights into our world today"