New Releases by Paul Fussell

Paul Fussell s award-winning landmark study of World War I, originally published in 1975, remains as original and gripping today as ever but now, for the first time, his literary and illuminating account comes in a beautifully illustrated edition. World War I changed a generation, ushered in the modern era, and revolutionized how we see the world. By drawing from a variety of primary sources including personal correspondence, newspapers, and literary works Fussell brings the period alive. Not only does he give us a more profound understanding of what the Great War meant to the people who lived through it, he also analyzes our modern perception of its impact. The wide selection of rare and fascinating images (approximately 160 of them) includes photographs, illustrations, and maps from period books, magazines, newspapers, advertisements, and other publications. Not only do they heighten the impact of Fussell s remarkable critical interpretation, they help us fully grasp the true scope of this aptly named and catastrophic war.

The Boys’ Crusade is the great historian Paul Fussell’s unflinching and unforgettable account of the American infantryman’s experiences in Europe during World War II. Based in part on the author’s own experiences, it provides a stirring narrative of what the war was actually like, from the point of view of the children—for children they were—who fought it. While dealing definitively with issues of strategy, leadership, context, and tactics, Fussell has an additional purpose: to tear away the veil of feel-good mythology that so often obscures and sanitizes war’s brutal essence. “A chronicle should deal with nothing but the truth,” Fussell writes in his Preface. Accord-ingly, he eschews every kind of sentimentalism, focusing instead on the raw action and human emotion triggered by the intimacy, horror, and intense sorrows of war, and honestly addressing the errors, waste, fear, misery, and resentments that plagued both sides. In the vast literature on World War II, The Boys’ Crusade stands wholly apart. Fussell’s profoundly honest portrayal of these boy soldiers underscores their bravery even as it deepens our awareness of their experiences. This book is both a tribute to their noble service and a valuable lesson for future generations.

Presents a series of anecdotes that tell the history and meaning of American uniforms, identifying their cultural significance in terms of how uniforms unite and divide people as well as how they vary throughout the world.

Fussell writes about an idyllic boyhood shattered by World War II - and the way the war experience changed his perspective on everything that came before and after. His life began in Pasadena, California, a pastoral middle-class sanctuary almost untouched by the Great Depression. He went as an innocent to nearby Pomona College, where he learned about drink and women, and spent afternoons marching on the football field with the ROTC. And then, when the United States entered World War II, the spell was broken. At nineteen he joined the army and began the central event of his life. He endured basic training, became a second lieutenant in the infantry, and, leading his platoon into battle, was seriously wounded. When he recovered, he vowed never to take orders again. His newly subversive sensibility would color all his later years, as a Harvard Ph. D. student, as a professor of literature, and as one of America''s most distinguished commentators on twentieth-century life.

This book describes the living-room artifacts, clothing styles, and intellectual proclivities of American classes from top to bottom.

Author focuses on the death of American sensibility and taste and how Americans are timid in relying on their own tastes and instinct.

Winner of both the National Book Award for Arts and Letters and the National Book Critics Circle Award for Criticism, Paul Fussell''s The Great War and Modern Memory was one of the most original and gripping volumes ever written about the First World War. Frank Kermode, in The New York Times Book Review, hailed it as "an important contribution to our understanding of how we came to make World War I part of our minds," and Lionel Trilling called it simply "one of the most deeply moving books I have read in a long time." In its panaramic scope and poetic intensity, it illuminated a war that changed a generation and revolutionized the way we see the world. Now, in Wartime, Fussell turns to the Second World War, the conflict he himself fought in, to weave a narrative that is both more intensely personal and more wide-ranging. Whereas his former book focused primarily on literary figures, on the image of the Great War in literature, here Fussell examines the immediate impact of the war on common soldiers and civilians. He describes the psychological and emotional atmosphere of World War II. He analyzes the euphemisms people needed to deal with unacceptable reality (the early belief, for instance, that the war could be won by "precision bombing," that is, by long distance); he describes the abnormally intense frustration of desire and some of the means by which desire was satisfied; and, most important, he emphasizes the damage the war did to intellect, discrimination, honesty, individuality, complexity, ambiguity and wit. Of course, no Fussell book would be complete without some serious discussion of the literature of the time. He examines, for instance, how the great privations of wartime (when oranges would be raffled off as valued prizes) resulted in roccoco prose styles that dwelt longingly on lavish dinners, and how the "high-mindedness" of the era and the almost pathological need to "accentuate the positive" led to the downfall of the acerbic H.L. Mencken and the ascent of E.B. White. He also offers astute commentary on Edmund Wilson''s argument with Archibald MacLeish, Cyril Connolly''s Horizon magazine, the war poetry of Randall Jarrell and Louis Simpson, and many other aspects of the wartime literary world. Fussell conveys the essence of that wartime as no other writer before him. For the past fifty years, the Allied War has been sanitized and romanticized almost beyond recognition by "the sentimental, the loony patriotic, the ignorant, and the bloodthirsty." Americans, he says, have never understood what the Second World War was really like. In this stunning volume, he offers such an understanding.

"This is not a book to promote tranquility, and readers in quest of peace of mind should look elsewhere," writes Paul Fussell in the foreword to this original, sharp, tart, and thoroughly engaging work. The celebrated author focuses his lethal wit on habitual euphemizers, artistically pretentious third-rate novelists, sexual puritans, and the "Disneyfiers of life". He moves from the inflammatory title piece on the morality of dropping the bomb on Hiroshima to a hilarious disquisition on the "naturist movement", to essays on the meaning of the Indy 500 race, on George Orwell, and on the shift in men''s chivalric impulses toward their mothers. Fussell''s "frighteningly acute eye for the manners, mores, and cultural tastes of Americans" (The New York Times Book Review) is abundantly evident in this entertaining dissection of the enemies of truth, beauty, and justice

A book about the meaning of travel, about how important the topic has been for writers for two and a half centuries, and about how excellent the literature of travel happened to be in England and America in the 1920s and 30s.

"This book might be required reading for all students of poetry because it makes wonderfully clear the relationship of metrics to the formal achievement of meaning ... Fussell''s command of his subject and his never-failing common sense will guarantee ... enrichment for anyone who takes the time to read this book."--Frank Lentricchia, Jr., PoetryDonated by Prabu Vasan.