New Releases by Penelope Fitzgerald

Nouvelle édition de l'ouvrage paru en 2006 sous le titre L'affaire Lolita

Basada en las propias vivencias de la autora como profesora de niños actores en la escuela de teatro Italia Conti de Londres, Penelope Fitzgerald narra la historia de un elenco de personajes inolvidables que se asoman a la escena del Swinging London, y coquetean con el final de una época. Es la década de 1960 y todos los teatros del West End de Londres se dirigen a Freddie Wentworth, la excéntrica propietaria de la Temple Stage School, en busca de los mejores niños actores de su escuela. De edad y origen desconocidos, Freddie es todo un enigma. Se ha convertido a sí misma en una institución gracias a la fuerza de su carácter, y ha hecho de su escuela un símbolo nacional, a pesar de que lleva años cayéndose a pedazos. No obstante, los tiempos cambian y la transformación cultural de la ciudad hace que ni siquiera la titánica Freddie se vea capaz de mantener su influencia. Penelope Fitzgerald conjuga el humor y la belleza en esta gran novela que retrata a los seres humanos cuando lo han perdido todo, salvo, quizá, la esperanza de sobrevivir. CRÍTICAS «Una joya de libro.» —Daily Mail «Absorbente. Impredecible.» —The Times «La escuela de Freddie es una historia hábilmente construida, lacónica y de un ingenio nítido y conciso.» —The Guardian «Una novela elegante, maravillosa e instantáneamente inolvidable.» —The New York Times Book Review «¿Qué se puede decir de un libro tan virtuoso como este? Es imposible que no te guste: el dialogo y la narración alcanzan unas cotas intrincadas y serpenteantes, a la vez que agotadoras y oscuras.» —Roxana Robinson. The New York Times «Fiztgerald es una escritora hábil, ágil, que muestra el don inglés de la subestimación. Sus acertadas frases se lanzan de forma casual; su humor nos llega con ligereza. La escuela de Freddie es una novela intrigante hasta el final.» —The Washington Post

This "classically plotted British mystery" by the Booker Prize-winning author of The Blue Flower is "leavened by a wicked sense of rapier-like humor" ( The New York Times Book Review). In The Golden Child, Penelope FitzGerald combines a deft comedy of manners with a tense mystery set in London's most refined institution: the Museum. When the glittering treasure of ancient Garamantia—the Golden Child—is delivered, the Museum is guaranteed an exhibition as popular as King Tut. But soon a web of intrigue tightens around the Museum's personnel, especially the hapless junior officer Waring Smith. Then, while prowling the halls one night, Waring is nearly strangled. Two suspicious deaths ensue. And as a murderous conspiracy is traced all the way to the Kremlin, only the cryptic hieroglyphics of the Garamantes can bring an end to the mayhem. Along the way, everyone from art critics to the police and "a few nicely Wodehousian oddballs" fall under Fitzgerald's mercilessly satirical eye ( Kirkus).

»Was ich gesucht, habe ich gefunden, / Was ich fand, das fand auch mich. « Friedrich von Hardenberg, besser bekannt als Novalis, ist 22, als er Sophie von Kühn erstmals trifft – eine Viertelstunde, die über sein Leben entschieden hat, wie er später seinem Bruder gestehen wird. Hals über Kopf hat er sich verliebt und verlobt sich schon bald mit »Söphgen«. Für den romantischen Dichter ist die viel Jüngere seine blaue Blume, die Verkörperung seiner Poesie und all seiner Sehnsucht. Doch das Glück steht unter keinem guten Stern: Sophie erkrankt an Tuberkulose ... Penelope Fitzgerald erzählt die dramatische Liebesgeschichte des Paares, dessen Schicksal bis heute berührt, und sie zeigt Novalis in einem neuen Licht.

Penelope Fitzgerald's final masterpiece. One of the ten books - novels, memoirs and one very unusual biography - that make up our Matchbook Classics' series, a stunningly redesigned collection of some of the best loved titles on our backlist.

Lo scrittore e saggista inglese Sebastian Faulks ha descritto in modo persuasivo l’esperienza donata da un libro della Fitzgerald: «Leggere un romanzo di Penelope Fitzgerald è come salire su un’automobile per una corsa un po’ speciale. Ogni cosa è al massimo della qualità – il motore, la carrozzeria, gli interni, tutto vi dà un senso di affidamento. Poi, dopo qualche chilometro, qualcuno scaglia il volante fuori dal finestrino». L’impressione può estendersi immediatamente ai suoi racconti. Ne scrisse pochi preferendo la forma romanzo, composti per occasioni e riviste e questa raccolta, pubblicata postuma, li riunisce quasi tutti. Spesso, come scrive Masolino D’Amico nell’Introduzione, sembrano contenere un intero romanzo compresso, tanta è la ricchezza di temi e personaggi.

«Penelope Fitzgerald... è brava, ironica, preziosa, capace di far divorare i suoi libri con fame leggera anche se non succede quasi nulla se non un fluire spiritoso della vita, spesso di eccentricità molto inglese» (Natalia Aspesi, La Repubblica).

Il chiacchiericcio inesauribile in cui consiste la vita vera e un talento per renderlo puro godimento narrativo, ironico, sagace, di impareggiabile umorismo. Vincitore del Booker Prize.

Penelope Fitzgerald, the Booker Prize-winning author of ‘Offshore’ and ‘The Blue Flower’, turns her attention to the remarkable life of the Pre-Raphaelite artist Edward Burne-Jones.

Here is a biography whose eccentric genius perfectly matches that of its subjects. Penelope Fitzgerald tells the lives of four extraordinary Englishmen–her father and his brothers–with style and wit. Here is the story of a deeply fascinating family mind, shared by four brothers and passed along to their remarkable biographer.

La joven Chiara Ridolfi acaba de salir del colegio inglés en el que ha pasado su infancia. Al llegar a Florencia, donde viven su padre y su tía, descendientes de una antigua familia de nobles italianos ahora venida a menos, se enamora perdidamente del doctor Salvatore Rossi, un hombre recio, hecho a sí mismo y con una inmensa conciencia de clase. Pero a partir de su primer encuentro, en un concierto para violín de Brahms, el mundo parece confabularse para que sientan que todo se interpone en su camino. El carácter de ambos, insegura ella e inflexible él, ayuda a hacer de su vida algo insoportable. Hasta que alguien decide adoptar una medida sorprendente y extrema, fruto de una peculiaridad ancestral del temperamento familiar. Penelope Fitzgerald, autora de "La librería" y "El inicio de la primavera", vuelve con una novela inteligentísima y tremendamente seductora, que nos recuerda a una comedia de Shakespeare y que crea un universo real y completo, casi tangible, en el que es posible encontrar un auténtico prodigio tras cada esquina.

As well as bringing to life the people and places of Fitzgerald's life and times, this collection is bound to be fantastically funny - as entertaining as the Kingsley Amis letters - and shot through with the intelligence and insight for which she was renowned.

WITH AN INTRODUCTION BY HERMIONE LEE The previously uncollected occasional prose of a great English writer - full of wit, feeling and illumination. Penelope Fitzgerald was a prolific letter writer. She avoided the phone if she could, never even contemplated the possibility of going online. Her warmth, humour and supreme storytelling abilities found their best forum here. Surprising, wonderfully funny, definitive, this is a major collection of Penelope Fitzgerald's reviews, essays and autobiographical writings. This collection includes pieces on contemporary novelists Giles Foden, Anne Enright, Carol Shields, Rose Tremain, Roddy Doy≤ on classic writers Muriel Spark, A.E. Housman, Rose Macaulay, M.R. James, Stevie Smith, Dorothy L. Sayers; on remembering her grandfather E.H. Shepard; on her love of Devon and Spain and William Morris: on writers in their old a≥ and witty and poignant recollections of her schooldays, her life on a Thames barge, her childhood in Hampstead and the ghost who lived next door but one. This is a fantastically funny book - as much of an entertainment as the Kingsley Amis letters.

A posthumous collection of literary essays explores the "afterlife" of the writing community, defined as a legacy experienced in the minds and hearts of their readers; in a volume that includes introductions to major works of literature, reviews of fellow authors, and explorations of lesser-known writers. From the late novelist and biographer Penelope Fitzgerald, a collection of essays-almost all of them unknown to her countless American admirers-on books, travel, and her own life and work. A good book, wrote John Milton, is the precious life-blood of a master-spirit, embalmed and treasured up on purpose to a life beyond life. In this generous posthumous collection of her literary essays and reviews, Penelope Fitzgerald celebrates the life beyond life of dozens of master-spirits--their afterlife not only in the pages of their works but in the minds of their readers, critics, and biographers. Here are Fitzgerald's brilliant introductions to the classics--Jane Austen's Emma, George Eliot's Middlemarch, the works of Mrs. Oliphant--as well as considerations of recent novels by Barbara Pym, Carol Shields, Roddy Doyle, and Amy Tan. Here too are reviews of several late-twentieth-century literary biographies, including Richard Holmes's Coleridge, A. N. Wilson's C. S. Lewis, and Martin Stannard's Evelyn Waugh-reviews that together form a memorable criticism both of life and the art of life-writing.

After publishing her first novel in 1977 at the age of sixty-one, Penelope Fitzgerald (1916-2000) went on to become one of the most remarkable and highly acclaimed English writers of the last century. Each of the three novels gathered here vividly and unforgettably conjures up an entire world. The Booker Prize-winning novel Offshore limns the marginal existence of an eccentric assortment of barge dwellers on the Thames in the early 1960s, a group of misfits who are drawn to life on the muddy river in exile from the world of the landlocked. Human Voices takes us behind the scenes at the BBC during World War II, as world-weary directors and nubile young assistants attempt to save Britain’s heritage and keep Britons calm in the face of a feared German invasion. In The Beginning of Spring, a struggling English printer living in Moscow in 1913 is abandoned by his wife and left alone to care for his three young children in the face of the impending revolution. Fitzgerald is a genius of the relevant detail and the deftly sketched context, and these narrative gems are marvels of compassion, wit, and piercing insight.

With the death of Penelope Fitzgerald this year, the literary world lost one of its finest, most original, and most beloved authors. Fitzgerald began her writing career at age sixty and wrote eight remarkable novels in rapid succession over the next twenty years. Completed just before her death, THE MEANS OF ESCAPE is Fitzgerald's first new book since the best-selling THE BLUE FLOWER. Never before have her short stories been collected in book form, and none of them has ever appeared in the United States. THE MEANS OF ESCAPE showcases this incomparable author at her most intelligent, her funniest, her best. Like her novels, these brilliant stories are miniature studies of the endless absurdity of human behavior. Concise, comic, biting, and mischievous, they are vintage Fitzgerald. Roaming the globe and the ages, the stories travel from England to France to New Zealand and from today to the seventeenth century. Uniting them is a universal theme: the shifting balance between those who are in positions of power--by wealth, status, or class--and those who, deceptively, are not. THE MEANS OF ESCAPE memorializes a life and a writer guided by a generous but unwavering moral gaze.

Este segundo romance de Penelope Fitzgerald foi o primeiro a figurar entre os finalistas do Booker Prize. O cenário é uma pequena cidade costeira da East Anglia, onde Florence Green, enfrentando a cortês mas implacável oposição local, decide abrir uma livraria. Hardborough torna-se um campo de batalha, como acontece facilmente com as cidades pequenas. Florence tenta mudar a maneira como as coisas sempre foram feitas e, como resultado, tem de enfrentar não apenas as pessoas que se fazem de importantes, mas também forças naturais e até mesmo sobrenaturais. Esta é uma história para todos que se sentem tratados pela vida de uma forma menos justa que a merecida.

Fitzgerald writes a story about the formidable proprietress of "Freddie's, " the Temple Stage School, which provides child actors for London's West End theaters, a promising child actor and his rival, and a man with wicked plans to rescue Freddie's from insolvency.

In 1912, rational Fred Fairly, one of Cambridge's best and brightest, crashes his bike and wakes up in bed with a stranger--fellow casualty Daisy Saunders, a charming, pretty, working-class nurse. So begins a series of complications--not only of the heart but also of the head--as Fred and Daisy take up each other's education and turn each other's philosophies upside-down.

Beautiful Chiara is the last of the Ridolfi, a Florentine family of long lineage and eccentric habits. She is smitten with Salvatore, a brilliant but penniless doctor, a rational man who wants nothing to do with romance. This is the story of how these two--with the best intentions, the kindest of instincts, and the most meddlesome of friends--make each other wonderfully miserable inside.

From the author of "The Blue Flower" comes a comic study of stiff upper lip in the face of small-town nastiness--"a perfect little gem" ("BBC Kaleidoscope"). "A marvelously piercing fiction".--"Times Literary Supplement".

Ce roman relate le grand amour de jeunesse de Fritz von Hardenberg, brillant étudiant en dialectique et mathématiques, plus tard connu sous le nom de Novalis, philosophe et poéte romantique, pour une fillette de douze ans...