New Releases by Peter Carey

Peter Carey''s two Booker Prize-winning novels, in one handsome hardcover volume. Oscar and Lucinda is a sweeping, irrepressibly inventive novel set in nineteenth-century Australia. Oscar, a nervous Anglican minister who gambles on the instructions of the Divine, joins forces with Lucinda, a teenaged heiress who buys a glassworks to help liberate her sex. The resulting narrative tangle of love, commerce, religion, and colonialism culminates in a half-mad expedition to transport a glass church across the Outback. In True History of the Kelly Gang, the legendary Australian outlaw Ned Kelly speaks for himself, scribbling his narrative in semiliterate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, but to his own people he is a hero defying the authority of the English. In a dazzling act of ventriloquism, Peter Carey brings the famous bushranger wildly and passionately to life.

For the first time, Booker Prize-winner Peter Carey''s dazzling stories are gathered in one volume. Bound together with his critically acclaimed collection, The Fat Man in History, are seventeen fantastic and disturbing tales previously unpublished in Canada. In each one Carey reveals the surreal within the ordinary. A man begins peeling off his girlfriend''s clothes and then layers of her skin to discover another person underneath. A lone soldier who is guarding a fence that runs across the desert forgets which side is which. A mild-mannered architect, fearing that his lover will leave him because he is too ordinary, plots to steal a drug-dealer''s secret cache. Collected Stories is a testament to Carey''s remarkable imagination and his exceptional achievements in the short-story form.

The two-time Booker Prize winner now gives us an exceedingly timely, exhilarating novel—at once dark, suspenseful, and seriously funny—that journeys to the place where the cyber underworld collides with international power politics. When Gaby Baillieux releases the Angel Worm into Australia’s prison computer system, hundreds of asylum-seekers walk free. And because the Americans run the prisons (let’s be honest: as they do in so many parts of her country) the doors of some five thousand jails in the United States also open. Is this a mistake, or a declaration of cyber war? And does it have anything to do with the largely forgotten Battle of Brisbane between American and Australian forces in 1942? Or with the CIA-influenced coup in Australia in 1975? Felix Moore, known to himself as “our sole remaining left-wing journalist,” is determined to write Gaby’s biography in order to find the answers—to save her, his own career, and, perhaps, his country. But how to get Gaby—on the run, scared, confused, and angry—to cooperate? Bringing together the world of hackers and radicals with the “special relationship” between the United States and Australia, and Australia and the CIA, Amnesia is a novel that speaks powerfully about the often hidden past—but most urgently about the more and more hidden present.

An automaton, a man and a woman who can never meet, two stories of love—all are brought to incandescent life in this hauntingly moving novel from one of the finest writers of our time. London 2010: Catherine Gehrig, conservator at the Swinburne museum, learns of the sudden death of her colleague and lover of thirteen years. As the mistress of a married man, she must struggle to keep the depth of her anguish to herself. The one other person who knows Catherine’s secret—her boss—arranges for her to be given a special project away from prying eyes in the museum’s Annexe. Usually controlled and rational, but now mad with grief, Catherine reluctantly unpacks an extraordinary, eerie automaton that she has been charged with bringing back to life. As she begins to piece together the clockwork puzzle, she also uncovers a series of notebooks written by the mechanical creature’s original owner: a nineteenth-century Englishman, Henry Brandling, who traveled to Germany to commission it as a magical amusement for his consumptive son. But it is Catherine, nearly two hundred years later, who will find comfort and wonder in Henry’s story. And it is the automaton, in its beautiful, uncanny imitation of life, that will link two strangers confronted with the mysteries of creation, the miracle and catastrophe of human invention, and the body’s astonishing chemistry of love and feeling.

For thirty-nine years Harry Joy has been the quintessential good guy. But one morning Harry has a heart attack on his suburban front lawn, and, for the space of nine minutes, he becomes a dead guy. And although he is resuscitated, he will never be the same. For, as Peter Carey makes abundantly clear in this darkly funny novel, death is sometimes a necessary prelude to real life. Part The Wizard of Oz, part Dante''s Inferno, and part Australian Book of the Dead, Bliss is a triumph of uninhibited storytelling from a writer of extravagan gifts.

Peter Carey''s novel of the undeclared love between clergyman Oscar Hopkins and the heiress Lucinda Leplastrier is both a moving and beautiful love story and a historical tour de force set in Victorian times. Made for each other, the two are gamblers - one obsessive, the other compulsive - incapable of winning at the game of love. Oscar and Lucinda is now available as a Faber Modern Classics edition.

In Australian slang, an illywhacker is a country fair con man, an unprincipled seller of fake diamonds and dubious tonics. And Herbert Badgery, the 139-year-old narrator of Peter Carey''s uproarious novel, may be the king of them all. Vagabond and charlatan, aviator and car salesman, seducer and patriarch, Badgery is a walking embodiment of the Australian national character—espcially of its proclivity for tall stories and barefaced lies. As Carey follows this charming scoundrel across a continent and a century, he creates a crazy quilt of outlandish encounters, with characters that include a genteel dowager who fends off madness with an electric belt and a ravishing young girl with a dangerous fondness for rooftop trysts. Boldly inventive, irresistibly odd, Illywhacker is further proof that Peter Carey is one of the most enchanting writers at work in any hemisphere.

The Booker Prize-winning author of Oscar and Lucinda and The Tax Inspector now gives readers a hero, the malformed but ferociously wilful Tristan Smith, who becomes the object of the world''s byzantine political intrigues, even as he attains stardom in a bizarre Sirkus that is part passion play and part Mortal Kombat.

Following the triumph of his Booker Prize–winning True History of the Kelly Gang, Peter Carey ventures into the Far East with a novel shot through with mysteries at once historical, literary, and personal. Sarah Wode-Douglass, the editor of a London poetry magazine, had grown up knowing the famous and infamous John Slater. And because he figured prominently in the disaster that was her parents’ marriage, when Slater proposes that she accompany him to Malaysia, Sarah embarks out of curiosity on a journey that becomes, instead, a lifelong obsession. Her discoveries spiral outward from Christopher Chubb, a destitute Australian she meets by chance in the steamy, fetid city of Kuala Lumpur. He is mad, Slater warns her, explaining the ruinous hoax Chubb had committed decades earlier. But lurking behind the man’s peculiarity and arrogance, Sarah senses, is artistic genius, in the form of a manuscript he teases her with and which she soon would do anything to acquire. The provenance of this work, she gradually learns, is marked by kidnapping, exile, and death — a relentless saga that reaches from Melbourne to Bali, Sumatra, and Java, and that more than once compels her back to Malaysia without ever disclosing all of its secrets, only the power of the imagination and the price it can exact from those who would wield it. Astonishing, mesmerizing, and ultimately shocking, My Life as a Fake is the most audacious novel yet in Peter Carey’s extraordinary career.

Parrot and Olivier in America has been shortlisted for the 2010 Man Booker Prize. From the two-time Booker Prize–winning author comes an irrepressibly funny new novel set in early nineteenth-century America. Olivier—an improvisation on the life of Alexis de Tocqueville—is the traumatized child of aristocratic survivors of the French Revolution. Parrot is the motherless son of an itinerant English printer. They are born on different sides of history, but their lives will be connected by an enigmatic one-armed marquis. When Olivier sets sail for the nascent United States—ostensibly to make a study of the penal system, but more precisely to save his neck from one more revolution—Parrot will be there, too: as spy for the marquis, and as protector, foe, and foil for Olivier. As the narrative shifts between the perspectives of Parrot and Olivier, between their picaresque adventures apart and together—in love and politics, prisons and finance, homelands and brave new lands—a most unlikely friendship begins to take hold. And with their story, Peter Carey explores the experiment of American democracy with dazzling inventiveness and with all the richness and surprise of characterization, imagery, and language that we have come to expect from this superlative writer.

When Peter Carey offered to take his son to Japan, 12-year-old Charley stipulated no temples or museums. He wanted to see manga, anime, and cool, weird stuff. His father said yes. Out of that bargain comes this enchanting tour of the mansion of Japanese culture, as entered through its garish, brightly lit back door. Guided–and at times judged–by an ineffably strange boy named Takashi, the Careys meet manga artists and anime directors, the meticulous impersonators called “visualists,” and solitary, nerdish otaku. Throughout, the Booker Prize-winning novelist makes observations that are intriguing even when–as his hosts keep politely reminding him–they turn out to be wrong. Funny, surprising, distinguished by its wonderfully nuanced portrait of a father and son thousands of miles from home, Wrong About Japan is a delight.

Seven-year-old Che Selkirk was raised in isolated privilege by his New York grandmother. The son of radical student activists at Harvard in the late sixties, Che has grown up with the hope that one day his parents will come back for him. So when a woman arrives at his front door and whisks him away to the jungles of Queensland, he is confronted with the most important questions of his life: Who is his real mother? Did he know his real father? And if all he suspects is true, what should he do? In this artful tale of a young boy''s journey, His Illegal Self lifts your spirit in the most unexpected way.

“I lost my own father at 12 yr. of age and know what it is to be raised on lies and silences my dear daughter you are presently too young to understand a word I write but this history is for you and will contain no single lie may I burn in Hell if I speak false.” In True History of the Kelly Gang, the legendary Ned Kelly speaks for himself, scribbling his narrative on errant scraps of paper in semiliterate but magically descriptive prose as he flees from the police. To his pursuers, Kelly is nothing but a monstrous criminal, a thief and a murderer. To his own people, the lowly class of ordinary Australians, the bushranger is a hero, defying the authority of the English to direct their lives. Indentured by his bootlegger mother to a famous horse thief (who was also her lover), Ned saw his first prison cell at 15 and by the age of 26 had become the most wanted man in the wild colony of Victoria, taking over whole towns and defying the law until he was finally captured and hanged. Here is a classic outlaw tale, made alive by the skill of a great novelist.

Michael "Butcher" Boone is an ex-“really famous" painter, now reduced to living in a remote country house and acting as caretaker for his younger brother, Hugh. Alone together they''ve forged a delicate equilibrium, a balance instantly destroyed when a mysterious young woman named Marlene walks out of a rainstorm and into their lives. Beautiful, smart, and ambitious, she''s also the daughter-in-law of the late great painter Jacques Liebovitz. Soon Marlene sets in motion a chain of events that could be the making--or the ruin--of them all.

En forrygende sædeskildring fra victoriatidens England og Australien om en ung teolog, der er grebet af spillelidenskab og hans muntre, grumme og skandaløse oplevelser sammen med en rig veninde

" J'ai perdu mon père à l'âge de 12 ans et je sais ce que c'est d'être élevé dans les mensonges et les silences ma chère fille tu es pour le moment trop jeune pour comprendre un mot de ce que j'écris mais cette histoire est pour toi et ne contiendra pas un seul mensonge que je grille en enfer si je dis faux. " Ainsi écrit le légendaire Ned Kelly, griffonnant son témoignage sur des petits bouts de papier, dans une prose aux fabuleux pouvoirs d'évocation, alors même que la police est à ses trousses. Pour les autorités, Kelly est un voleur et un assassin. Mais pour ses proches, immigrés irlandais sur une terre australienne inhospitalière, le hors-la-loi est un héros qui n'a cessé de défier le pouvoir anglais, aussi arrogant qu'injuste. Vendu par sa mère à un célèbre voleur de chevaux alors qu'il n'était qu'un enfant, Ned a découvert les prisons à l'âge de quinze ans, puis tenté vainement de rentrer dans le droit chemin. À vingt-cinq ans, il est l'homme le plus recherché de la colonie de Victoria, faisant un audacieux pied de nez à la loi - jusqu'au jour de sa capture et de sa pendaison, le 11 novembre 1880. Dans ce western australien tour à tour poignant et comique, écrit dans une langue savoureuse qui rappelle le Mark Twain de Huckleberry Finn, Peter Carey donne une vibrante humanité à Ned Kelly, qui rejoint ici Robin des Bois et Billy the Kid au panthéon des hors-la-loi au grand cœur.

Een man beschrijft in een brief aan zijn dochter hoe hij uitgroeide tot de legendarische negentiende eeuwse Australische volksheld nadat zijn moeder hem verhuurde aan een struikrover.

Carey provides an introduction to all areas of the law relating to print, broadcast and electronic media. This edition includes chapters on IT and the Internet and copyright and moral issues, as well as reflecting recent legislative changes.

In a rapidly changing post-Cost War world, where many age-old conflicts and injustices are at last being put to rights, East Timor stands out as a still unresolved tragedy. In the past twenty years (1975–95), this former Portuguese colony has been under Indonesian military occupation, an occupation responsible for the death of over 200,000 of its inhabitants (a third of its pre-1975 population) and the destruction of much of its indigenous society. Yet, despite enormous odds, the people of East Timor continue to fight for the independence which was denied them in the mid-1970s. Twenty years on, there is now a very real chance for a new beginning in East Timor. This book, which brings together contributions by both East Timorese and Western specialists of East Timor, provides a compelling account of the process by which a once isolated and traditional society has been forged into a nation with a deep sense of its own identity rooted it its unique religious, cultural, linguistic, and historical heritage. Indonesia is at last beginning to realize the cost of Third World colonialism, and its Western allies are becoming less tolerant of its ‘security state’ methods. The last section of this book considers the new diplomatic initiatives which are currently in train, under the auspices of the UN, to bring about a resolution to the Timor problem without jeopardizing the integrity of the Indonesian Republic. An extensive bibliography of titles on East Timor published between 1970 and 1994 will prove especially useful for scholars.

Granny Catchprice runs her family business (and her family) with senility, cunning, and a handbag full of explosives. Her daughter Cathy would rather be singing Country & Western than selling cars, while Benny Catchprice, sixteen and seriously psychopathic, wants to transform a failing auto franchise into an empire—and himself into an angel. Out of the confrontation between the Catchprices and their unwitting nemesis, a beautiful and very pregnant agent of the Australian Taxation Office, Peter Carey, author of Oscar and Lucinda, creates an endlessly surprising and fearfully convincing novel.