Most Popular Books by Rebecca Solnit

The National Book Critics Circle Award–winning author delivers a collection of essays that serve as the perfect "antidote to mansplaining" ( The Stranger). In her comic, scathing essay "Men Explain Things to Me," Rebecca Solnit took on what often goes wrong in conversations between men and women. She wrote about men who wrongly assume they know things and wrongly assume women don''t, about why this arises, and how this aspect of the gender wars works, airing some of her own hilariously awful encounters. She ends on a serious note— because the ultimate problem is the silencing of women who have something to say, including those saying things like, "He''s trying to kill me!" This book features that now-classic essay with six perfect complements, including an examination of the great feminist writer Virginia Woolf''s embrace of mystery, of not knowing, of doubt and ambiguity, a highly original inquiry into marriage equality, and a terrifying survey of the scope of contemporary violence against women. "In this series of personal but unsentimental essays, Solnit gives succinct shorthand to a familiar female experience that before had gone unarticulated, perhaps even unrecognized." — The New York Times "Essential feminist reading." — The New Republic "This slim book hums with power and wit." — Boston Globe "Solnit tackles big themes of gender and power in these accessible essays. Honest and full of wit, this is an integral read that furthers the conversation on feminism and contemporary society." — San Francisco Chronicle "Essential." — Marketplace "Feminist, frequently funny, unflinchingly honest and often scathing in its conclusions." — Salon

A passionate, thought-provoking exploration of walking as a political and cultural activity, from the author of Orwell''s Roses Drawing together many histories--of anatomical evolution and city design, of treadmills and labyrinths, of walking clubs and sexual mores--Rebecca Solnit creates a fascinating portrait of the range of possibilities presented by walking. Arguing that the history of walking includes walking for pleasure as well as for political, aesthetic, and social meaning, Solnit focuses on the walkers whose everyday and extreme acts have shaped our culture, from philosophers to poets to mountaineers. She profiles some of the most significant walkers in history and fiction--from Wordsworth to Gary Snyder, from Jane Austen''s Elizabeth Bennet to Andre Breton''s Nadja--finding a profound relationship between walking and thinking and walking and culture. Solnit argues for the necessity of preserving the time and space in which to walk in our ever more car-dependent and accelerated world.

Shortlisted for the James Tait Black Prize for Biography Longlisted for The Orwell Prize for Political Writing An electric portrait of the artist as a young woman that asks how a writer finds her voice in a society that prefers women to be silent, from the author of Orwell''s Roses In Recollections of My Nonexistence, Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful, and adrift in the city that became her great teacher, and of the small apartment that, when she was nineteen, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer--books themselves; the gay community that presented a new model of what else gender, family, and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West. Beyond being a memoir, Solnit''s book is also a passionate argument: that women are not just impacted by personal experience, but by membership in a society where violence against women pervades. Looking back, she describes how she came to recognize that her own experiences of harassment and menace were inseparable from the systemic problem of who has a voice, or rather who is heard and respected and who is silenced--and how she was galvanized to use her own voice for change.

A collection of feminist essays steeped in "Solnit''s unapologetically observant and truth-speaking voice on toxic, violent masculinity" ( The Los Angeles Review). In a timely and incisive follow-up to her national bestseller Men Explain Things to Me, Rebecca Solnit offers sharp commentary on women who refuse to be silenced, misogynistic violence, the fragile masculinity of the literary canon, the gender binary, the recent history of rape jokes, and much more. In characteristic style, "Solnit draw[s] anecdotes of female indignity or male aggression from history, social media, literature, popular culture, and the news . . . The main essay in the book is about the various ways that women are silenced, and Solnit focuses upon the power of storytelling—the way that who gets to speak, and about what, shapes how a society understands itself and what it expects from its members. The Mother of All Questions poses the thesis that telling women''s stories to the world will change the way that the world treats women, and it sets out to tell as many of those stories as possible" ( The New Yorker). "There''s a new feminist revolution—open to people of all genders—brewing right now and Rebecca Solnit is one of its most powerful, not to mention beguiling, voices."—Barbara Ehrenreich, New York Times–bestselling author of Natural Causes "Short, incisive essays that pack a powerful punch." — Publishers Weekly "A keen and timely commentary on gender and feminism. Solnit''s voice is calm, clear, and unapologetic; each essay balances a warm wit with confident, thoughtful analysis, resulting in a collection that is as enjoyable and accessible as it is incisive." — Booklist

NEW YORK TIMES BESTSELLER LOS ANGELES TIMES BESTSELLER INDEPENDENT PRESS TOP 40 BESTSELLER Rebecca Solnit offers a thrilling account of the sheer breadth and scale of social, political, scientific, and cultural change over the past three quarters of a century. In this sequel to her enduring bestseller Hope in the Dark, Solnit surveys a world that has changed dramatically since the year 1960. Despite the forces seeking to turn back the clock on history, change is not a possibility; it is an inevitability. The changes amount to nothing less than dismantling an old civilization and building a new one, whose newness is often the return of the old ways and wisdoms. In this rising worldview, interconnection is a core idea and value. But because the transformation is obscured within a longer arc of history, its scale is seldom recognized. While the white nationalist and authoritarian backlash drives individualism and isolation, this new world embraces antiracism, feminism, a more expansive understanding of gender, environmental thinking, scientific breakthroughs, and Indigenous and non-Western ideas, pointing toward a more interconnected, relational world.

"A beautiful, absorbing, tragic book."—Larry McMurtry In 1851, a war began in what would become Yosemite National Park, a war against the indigenous inhabitants. A century later–in 1951–and a hundred and fifty miles away, another war began when the U.S. government started setting off nuclear bombs at the Nevada Test Site. It was called a nuclear testing program, but functioned as a war against the land and people of the Great Basin. In this foundational book of landscape theory and environmental thinking, Rebecca Solnit explores our national Eden and Armageddon and offers a pathbreaking history of the west, focusing on the relationship between culture and its implementation as politics. In a new preface, she considers the continuities and changes of these invisible wars in the context of our current climate change crisis, and reveals how the long arm of these histories continue to inspire her writing and hope.

Surveying the transformation of San Francisco in the early millenium by Silicon Valley, critically acclaimed writer Rebecca Solnit and photographer Susan Schwartzenberg describe the complex interactions that make up a living, creative, diverse city. One of our most impassioned and acclaimed chroniclers of American urbanism, Rebecca Solnit explores the impact of skyrocketing rents, architectural homogenization, and the links between artists and gentrification. Wealth, she argues, is just as capable of ravaging cities as poverty. Schwartzenberg''s social documentary photographs work with Solnit''s interlinked essays to memorialize San Francisco''s vanishing spaces of civic memory and public life. Both a portrait of an acute crisis and a call to defend collective public life, Hollow City makes a fervent case for the imaginative potential of cities.

“An intriguing amalgam of personal memoir, philosophical speculation, natural lore, cultural history, and art criticism.” —Los Angeles Times From the award-winning author of Orwell''s Roses, a stimulating exploration of wandering, being lost, and the uses of the unknown Written as a series of autobiographical essays, A Field Guide to Getting Lost draws on emblematic moments and relationships in Rebecca Solnit''s life to explore issues of uncertainty, trust, loss, memory, desire, and place. Solnit is interested in the stories we use to navigate our way through the world, and the places we traverse, from wilderness to cities, in finding ourselves, or losing ourselves. While deeply personal, her own stories link up to larger stories, from captivity narratives of early Americans to the use of the color blue in Renaissance painting, not to mention encounters with tortoises, monks, punk rockers, mountains, deserts, and the movie Vertigo. The result is a distinctive, stimulating voyage of discovery.

"[A] landmark book . . . Solnit illustrates how the uprisings that begin on the streets can upend the status quo and topple authoritarian regimes" ( Vice). A book as powerful and influential as Rebecca Solnit''s Men Explain Things to Me, her Hope in the Dark was written to counter the despair of activists at a moment when they were focused on their losses and had turned their back to the victories behind them—and the unimaginable changes soon to come. In it, she makes a radical case for hope as a commitment to act in a world whose future remains uncertain and unknowable. Drawing on her decades of activism and a wide reading of environmental, cultural, and political history, Solnit argues that radicals have a long, neglected history of transformative victories, that the positive consequences of our acts are not always immediately seen, directly knowable, or even measurable, and that pessimism and despair rest on an unwarranted confidence about what is going to happen next. Now, with a moving new introduction explaining how the book came about and a new afterword that helps teach us how to hope and act in our unnerving world, she brings a new illumination to the darkness of our times in an unforgettable new edition of this classic book. "One of the best books of the 21st century." — The Guardian "No writer has better understood the mix of fear and possibility, peril and exuberance that''s marked this new millennium." —Bill McKibben, New York Times–bestselling author of Falter "An elegant reminder that activist victories are easily forgotten, and that they often come in extremely unexpected, roundabout ways." — The New Yorker

A New York Times Notable Book Finalist for the National Book Critics Circle Award A personal, lyrical narrative about storytelling and empathy, from the author of Orwell''s Roses Apricots. Her mother''s disintegrating memory. An invitation to Iceland. Illness. These are Rebecca Solnit''s raw materials, but The Faraway Nearby goes beyond her own life, as she spirals out into the stories she heard and read—from fairy tales to Mary Shelley''s Frankenstein—that helped her navigate her difficult passge. Solnit takes us into the lives of others—an arctic cannibal, the young Che Guevara among the leprosy afflicted, a blues musician, an Icelandic artist and her labyrinth—to understand warmth and coldness, kindness and imagination, decay and transformation, making art and making self. This captivating, exquisitely written exploration of the forces that connect us and the way we tell our stories is a tour de force of association, a marvelous Russian doll of a book that is a fitting companion to Solnit''s much-loved A Field Guide to Getting Lost.

A New York Times Notable Book Winner of the National Book Critics Circle Award for Criticism, The Mark Lynton History Prize, and the Sally Hacker Prize for the History of Technology “A panoramic vision of cultural change” —The New York Times Through the story of the pioneering photographer Eadweard Muybridge, the author of Orwell''s Roses explores what it was about California in the late 19th-century that enabled it to become such a center of technological and cultural innovation The world as we know it today began in California in the late 1800s, and Eadweard Muybridge had a lot to do with it. This striking assertion is at the heart of Rebecca Solnit’s new book, which weaves together biography, history, and fascinating insights into art and technology to create a boldly original portrait of America on the threshold of modernity. The story of Muybridge—who in 1872 succeeded in capturing high-speed motion photographically—becomes a lens for a larger story about the acceleration and industrialization of everyday life. Solnit shows how the peculiar freedoms and opportunities of post–Civil War California led directly to the two industries—Hollywood and Silicon Valley—that have most powerfully defined contemporary society.

New York Times Bestseller In the spirit of her bestselling book Hope in the Dark, Rebecca Solnit explores how our actions can shape the future and the liberatory possibilities of embracing uncertainty. Beginning with an essay about a three-hundred-year-old violin and what it can tell us about forests, abundance, and climate, and ending with on about a prisoner dreaming of seeing the ocean, No Straight Road Takes You There deftly bridges the political and the literary, offering unique insights, nuanced understanding, and inspiration for the challenging work ahead. In her latest essay collection, the award-winning author explores climate change, feminism, democracy, hope, and power and its abuse. Throughout she asks us to heed the stories we tell or have been told, and the ways those stories can be, or should be changed. Solnit offers a reappraisal of the value of indirect consequences, an embrace of unpredictability, slowness, and imperfection in the politics of how to change the world. “I''ve tried to find other ways of seeing and to prize the migratory routes ideas take,” Solnit writes in the introduction, “the way that hope is most often grounded in memory, because you can''t see the future but you can understand the patterns and possibilities if you know the past.”

Finalist for the National Book Critics Circle Award for Nonfiction Finalist for the PEN/Jacqueline Bograd Weld Award for Biography “An exhilarating romp through Orwell’s life and times and also through the life and times of roses.” —Margaret Atwood “A captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker.” —Claire Messud, Harper''s “Nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way.” —Vogue A lush exploration of politics, roses, and pleasure, and a fresh take on George Orwell as an avid gardener whose political writing was grounded by his passion for the natural world “In the spring of 1936, a writer planted roses.” So be-gins Rebecca Solnit’s new book, a reflection on George Orwell’s passionate gardening and the way that his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and on the intertwined politics of nature and power. Sparked by her unexpected encounter with the roses he reportedly planted in 1936, Solnit’s account of this overlooked aspect of Orwell’s life journeys through his writing and his actions—from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left) to his analysis of the relationship between lies and authoritarianism. Through Solnit’s celebrated ability to draw unexpected connections, readers are drawn onward from Orwell‘s own work as a writer and gardener to encounter photographer Tina Modotti’s roses and her politics, agriculture and illusion in the USSR of his time with forcing lemons to grow in impossibly cold conditions, Orwell’s slave-owning ancestors in Jamaica, Jamaica Kincaid’s examination of colonialism and imperialism in the flower garden, and the brutal rose industry in Colombia that supplies the American market. The book draws to a close with a rereading of Nineteen Eighty-Four that completes Solnit’s portrait of a more hopeful Orwell, as well as offering a meditation on pleasure, beauty, and joy as acts of resistance.

This anthology of Solnits essential essays from the past ten years takes the reader from the Pyrenees to the U.S.-Mexican border, from open sky to the deepest mines and offers a panoramic world view enriched by the authors characteristically provocative, inspiring, and hopeful observations.

How do we respond to disaster? What expressions of care and solidarity might we find among the debris? A Paradise Built in Hell is a study of five major disasters - the 1906 San Francisco earthquake, the Halifax explosion of 1917, the Mexico City earthquake of 1985, the 9/11 attacks and Hurricane Katrina - and the expressions of altruism, generosity and resourcefulness that emerged in the wake of these tragedies. The result is a sweeping history of some of the foundational events in the modern history of North America, and a meditation on community: challenging us to look afresh at society, and what these models of local, collaborative politics might look like carried through into everyday life.

A meditation on the dilemmas and desires for home that combines the writings of art critic and cultural historian Rebecca Solnit with painter Stefan K]rten''s lush images of domestic interiors, buildings and landscapes. Solnit reflects on emotional privatization, real-estate fetishism, and aesthetic pleasure, while Kurten''s paintings of stale bourgeois interiors and suburban homes project a dogged attempt to make life perfect, at least on the surface. His armchairs, teapots and planter boxes suggest that we are living in a peculiar state of safety and bliss. Together, the text and images question the equation of ideal houses with ideal lives, the images that shape our perception of childhood, and our notion of a fulfilled adulthood.

"[A] call to arms that takes on a range of social and political problems in America—from racism and misogyny to climate change and Donald Trump" ( Poets & Writers). National Book Award Longlist Winner of the Kirkus Prize for Nonfiction Winner of the Foreword INDIE Editor''s Choice Prize for Nonfiction Rebecca Solnit is the author of more than twenty books, including the international bestseller Men Explain Things to Me. Called "the voice of the resistance" by the New York Times, she has emerged as an essential guide to our times, through incisive commentary on feminism, violence, ecology, hope, and everything in between. In this powerful and wide-ranging collection of essays, Solnit turns her attention to the war at home. This is a war, she says, "with so many casualties that we should call it by its true name, this war with so many dead by police, by violent ex-husbands and partners and lovers, by people pursuing power and profit at the point of a gun or just shooting first and figuring out who they hit later." To get to the root of these American crises, she contends that "to acknowledge this state of war is to admit the need for peace," countering the despair of our age with a dose of solidarity, creativity, and hope. "Solnit''s exquisite essays move between the political and the personal, the intellectual and the earthy." — Elle "Solnit is careful with her words (she always is) but never so much that she mutes the infuriated spirit that drives these essays." — Kirkus Reviews (starred review) "Solnit [is] a powerful cultural critic: as always, she opts for measured assessment and pragmatism over hype and hysteria." — Publishers Weekly "Essential reading for anyone living in America today." — The Brooklyn Rail

A multidisciplinary compilation of nineteen incisive essays ranges from the formality of traditional art criticism to intimate, lyrical meditations as they explore nuclear test sites, the meaning of national borders and geographical features, and the idea of the feminine and the sublime.