New Releases by Richard Ellmann

This classic study of Yeats'' verse examines the poet''s development of theme, symbol, style, and pattern. Through his knowledge of Yeats'' life as well as his published and unpublished work, Ellmann recreates Yeats'' ways of thinking, seeing, and writing and clarifies his difficult poems.

"The book helps fill in the picture of a complex and fascinating man...indispensable for the serious study of the subject."—Edmund Wilson, The New Yorker The most influential poet of his age, Yeats eluded the grasp of many who sought to explain him. In this classic critical examination of the poet, Richard Ellmann strips away the masks of his subject: occultist, senator of the Irish Free State, libidinous old man, and Nobel Prize winner.

Stanislaus Joyce was more than his brother''s keeper: he was at various times his brother''s co-dependent, touchstone, conscience, and biggest fan. The two shared the same genius, the same childhood influences, and had the same literary instinct, but in Stanislaus it was channeled into sober academic pursuit, while in James it evolved into gaiety, wild whimsy, and at times sodden despair.Covering the first twenty-two years of James Joyce''s life in Dublin and Trieste, My Brother''s Keeper is a window onto the drama that was his youth. Thanks to Stanislaus''s superb memory and sure hand, here we find the Dublin of Dubliners: the streets, neighbors, churches, and unforgettable eccentrics. Here we see the model for Ulysses'' Simon Dedalus: James'' father, a dour and violent figure when in his cups. Here are the Joyces in their own home, and the minor characters that pepper A Portrait of the Artist: Eileen, Leopold Bloom''s comely daughter; Mrs. Riordan, the surly teacher; Mr. Casey, the political agitator. And finally, here is Trieste, a place of exile for Stanislaus but a retreat for James. Stanislaus Joyce has fashioned both an invaluable primary source for his brother''s opaque masterpieces and a loving memoir of his brother''s early life.

A splendid group of 18 previously uncollected literary and biographical essays by the distinguished author of Oscar Wilde.

Richard Ellmann''s scholarly work is notable for its striking liveliness and clarity and its genuine illumination of the writers and works with which he dealt. His life of James Joyce, published in 1959, received more commendation and critical praise than any previous literary biography. Ellmann''s sensitivity to what it meant to be an artist shaped his work from the outset: "The life of an artist ... differs from the lives of other persons in that its events are becoming artistic sources even as they command his present attention. Instead of allowing each day, pushed back by the next, to lapse into imprecise memory, he shapes again the experiences which have shaped him." Richard Ellmann died in 1987. His life and work have touched the lives of many. Some of the essays in this collection commemorate Richard Ellmann and his committment to Twentieth Century literature: most provide a continuing investigation of the Twentieth Century literature to which he devoted his carrer. Contributors include: Alison Armstrong, Daniel Albright, Christopher Butler, Carol Cantrell, Jonathan Culler, Elizabeth Butler Cullingford, Andonis Decavelles, Rupin Desai, Susan Dick, Terence Diggory, Terry Eagleton, Rosita Fanto, Charles Feidelson, James Flannery, Charles Huttar, Bruce Johnson, John Kelleher, Brendan Kennelly, Frank Kermode, Declan Kiberd, Peter Kuch, Bruce Johnson, James Laughlin, A. Walton Litz, Dominic Manganiello, Ellsworth Mason, Christie McDonald, Dougald McMillan, Sean O''Mordha, Vivian Mercier, Mary T. Reynolds, William K. Robertson, Joseph Ronsley, S.P. Rosenbaum, Ann Saddlemyer, Sylvan Schendler, Daniel Schneider, Fritz Senn, Jon Stallworthy, Lonnie Weatherby, Thomas Whitaker, and Elaine Yarosky.

Traces the literary ancestry of Ulysses and discusses how Joyce triangulated himself with Homer and Shakespeare. Professor Ellmann demonstrates that Joyce, far from being apolitical, was revolutionary, working in his own oblique fashion to subvert existing institutions.

An interpretation of Joyce''s masterpiece which illuminates its philosophical and literary significance.