New Releases by Richard Greene

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Reprint of the original, first published in 1873. The Antigonos publishing house specialises in the publication of reprints of historical books. We make sure that these works are made available to the public in good condition in order to preserve their cultural heritage.

"You hold in your hands a story of vision, innovation and proof of the power of the gospel." DR. ERWIN LUTZER, Pastor Emeritus Moody Church Carlos was a master cocaine producer for drug lord Pablo Escobar. In officially atheistic Albania, Berti monitored the airwaves to help defend his communist homeland. Rachid grew up in Morocco, preparing to one day lead a local mosque - like his father. How would any of them ever have the opportunity to hear the good news that Jesus Christ died on the cross to give them new, eternal life? In the middle of the 20th century, Paul Freed founded Trans World Radio based on a vision: Media could overcome cultural, political and geographic barriers to help the Church make disciples of all nations. Seven decades later, TWR continues making waves by leveraging radio, multimedia websites, animated Bible videos and more to bring the gospel to hostile lands, places missionaries can't go and unreached people groups in over 230 languages. Making Waves compellingly weaves together listener testimonies like those of Carlos, Berti and Rachid with reports and personal accounts by TWR staff and leaders. Authors Richard Greene and John Lundy paint a dynamic portrait of how the Lord is using TWR, its partners and media to transform individuals' lives. We hope it will embolden God's calling in your own life!

Now revised and updated with new aphorisms! Reader beware: This book contains material that disparages cherished beliefs, opinions and institutions including political and religious ones. While some readers may find that material refreshingly irreverent, others may find it offensive. The aphorism quoted on the cover, Patriotism, piety and chastity are all much overrated virtues, offers a relatively mild example. Some of the aphorisms offer potentially even more offensive material, so proceed with caution. Here are a few examples of Mr. Greene's aphorisms: Sex wouldn't be nearly so interesting if it weren't so widely forbidden. The truly strong are those who aren't driven by the need to prove their strength. Lawyers, actors and politicians must fool others. In the process they often fool themselves. We tend to forget that not all mothers are saints, nor all soldiers heroes. The most important measure of civilization is compassion, not technology, culture, sophisticated institutions, power or the gross national product.

Richard Greene has been writing poetry intensively since he retired from a 38-year career in international development in the mid-1990s. A lawyer by training, he fell into his development career by accident when, after law school, though planning not to practice law but interested in international affairs, he accepted an unsolicited job offer from the U.S. Agency for International Development. After a few years in Washington (or Foggy Bottom, as the location of the U.S. foreign policy establishment is known), he was assigned as legal advisor to the USAID mission in Laos and there discovered that the development business suited his interests and inclinations very well. Greene wrote poetry beginning in the 8th grade and continued through college where he studied with a Professor, Henry Rago, who later became editor of Poetry magazine, the leading U.S. poetry journal. However, he wrote few poems after law school as he became absorbed in international development, but turned back to poetry as he neared retirement.

A collection of poems describing the exterior world, such as: Orinocos of the Imagination I've never been to the Orinoco and have seen few photos of it, but I feel I know its sinuous lengths, winding between thick jungle walls, flashing silver in the sun, delicate waterfalls threading from cloud-shrouded cliffs, dense foliage adorned with birds of kindergarten colors and jaguars that merge into shadow, the insistent music of bird cry and monkey chatter, dugouts and caimans scoring its sleek waters, those who people its valley gliding nearly naked through twilight forests, dappled by the distant sun. I know these lush landscapes from my dreams.

A collection of poems on aging, such as: I See Myself Becoming Old My closet is full of suits I don't wear anymore. Nothing I need to wear them for. There are days when I stay in my pajamas till noon. I picture my heirs looking at my wardrobe one day asking "Can you think of anyone who can use these or should we give them to Goodwill?" Or, "Would you like this tie as a remembrance of Dad?" As I read the obits of the recently deceased, which I took to doing a few years ago, I compare their ages to mine. Then there's the arthritis in my hands and feet. My left foot aches when I walk and I suffered a rupture in a time-worn tendon not long ago. I have more trouble lifting things and getting around. Don't jump over puddles anymore for fear of the damage I might do coming down. (No more kicking up heels for me.) What will it be next, the incipient cataracts? My hearing isn't what it used to be. I don't think I need a hearing aid yet, though my daughter disagrees. Or will it be something unforeseen like that ill-fated tendon? I see myself becoming old, yet it's as if I were watching it happen to somebody else.

A Finalist for the 2022 Edgar Award A Washington Post Best Nonfiction Book of the Year A vivid, deeply researched account of the tumultuous life of one of the twentieth century’s greatest novelists, the author of The End of the Affair. One of the most celebrated British writers of his generation, Graham Greene’s own story was as strange and compelling as those he told of Pinkie the Mobster, Harry Lime, or the Whisky Priest. A journalist and MI6 officer, Greene sought out the inner narratives of war and politics across the world; he witnessed the Second World War, the Vietnam War, the Mau Mau Rebellion, the rise of Fidel Castro, and the guerrilla wars of Central America. His classic novels, including The Heart of the Matter and The Quiet American, are only pieces of a career that reads like a primer on the twentieth century itself. The Unquiet Englishman braids the narratives of Greene’s extraordinary life. It portrays a man who was traumatized as an adolescent and later suffered a mental illness that brought him to the point of suicide on several occasions; it tells the story of a restless traveler and unfailing advocate for human rights exploring troubled places around the world, a man who struggled to believe in God and yet found himself described as a great Catholic writer; it reveals a private life in which love almost always ended in ruin, alongside a larger story of politicians, battlefields, and spies. Above all, The Unquiet Englishman shows us a brilliant novelist mastering his craft. A work of wit, insight, and compassion, this new biography of Graham Greene, the first undertaken in a generation, responds to the many thousands of pages of letters that have recently come to light and to new memoirs by those who knew him best. It deals sensitively with questions of private life, sex, and mental illness, and sheds new light on one of the foremost modern writers.

In this book, Barrett and Greene present evolving theories of performance management, the practices necessary for a good performance-based government, and the pitfalls that can easily be encountered along the way—andhow to avoid them. As performance management has evolved, it has encompassed many different tools and approaches including measurement, data analysis, evidence-based management, process improvement, research and evaluation. In the past, many of the efforts to improve performance in government have been fragmented, separated into silos and labeled with a variety of different names including performance-based budgeting, performance-informed management, managing for results and so on. Making Government Work: The Promises and Pitfalls of Performance-Informed Management by Katherine Barrett and Rich Greene is loaded with dozens of stories of what practitioners are currently working on—what’s working and what’s not. The benefits are ample, so are the challenges. This book describes both, along with practical steps taken by practitioners to make government work better. Readers will discover that while the authors strive to meet the documentation standards of carefully vetted academic papers, the approach they take is journalistic. Over the last year, Barrett and Greene talked to scores of state and local officials, as well as academics and other national experts to find out how performance management tools and approaches have changed, and what is coming in the near-term future. Performance management has been in a state of evolution for decades now, and so Barrett and Greene have endeavored to capture the state of the world as it is today. By detailing both the challenges and conquests of performance management in Making Government Work: The Promises and Pitfalls of Performance-Informed Management, Barrett and Greene ensure readers will find the kind of balanced information that is helpful to both academics and practitioners—and that can move the field forward.

A tour-de-force presentation of beautiful images of women, used to sell everything from piston rings to lightbulbs! As an "ADDED BONUS," a special section of advertising pin-up clip-art is included, making it a handy visual reference for professional graphic and advertising designers, too! Matchless Beauties is a presentation of hundreds of classic "Girlie" matchbook covers in full color, displaying pin-ups by legendary pin-up artists such as Earl Moran, George Petty, and Alberto Vargas, as well as many unsung anonymous artists who created beautiful "Glamour Girls" to sell everything from lightbulbs to lingerie. Today's burlesque revivalists can find inspiration in the colorful covers shown in one chapter, while hula dancers invite tourists to exotic luaus and stateside tiki bars in another. The range of applications and advertisers is astounding! Culled from one of the best private collections of matchcovers in the country, Matchless Beauties offers a fun journey into one of the most popular forms of ephemeral advertising of the 20th century. On a more practical note, this book will also serve as a handy visual reference guide for professional graphic designers looking for ideas. Whether used as inspiration or just enjoyed as sweet eye-candy, Matchless Beauties is a welcome addition to the library of anyone who appreciates feminine beauty and vintage advertising.

Spoilers get folks upset—really upset. One thing that follows from this is that if you pick up a book that’s all about spoilers, it may seriously disturb you. So anyone reading this book—or even dipping into it—does so at their peril. Spoilers have a long history, going back to the time when some Greek theater-goer shouted “That’s Oedipus’s mom!” But spoilers didn’t use to be so intensely despised as they are today. The new, fierce hatred of spoilers is associated with the Golden Age of television and the ubiquity of DVR/Netflix/Hulu, and the like. Today, most people have their own personal “horror story” about the time when they were subject to the most unfair, unjust, outrageous, and unforgivable spoiler. A first definition of spoiler might be revealing any information about a work of fiction (in any form, such as a book, TV show, or movie) to someone who hasn’t encountered it. But this isn’t quite good enough. It wouldn’t be a spoiler to say “The next Star Trek movie will include a Vulcan.” Nor would it be a spoiler to say, “The story of Shawshank Redemption comes from a short story by Stephen King.” There has to be something at least a bit unexpected or unpredictable about the information, and it has to be important to the content of the work. And you could perpetrate a spoiler by divulging information about something other than a work of fiction, for example details of a sports game, to someone who has tivoed the game but not yet watched it. Timing and other matters of context may make the difference between a spoiler and a non-spoiler. It could be a spoiler to say “There’s a Vulcan in the next Star Trek movie” if spoken to someone raised in North Korea and knowing absolutely nothing about Star Trek. It can also be a spoiler to say something about a movie or TV show when it’s new, and not a spoiler when it has been around for some years. This raises the distinction between “personal spoilers” and “impersonal spoilers.” Personal spoilers are spoilers for some particular individual, because of their circumstances. You should never give personal spoilers (such as when someone says that they have never seen a particular movie, even though the plot is common knowledge. You can’t tell them the plot). Sometimes facts other than facts about a story can be spoilers, because they allow people to deduce something about the story. To reveal that a certain actor is not taking part in shooting the next episode may allow someone to jump to conclusions about the story. Spoilers need not be specific; they can be very vague. If you told someone there was a big surprise ending to The Sixth Sense or Fight Club, that might spoil these movies for people who haven’t seen them. You can spoil by mentioning things that are common knowledge, if someone has missed out on that knowledge (“Luke and Darth Vader are related”), but you usually can’t be blamed for this. People have some obligation to keep up. This means that in general you can’t be blamed for spoilers about stories that are old. “Both Romeo and Juliet are dead at the end” could be a spoiler for someone, but you can’t be blamed for it. This is a rule that’s often observed: many publications have regulations forbidding the release of some types of spoilers for a precisely fixed time after a movie release. However, some spoilers never expire, either because the plot twist is so vital or the work is so significant. So, if you’re talking to young kids, you probably should never say “Darth Vader is Luke’s father,” “Norman Bates is Mother,” “Dorothy’s trip to Oz was all a dream,” “All the passengers on the Orient Express collaborated in the murder,” “in The Murder of Roger Akroyd, the narrator did it,” “Soylent Green is people,” “To Serve Man is a cookbook,” and finally, what many consider to be the greatest and worst spoiler of them all, “The Planet of the Apes is really Earth.” Some famous “spoilers” are not true spoilers. It’s not going to spoil Citizen Kane for anyone to say “Rosebud is his sled.” This piece of information is not truly significant. It’s more of a McGuffin than a plot twist. A paradox about spoiling is that people often enjoy a work of fiction such as a Sherlock Holmes story over and over again. They remember the outline of the story, and who did the murder, but this doesn’t stop them re-reading. This demonstrates that the spoilage generated by spoilers is less than we might imagine. It’s bad to spoil, but how bad? People do seem to exaggerate the dreadfulness of spoiling, compared with other examples of inconsiderateness or rudeness. Are there occasions when it’s morally required to spoil? Yes, you might want to dissuade someone from watching or reading something you believed might harm them somehow. Also, you might issue a spoiler in order to save the world from a terrorist attack (Yes, this is a philosophy book, so it has to include at least one totally absurd example). A more doubtful case is deliberate spoiling as a protest, as occurred with Basic Instinct. The book ends with three spoiler lists: the Most Outrageous Spoiler “Horror Stories”; the Greatest Spoilers of All Time; and the Greatest Spoilers in Philosophy.

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La scomparsa prematura di James Gandolfini, il mitico Tony Soprano, ripropone l’originaria confusione tra realtà, arte e pensiero. All’inizio era il teatro, per i greci antichi luogo di farsa e tragedia della vita, palcoscenico del pensiero, dei suoi incubi e delle sue utopie. Oggi sono gli effetti speciali e l’estetica assoluta delle serie tv, tra cui I Soprano spicca per la potenza catartica di una mirabile rappresentazione della violenza. Uccido dunque sono. Tra darwinismo sociale da tardo capitalismo consumistico ed eterni istinti dell’animale uomo, questo libro si addentra nella filosofia che ci tiene incollati al video anche per le scene più scabrose. A farci spalancare occhi e mente non è il lato morboso del voyeurismo, ma l’eterna sete del sapere. La sete che vede rappresentate degnamente tutte le sfumature dell’essere umano solo nei migliori prodotti della società dello spettacolo. Dove l’eterna sovrapposizione tra realtà e finzione è solo l’inizio della scienza.

Zombie e vampiri hanno conquistato il centro della cultura pop, come protagonisti di serie tv, fumetti, cartoni, videogames e film. Questo libro porta le teorie di filosofi come Socrate e Cartesio nei territori dei non morti, per interrogare queste oscure creature su questioni sociali e filosofiche. Vampiri e vegetariani, in fondo, non condividono la stessa visione del mondo? E gli zombie possono aiutarci a comprendere l'essenzialità della riforma sanitaria negli Stati Uniti? E ancora: cosa potrebbe significare il famoso detto "mente sana in corpo sano" per vampiri e zombie? Le risposte a queste e altre domande attendono i lettori abbastanza intrepidi da lasciarsi coinvolgere in questa filosofica e divertente scorreria nel mondo dei non morti.

After a breakup with her boyfriend, Linda wants to know what is it that people seem to have in their relationships, that make them seem perfect, that she doesn't have. When she's paired up with a guy (Jamal) she played in front of her clients at the salon, on a road trip, her view of him changes. And so does her feelings. And as fate would have it, their relationship is challenged from an event that they don't see coming. And it rocks their relationship. Will Linda be able to save it? Or will it be another failed relationship.

The popularity of the His Dark Materials trilogy has generated a major motion picture, a stage play, video games, and a new prequel. The series has also been highly controversial with its use of exciting adventure stories for children to comment on organized religion. These books have piqued the interest of the contributors to this fascinating volume, who use it to probe the philosophical issues that inform them. Could a golden compass, or alethiometer, really work? Can a person's soul or daemon have a mind of its own? What are the ramifications of pursuing the diabolical "intercision" process, or of trying to bring about the death of God, a plot that Lyra and her mysterious Father struggle over? These are some of the questions explored by these essays that try to get to the heart of Lyra's bewildering, inspiring, and multifaceted world.

This collection of essays by philosophers who are also fans does a deep probe of the Sopranos, analyzing the adventures and personalities of Tony, Carmella, Livia, and the rest of television's most irresistible mafia family for their metaphysical, epistemological, value theory, eastern philosophical, and contemporary postmodern possibilities. No prior philosophical qualificationsor mob connections are required to enjoy these musings, which are presented with the same vibrancy and wit that have made the show such a hit.

There have been a number of Graham Greene biographies, but none has captured his voice, his loves, hates, family and friends–intimate and writerly–or his deep understanding of the world, like this astonishing collection of letters. Graham Greene is one of the few modern novelists who can be called great. In the course of his long and eventful life (1904—1991), he wrote tens of thousands of letters to family, friends, writers, publishers and others involved in his various interests and causes. A Life in Letters presents a fresh and engrossing account of his life, career and mind in his own words. Meticulously chosen and engagingly annotated, this selection of letters–many of them seen here for the first time–gives an entirely new perspective on a life that combined literary achievement, political action, espionage, exotic travel and romantic entanglement. In several letters, the individuals, events or places described provide the inspiration for characters, episodes or locations found in his later fiction. The correspondence describes his travels in Mexico, Africa, Malaya, Vietnam, Haiti, Cuba, Sierra Leone, Liberia and other trouble spots, where he observed the struggles of victims and victors with a compassionate and truthful eye. The volume includes a vast number of unpublished letters to authors Evelyn Waugh, Auberon Waugh, Anthony Powell, Edith Sitwell, R.K. Narayan and Muriel Spark, and to other more notorious individuals such as the double-agent Kim Philby. Some of these letters dispute previous assessments of his character, such as his alleged anti-Semitism or obscenity, and he emerges as a man of deep integrity, decency and courage. Others reveal the agonies of his romantic life, especially his relations with his wife, Vivien Greene, and with one of his mistresses, Catherine Walston. The letters can be poignant, despairing, amorous, furious or amusing, but the sheer range of experience contained in them will astound everyone who reads this book.

What explains the huge popular following for Dexter, currently the most-watched show on cable, which sympathetically depicts a serial killer driven by a cruel compulsion to brutally slay one victim after another? Although Dexter Morgan kills only killers, he is not a vigilante animated by a sense of justice but a charming psychopath animated by a lust to kill, ritualistically and bloodily. However his gory appetite is controlled by “Harry’s Code,” which limits his victims to those who have gotten away with murder, and his job as a blood spatter expert for the Miami police department gives him the inside track on just who those legitimate targets may be. In Dexter and Philosophy, an elite team of philosophers don their rubber gloves and put Dexter’s deeds under the microscope. Since Dexter is driven to ritual murder by his “Dark Passenger,” can he be blamed for killing, especially as he only murders other murderers? Does Dexter fit the profile of the familiar fictional type of the superhero? What part does luck play in making Dexter who he is? How and why are horror and disgust turned into aesthetic pleasure for the TV viewer? How essential is Dexter’s emotional coldness to his lust for slicing people up? Are Dexter’s lies and deceptions any worse than the lies and deceptions of the non-criminals around him? Why does Dexter long to be a normal human being and why can’t he accomplish this apparently simple goal?

Since 1968's Night of the Living Dead, zombie culture has steadily limped and clawed its way into the center of popular culture. Today, zombies and vampires have taken over TV shows, comic books, cartoons, video games, and movies. Zombies, Vampires, and Philosophy drags the theories of famous philosophers like Socrates and Descartes into the territory of the undead, exploring questions like: Why do vampires and vegetarians share a similar worldview? Why is understanding zombies the key to health care reform? And what does "healthy in mind and body" mean for vampires and zombies? Answers to these questions and more await readers brave enough to make this fun, philosophical foray into the undead.

Befriended by a slave and the captain of a riverboat, a young runaway named Joseph Greene found adventure on the river and the love of a your Mary McAlexander. The Civil War would not only test their love for one another but the faith of the McAlexander, Chrisman, and Patterson families as each endured the war's death and destruction.

Boxing the Compass is a poetry collection of mid-life reassessments that also makes room for the martyrdom of Saint Polycarp, tone-deaf church choirs, the last of the Newfoundland whalers, and vividly remembered Portuguese fishermen. Spiritually searching and intellectually rich, Richard Greene's third book --which ranges from intimate to ironic to satiric --shuns easy answers in poems of unfashionable eloquence comprised of colloquial textures, clear-eyed narratives, political subtexts, and no-nonsense introspection.

The films of Quentin Tarantino are ripe for philosophical speculation, raising compelling questions about justice and ethics, violence and aggression, the nature of causality, and the flow of time. In this witty collection of articles, no subject is too taboo for the writers to tackle. From an aesthetic meditation on the use of spraying blood in Kill Bill to the conundrum of translation and reference in Vincent and Jules' discussion about French Big Macs in Pulp Fiction, Tarantino and Philosophy shies away from nothing. Is The Bride a heroic figure, even though she’s motivated solely by revenge? How is Tarantino able to create a coherent story when he jumps between past, future, and present? The philosophers in this book take on those questions and more in essays as provocative as the films themselves.

Edith Sitwell (1887-1964) was, through four decades, the most prominent and celebrated woman poet in Britain. Among the notable admirers of her work were Siegfried Sassoon, WB Yeats and Gertrude Stein, Stephen Spender and Marianne Moore. Just after her death, Allen Tate described her in The New York Times as 'one of the great poets of the twentieth century'. Even as one allows for the ebb and flow of literary reputations, Edith Sitwell will have permanent claim on the attention of readers and literary scholars. She and her two brothers, Osbert and Sacheverell, were the focus of a movement in English Literature described as an 'alternative Bloomsbury'. This volume includes unpublished letters to many significant figures, including WB Yeats, Bertrand Russell and Benjamin Britten. It also contains letters that illuminate Sitwell's relations with other women writers, among them, Gertrude Stein and Rosamond Lehmann. 'I am besotted with this dotty old bat. Britain's most celebrated and eccentric female poet, she dashed off reams of witty, newsy, mischievous letters in exquisitely beautiful prose. Every letter is a gem' - Val Hennessy (one of her top ten books for 1997), Daily Mail

Follows the life of Walt Disney from his boyhood on a Missouri farm through his struggles as a young animator to his building of a motion picture and amusement park empire.

This book is the first comprehensive guide to Holst's popular orchestral suite The Planets. It considers the music in detail and places the work in its historical context, describing the circumstances of its composition and its meteoric rise to popular acclaim. Starting with Holst's particular interest in astrology, Professor Greene explores the plotting of the work's central melodic and harmonic gestures to reveal a profound statement of human character and Holst's own psychological journey toward the mystic state. Using parallels in the verbal arts Greene weaves a fascinating tale of musical communication. An understanding of The Planets is crucial to a full appreciation of Holst's profound late works, and Greene's systematic appraisal provides the first revealing light in this direction.

This book is written to show you exactly how to harness the five steps to deal with the unexpected, and not just survive, but thrive. Through story-driven teaching, each chapter has a unique perspective from an inspiring individual sharing a powerful principle that will help you win. Read stories from #1 Best-Selling Author Matt Brauning along with 4-time Olympian Ruben Gonzalez plus stories from 13 inspirational authors. Co-authors featured in Driven To Courage include: 3-Time National Paralympic Team Member Brandon Lyons, Wealth Coach Jennifer Jost, Business Optimization Expert Andie Monet, NLP Trainer Aubrie Pohl, 7-Time Ironman® Rich Greene, Creative Abundance Coach Carmen Yolanda Mendoza, True Joy Coach Linda Shively, Confidence Expert Michelle Mehta, plus Podcaster Christine Blosdale, Consultant Dawn Stramer, Speaker Jesse Mogle, Coach Kari Anderson, and TikTik Influencer Melissa Hughes.