New Releases by Robert Barnard

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First published in 1979, Unruly Son received an Edgar Award nomination for “Best Novel” of the year. Sir Oliver Fairleigh-Stubbs, overweight and overbearing, collapses and dies at his birthday party while indulging his taste for rare liquors. He had promised his daughter he would be polite and charitable for the entire day, but the strain of such exemplary behaviour was obviously too great. He leaves a family relieved to be rid of him, and he also leaves a fortune, earned as a bestselling mystery author. To everyone’s surprise, Sir Oliver’s elder son, who openly hated his father, inherits most of the estate. His wife, his daughter, and his younger son are each to receive the royalties from one carefully chosen book. But the manuscript of the unpublished volume left to Sir Oliver’s wife—a posthumous “last case” that might be worth millions—has disappeared. And Sir Oliver’s death is beginning to look less than natural. Into this bitter household comes Inspector Meredith, a spirited Welshman who in some ways resembles Sir Oliver’s fictional hero. In Robert Barnard’s skilful hands, Inspector Meredith’s investigation becomes not only a classic example of detection but an elegant and humorous slice of crime.

Rosemary Sheffield has a sort of "reverse epiphany" one day while walking in the park: she no longer believes in God. This sudden loss of faith is at first entirely liberating, but the situation gradually becomes more complicated. Rosemary is, after all, the beloved wife of the vicar at St. Saviour''s parish. A storm of controversy erupts in her husband''s church congregation, but Rosemary, with the words "I do not believe," leaves behind the scandal and gossip for a seaside sojourn in Scarborough. Here she meets Stanko, a Bosnian refugee who illegally entered the country. But what begins as a supportive friendship launches an ungodly chain of events—and Rosemary soon finds herself back at home caught up in a murder investigation. "Barnard''s trademark seamless plotting and riotous sense of humor stand out wonderfully in his latest whodunit." Booklist "His plots are downright Mozartian in their effortless complexity" New York Newsday

Old church meets new with a vengeance when a monk is brutally murdered at St. Botolph’s.

In A City of Strangers, Barnard creates one of his most memorable characters ever; the dreadful Jack Phelan. Dirty, potbellied, vulgar, selfish, Jack is a man everyone loves to hate. And the rest of his family isn’t much better. The wife is slatternly, the teenaged children flirt with petty crime and prostitution, even the baby is unpleasant. Only twelve-year-old Michael Phelan seems to have escaped the family curse, and it may be just a question of time until he, too, sinks to the Phelan level.

Murder pays no respect to rank...or the neighborhood. And so it happened that young aristocrat Timothy Wycliffe was bludgeoned to death in his elegantly furnished flat in Belgravia by a person or persons unknown. Unknown, in fact, for thirty years. When the dead man’s friend Peter Proctor, once a young man on his way up in the diplomatic service, now a retired Member of Parliament, seeks an antidote to boredom by attempting to write his own memoirs they create more problems than he anticipated, and not just of the writer’s-block variety. Peter keeps getting sidetracked by speculations on Timothy’s death. The murder was allegedly accomplished by a beating from one of his boyfriends. But Peter can’t accept so simple a solution, so he begins to probe the past. In so doing, he opens a fascinating window on British society during the 1950s and its changing, and unchanging, mores since.

At the Ketterick Arts Festival no one relishes the dubious art of innuendo more than Des Capper, a font of dubious gossip and unwanted advice. To the horror of the actors and singers performing at the Festival, Des has been promoted to landlord of the Saracen’s Head, the Elizabethan inn that is at the Festival’s heart. And when Des toddles off to meet his maker, courtesy of someone’s helpful shove, only his wretched wife can summon up a tear. Readers, meanwhile, will have trouble containing their snickers at the wickedly witty characterizations.

In Barnard’s smoothly skilled sixteenth mystery, Caroline and Roderick Cotterel live a quiet life in Sussex with their grown, learning-disabled daughter and Roderick’s senile, bedridden father Benedict, a once-famous and notorious novelist. But when Roderick’s half-sister Cordelia asks to visit and look through Benedict’s papers, things liven up. Their father’s illegitimate daughter, she is writing a biography of her mother, Dame Myra Mason, a renowned actress whose rancorous break-up with their father had been much publicized. The biography will be more in the line of an expose, Cordelia having been emotionally abused by her mother, and no one is surprised when Dame Myra herself shows up to put a stop to it. When she is murdered in the local pub that night a host of possible suspects, led of course by Cordelia, is revealed. After some admirable and intuitive sleuthing by Chief Inspector Meredith identifies the murderer and accomplice, a secret long harbored by Caroline and Roderick is also disclosed. Appealing and distasteful characters alike make this another highly entertaining diversion from Barnard.

A BRONTË ENCYCLOPEDIA “This lively, absorbing, meticulously researched compendium is a rich resource both for the general reader and for the specialist Brontë scholar. It contains much to enlighten and surprise even those who think they know the Brontës well.” Heather Glen, University of Cambridge “Aficionados of all things Brontë must have this encyclopedia on their desks. Even those with just a passing interest in Brontë or literary research can become trapped in this book for hours. Looking up one entry leads to looking up another, and then another. This book has references to the important and the arcane and the obscure, references to places the Brontës visited, people they knew; in short, everything.” English Literature in Transition 1820–1920 A Brontë Encyclopedia is a complete guide to the life and work of the most notable literary family of the 19th century. Comprising approximately 2000 alphabetically arranged entries, this authoritative volume: Brings to light the significant people and places that influenced the Brontës’ lives Defines and describes the Brontës’ fictional characters and settings Incorporates original literary judgments and analyses of characters and motives Includes coverage of Charlotte’s unfinished novels and her and Branwell’s juvenile writings Features a full range of illustrations A Brontë Encyclopedia is the most original and accessible work of its kind.

From eight-time Edgar Award nominee Robert Barnard comes a thrilling murder mystery set against the backdrop of a romance writer convention in Norway. Scotland Yard’s Perry Trethowan never wanted to make the trip to Norway for the World Association of Romantic Novelists convention. But it was hard saying no to his newly published sister, Christobel. And besides, the worst he expected was the chilly Scandanavian weather and a harmless if irritating menu of fanciful writers and flowery language. Who could’ve known that backbiting, malice, and bitter rivalry were the true customs of this convention and that the plot line would soon include murder? Amanda Fairchild, the genre’s amorous doyenne, ends up dead while en route to a fjord-side tryst of her own, and the dauntless Trethowan must discover which of these authors has turned the page from romance to homicide.

Prize-winning author Robert Barnard presents seventeen witty mystery stories featuring everyday characters who discover their potential for murder, including a young woman who weds a string of old men and develops a penchant for widowhood.

When British policemen Charlie Pearce and Mike Oddie investigate the unsurprising murder of the village parish Lothario, they question Rosemary Sheffield, the vicar’s wife. Rosemary, who has recently “lost” her faith and been accused of immoral behavior with a Yugoslavian refugee, makes a perfect suspect. Another winning combination of plot, character, and wit from Barnard.

The body of a young man, almost naked, found in the car park behind a Haworth restaurant marks the beginning of the case, and it is his identity that is the first puzzle for DC Charlie Peace and his superior, Detective Superintendent Oddie. But before long the puzzle that most concerns them is the nature of the close-knit artistic community where Declan O’Hearn had acted as odd-job boy. The little knot of people seem united less by their ability as painters than by a common worship of the distinguished artist Ranulph Byatt, who seems to prefer the adulation of his inferiors to the judgement of his equals. Peace soon starts to wonder if there isn’t a sinister reason for this. And as the search for the killer gathers pace, Peace and Oddie uncover a series of dark secrets in the harsh Haworth landscape.

Inspector Perry Trethowan reads in the obituaries that his estranged father has died under peculiar circumstances: he was fooling around with a form of self-torture called strappado. At the request of his supervisor, Peter returns to his ancestral home to determine if any of his cousins or siblings might have helped the old man to his bizarre end.

Assigned as British Princess Helena’s personal bodyguard, Scotland Yard Detective Perry Trethowan struggles to defend his own virtue against the lascivious princess while tracking down the methodical killer who is murdering her numerous lovers.

The MP for Bootham East was something of a fish out of water – a Tory with a conscience. When he was actually fished out of water, the Thames to be precise, it looked like a clear case of suicide or accident. But as Superintendent Sutcliffe’s investigations got under way, and as the by-election campaign to elect his successor hotted up, some very murky political waters were dredged and made to reveal their secrets. The local Labour Party had been hijacked by the extreme left, the Tory Party had had an unattractive young man with dubious City connections foisted on it, and the Alliance candidate had something nasty in his past he would prefer to forget. In fact, by the time of the declaration poll, all the parties wished the by-election had never had to happen, and that the dirt had remained brushed away under the carpet. In this witty and penetrating look at British politics, Robert Barnard shows a ‘sharp and knowing eye’, as well as what Newsweek called his ‘wit . . . energy and style.

The Burleigh school was dying. It would be called a mercy killing were it not for the little band of inept, eccentric, or otherwise unemployable teachers who depended on this absolutely awful English boys'' academy for their meagre livelihoods. A lack of funds, facilities, and foresight had brought Burleigh to the very edge of extinction. Now someone planned to give it one final, deadly push. Malice was afoot behind the ivied walls, trailing hard on the heels of Hilary Frome, Headmaster Crumwallis''s unfortunate choice for the next headboy. For when something sinister popped up in the punch on Parents'' Evening, when nasty pranks became no joke, the next event at bloody Burleigh was bound to be . . . simply murder. ''Crackerjack entertainment . . . deserves the kind of raves heaped up on his other prize whodunits.'' "Publishers Weekly" ''There is no one quite like Robert Barnard in his ability to combine chills and chuckles and to sprinkle the whole with delicious irony.'' "San Diego Union" ''The wryest wit and most scathing satire in today''s mystery.'' "Chicago Sun-Times"

Lill Hodsden was a monster. She rode roughshod over her daughter, wiped her feet on her husband, blackmailed her lovers and smothered her sons with a mother love that left them screaming out for freedom. Lill set the hackles rising all over Todmarsh, the little South Coast town she queened it over. She was just asking to be done in. And her sons were very ready to oblige. In fact, they had it all worked out, for Saturday night. But when Lill was found garrotted on Thursday, on the way home from one of her boy-friends'', the case was wide open, and half Todmarsh would have regarded the murderer as a civic benefactor. Inspector McHale, on his first murder case, is a man who values intelligence, particularly his own. He is convinced he is going to discover the killer. But is he going to discover the right one? In the claustrophobic relationships around the appalling Lill, Robert Barnard has used his gift for creating murderable monsters to set up a murder everybody can sympathize with.

Those two days in May seem to be a highpoint in Colin Pinnock''s life: a stunning election victory, a new government, and junior office for himself. But among the many congratulations he receives is one hostile message, a grubby card asking, ''Who do you think you are?'' Is this merely someone putting him back in his place, or do the words have a more profound meaning? And who, indeed, is he? Who were his real parents? As Colin investigates these questions he is led back in time to an old political scandal: a murder case which led to a politician''s downfall and disappearance. Events in the present, however, start tangling with those of the past, and he finds himself the object of a series of incidents that at first seem designed to bring down his career with ridicule, but later actually threaten his life. A beautifully written and intriguing mystery form one of our foremost crime writers. ''Robert Barnard has the habit of delighting his readers'' Sunday Times

Rosemary Sheffield has a sort of "reverse epiphany" one day while walking in the park: she no longer believes in God. This sudden loss of faith is at first entirely liberating, but the situation gradually becomes more complicated. Rosemary is, after all, the beloved wife of the vicar at St. Saviour''s parish. A storm of controversy erupts in her husband''s church congregation, but Rosemary, with the words "I do not believe," leaves behind the scandal and gossip for a seaside sojourn in Scarborough. Here she meets Stanko, a Bosnian refugee who illegally entered the country. But what begins as a supportive friendship launches an ungodly chain of events-and Rosemary soon finds herself back at home caught up in a murder investigation. "Barnard''s trademark seamless plotting and riotous sense of humor stand out wonderfully in his latest whodunit." "Booklist" "His plots are downright Mozartian in their effortless complexity" "New York Newsday"

The disappearance from school of two apparently unconnected teenagers worries DC Charlie Peace, until he discovers that they are both working at a hostel for homeless street kids. Peace knows the life and crimes of the people these two are trying to help, and decides that, for the moment, they are safe. But will Peace have cause to regret his decision? After all, just who is the man running the hostel? And how nasty is the local opposition to the place likely to become? As the pair continue their good work, the situation at the hostel becomes even more fraught with the appearance of an Asian girl fleeing an arranged marriage. And it isn''t long before a murderous attack seems about to put an end to the whole project. ''Nicely drawn characters'' "Irish Times" ''Very appealing. . .sensitively written'' "Evening Standard" ''He plots a mystery as well as any writer alive'' "Time" Magazine

A new mystery set at one of England''s stately homes and featuring beloved Yorkshire cop, Charlie Peace. By Diamond Dagger award winner Robert Barnard.

Sarah Jane Fearing has grown up in the imposing rural mansion of one of England''s most influential banking families. At the centre of Sarah''s world is her uncle, Frank, who has escaped the straitjacket of ponderous respectability. Frank offers Sarah hope, until his extravagant lifestyle leads him into a disastrous marriage.

From Robert Barnard, the internationally acclaimed Diamond Dagger–winning crime writer . . . Kit Philipson has always felt like something of a stranger in his family. Growing up as the only child of professional parents in Glasgow, Scotland, he had every advantage. His mother was a teacher; his father, a journalist, escaped from Nazi Germany at the age of three on one of the 1939 Kindertransports. But on her deathbed, Kit’s mother tells him he was adopted and that his birth name was Novello. Soon, vague memories of his early life begin to surface: his nursery, pictures on the wall, the smell of his birth mother when she’d been cooking. And, sometimes, there are more disturbing memories—of strangers taking him by the hand and leading him away from the only family he had ever known. A search of old newspaper files reveals that a three-year-old boy named Peter Novello was abducted from his parents’ holiday hotel in Sicily in 1989. Now the young man who has known himself only as Kit sets out to rediscover his past, the story of two three-year-old boys torn from their mothers in very different circumstances. Kit’s probing inquiries are sure to bring surprises. They may also unearth dangerous secrets that dare never be revealed. With sharp wit and deep insight, Robert Barnard sweeps away all preconceptions in this powerful study of maternal love and the danger of obsession.

Vernon Watts may have been beloved by the millions of faithful viewers of the long-running soap opera Jubilee Terrace but his fellow cast members knew him for what he was -- an egotistical former music-hall performer whose untimely death in a pedestrian accident was not something to be universally regretted. Sadly, though, director Reggie Friedman soon fills the supposed void by asking Hamish Fawley, an equally unpleasant former member of the Jubilee Terrace troupe, to rejoin the soap. Hamish was never much liked. Now he''s more obnoxious than ever. The mood on the set is not exactly serene, a situation made worse when the police receive an anonymous letter suggesting that Vernon Watts''s "accident" may in fact have been murder. Did one of his fellow actors push Vernon into the oncoming traffic? Detective Inspector Charlie Peace faces tough challenges as he probes the make-believe world of skilled thespians to find a possible killer. With a cast of suspects who are trained to emote on cue, Charlie will need all of his policeman''s instincts if he''s to avert further tragedy. Writing with his usual acerbic wit and penetrating insight into human foibles, acclaimed master of mystery Robert Barnard gives us another winning entry in his magnificent body of work.

It can be a bit of an embarrassment when your old man is done in. Particularly, when you are a rising inspector with CID, and hated his guts. Particularly, when your old man was at the time subjecting himself to a do-it-yourself version of a Spanish Inquisition torture. And wearing spangled tights. What it meant was that Perry Trethowan had to go back to the home of his ancestors and do a bit of semi-official sleuthing. Like the Sitwells and the Mitfords, the Trethowans proved that Birth and Artistic Talent could go together. The Trethowans, though, made one hope it didn''t happen too often. Perry''s father had been a dilettante composer so minor that he stopped composing long before he started decomposing. His Uncle Lawrence, head of the family, was a poet of sorts, one of his aunts a stage designer, another an overgrown schoolgirl who had never grown out of her Thirties crush on Adolf Hitler. And that''s only the older generation. Perry goes with fear and trembling back into the lions'' den, and finds that his worst forebodings are mere shadows of the grisly reality.

From Robert Barnard, the internationally acclaimed Diamond Dagger-winning crime writer . . . Some memories are better left buried in the past. Well-known author Graham Broadbent has managed to repress one particularly dangerous memory for many years, but a trip home to a school reunion brings back the shocking reality of a desperate youthful passion. It all begins with a knock on Graham''s hotel door. His visitor is nineteen-year-old Christa, who read in the newspaper that he would be in town. She introduces herself as his long-lost daughter. His daughter? It''s true that many years ago Graham had a fling with Christa''s mother, an exquisitely alluring school actress named Peggy Somers. The dates don''t work, though. Graham maintains he was out of the country when Christa was conceived. He couldn''t be her father. He''s almost sorry that he can''t claim Christa, a lively young woman who intrigues him in a strange way. And what about Christa''s mother, the formidable Peggy, who made such an impression when she portrayed Saint Joan in the school play all those years ago? Why would she have lied to Christa about her paternity? Why name Graham as the girl''s father? Separated from his wife, at loose ends in his writing, Graham takes the fateful step of searching out Peggy. It''s a big mistake. Peggy''s life, which started with such promise, has been a major disappointment. Now it''s about to become a disaster. Peggy lies. She fabricates. She fantasizes. She is the kind of person who will destroy Graham if he lets her. As Graham finds himself drawn increasingly into the turmoil surrounding this woman and her children, he must deal with deception and, ultimately, with murder. The sins of the past return to haunt the living, and the lives of those who survive will never be the same. Writing with the piercing insight and wit for which he is renowned, Robert Barnard creates a poignant masterpiece of mystery, as thoughtful as it is entertaining.

From master of mystery Robert Barnard comes a brilliantly witty and piercingly observant new suspense novel featuring one of the most dysfunctional families ever to grace crime fiction. Meet the Cantelos of Leeds, England. To call the Cantelos dysfunctional is actually a wild understatement. But is one of them also a killer? Clarissa Cantelo, a skilled clairvoyant, apparently thought so. Believing that her sixteen-year-old nephew, Merlyn Docherty, was in peril, she sent him into hiding in Italy, far away from the rest of her family. She told them he was dead. It was safer that way. Now Clarissa herself has died, and Merlyn, a successful lawyer and civil servant who still lives abroad, has returned to Leeds to claim his inheritance. First, he must prove his identity. Is he really Merlyn or, as some of his long-lost relations say they suspect, is he an imposter? Merlyn doesn''t mind confirming his identity, but he''d at least like to move into the house that Aunt Clarissa left him in her will while he gets to know some of his relatives. And the house may hold some clues to the Cantelos'' past. What is the dreadful family secret that has upset relations between mothers and daughters, husbands and wives, filling even the youngest generation with fear? If Merlyn discovers the truth, buried under decades of deception, his life may once again be in danger. Merlyn must start at the beginning if he is to find the answers. All roads seem to lead back to his grandfather, the formidable Merlyn Cantelo, renowned in the family as an object of both fear and loathing. Though the old man who caused such pain to his family died years ago, his malevolence lives on. Somebody wants young Merlyn gone. With help from police detectives Mike Oddie and Charlie Peace, Merlyn must find that person before the Cantelo curse works its evil again. Wickedly observant and full of his trademark sly twists, The Graveyard Position proves once more that Robert Barnard is in a class of his own.

La presente BREVE HISTORIA DE LA LITERATURA INGLESA está concebida para satisfacer la curiosidad de aquellos lectores que deseen enriquecer sus lecturas con una relación histórica que les ofrezca unas pautas fundamentales, así como las necesidades iniciales de los estudiantes de esta materia. Este objetivo básico explica asimismo las principales características de la obra, como son una atención predominante a los dos últimos siglos y a las figuras principales de esta literatura (y, dentro de ellas, a sus obras más significativas). Fruto de su prolongada experiencia como profesor, «al escribir esta obra -explica ROBERT BARNARD en su prólogo a la misma- he querido fundamentalmente familiarizar al lector con las opiniones más comúnmente aceptadas sobre los autores y periodos que se tratan».