New Releases by Robert Graves

DigiCat Publishing presents to you this special edition of "The Feather Bed" by Robert Graves. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

"Over the Brazier" is a great work by Robert graves. The book entails numerous wonderful poems with great insight interested personnel in war poetry will give high regard to many of them for the perspective they give of the first world war.

Una introducció perfecta a la mitologia grega Aquest llibre és la història de l''època gloriosa en què els déus i les deesses que habitaven l''Olimp governaven el món. És, també, la història del temps en què uns herois fabulosos protagonitzaven actes d''increïble valentia.

“The best book on writing ever published” (Patricia T. O’Conner, author of Woe Is I). When Robert Graves and Alan Hodge decided to collaborate on this manual for writers, the world was in total upheaval. Graves had fled Majorca three years earlier at the start of the Spanish Civil War, and as they labored over their new project, they witnessed the fall of France and the evacuation of Allied forces at Dunkirk. Soon the horror of World War II would reach British soil as well, as the Luftwaffe began bombing London in an effort to destroy the resolve of the English people. Graves and Hodge believed that at a time when their whole world was falling apart, the survival of English prose sentences—of writing that was clear, concise, and intelligible—had become paramount if hope were going to outlive the onslaught. They came up with forty-one principles for writing, the majority devoted to clarity, the remainder to grace of expression. They studied the prose of a wide range of noted authors and leaders, finding much room for improvement. Successful communication could mean the difference between war and peace, life and death, and they were determined to contribute to its survival. The importance of good writing continues today, as obfuscation, propaganda, manipulative language, and sloppy standards are all too common—and this classic guide is just as useful and important as ever. Note: This edition restores the full, original 1943 text. “To see what really expert mavens can do in applying their rule-based expertise to clearing up bad prose, get hold of a copy of The Reader Over Your Shoulder.” —The Atlantic

An accessible anthology of the greatest ancient Greek myths and legends for readers of all ages by the celebrated classicist and historical novelist. According to the myths, gods and goddesses of ancient Greece lived on Mount Olympus and ruled the world of mortals. Famous heroes shaped the course of history, beautiful women drew the gazes of gods and men alike, and the gods were both fickle in their favors and breathtakingly generous to those they smiled upon. From Midas’s tragic gift to the exploits of Hercules and the curse of Pandora, Robert Graves brings the legends of ancient Greece to life in a way that’s sure to appeal to everyone; from children to adults, and from casual readers to serious scholars. “Directly told, with no attempt to oversimplify them, a good deal of the symbolism and the association with the pattern of ancient Greece survives.” —Kirkus Reviews (starred review).

The real story of T. E. Lawrence’s life as told by the author of I, Claudius. “A combination of history, biography, and . . . an amazingly human tale” (Boston Evening Transcript). Immortalized in the film Lawrence of Arabia, the real T. E. Lawrence was a leader, a war strategist, and a scholar, and is here immortalized in an intimate biography written by his close friend, the award-winning British novelist, poet and classicist Robert Graves. As a student at Oxford, T. E. Lawrence was fascinated with Middle Eastern history and culture, and underwent a four-month visit to Syria to study the fortifications built by the crusaders. Later, he returned to the region, this time as an archaeologist working with the British Army’s Intelligence unit in Egypt during World War I. From there, in 1916, he joined Arab rebels fighting against Turkish domination. His brilliance as a desert war tactician earned him the respect of the Turkish fighters and worldwide renown. “Interesting and informative.” —New York Herald Tribune “[Mr. Graves] has done his job admirably and without any too obvious excesses of hero worship.” —New Statesman “[Readers] will consult Mr. Graves for information about this man.” —The New Republic

Swashbuckling historical fiction from the author of I, Claudius. “A cleverly balanced mixture of spice, fact, humor and adventure on and off the high seas” (Kirkus Reviews). Set in the Age of Exploration, The Islands of Unwisdom tells the story of the ill-fated Don Álvaro de Mendaña y Neyra, a Spanish explorer set on finding the Solomon Islands, the mythical source of King Solomon’s vast wealth. Driven by greed, ambition, and lust, Don Alvaro and his wife, the beautiful and dangerous Ysabel, lead a crew of adventurers beyond the horizon in search of the wealth of their wildest dreams. However, that’s not exactly what they find. In the hands of master historical novelist, classicist, and poet Robert Graves, this tale offers a fascinating look at a brutal and bloody era, and insights into the reasons for Spain’s failure to ultimately dominate world exploration during this time.

In this sequel to I, Claudius, the story of the Roman Emperor—on which the award-winning BBC TV series was based—continues . . . In I, Claudius, Robert Graves began the story of the limping, stammering young man who is suddenly thrust onto the throne after the death of Caligula. In Claudius the God, Graves continues the story, detailing Claudius’s thirteen-year reign and his ultimate downfall. Painting the vivid, tumultuous, and decadent society of ancient Rome with spectacular detail, Graves provides a tale that is instructive, compelling, and difficult to put down for both casual readers and students of Roman history.

Translated from the Latin by the poet and author of I, Claudius, this ancient Roman novel follows the many adventures of a man who transforms into an ass. Driven by his all-consuming curiosity, a young man of good parentage named Lucius Apuleius takes a trip to Thessaly. Along the way, amidst a series of bizarre adventures, he inadvertently offends a priestess of the White Goddess, who promptly turns him into an ass. How Lucius responds to his new misfortune, and ultimately finds a way to become human again, makes for a funny and fascinating tale. The Metamorphosis of Apuleius, referred to by St. Augustine as The Golden Ass, is the oldest novel written in Latin to survive in its entirety. Originally written by Lucius of Patrae, this translation by Robert Graves highlights the ribald humor and vivid sense of adventure present in the original. Providing a rare window into the daily lives of regular people in ancient Greece, Robert Graves’s translation of this classic tale is at once hilarious, informative, and captivating.

This “vigorous tale” by the acclaimed author of I, Claudius captures the sixth century fall of the Byzantine Empire as seen through the eyes of a servant (Kirkus Reviews). Threatened by invaders on all sides, the Eastern Roman Empire of the sixth century fought to maintain its borders. Leading its defense was the Byzantine general Belisarius, a man who earned the grudging respect of his enemies, and who rose to become Emperor Justinian’s greatest military leader. Loosely based on Procopius’s History of the Justinian Wars and Secret History, this novel tells the Belisarius’s story through the eyes of Eugenius, a eunuch and servant to the general’s wife. It presents a compelling portrait of a man bound by a strict code of honor and unrelenting loyalty to an emperor who is intelligent but flawed, and whose decisions bring him to a tragic end. Eminent historical novelist and classicist Robert Graves presents a vivid account of a time in history both dissolute and violent, and demonstrates one again his mastery of this historical period. “A brilliant piece of scholarship.” —Kirkus Reviews “The scope of the book is massive—encompassing religious controversy and cultural developments as well as military history—yet, throughout, Graves succeeds in blending historical details with the development of his main characters.” —Historical Novel Society

The author of I, Claudius reimagines the Trojan War for the young reader. “The writing is clear, straightforward, and, in places, poetic” (Kirkus Reviews). The Iliad has it all: war, corruption, greed, power, and the passions of both gods and men. In this detailed retelling, Robert Graves draws the major characters of this timeless classic in broad, gritty strokes, making Agamemnon, Paris, Odysseus, and others accessible for young readers. Written with a younger audience in mind, The Siege and Fall of Troy is nevertheless exhaustively researched and compelling enough to be of interest to both students of history and adult readers. With humor, wit, and energy, Graves is expert at weaving a story based on exhaustive scholarly research and deep imaginative prowess.

This ancient biographical history of Roman rulers from Julius Caesar to Domitian is translated by the acclaimed classicists and author of I, Claudius. As personal secretary to Emperor Hadrian, the second century scholar Suetonius had unlimited access to the Roman Imperial archives. Drawing on this wealth of source material, he wrote a sweeping account of the lives of Rome’s first twelve emperors. From the empire’s most accomplished leaders, such as Julius Caesar and Augustus, to its most depraved and doomed rulers, such as Caligula and Nero, this ancient biographical study presents an enlightening and colorful picture of these historical figures from remote antiquity. This edition of The Twelve Caesars is translated from the Latin by the renowned classicist, historian, and historical novelist Robert Graves. With his expertise in classical history and talent for telling a lively story, Graves presents an excellent translation that makes this classic work accessible to modern audiences

A sanctioned biography of T. E. Lawrence, known popularly as "Lawrence of Arabia," this work by the eminent Robert Graves attempts to provide a fair and balanced treatment of the man. Based on interviews with Lawrence and his close associates, this account clearly displays its authenticity.

Religion, history, and poetry unite in these mythological tales about the dawn of the Christian era that vividly bring the sights, sounds, and smells of Jesus'' world to life.

In these true stories, the acclaimed writer Robert Graves explores the worlds of two men intent on success. Wife to Mr. Milton is an exploration into the marriage of a man the author considered one of the heinous monsters in the English poetic pantheon--John Milton--and how his wife was ill-used by him. Milton''s first wife was 16 when they married, and Milton was after her dowry. When it did not follow he proved domineering and dishonest, unresponsive to her sensuousness and her down-to-earth wit. It was a spiritual misalliance, too: her Catholicism sorted ill with his beliefs. The dramatic political and military events of the English civil war touched her life at every point, including the execution of Charles I. The Isles of Unwisdom visits a different, very Catholic world, that of the expeditions of the Spanish explorers and discoverers, near contemporaries of Milton but not emancipated by the Reformation, who come unstuck in the New World. Reconstructed is the ill-fated voyage of Alvaro de Mendana y Neya to find the Solomon Islands, popularly believed to constitute the fabled Land of Ophir, where King Solomon amassed his legendary wealth.

Antigua, Penny, Puce is a tale of sibling rivalry in which Jane and Oliver fight for posession of a never-issued one-penny stamp from Antigua. They Hanged my Saintly Billy tells of Dr William Palmer, a notorious surgeon, racehorse owner and confessed forger who was also a thief.

An autobiographical work that describes firsthand the great tectonic shifts in English society following the First World War, Robert Graves''s Goodbye to All That is a matchless evocation of the Great War''s haunting legacy, published in Penguin Modern Classics. In 1929 Robert Graves went to live abroad permanently, vowing ''never to make England my home again''. This is his superb account of his life up until that ''bitter leave-taking'': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and covers his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written. Robert Ranke Graves (1895-1985) was a British poet, novelist, and critic. He is best known for the historical novel I, Claudius and the critical study of myth and poetry The White Goddess. His autobiography, Goodbye to All That, was published in 1929, quickly establishing itself as a modern classic. Graves also translated Apuleius, Lucan and Suetonius for the Penguin Classics, and compiled the first modern dictionary of Greek Mythology, The Greek Myths. His translation of The Rubáiyát of Omar Khayyám (with Omar Ali-Shah) is also published in Penguin Classics. If you enjoyed Goodbye to All That, you might like Ford Madox Ford''s Parade''s End, also available in Penguin Modern Classics. ''His wonderful autobiography'' Jeremy Paxman, Daily Mail

This is a collection of Robert Graves'' essays, written between 1922 and 1972, on areas of culture which engaged him. They are organized around the thematic categories of literature, history and religion. The collection chronicles Graves'' intellectual development by presenting the essays chronologically to show how ideas begin and evolve over half a century. At the same time, the essays demonstrate his eclectic knowledge over a vast range of topics and confirm not only his insights, but also his humour and famous leaps of logic.

A comprehensive and renowned guide to world mythology, this classic work stands as the monumental achievement of years of scholarship. The sources of human civilization are explored in depth with the inclusion of not only the classic Greek and Roman myths of antiquity, but also the strange and unfamiliar mythologies of cultures other than our own: from Peru to Persia; from Tahiti to Togoland. The Gods and legends of every part of the world are revealed in all their splendor with an imaginative and highly readable text accompanied by authentic paintings, sculpture, symbols, idols, and ritual objects. -- The first and most famous complete encyclopedia of world mythology -- Nearly 600 illustrations, many in full color, of ancient, primitive and exotic art

"The objects of this autobiography, written at the age of thirty-three, are simple enough: an opportunity for a formal good-bye to you and to you and to you and to me and to all that; forgetfulness, because once all this has been settled in my mind and written down and published it need never be thought about again; money". Thus begins Robert Graves''s classic 1929 autobiography with its searing account of life in the trenches of the First World War; and yet this opening passage, together with much significant material, has been unavailable since 1957, when a middle-aged Graves totally revised his text, robbing it of the painfully raw edge that had helped to make it an international bestseller. By 1957 major changes in his private life had taken place. Graves was no longer living with the American poet Laura Riding, under whose influence and in whose honor the original had been written. By cutting out all references to Riding, by deleting passages which revealed the mental strains under which he had labored, and by meticulously editing the entire text, Graves destroyed most of what had made it so powerful but also removed it from the only context in which it could be fully understood. We are pleased to offer the original 1929 edition on the occasion of Graves''s 100th anniversary, edited and annotated by Robert Graves''s nephew and biographer, whose lucid introduction greatly enhances its value.

Though he lived most of his life in the remote village of Deya on the island of Mallorca, Robert Graves (1895--1985) was conversant with the most important issues of this century and was acquainted with many of the most powerful people. Jorge Luis Borges called him ""a soul above."" Graves wrote almost restlessly on subjects of great diversity: myths of the Greeks, Romans, Hebrews, and Celts; modern science and economics; contemporary society and culture as well as of ancient Greece and Rome, of Celtic Wales and Ireland, of the time of Milton, and of the American Revolution. He was a poet of great fame, a celebrated writer of historical novels, and the man who imprinted the name and identity of the White Goddess upon the cultural language. His translations of Latin classics have been applauded; his recastings of Biblical and Persian texts attracted irascible attention from scholars. Throughout his long and productive life, whether he was talking with Virginia Woolf, Peter Quenell, Jorge Luis Borges, Alan Sillitoe, Edwin Newman, or Gina Lollobrigida, the voice of Graves remained clear and distinct--attracting and repelling a variety of interviewers with its surety. His Books-Goodbye to All That; The White Goddess; I, Claudius; and King Jesus-preserve his literary art. The conversations in this collection keep alive his presence and passion.

First published in the 1400s, these classic tales of King Arthur, Camelot, and adventures of the Knights of the Round Table are translated and presented in this edition that features a new introduction written by Nobel Prize nominee Robert Graves (I, Claudius).

Examines the language of ancient Celtic and Mediterranean poetic myths, probing the role of the all-encompassing female figure, the White Goddess, in the earliest forms of poetry.