Best Selling Books by Robert Kanigel

A biography of one of the most innovative mathematicians of all time traces the rise of Srinivasa Ramanujan from his days as a clerk to his collaboration with one of England''s greatest mathematicians.

The first major biography of the irrepressible woman who changed the way we view and live in cities, and whose influence can still be felt in any discussion of urban planning to this day. Eyes on the Street is a revelation of the phenomenal woman who raised three children, wrote seven groundbreaking books, saved neighborhoods, stopped expressways, was arrested twice, and engaged at home and on the streets in thousands of debates--all of which she won. Here is the child who challenged her third-grade teacher; the high school poet; the journalist who honed her writing skills at Iron Age, Architectural Forum, Fortune, and other outlets, while amassing the knowledge she would draw upon to write her most famous book, The Death and Life of Great American Cities. Here, too, is the activist who helped lead an ultimately successful protest against Robert Moses''s proposed expressway through her beloved Greenwich Village; and who, in order to keep her sons out of the Vietnam War, moved to Canada, where she became as well known and admired as she was in the United States.

Presents a tribute to Ireland''s Great Blasket Island and the people it has influenced, examining how its seaside culture was nearly untouched by time throughout the first half of the twentieth century.

The definitive biography of the first "efficiency expert."

What makes genuine leather genuine? What makes real things real? In an age of virtual reality, veneers, synthetics, plastics, fakes, and knockoffs, it''s hard to know. Over the centuries, men and women have devoted enormous energy to making fake things seem real. As early as the fourteenth century, fabric was treated with special oils to make it resemble leather. In the 1870s came Leatherette, a new bookbinding material. The twentieth century gave us Fabrikoid, Naugahyde, Corfam, and Ultrasuede. Each claims to transcend leather''s limitations, to do better than nature itself—or at least to convince consumers that it does. Perhaps more than any other natural material, leather stands for the authentic and the genuine. Its animal roots etched in its pores and in the swirls of its grain, leather serves as cultural shorthand for the virtues of the real over the synthetic, the original over the copy, the luxurious over the shoddy and second-rate. From formica, vinyl siding, and particle board to cubic zirconium, knockoff designer bags, and genetically altered foods, inspired fakes of every description fly the polyester pennant of a brave new man-made world. Each represents a journey of scientific, technical, and entrepreneurial innovation. Faux Real explores this borderland of the almost-real, the ersatz, and the fake, illuminating a centuries-old culture war between the authentic and the imitative.

The story of the making, loss, and recovery of some of the greatest treasures of antiquity, raising questions about ancient mosaic art and its creation, the work of archaeology, and museum practice. In 1932, after years of fundraising and flurries of letters back and forth, an archaeological team from Princeton University gathered in Antioch, Syria. They expected to find sculptures, frescos, palace walls, and busts. Instead, all across this ancient Roman metropolis, they stumbled upon one site after another of extraordinary mosaic treasure, incomparable in number, quality, and historical significance. There were some three hundred of them in all, glories of color and design, stones and pieces of glass heaped up into spectacular images. Many of them were vast, room-sized tableaus, commissioned by wealthy Antiochenes for their villas. They depict banquets, drinking contests, olive harvests; lions, leopards, peacocks, and gazelles; legends, scenes from mythology, Cupid and Psyche, Narcissus and Dionysus. Though dated to early in the Christian era, they are unabashedly pagan; the animals and plants they depict are so life-like scholars can often identify them by species. A vast, collectively obsessive outpouring of industry and effort, art and artisanship, they stand for beauty, the drive to make it, and the human need to have it as part of life. The eight-year dig at Antioch was an astonishing human enterprise, one that survived Depression-era financial downturns, interpersonal conflict, and the looming threat of World War II. Gained were mosaics that ultimately ended up in museums around the world—Harvard University, Boston’s Museum of Fine Arts, The Baltimore Museum of Art, New York’s Metropolitan, Paris’s Louvre, and more than a dozen others. But while an archaeological triumph, shedding new light on the ancient world, it also raised profound questions about the nature and progress of art. Who has a right to a work of art—the country of origin or the archaeologists who dig it up? Is art more interesting for its beauty, its history, or the craft and intelligence that goes into its making? What elevates a craftsperson into an artist? Robert Kanigel tackles these questions and more, breathing life into this landmark adventure of intellect and discovery.

From the acclaimed biographer of Jane Jacobs and Srinivasa Ramanujan comes the first full life and work of arguably the most influential classical scholar of the twentieth century, who overturned long-entrenched notions of ancient epic poetry and enlarged the very idea of literature. In this literary detective story, Robert Kanigel gives us a long overdue portrait of an Oakland druggist''s son who became known as the "Darwin of Homeric studies." So thoroughly did Milman Parry change our thinking about the origins of Homer''s Iliad and Odyssey that scholars today refer to a "before" Parry and an "after." Kanigel describes the "before," when centuries of readers, all the way up until Parry''s trailblazing work in the 1930''s, assumed that the Homeric epics were "written" texts, the way we think of most literature; and the "after" that we now live in, where we take it for granted that they are the result of a long and winding oral tradition. Parry made it his life''s work to develop and prove this revolutionary theory, and Kanigel brilliantly tells his remarkable story--cut short by Parry''s mysterious death by gunshot wound at the age of thirty-three. From UC Berkeley to the Sorbonne to Harvard to Yugoslavia--where he traveled to prove his idea definitively by studying its traditional singers of heroic poetry--we follow Parry on his idiosyncratic journey, observing just how his early notions blossomed into a full-fledged theory. Kanigel gives us an intimate portrait of Parry''s marriage to Marian Thanhouser and their struggles as young parents in Paris, and explores the mystery surrounding Parry''s tragic death at the Palms Hotel in Los Angeles. Tracing Parry''s legacy to the modern day, Kanigel explores how what began as a way to understand the Homeric epics became the new field of "oral theory," which today illuminates everything from Beowulf to jazz improvisation, from the Old Testament to hip-hop.

Explores the "genealogy of scientific relationships"--How scientists are connected as mentors and students. In particular, Kanigel profiles one "dynasty" of four scientific achievers, beginning with Steve Brodie, who is known as the father of drug metabolism. One of these scientists received a Nobel prize, and all four received nominations.

In this compilation of newspaper columns of the same title, Kanigel offers his reviews of eighty books, thirty-three of which are fiction, the rest nonfiction.

The story of the Mediterranean city and its long history of tourism.

Celebrated essayist, biographer, and non-fiction book writer Robert Kanigel presents a memoir of his meandering, serendipitous path from engineer to writer. Kanigel invites the reader back in time for a journey rich with a sense of time and place, beginning with his childhood as the son of Jewish parents in Brooklyn. He attends Rensselaer Polytechnic Institute, then moves to Baltimore and begins working at an ammunition lab. The Vietnam War lurks as a shadow just offstage, coloring his need for work and various engineering jobs he takes. He pursues a string of romances, all ending in heartbreak, until he meets Maura, a firebrand of a woman pursuing her Ph. D. in biology, who beckons him to Europe, where he spends several lonely months as an anglophone in Paris. Spared the military draft by a high lottery number, he returns to Baltimore with Maura, finally quits his engineering job, and becomes a writer, "not," Kanigel says, "because I decided to become a writer, but because I began to write." His first writing job, a series of essays for a local paper he proposed on a whim, spirals into a prestigious career. Kanigel is not the hero of his own story, but his sometimes self-deprecating honesty makes for a deeply moving tale of a young man who, in his words, "muddled" his way into writing.