New Releases by Robert PENN WARREN

Au début du XXe sc., le Sud des États-Unis s''embrase. Une épopée romanesque par le seul auteur américain récompensé trois fois par le prix Pulitzer. Au début du XXe siècle, dans le sud des États-Unis, les petits producteurs de tabac doivent faire face à la domination des grandes compagnies qui les forcent à vendre leurs récoltes à des prix dérisoires. Ce système prend les cultivateurs à la gorge et les asphyxie tant économiquement qu''humainement. C''est ainsi que de nombreuses personnes basculent dans la pauvreté et qu''une rébellion violente voit le jour. Quand aucune contestation légale n''est possible, il faut passer par d''autres moyens... Le jeune avocat Percy Munn va devenir un " cavalier de la nuit ", un de ces hommes acculés qui choisissent de mettre le feu, de détruire des entrepôts, des champs, de faire régner la peur plutôt que de se résigner et d''accepter leur sort. Munn bascule dans la spirale de feu et de violence qui embrase le pays... " Formidable. Un immense romancier. " France Culture " Pen Warren est passionnant par la richesse de sa thématique. " Le Figaro Littéraire " Un coup de maître où toutes les formes possibles de récit fusionnent, portée par une narration toujours fluide et complexe. " Le Monde des Livres " Une épopée follement romanesque, brillamment écrite. " Rolling Stones " Extraordinaire premier roman. " Le Monde " Un bel ouvrage aventureux et poétique. " Marianne.

Robert Penn Warren s''entretient avec tous les acteurs du mouvement des droits civiques aux Etats-Unis. Un fantastique document à la fois historique et littéraire, signé par le triple lauréat du Prix Pulitzer. En 1964, Robert Penn Warren lance une série d''interviews des représentants du mouvement des droits civiques aux Etats-Unis. Il rencontre Martin Luther King, Malcolm X, James Forman mais aussi les écrivains James Baldwin et Ralph Ellison, sans oublier de nombreux militants locaux, actifs sur le terrain. Pour l''auteur de Tous les hommes du roi, il s''agit d''une véritable quête, qui va bien au-delà du reportage ou de l''exercice journalistique. Enfant du Sud des Etats-Unis, Robert Penn Warren a vécu dans une société ségrégationniste. Il s''interroge sur le poids de cette éducation et sur l''avenir des relations entre communautés. Loin de tout militantisme, il retranscrit ici ses entretiens en veillant à conserver le ton exact des échanges. A l''heure où les questions d''intégration comptent parmi les sujets centraux de nos sociétés, Au nom des Noirs constitue un document exceptionnel où les dialogues sont complétés par les réflexions personnelles de l''un des derniers géants de la littérature américaine. Historique, introspectif, porté par une exigence jamais prise en défaut et un style unique... cet ouvrage échappe à toutes les classifications. " Il s''agit de ma tentative pour comprendre ce que je pouvais comprendre. J''ai conservé la forme des conversations car je voulais que le lecteur puisse voir, écouter et ressentir ce que j''avais vu, écouté et ressenti. Ce livre devait être le plus honnête possible ", résume Robert Penn Warren.

Années trente, alors que dans la chaleur de la Louisiane, ses ennemis manœuvrent pour prendre sa place, Willie Stark, «l’enfant humilié» devenu gouverneur, se découvre un nouvel adversaire : le vertueux Juge Irwin. Le Boss charge alors Jack Burden, narrateur cynique en quête de sens, du fardeau de déterrer la vérité, car dans un monde de corruption « il y a toujours quelque chose à déterrer ». Mais déjà le Temps agit, le passé met en place le futur et tous les hommes du roi montent sur scène pour la tragédie à venir. De l’angélique Anne Stanton, à la diablesse Sadie Burke en passant par Adam l’esthète et Sugar-Boy le porte flingue, chacun jouera son rôle dans ce magistral roman à l’écriture époustouflante, qui de la vie donne son image la plus juste et poignante : celle de la fragilité. Robert Penn Warren (1905-1989) est né à la frontière du Kentucky et du Tennessee, du Nord et du Sud, mais c''est dans l''histoire du Sud qu''il trouve ses racines. Avant d''être romancier, il étudit à Yale et à Oxford, devient poète et critique, puis professeur de littérature. Il a dirigé pendant plusieurs années la Southern Review. Il a obtenu trois fois le prix Pulitzer, comme romancier de Tous les hommes du roi (1946) et deux fois en poésie pour Promises (1958) et Now and Then (1979).

The second novel by Robert Penn Warren, author of the Pulizter-Prize-winning All The King''s Men, is a tour de force and a neglected classic. At Heaven’s Gate, Robert Penn Warren’s second novel, is a neglected classic of twentieth-century fiction. First published in 1943, it grew out of the author’s years in Nashville during a period of political and financial scandals much like those later so memorably portrayed his Pulitzer-Prize-winning All The King’s Men. Other formative elements, as he has said, "came originally out of Dante by a winding path." During the winter of 1939-40 in Rome, where the first half of the book was written, one of the most touching characters, a "Christ-bit mountaineer," and his part of the story literally came full-blown to the author in a typhus-induced delirium. At Heaven’s Gate is a novel of violence, of human beings struggling against a fate beyond their power to alter, of corruption, and of honor. It is the story of Sue Murdock, the daughter of an unscrupulous speculator who has created a financial empire in the South, and the three men with whom she tries to escape the dominance of her father and her father’s world. The background is the capital of a Southern state in the late twenties and the promoters and politicians, the aristocrats and poor whites, the labor organizers and the dispossessed farmers, the backwoods prophets and university intellectuals who are drawn into its orbit. Warren’s picture of the South is as fresh, dramatic, and powerful today as it was when the book was first published. Its plot structure is a tour de force.

Willie Stark –inspirado en una figura histórica, Huey Long, el célebre y discutido gobernador populista de Louisiana– es un personaje de poderosa y compleja personalidad: orador amado por las multitudes y dictador sin escrúpulos que se mantiene en el poder mediante la corrupción y el chantaje. Robert Penn Warren ha escrito una de las grandes novelas políticas del siglo XX y una original exploración del tema inagotable del conocimiento de uno mismo, donde se entrelazan varios destinos. En el centro, Willie Stark, abogado de origen humilde que llegará a gobernador del estado, que seduce a Anne Stanton, a su hermano Adam y a Jack Burden, los insatisfechos hijos de las familias poderosas del estado. Adam Stanton es el idealista puro y Jack Burden es un desarraigado que pretende ser sólo un espectador inteligente. Todos los hombres del rey, un clásico de la literatura americana, ha inspirado dos grandes películas: la primera fue dirigida por Robert Rossen; la segunda cuenta con la dirección de Steven Zaillian, y ha sido protagonizada por Sean Penn, Jude Law y Kate Winslet.

ufeffOriginaly published in 1958 by Random House, Remember the Alamo! is a children’s book intended for ages 9 and up. Written just three years following the acclaimed Disney miniseries, Davy Crockett at the Alamo staring Fess Parker and Buddy Ebsen, the book is right out of the 1950s before “politically correct” entered our mindsets. Remember the Alamo! is the acclaimed classic accounts of one of the most thrilling moments in the history of the United States frontier. The battle for the Alamo was an epic event in the fight for Texas independence from Mexico. Davy Crockett, Colonel Jim Bowie and Colonel Travis are just three of the legendary and colorful heroes whose courageous and doomed defense of the Alamo against an overwhelming Mexican army led by General Santa Anna earned them immortality. Their valiastand and death inspired the rallying cry, “Remember the Alamo!” that inspired Texans to continue their struggle and ultimate win their independence from Mexico. As of this writing, he is the only author to have won the Pulitzer for both fiction and poetry.

In his sixth novel, The Cave (1959), Robert Penn Warren tells the story of a young man trapped in a cave in fictional Johntown, Tennessee. His predicament becomes the center of national attention as television cameras, promoters, and newscasters converge on the small town to exploit the rescue attempts and the thousands of spectators gathered at the mouth of the cave.

John Burt’s Selected Poems of Robert Penn Warren is more broadly representative of Warren’s poetry than any previous selected gathering. More than two hundred poems from every phase grace the volume, a vehicle ideal for sampling—or soaking in—the finest of Warren’s rich output. With each poem, Burt has carefully located the version that constitutes Warren’s final revision. His introduction gives an eloquent overview of the poet’s career, touching on every published book of verse and highlighting significant lines. A “selected” collection in the truest sense, featuring several previously unpublished pieces, this treasure is at once new and familiar. At the heart of Warren’s poetry is a celebration of man’s intellect and imagination, his integral place within nature, and his relationship to time and the past; ultimately, joy coexists with the knowledge of life’s many mysteries, including its tragedies. Selected Poems, a generous survey and a convenient compendium, is the shining portal to this greatly gifted poet.

Robert Penn Warren''s 1946 Pulitzer Prize-winning novel All the King''s Men is one of the undisputed classics of American literature. Fifty years after the novel''s publication, Warren''s characters still stand as powerful representations of the moral dilemmas faced by individuals in positions of power. All the King''s Men had its genesis in Warren''s stage play Proud Flesh, unpublished in his lifetime. He also wrote a subsequent unpublished play titled Willie Stark: His Rise and Fall and a later dramatic version of the novel that shared the title All the King''s Men. This volume is the first to collect all three dramatic texts and to publish Proud Flesh and Willie Stark. Proud Flesh is particularly fascinating for what it reveals about the development of All the King''s Men and Warren''s changing perceptions of its characters and themes. The other plays, as post-novel writings, provide a forum for Warren to clarify his intentions in the novel. The editors'' introduction to this collection reviews the composition history of the works and their relationship to the novel and to each other. The new perspectives on Warren''s writing presented in Robert Penn Warren''s "All the King''s Men": Three Stage Versions provide a glimpse into a creative mind struggling with a compelling story and offer readers another way of looking at this American classic. This book is an essential reference in Warren studies that will give students of All the King''s Men another context from which to consider Warren''s novel.

Le récent succès en librairie de L''Esclave libre (Phébus, 1998) a remis au jour l''œuvre de Robert Penn Warren (1905-1989), romancier du Sud qui fut longtemps le grand rival de Faulkner. Les Fous du roi (prix Pulitzer 1946), sans doute son plus grand livre, nous fait assister au douteux combat qu''un homme peut-être sincèrement épris de justice entend livrer - seul d''abord ou presque contre les forces de la corruption et du mensonge. Nous sommes dans l''Amérique profonde du début des années 30, mais en territoire plutôt familier : trafics d''influence, combines et crapuleries en tout genre, histoires de sexe ou d''argent opportunément déterrées à l''attention d''un ennemi politique ou d''un " ami " devenu gênant - les choses ont décidément peu changé. L''apprenti-sorcier, vite promis à ce qui ressemble à une ascension irrésistible sera à son tour rattrapé par un passé dont il a imprudemment remué les eaux troubles. Car le temps, ce grand oublié des ambitieux d''où qu''ils viennent, finit toujours par se venger, en y mettant parfois une terrible ironie. Et puis la violence, même au service de la meilleure cause, n''est jamais un instrument facile à manipuler... Un livre féroce et mélancolique, construit à la façon d''une partie d''échecs qui laissera, on le devine, la plupart des acteurs sur le carreau... et les survivants privés de bien des illusions.

Winner of the C. Hugh Holman Award A central figure in twentieth-century American literature, Robert Penn Warren (1905–1989) was appointed by the Library of Congress as the first Poet Laureate of the United States in 1985. Although better known for his fiction, especially his novel All the King’s Men, it is mainly his poetry—spanning sixty years, fifteen volumes of verse, and a wide range of styles—that reveals Warren to be one of America’s foremost men of letters. In this indispensable volume, John Burt, Warren’s literary executor, has assembled every poem Warren ever published (with the exception of Brother to Dragons), including the many poems he published in The Fugitive and other magazines, as well as those that appeared in his small press works and broadsides. Burt has also exhaustively collated all of the published versions of Warren’s poems—which, in some cases, appeared as many as six different times with substantive revisions in every line—as well as his typescripts and proofs. And since Warren never seemed to reread any of his books without a pencil in his hand, Burt has referred to Warren’s personal library copies. This comprehensive edition also contains textual notes, lists of emendations, and explanatory notes. Warren was born and raised in Guthrie, Kentucky, where southern agrarian values and a predilection for storytelling were ingrained in him as a young boy. By 1925, when he graduated from Vanderbilt University, he was already the most promising of that exceptional set of poets and intellectuals known as the Fugitives. Warren devoted most of the 1940s and 1950s to writing prose and literary criticism, but from the late 1950s he composed primarily poetry, with each successive volume of verse that he penned demonstrating his rigorous and growing commitment to that genre. The mature visionary power and technical virtuosity of his work in the 1970s and early 1980s emanated from his strongly held belief that “only insofar as the work [of art] establishes and expresses a self can it engage us.” Many of Warren’s later poems, which he deemed “some of my best,” rejoice in the possibilities of old age and the poet’s ability for “continually expanding in a vital process of definition, affirmation, revision, and growth, a process that is the image, we may say, of the life process.”

James A. Grimshaw, Jr., brings together for the first time more than 350 letters exchanged by two scholars who altered the way literature is taught in this country. The selected letters focus on the development of their five major textbooks--the rationale for selections, the details involved in obtaining permissions and preparing indexes, and the demands of meeting deadlines. More important, these letters reveal their attitudes toward literature, teaching, and scholarship. Providing insight into two of the most influential literary minds of this century, these letters show two men who were deeply involved in research and writing, and who were committed to a life of travel, conversation, and learning. Their zest for life and their love of literature explain, in part, their uncanny ability to persevere and to succeed. Yet their human qualities are also present in the letters, which bring Brooks and Warren to life as rare individuals able to sustain a deep, lifelong friendship. Cleanth Brooks and Robert Penn Warren will help readers better understand the critical work of Brooks and the creative work of Warren. Students and teachers of American literature will find this book indispensable.

Warren''s first novel, set during the "tobacco wars" that raged in Kentucky and Tennessee in the early part of this century. Percy Munn is one of Warren''s innocent idealists whose delusions become murderous as he attempts to define himself by action in the unfolding violence around him. Southern Classics Series.

Robert Penn Warren choses the best of his literary and critical essays. With thirteen in all, only six of them have been published in book form before.

Confederate John Singleton Mosby forged his reputation on the most exhilarating of military activities: the overnight raid. Mosby possessed a genius for guerrilla and psychological warfare, taking control of the dark to make himself the "Gray Ghost" of Union nightmares. Gray Ghost, the first full biography of Confederate raider John Mosby, reveals new information on every aspect of MosbyÕs life, providing the first analysis of his impact on the Civil War from the Union viewpoint.

In 1979 Robert Penn Warren returned to his native Todd Country, Kentucky, to attend ceremonies in honor of another native son, Jefferson Davis, president of the Confederacy, whose United States citizenship had just been restored, ninety years after his death, by a special act of Congress. From that nostalgic journey grew this reflective essay on the tragic career of Jefferson Davis -- "not a modern man in any sense of the word but a conservative called to manage what was, in one sense, a revolution." Jefferson Davis Gets His Citizenship Back is also a meditation by one of our most respected men of letters on the ironies of American history and the paradoxes of the modern South.

In these two essays, one of America''s most honored writers fastens on the interrelation of American democracy and poetry and the concept of selfhood vital to each. "I really don''t want to make a noise like a pundit," Mr. Warren declares, "What I do want to do is to return us--and myself most of all--to a scrutiny of our own experience of our own world." Indeed, Democracy and Poetry offers one of the most pertinent and strongly personal meditations on our condition to have appeared in recent letters. Our native "poetry," that is, literature and art, in general, is a social document, is "diagnostic," and has often been a corrosive criticism of our democracy, Mr. Warren argues. Persuasively, and movingly, he shows that all of "art" and all that goes into the making of democracy require a free and responsible self. Yet the American experience has been one of the decay of the notion of self. Our astounding success jeopardized what we promised to create--the free man. For a century and a half the conception of the self has been dwindling, separating itself from traditional values, moral identity, and a secure relation with community. Lonely heroes in a bankrupt civilization, then protest, despair, aimlessness, and violence, have marked our literature. The anguish of Robert Penn Warren''s own poetic vision of art and democracy is soothed only by his belief that poetry--the making of art can nourish and at least do something toward the rescue of democracy; he shows how art can be- come a healer, can be "therapeutic." In the face of disintegrative forces set loose in a business and technetronic society, it is poetry that affirms the notion of the self. It is a model of the organized self, an emblem of the struggle for the achieving self, and of the self in a community. More and more as our modern technetronic society races toward the abolition of the self, and diverges from a culture created to enhance the notion of selfhood, poetry becomes indispensable. Compelling, resonant, memorable, Democracy and Poetry is a major testament not only to the vitality of poetry, but also to a faith in democracy.

A collection of poems inspired by the life and writings of the famous naturalist

"Originally published in 1963, this powerful novel spools a rewarding, dramatic storyline while it probes the deeper philosophical search for self-definition in modern life and the symbolic demise of the agrarian South from technological progress. Flood begins with the arrival of two men in a small Tennessee town - Brad Tolliver, long-absent native son and successful screenwriter, and Yasha Jones, famous director and stranger to the region. Their purpose is to create a great film about the town, which will soon vanish when the massive dam being built downriver is completed. The town''s inhabitants come vividly to life as past and present forces prepare them for a climactic new beginning to their world."--BOOK JACKET.