New Releases by Robert Sullivan

After rejoining social media, Robert Sullivan wrote and posted a poem a day over two and a half months – the poems collected in Hopurangi— Songcatcher. Inspired by the cyclical energies of the Maramataka, these poems see the poet re-finding himself and his world – in the matauranga of his kuia from the Ngati Hau and Ngati Kaharau hapu of Ngapuhi; in his mother' s stories from his Ngati Manu hapu at Karetu; in the singing and storytelling at Puketeraki Marae, home of his father' s people of Kati Huirapa, Kati Mamoe, Waitaha and Kai Tahu Whanui in Te Tai o Araiteuru; and in the fellowship of friends on Facebook. Tihei mauri ora!

One of The New Yorker's best books of the year so far | A Kirkus Reviews Best Nature Book of 2024 “Singular . . . Virtuosic . . . Double Exposure is the best book I’ve read about America . . . in many, many years.” —Corey Seymour, Vogue (a best book of 2024) “Extraordinary . . . A transformative experience for the reader.” —Lucy Sante “A large-hearted, wide-angled book . . . I couldn't put it down.” —Ian Frazier A personal exploration of the American West and the work of one of America’s greatest photographers. Timothy O’Sullivan is America’s most famous war photographer. You know his work even if you don’t know his name: A Harvest of Death, taken at Gettysburg, is an icon of the Civil War. He was also among the first photographers to elevate what was then a trade to the status of fine art. The images of the American West he made after the war, while traveling with the surveys led by Clarence King and George Wheeler, display a prescient awareness of what photography would become; years later, Ansel Adams would declare his work “surrealistic and disturbing.” At the same time, we know very little about O’Sullivan himself. Nor do we know—really know—much more about the landscapes he captured. Robert Sullivan’s Double Exposure sets off in pursuit of these two enigmas. This book documents the author’s own road trip across the West in search of the places, many long forgotten or paved over, that O’Sullivan pictured. It also stages a reckoning with how the changes wrought on the land were already under way in the 1860s and ’70s, and how these changes were a continuation of the Civil War by other means. Sullivan, known for his probing investigations of place in the pages of The New Yorker and books like Rats and My American Revolution, has produced a work that, like O’Sullivan’s magisterial photos of geysers and hot springs, exposes a fissure in the American landscape itself.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

Reprint of the original, first published in 1861.

Digestion is the process of taking food and nutrients into the body and making them available for use in all of the body’s processes. The digestive system breaks down food and extracts the important nutrients, eliminating the excess substances that cannot be used. These nutrients provide energy for the body to grow, function, and make repairs to itself. Digestion and Nutrition, Third Edition describes the path that food takes through the system, the organs involved, and how the body uses different types of nutrients, while highlighting the importance of healthy eating and the problems and diseases that can affect the digestive tract. Packed with full-color photographs and illustrations, this absorbing book provides students with sufficient background information through references, websites, and a bibliography.

Reprint of the original, first published in 1869.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Originally commissioned as the libretto for a work by composer John Psathas for the 50th birthday celebration of the Orpheus Choir, this book-length poem offers fresh perspectives on the familiar story of Cook's Pacific explorations. Employing a broad bicultural approach to reinterpret the Orpheus myth for the South Pacific, Sullivan uses a wide range of styles—from 18th-century dialogue to 21st-century hip hop cadences—to create a revisionist Cook who must accept responsibility for the damage his expeditions have inflicted on the indigenous peoples of the Pacific.

Americans tend to think of the Revolution as a Massachusetts-based event orchestrated by Virginians, but in fact the war took place mostly in the Middle Colonies—in New York and New Jersey and the parts of Pennsylvania that on a clear day you can almost see from the Empire State Building. In My American Revolution, Robert Sullivan delves into this first Middle America, digging for a glorious, heroic part of the past in the urban, suburban, and sometimes even rural landscape of today. And there are great adventures along the way: Sullivan investigates the true history of the crossing of the Delaware, its down-home reenactment each year for the past half a century, and—toward the end of a personal odyssey that involves camping in New Jersey backyards, hiking through lost "mountains," and eventually some physical therapy—he evacuates illegally from Brooklyn to Manhattan by handmade boat. He recounts a Brooklyn historian's failed attempt to memorialize a colonial Maryland regiment; a tattoo artist's more successful use of a colonial submarine, which resulted in his 2007 arrest by the New York City police and the FBI; and the life of Philip Freneau, the first (and not great) poet of American independence, who died in a swamp in the snow. Last but not least, along New York harbor, Sullivan re-creates an ancient signal beacon. Like an almanac, My American Revolution moves through the calendar of American independence, considering the weather and the tides, the harbor and the estuary and the yearly return of the stars as salient factors in the war for independence. In this fiercely individual and often hilarious journey to make our revolution his, he shows us how alive our own history is, right under our noses.

Behold the rat, dirty and disgusting! Robert Sullivan turns the lowly rat into the star of this most perversely intriguing, remarkable, and unexpectedly elegant New York Times bestseller.

In the tradition of James Thurber and E.B. White, How Not to Get Rich is a timely spoof filled with witty instructions on how to avoid the perilous path toward millionaire-dom.

Robert Sullivan, who has driven cross-country more than two dozen times, recounts one of his family's many journeys from Oregon to New York. His story of moving his family back and forth from the East Coast to the West Coast (along with various other migrations), is replete with all the minor disasters, humor, and wonderful coincidences that characterize life on the road, not to mention life. As he drives, Sullivan ponders his Lewis and Clark and other fellow nation-crossers, meets Beat poets who are devotees of cross-country icon Jack Kerouac, and plays golf on an abandoned coal mine. And, in his trademark celebration of the mundane, Sullivan investigates everything from the history of the gas pump to the origins of fast food and rest stops. Cross Country tells the tales that come from fifteen years of driving across the country (and all around it) with two kids and everything that two kids and two parents take when driving in a car from one coast to another, over and over, driving to see the way the road made America and America made the road.

The legendary singer reflects on his career, the recurring themes in his life, and the inspiration that shapes his music and his art, in a musical memoir enhanced by reproductions of his own artwork and a CD containing some of the author's favorite songs.

A guide designed to increase the probability of success and avoid common trouble areas in starting and operating a small business. Gives practical advice on such topics as selecting the right business, partners, marketing, insurance, computers, writing and speaking effectively, and others.

From the creative team behind the bestselling "Flight of the Reindeer" comes a new amalgam of history, folklore, humor, and science. Combining fact, fiction, and everything in between, Sullivan skillfully renders a world in which the citizens of Atlantis live on among us. 100 color illustrations.

Imagine a grungy north Jersey version of John McPhee's classic The Pine Barrens and you'll get some idea of the idiosyncratic, fact-filled, and highly original work that is Robert Sullivan's The Meadowlands. Just five miles west of New York City, this vilified, half-developed, half-untamed, much dumped-on, and sometimes odiferous tract of swampland is home to rare birds and missing bodies, tranquil marshes and a major sports arena, burning garbage dumps and corporate headquarters, the remains of the original Penn Station--and maybe, just ,maybe, of the late Jimmy Hoffa. Robert Sullivan proves himself to be this fragile yet amazingly resilient region's perfect expolorer, historian, archaeologist, and comic bard.

This collection of 100 poems by a Maori writer shows a variety of subject and tone but is unified by recurring motifs and a persistent Maori perspective.