Most Popular Books by Robin James

In The Sonic Episteme Robin James examines how twenty-first-century conceptions of sound as acoustic resonance shape notions of the social world, personhood, and materiality in ways that support white supremacist capitalist patriarchy. Drawing on fields ranging from philosophy and sound studies to black feminist studies and musicology, James shows how what she calls the sonic episteme—a set of sound-based rules that qualitatively structure social practices in much the same way that neoliberalism uses statistics—employs a politics of exception to maintain hegemonic neoliberal and biopolitical projects. Where James sees the normcore averageness of Taylor Swift and Spandau Ballet as contributing to the sonic episteme's marginalization of nonnormative conceptions of gender, race, and personhood, the black feminist political ontologies she identifies in Beyoncé's and Rihanna's music challenge such marginalization. In using sound to theorize political ontology, subjectivity, and power, James argues for the further articulation of sonic practices that avoid contributing to the systemic relations of domination that biopolitical neoliberalism creates and polices.

In 1983, an Ohio radio station called WOXY launched a sonic disruption to both corporate rock and to its conservative home region, programming an omnivorous range of genres and artists while being staunchly committed to local independent art and media. In the 1990s, as alternative rock went mainstream and radio grew increasingly homogeneous, WOXY gained international renown as one of Rolling Stone’s “Last Great Independent Radio” stations. The station projected a philosophy that prioritized such independence—the idea that truly progressive, transgressive, futuristic disruptions of the status quo were possible only when practiced with and for other people. In The Future of Rock and Roll, philosopher Robin James uses WOXY’s story to argue against a corporate vision of independence—in which everyone fends for themselves—and in favor of an alternative way of thinking and relating to one another that disrupts norms but is nevertheless supported by communities. Against the standard retelling of the history of “modern rock,” James looks to the local scenes that made true independence possible by freeing individual artists from the whims of the boardroom. This philosophy of community-rooted independence offers both a counternarrative to the orthodox history of indie rock and an alternative worldview to that of the current corporate mainstream.

This Book Is Concerned With British Diplomacy Towards The Sub-Continent In The Aftermath Of Its Partition, And With The Tortuous Path To The Formula Of The `London Declaration` Of April 1949, On Which The New Commonwealth Was Founded.

When most people think that “little girls should be seen and not heard,” a noisy, riotous scream can be revolutionary. But that’s not the case anymore. (Cis/Het/White) Girls aren’t supposed to be virginal, passive objects, but Poly-Styrene-like sirens who scream back in spectacularly noisy and transgressive ways as they “Lean In.” Resilience is the new, neoliberal feminine ideal: real women overcome all the objectification and silencing that impeded their foremothers. Resilience discourse incites noisy damage, like screams, so that it can be recycled for a profit. It turns the crises posed by avant-garde noise, feminist critique, and black aesthetics into opportunities for strengthening the vitality of multi-racial white supremacist patriarchy (MRWaSP). Reading contemporary pop music – Lady Gaga, Beyonce, Calvin Harris – with and against political philosophers like Michel Foucault, feminists like Patricia Hill Collins, and media theorists like Steven Shaviro, /Resilience & Melancholy/ shows how resilience discourse manifests in both pop music and in feminist politics. In particular, it argues that resilient femininity is a post-feminist strategy for producing post-race white supremacy. Resilience discourse allows women to “Lean In” to MRWaSP privilege because their overcoming and leaning-in actively produce blackness as exception, as pathology, as death. The book also considers alternatives to resilience found in the work of Beyonce, Rihanna, and Atari Teenage Riot. Updating Freud, James calls these pathological, diseased iterations of resilience “melancholy.” Melancholy makes resilience unprofitable, that is, incapable of generating enough surplus value to keep MRWaSP capitalism healthy. Investing in the things that resilience discourse renders exceptional, melancholic siren songs like Rihanna’s “Diamonds” steer us off course, away from resilient “life” and into the death.

When the Venezuelan freelance terrorist Arsenio Cruz broke out of prison he made straight for Barcelona. Once there, he was struck by photographs that paparazzi had snatched of the Princess of Wales, currently holidaying off Spain on the yacht Mirabelle. Indisputably worthy of his nickname 'El Asesino' (The Assassin), Arsenio nevertheless decided to kidnap rather than kill the Princess, spurred on by the thought of the biggest ransom ever demanded. However, in order for his plan to succeed he would have to go head to head with Major Zaki Fernandez of the elite Special Boat Service, the very man who had put him behind bars all those years ago. Marine F SBS: Royal Target sees the legendary SBS tested to their very limits as they race against the clock to thwart one of the most audacious kidnappings of the 20th century. This is classic military fiction at its best.

The seven essays in this book concern crucial episodes in the making of British policies toward India. Essays include: The Problem of Freedom with Unity; The Making of India's Paper Federation, 1927-35; British Policy and the Indian Problem, 1936-40; The Mystery of the Cripps Mission; Jinnah and the Pakistan Demand; Mountbattem, India, and the Commonwealth; India in 1947: The Limits of Unity.

The Warren Commission insisted that JFK's assassination was the work of a lone gunman. But what if there had been another shooter involved? And what if that shooter had kept a journal that told the whole story from his own point of view? That's the premise of this novel--the story of how and why one of the gunmen came to be involved and what it took to have him there in Dallas in November of 1963. How he was initially recruited and trained to be part of the team conceived to assassinate Fidel Castro, only to have that project aborted at the last minute by the man who was to be his target in Dallas: President John F. Kennedy. This story is fiction. Many of the details reported herein never actually happened (though many did, of course--but then, that's one of the charms of historical novels: the blending of totally fabricated illusion with well-established fact).

While the earliest character representations in video games were rudimentary in terms of their presentation and performance, the virtual characters that appear in games today can be extremely complex and lifelike. These are characters that have the potential to make a powerful and emotional connection with gamers. As virtual characters become more

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Discover the art of finding more through having less. Filled with practical tips, this book will guide you toward a simpler way of life. Learn how to reduce your clutter and your stress levels, to make time for what matters, and how to enrich the everyday by putting quality before quantity. All you need is the simple power of"less".