New Releases by Ruth Prawer Jhabvala

A collection of fiction by the Booker Prize–winning author and “one of the 20th century’s great female writers" (The Washington Post), drawn from her ample body of work that has been out of the public eye for decades Ruth Prawer Jhabvala began publishing fiction in 1956 and continued to do so until her death in 2013. Disinheritance showcases some of the finest of these efforts, all demonstrating Jhabvala’s powers of keen observation as she examines the westernization of India’s middle class, the interplay of social and romantic ambition, and the social mores that plague her characters, regardless of their geographical background. Salman Rushdie has described her as a “rootless intellectual,” and John Updike called her an “initiated outsider.” All these qualities shine in this very special collection, with stories undiscovered for decades. Including an introduction from the author’s 1979 lecture when awarded the Neil Gunn Prize in Scotland, Disinheritance balances a host of cultural influences to showcase Jhabvala’s signature voice and her buoyant, satiric fiction.

A New York Times Book Review Editors’ Choice BOOKER PRIZE-WINNING AUTHOR: 17 short stories “about belonging, desire, and the boundaries of love” from “one of the 20th century’s great female writers”—with a foreword by Anita Desai (Washington Post). “Jhabvala has Alice Munro’s gift for making you feel you’re reading a novel in miniature.” —Seattle Times Nobody has written so powerfully of the relationship between and within India and the Western middle classes than Ruth Prawer Jhabvala. In this selection of stories, chosen by her surviving family, her ability to tenderly and humorously view the situations faced by three (sometimes interacting) cultures—European, post–Independence Indian, and American—is never more acute. In “A Course of English Studies,” a young woman arrives at Oxford from India and struggles to adapt, not only to the sad, stoic object of her infatuation, but also to a country that seems so resistant to passion and color. In the wrenching “Expiation,” the blind, unconditional love of a cloth shop owner for his wastrel younger brother exposes the tragic beauty and foolishness of human compassion and faith. The wry and triumphant “Pagans” brings us middle–aged sisters Brigitte and Frankie in Los Angeles, who discover a youthful sexuality in the company of the languid and handsome young Indian, Shoki. This collection also includes Jhabvala’s last story, “The Judge’s Will,” which appeared in The New Yorker in 2013 after her death. The profound inner experience of both men and women is at the center of Jhabvala’s writing: she rivals Jane Austen with her impeccable powers of observation. With an introduction by her friend, the writer Anita Desai, At the End of the Century celebrates a writer’s astonishing lifetime gift for language, and leaves us with no doubt of Ruth Prawer Jhabvala’s unique place in modern literature.

Angel is dark and plain, introverted and submissive, a spontaneous composer of childish verses, wholly consumed by the wild, seductive spell of her cousin Lara - a beautiful, irresponsible creature who expresses herself in free-form dance. What begins as a tender and intimate attachment between two young girls deepens in adulthood into something complex and perilous, as Lara''s life spins in increasingly erratic circles while Angel''s passionate devotion to her remains undiminished. It is a feverish and impenetrable relationship, of reckless master and willing slave, one forged to shield both Angel and Lara from the harshness of their surroundings, as well as from the far greater terrors of the self. It is a relationship that will end in terror for the young women, and for their families. Set against the vivid, dream-like landscape of of Manhattan in the recent past, Poet and Dancer is an altogether unforgettable novel, written with the subtlety, wry humour and beauty that are the hallmarks of one of the twentieth century''s most brilliant novelists and storytellers.

This observant and insightful novel reveals, in rich and poignant detail, the interior lives of three generations of people in their quest for love and beauty Louise, not content with her husband''s gentle affection, strives to reclaim her youth in titillating social and spiritual adventures. Her daughter Marietta searches for beauty in lofty ideas and in her obsession for her son Mark, who believes love is to be found in the pursuit of money and young, vacuous lovers. And Leo, their eccentric, self–styled guru, satisfies himself with power–commanding the bodies and souls of his followers. Demonstrating Jhabvala''s deft twists of irony and humor, In Search of Love and Beauty brings several lifespans, full of hopes and ideals, within our grasp.

For her first novel in more than nine years, Ruth Prawer Jhabvala has written a most unusual book in a career of distinctive and unique accomplishments. My Nine Lives is "Chapters of a Possible Past," as the subtitle declares. It is, as the author has commented, a book filled with "invented memories." Nine vignettes are linked to portray a rich life filled with searching, from London to Delhi, from Hollywood to New York. Each chapter gathers a different cast of characters, some new and some vaguely familiar, and the linked assembly is as exciting and illuminating as an artist''s first show at a Soho gallery or a new play at the Studio Theater. After seventeen books, now in her 77th year, Ruth Prawer Jhabvala takes on as her subject herself, the life she may have or may have wished to live.

Hailed as one of the best books of 1998 by the Los Angeles Times, this group of twelve short stories was written over the past twenty years. From the steamy streets of New Delhi to New York''s tony Upper East Side, Jhabvala''s characters grapple with the universal quandaries of the human experience–jealousy, passion, temptation, and deception–truths of life and love that follow no matter where we wander.

The Booker Prize–winning novel—intertwining the narratives of two women, past and present, and their relationships to India—from the novelist, short story writer, and two–time Academy Award–winning screenwriter Ruth Prawer Jhabvala Partly set in colonial India during the 1920s, Heat and Dust tells the story of Olivia, a beautiful woman suffocated by the propriety and social constraints of her position as the wife of an important English civil servant. Longing for passion and independence, Olivia is drawn into the spell of the Nawab, a minor Indian prince deeply involved in gang raids and criminal plots. She is intrigued by the Nawab''s charm and aggressive courtship, and soon begins to spend most of her days in his company. But then she becomes pregnant, and unsure of the child''s paternity, she is faced with a wrenching dilemma. Her reaction to the crisis humiliates her husband and outrages the British community, breeding a scandal that lives in collective memory long after her death, and will compel her future granddaughter to investigate their family’s secrets.

From the Booker Prize–winning novelist and screenwriter of Howard’s End: “Cinematic” and “exquisite” stories of longing, loss, and redemption (Publishers Weekly). In this expansive story collection, Ruth Prawer Jhabvala, author of Heat and Dust and the screenplays for The Remains of the Day and A Room with a View, continues her lifelong meditation on East and West. Set in India, England, and New York City, A Lovesong for India reveals what unites us across oceans, cultures, and lifetimes. In “Innocence,” an older couple, whose social standing is marred by a decades–old scandal, rent out rooms in their Delhi home for both companionship and income. The couple becomes deeply invested in the lives of their two tenants, but with the addition of a third renter—a beautiful and provocative woman from India—tensions in the household push the story to its feverish conclusion. “Talent” finds Jhabvala in New York City reflecting on the friction between family and societal expectations. Magda is a talent scout whose work is her entire life until she meets Ellie, a singer whose immense ability and unguarded personality captivate Magda. Soon Ellie is integrated into Magda’s extended family—for better or worse. This remarkable collection is the hallmark of Jhabvala’s celebrated career and a testament to her “balance, subtlety, wry humor, and beauty” (The New York Times).

India 1923. La giovane, bella e irrequieta Olivia getta lo scompiglio nella colonia britannica di Satipur. Fugge con il Nawab del luogo, abbandonando il marito, un irreprensibile e zelante funzionario dell’Impero animato dai più gretti pregiudizi nei confronti della popolazione locale. Sedotta dai costumi esotici, dai riti e dalle antiche tradizioni dell’India, così in contrasto con la facciata e il perbenismo dei residenti inglesi, Olivia, incurante dello scandalo, si innamora perdutamente del Nawab, un principe dotato di carisma e abituato a concedere molto all’esercizio del potere e poco ai sentimenti. Lo vedrà non più di due, tre volte all’anno. Da questi incontri, tuttavia, rimarrà incinta. Cinquant’anni più tardi, quando i movimenti giovanili occidentali riscoprono l’India come terra della magia e di una condotta di vita alternativa al razionalismo e all’utilitarismo occidentali, anche Anne, giovane giornalista inglese, parte per il grande paese orientale. Con sé porta le lettere di Olivia, la prima moglie di suo nonno, e la stessa passione e curiosità per quel luogo così misterioso e attraente. Per un crudele scherzo del destino, Anne ripercorre fedelmente le orme di Olivia. Si innamora dell’uomo che la ospita, ne rimane incinta e si rifugia in attesa del parto in un ashram vicino alla casa dove Olivia aveva trascorso i suoi ultimi giorni. Là, a distanza di mezzo secolo, un identico interrogativo la tormenterà: può un’anima straniera afferrare lo spirito autentico, la verità di un paese così affascinante e, insieme, così diverso e remoto? Può davvero penetrare la levità e i misteri che quella terra di «calore e polvere» custodisce gelosamente?

Word count 24,125

Une jeune femme arrive à Bombay, attirée en Inde par l''histoire d''Olivia, la première épouse de son grand-père qui avait, en 1923, bravé toutes les conventions et ses propres peurs pour rejoindre un prince indien, le Nawab décadent d''une province musulmane. Faut-il que cette aventure face écho à la vie de la voyageuse... Les amoureux de James trouveront ici le magnifique portrait croisé de deux femmes en quête d''elles-mêmes, de générations différentes mais que semble animer une même soif de liberté. C''est la vaste rumeur d''incendie de l''Inde telle que la grande Ruth Prawer Jhabvala sait nous la faire entendre qui nous parvient, terre d''accueil dont les hôtes tentent si souvent de panser leurs plaies d''Occidentaux désenchantés.

Three Continents is a tale of the clash between the easternized West and the westernized East. Twins Harriet and Michael–spoiled, quixotic, and extremely wealthy–have eschewed the vapid world of cocktail parties and adulteries that seems to be their inheritance. In constantly searching to complete themselves, they become the perfect fodder for the charismatic Rawul of Dhoka and his sinister Sixth World Movement.

In Travelers, Jhabvala examines the unlikely convergence of four wanderers: Asha, an imperious Indian widow, Raymond, a curious Englishman, Lee, an American looking for her spiritual core, and Gopi, an impressionable young student. With a mixture of impassioned dialogue and subtle narrative, Jhabvala examines the psychological and cultural forces that wend their paths into inextricable knots of love and conflict.

Om livet i Delhi i begyndelsen af 1950erne for to unge, hvis familier lægger planer for deres fremtid

A COLLECTION OF NINE SHORT STORIES ABOUT INDIA, WRITTEN WITH HUMOUR AND COMPASSION.

10 stories of life in New Dehli and one story set in England, by a satirist of Indian middle-class mores.