New Releases by Sarah Gristwood

A captivating collection of women’s writing—including everything from poetry, letters, novels, memoir, and journals—that celebrates the joy of being a woman. While centuries of men, and the first generations of feminists have (from very different perspectives) lamented the experience of womanhood, this new collection takes a refreshing look at all there is to enjoy. Chapters include “Firsts” with voices such as Valentina Tereshkova, the first woman in space, and Marie Curie, the first female Nobel prizewinner; “Festivities,” which emphasizes frivolity and pleasure; “Friends” exploring the depth of connection experienced through female friendship; “Family,” on mothers, daughters, sisters, aunts, and grandmothers; and “Flowering,” which celebrates women’s creativity, passion, and love of life. From Amy Tan representing the uplifting comfort of parties with friends in The Joy Luck Club, to Sylvia Plath considering the fierce and confusing love she feels for her mother, and Elizabeth I embracing her role as Britain’s first successful woman ruler, Celebrating Women includes a diverse range of voices from across the ages that explores the breadth and gratification experience in different women’s lives. This volume contains a huge selection of writers dating back to the fifteenth century, from Christine de Pizan to Emily Dickinson, Germaine Greer to Alice Walker.

'Totally addictive.' – Alice Loxton, The Daily Telegraph 'An intriguing, highly snackable guide to women's experiences.' – Independent 'A modern classic.' – Alison Weir, author and historian 'The sort of book you return to again and again.' – Tracy Borman, author and historian A captivating collection of daily extracts from women's diaries, looking back over four centuries to discover how women's experience – of men and children, sex and shopping, work and the natural world – has changed down the years. And, of course, how it hasn't. Organised around the calendar year, in this engaging anthology you'll find Lady Anne Clifford in the seventeenth century and Loran Hurnscot in the twentieth both stoically recording the demands of an unreasonable husband; Joan Wyndham and Anne Frank, at much the same time, but in wildly different settings, describing their first experiences with sex; and Anne Lister (TV's Gentleman Jack) in eighteenth-century Yorkshire exploring her love affairs with women alongside Alice Walker in twentieth-century California. With several selections for each day, from the 1st January to the 31st December, this book is a fascinating record of how women were thinking, feeling and reacting to historical events. From Virginia Woolf relishing her new haircut and Oprah Winfrey meditating on her career to Emilie Davis chronicling the death of Abraham Lincoln and teenage Ma Yan yearning for education in poverty-stricken China, Secret Voices contains a rich mix of well-known diarists and less familiar ones, and often the voices echoing down the centuries sound eerily familiar today.

Sarah Gristwood's The Tudors in Love offers a brilliant history of the Tudor dynasty, showing how the rules of romantic courtly love irrevocably shaped the politics and international diplomacy of the period. Why did Henry VIII marry six times? Why did Anne Boleyn have to die? Why did Elizabeth I's courtiers hail her as a goddess come to earth? The dramas of courtly love have captivated centuries of readers and dreamers. Yet too often they're dismissed as something existing only in books and song--those old legends of King Arthur and chivalric fantasy. Not so. In this ground-breaking history, Sarah Gristwood reveals the way courtly love made and marred the Tudor dynasty. From Henry VIII declaring himself as the ‘loyal and most assured servant' of Anne Boleyn to the poems lavished on Elizabeth I by her suitors, the Tudors re-enacted the roles of the devoted lovers and capricious mistresses first laid out in the romances of medieval literature. The Tudors in Love dissects the codes of love, desire and power, unveiling romantic obsessions that have shaped the history of the world.

Winston Churchill is one of the best-known and most revered figures of our time, the man who led Britain through its 'darkest hour'. The last year alone has seen two feature films of his life. Many books have been published about his life and work, but very few have looked at his life through the prism of the house he occupied for over 40 years. Chartwell is as fundamental to understanding Churchill as Hill Top is to Beatrix Potter. This Elizabethan manor – cared for by the National Trust today – was his inspiration, his refuge and his obsession. He had to rebuild the property almost from scratch after he bought it in 1922, spending money he could ill afford. Later he built a wall around the garden and several buildings by hand. ‘A day away from Chartwell is a day wasted,’ he once said. The book's introduction features a special section telling Churchill's life through ten special and unusual objects at Chartwell. Featuring many rarely seen photographs, one previously unpublished, this beautifully illustrated book has an incisive text by Sarah Gristwood and Margaret Gaskin. They trace every phase of his life – rebellious child, brave adventurer, political outcast, inspirational leader – always circling back to Chartwell, just as the great man himself did.

A double biography of Virginia Woolf and Vita Sackville-West, their friendship and love affair. Virginia Woolf is one of the world’s most famous writers – a leading light of literary modernism and feminism – and a British icon. During the 1920s she had a passionate affair with a fellow author, Vita Sackville-West, and they remained friends until Virginia’s death in 1941. The hero of Virginia’s novel Orlando was modeled on Vita and the book has been described as ‘one of the longest and most charming love letters in history’. That’s on top of the more than 500 letters they wrote to each other. Vita & Virginia is the extraordinary account of the work, friendship and love affair of two prolific novelists, who came to redefine conventions of femininity, sexuality, art and politics for the modern world. The cultural legacies of these formidable women, enduring icons of sexual equality and female emancipation, proliferate around us today – in fashion and television, film and literature. In this scrupulously researched examination of the pair's long friendship, the National Trust draws on their poetry and treasured correspondence to tell the story of this thoroughly modern affair. Both novelists have become closely associated with the National Trust. Vita is most famous today as the co-creator of Sissinghurst, one of the most influential and visited gardens in the world, while Monk’s House, Virginia’s retreat and inspiration, was a celebrated haunt of the Bloomsbury Group, that influential set of artists, thinkers and writers who lived in squares and loved in triangles.

Sarah Gristwood celebrates the legacy of Queen Elizabeth II and how her enduring popularity was tantamount to her many supporters. The twists and turns of her life follow her teenage years during the war, marrying the Duke of Edinburgh and her ascension to the throne.

The dramatic story of thirteen legendary female rulers who shaped the course of sixteenth-century Europe

“Sumptuous...a fitting legacy for a pioneering conservationist who helped save thousands of acres of the Lake District” – The Mail on Sunday, August 2016 To this day, Beatrix Potter’s tales delight children and grown-ups around the world. But few people realise how extraordinary her own story is. She was a woman of contradictions. A sheltered Victorian daughter who grew into an astute modern businesswoman. A talented artist who became a scientific expert. A famous author who gave it all up to become a farmer. In The Story of Beatrix Potter, Sarah Gristwood follows the twists and turns of Beatrix Potter’s life and its key turning points – including her tragically brief first engagement and happy second marriage late in life. She traces the creation of Beatrix’s most famous characters – including the naughty Peter Rabbit, confused Jemima Puddleduck and cheeky Squirrel Nutkin – revealing how she drew on her unusual childhood pets and locations in her beloved Lake District. She explores too, the last 30 years of Potter’s life, when she abandoned books to become a working farmer and a pioneering conservationist, whose work with the National Trust helped to save thousands of acres of the Lake District – a legacy that, like her books, continues to enrich our lives today. Main text: 30,000 words. Approx 3,000 words for captions and index.

The Wars of the Roses, which tore apart the ruling Plantagenet family in fifteenth-century England, was truly a domestic drama, as fraught and intimate as any family feud before or since. But as acclaimed historian Sarah Gristwood reveals, while the events of this turbulent time are usually described in terms of the men who fought and died seeking the throne, a handful of powerful women would prove just as decisive as their kinfolks’ clashing armies. A richly drawn, absorbing epic, Blood Sisters reveals how women helped to end the Wars of the Roses, paving the way for the Tudor age—and the creation of modern England.

The true story of the White Queen and more, this is a thrilling history of the extraordinary noblewomen who lived through the Wars of the Roses.

Provides a behind-the-scenes look at the motion picture with facsimilies of the shooting script and a section on costumes.

Sarah Gristwood takes up the story in 1919, when Princess Patricia of Connaught revived the tradition of royal brides marrying in Westminster Abbey, and goes on to examine the weddings of the Queen Mother (1923), the Queen (1947), and Princess Margaret in 1960. Lastly, Tracy Borman brings the book right up to date, with accounts of the wedding of Prince Charles and Diana Spencer through to the fanfare that will celebrate the nuptials of Kate and William. Every kind of wedding features - from those attended by great public celebrations, to the many that took place in private chapels, parish churches and even in secret.

‘Entrancing, compelling, and beautifully written…This is the historical novel as literary fiction – and damned good literary fiction at that.’ Alison Weir

View our feature on Sarah Gristwood’s Elizabeth & Leicester.Though the story has been told on film—and whispered in historic gossip—this is the first book in almost fifty years to solely explore the great queen’s attachment to her beloved Robert Dudley, the Earl of Leicester. Fueled by scandal and intrigue, their relationship set the explosive connection between public and private life in sixteenth-century England in bold relief. Why did they never marry? How much of what seemed a passionate obsession was actually political convenience? Elizabeth and Leicester reignites this 400- year-old love story in a book for anyone interested in Elizabethan literature.

Based on letters written by England's "Lost Queen," this portrait describes the niece to Mary Queen of Scots and cousin to Elizabeth I who became a pawn in the power struggles of her age and tried unsuccessfully to flee her fate, dying a tragic death in the tower of London.

Few women's lives have described such an arc as that of Mary Robinson - or Perdita, as she was widely known. She began her career as an actress, royal mistress and possible blackmailer, and ended it just two decades later as a Romantic poet and early feminist thinker of note. She was the subject of paintings by Gainsborough and Reynolds, and of a hundred political cartoons. Variously portrayed as a wounded innocent and a harlot, she deliberately chose, in her later career, to make a political issue of her sexuality.Born in 1758 in the shadow of Bristol cathedral, she married at fifteen - one Thomas Robinson, an articled clerk of seemingly good family. But Mary had barely made her curtsey to society before discovering that Robinson was little better than a conman. As things grew worse, she followed her husband into debtors' prison, where she wrote her first book of poems. Encouraged by Sheridan and Garrick, who admired her beauty, she went on the stage, and over the next four years appeared in nearly forty plays before being cast as Perdita in A Winter's Tale. The performance was witnessed by the 17-year-old Prince of Wales, and they embarked on a widely satirized liaison that saw the prince offering to pay Mary £20,000 when he came of age. Mary had made her mark in fashionable Georgian high society and this, over the next two momentous decades, was where she contrived to stay.Mary's brief life saw a radical change in western society. Born at a time when women dressed their hair with powder and wore stiff brocade over whalebone, she died when simple muslin shifts clad women in comparative nudity; a sea change as abrupt as any before the advent of the mini-skirt. Above all, her career saw the moments when the French queen lost her head, and America declared independence. With all these events, Mary Robinson was associated; sometimes directly. This wonderful biography, vividly and compellingly told by the acclaimed biographer of Arbella Stuart, will explore Georgian England during a period of extreme political upheaval through the life of one extraordinary woman.